Grateful Dead - 12/27/79
Oakland Auditorium Arena, Oakland, CA
Source:

Multiple camera pro-shot (Black and White) with multiple audio upgrades. MKV contains partial shows from both 12/27/79 and 12/28/79

Media Type:

MKV

Media Count:

1

Source Info: flac16; 1st Set Only, Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
Notes:

Brokedown House Production - not seeded anywhere due to source

Tech Notes:

Grateful Dead
12/27/1979 & 12/28/1979 - Partial shows

Oakland Auditorium
Oakland, CA
Proshot Black and White

Brokedown House Production

12/27/79 Partial Set 1
Cassidy
El Paso
Beat It On Down The Line

12/28/79 Partial Set 1
Mama Tried >
Mexicali Blues
Row Jimmy
It's All Over Now

Partial Set 2
Playin' In The Band
Drums

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums


Video (for both nights): Multi Camera Pro-shot from Sgt. Schultz's private collection
Intertubes boobtube files > H264 > TMPGEnc Video Mastering
v7.0 > MPEG2 > TMPGEnc MPEG Editor 2.0 > TMPGEnc Authoring
Works 6 > Bluray
[NTSC, 4:3, 6.2 Mbs, 720x480, 29.97 fps]

Audio Information (12/27/79):
Audio Track 1
: SBD (shnid = 81601)

Recording Info:
SBD -> Cassette Master -> Dat -> CD

Transfer Info:
CD -> Samplitude Professional v7.02 -> FLAC
(1 Disc Audio / 1 Disc FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 26, 2006

Notes:
-- Thanks to Paul Scotton for the disc
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 2: Audience
AUD (shnid = 89199)

Recording Info:
Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)

Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Samplitude Professional v10 -> FLAC/16

All Transfers and Mastering By Charlie Miller
December 21, 2007
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 3: Matrix
shnid = no shnid
SBD + AUD Matrix 2 Source Mix
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 4: 5.1 LPCM Surround Sound
shnid = no shnid
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]

Audio Track 5: DTS 5.1
shnid = no shnid
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

NOTE: Track 3/4/5 are a combination of the Audio Track 1 (SBD) listed above and this audience:
AUD (shnid = 89199)

Recording Info:
Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)

Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Samplitude Professional v10 -> FLAC/16

All Transfers and Mastering By Charlie Miller
December 21, 2007
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Information (12/28/79):
Audio Track 1
: SBD (shnid = 87394)

Source: SBD > MR > PCM > DAT > WAV > FLAC. DAT provided by B.Koucky/B.Fried.
Transfer/mastering: DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transferred and mastered by ChrisL.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 2: Audience
AUD (shnid = 89273)

Recording Info:
Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)

Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Samplitude Professional v10 -> FLAC/16

All Transfers and Mastering By Charlie Miller
December 14, 2007
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 3: Matrix
shnid = no shnid
SBD + AUD Matrix 2 Source Mix
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 4: 5.1 LPCM Surround Sound
shnid = no shnid
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]

Audio Track 5: DTS 5.1
shnid = no shnid
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

NOTE: Track 3/4/5 are a combination of the Audio Track 1 (SBD) listed above and this audience:
AUD (shnid = 89273)

Recording Info:
Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)

Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Samplitude Professional v10 -> FLAC/16

All Transfers and Mastering By Charlie Miller
December 14, 2007
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

J-Card Comment:

bf016333f1089c3b446637e0ba42f2b9 *gd1979-12-27-28.mkv

Trades Allowed: Yes Traded From:

Show Rating:

Yes

Sound Rating:

Reference #:

Generation:

Lists:
Owned by Kevin Tobin Videos · Last Updated May 13, 2022


Grateful Dead 12/27/79
Oakland Auditorium Arena, Oakland, CA
Set I
Jack Straw
They Love Each Other
Cassidy
Peggy-O >
El Paso
Don't Ease Me In
Beat It On Down The Line
Deal
Set II
China Cat Sunflower >
I Know You Rider
Samson & Delilah
Eyes Of The World >
Lost Sailor >
Saint Of Circumstance >
Drums >
Space >
Black Peter >
Sugar Magnolia

Encore:
U.S. Blues
Brokedown Palace
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(5593) View Source    View Archive
Recording by Steve Rolfe: Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > DBX encoded Reel to Reel > DBX decoded > Panasonic SV3700 DAT > CDR; EAC'ed / SHN'ed by Scott Clugston : upgrade now in circulation
(15081) View Source    View Archive
Recording by Steve Rolfe: nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon
(81601) View Source    View Archive
flac16; 1st Set Only, Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
(83944) View Source    View Archive
flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
(89199) View Source    View Archive
flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(128618) View Source    View Archive
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
(144775) View Source    View Archive
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(144776) View Source    View Archive
flac24; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
(154875) View Source    View Archive
flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
(154876) View Source    View Archive
flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
(167335) View Source    View Archive
flac1648 Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506) Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
(167336) View Source    View Archive
flac2496 Master 1/2 Track Audience Reels; Nakamichi 700 mics (mounted on a 30' pole) > Technics RS-1500 Reel to Reel @ 7 1/2 ips (DBX encoded) > DBX224 > 1st generation Reels (Technics RS-1506) Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2024 > TLH flac2496
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Cached: Mon, 29 Apr 2024 19:04:11 EDT