Master Single camera audience shot with multiple audio upgrades
Complete show on YouTube

BD

1

Brokedown House Production with video provided by ET Bensen - Seeded on LL 05/01/22 LL Seeding Seeded at TTD 05/01/22 TTD Seeding

Grateful Dead
August 29, 1982
Seattle Center Coliseum
Seattle, WA

Bershaw Archival Management and Brokedown House Production

Taped by ET Benson
Videotape Masters provided by ET Benson and Mark Severson.
Videotape Master Transfers and Capture by Alan Bershaw (B.A.M.)
Edit & Synch & Author by Kevin Tobin

Set One:
Jack Straw
Big Railroad Blues
Mama Tried >
Mexicali Blues
West LA Fadeaway
Little Red Rooster
Loser
Cassidy
It Must Have Been The Roses >
Let It Grow
[1:14:22]

Set Two:
Keep Your Day Job >
Samson And Delilah
He's Gone >
Drums >
Not Fade Away >
Wharf Rat >
Sugar Magnolia

Encore:
U.S. Blues
[1:12:23]

Note: This is the same footage as the BHP 2008 release but is from the Master VHS.
1st Set like my previous release had the same green corona - during the capture, this color anomaly was taken out by converting the video to black and white where it much easier to watch
Set 1
00:00:00-00:02:09 - Filled With Graphics
Set 2
00:42:33-01:12:23 - Filled With Graphics

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Video Source: AUD (Tripod) > ET Benson’s JVC T-120 VHS Masters (SP)
2022 Transfer by Alan Bershaw: VHS Masters playback on JVC HR-S9500U with built in Digital Time Base Correction via S-Video Out -> BlackMagic Intensity Thunderbolt Shuttle -> Apple Pro Res 422 (HQ), 720 x 486, 41615 kbps -> Final Cut -> H.264 720 x 480, 29.97fps, 6000 kbps.m4v -> TMPGEnc Video Mastering v7.0 > MPEG2 > TMPGEnc Authoring Works 6 > Bluray
[NTSC, 4:3, 6.0 Mbs, 720x480, 29.97 fps]

Audio Information:
Audio Track 1: SBD
SBD (shnid = 142688)
Source Info:
Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k)

Transfer Info:
PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16

Notes:
- Thanks to Tim Dalton for the source Dat
- Thanks to Charlie Miller for the transfer and coordinating this effort
Mastered by Scott Clugston
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 2: Matrix
shnid = 156588
SBD + AUD Matrix 2 Source Mix
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 3: 5.1 LPCM Surround Sound
shnid = 156590
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]

Audio Track 4: DTS 5.1
shnid = 156589
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

NOTE: Track 2/3/4 are a combination of the Audio Track 1 (SBD) listed above and this audience:
AUD (shnid = 148747)
This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp

Source Info:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M

Transfer Info:
Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Notes:
- Thanks to Mark Severson for the master (FOB) source
- Thanks to Charlie Miller for the transfer and coordinating this effort
Mastered by Scott Clugston
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

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Yes

Yes