(Master) Single camera audience shot with multiple audio upgrade
Complete shows on YouTube

BD

2

Bershaw Archival Management with video provided by ET Bensen - Seeded on LL 12/30/22 LL Seeding Seeded at TTD 12/30/22 TTD Seeding

Robert Hunter
October 28, 1984
Hub Auditorium, University of Washington,
Seattle, WA

Video Source: ET Benson’s JVC T-120 VHS Masters

Video Transfer: VHS Masters playback on JVC HR-S9500U with built in Digital Time Base Correction via S-Video Out > BlackMagic Intensity Thunderbolt Shuttle > Apple Pro Res 422 (HQ), 720 x 486, 41615kbps > Final Cut > H.264 720 x 480, 29.97fps, 6000 kbps.m4v transferred by Alan Bershaw > H264 > TMPGEnc Smart Render 6.0 >
TMPGEnc Authoring Works 6 > Bluray
[NTSC, 4:3, 6.0 Mbs, 720x480, 29.97 fps]

Primary Audio Source: Bob Lofgren’s (Left channel mono soundboard line feed, Right channel Nakamichi CM700 mini mic on stand at soundboard)> Sony TCD5M cassette deck(Dolby B) > Maxell UDXL2 90

Transfer: Mono soundboard line feed split to both channels Nakamichi cassette deck (Dolby B) > Roland R-05 24/96 WAV > Audacity Flac 24/96 transferred by Bob Lofgren

Additional audio chain: 24/96 wav > Logic (speed correction, minor level adjustments, seamless patching) > 24/96 wav > 24/96 LPCM by Alan Bershaw

Patch Notes:
Tape flips on the master cassettes were seamlessly patched utilizing the linear mono SBD feed on the VHS masters. The vocal channel in the soundboard feed quit working on the last two songs of the encore. This sequence was seamlessly patched with Mark Severson's Nakamichi 700s Cassette Master.

Patch Source info:
1)Soundboard feed > linear mono audio track on ET Benson’s JVC T-120 VHS Masters
Transfer: JVC T-120 VHS Masters > JVC HR-S9500U (RCA analog out) > Lexicon Lamda > Logic 24/96 wav transferred by Alan Bershaw

2) Nak 700's > Sony TC-D5M > Cassette Masters - taped by Mark Severson
Transfer: Master Cassette > Nakamichi CR-7A > Tascam DA-3000 > DSF 1-bit/5.6 MHz - transferred by Charlie Miller

Additional audio chain: DSF 1-bit/5.6 MHz > 24/96 wav by Mick Etherington

Set 1:
Introductons of Crabby Goat Productions Crew
and Richard Brender introduces Robert Hunter
Keep Your Day Job
Keys To The Rain
Out Of The City
Wharf Rat
Deal
Rum Runners
Deep Elum Blues
Roseanne
Candyman

Set 2:
Introduction
Rock Columbia
Amagamalin Street
Easy Wind
Raging >
Sugaree
Don't Be Deceived
Mountains Of The Moon
Cruel White Water >
Scarlet Begonias >
Sunshine Daydream >

Encore:
Terrapin Station

Personnel:
Robert Hunter - vocals, guitar, harmonica

Taped by ET Benson
Videotape Masters provided by ET Benson and Mark Severson.
Videotape Master Transfers and Capture by Alan Bershaw (B.A.M.)
Edit & Synch by Alan Bershaw (B.A.M.)
Author & 5.1 Audio by Kevin Tobin (BHP)

Audio Information:
Audio Track 1: Soundboard
shnid = 156088
Master recorded by Bob Lofgren

Source: Left channel Mono soundboard line feed, Right channel Nakamichi CM700 mini mic on stand at soundboard> Sony TCD5M cassette deck {Dolby B ON} > Maxell UDXLll 90min

Transfer: Mono soundboard line feed both channels > Nakamichi Cassette Deck 1 {Dolby B ON} > Roland R-05 24/96 WAV > Audacity Flac 24/96 > rBrain PRO > wav 16/48
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]

Audio Track 2: Matrix
(shnid = 161595)
SBD + AUD Matrix 2 Source Mix
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]

Audio Track 3: 5.1 LPCM Surround Sound
shnid = 161598
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]

Audio Track 4: DTS 5.1
shnid = 161597
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

NOTE: Track 2/3/4 are a combination of the Audio Track 1 (SBD) listed above and this audience:
AUD (shnid = 161593)
Source: Nakamichi 700's > Sony TC-D5M > Cassette Masters - From Mark Severson Collection
Transfer: Master Cassettes > Nakamichi CR-7A > Tascam DA-3000 > DSF 1-bit/5.6 MHz - transferred by Charlie Miller
Lineage:DSF 1-bit/5.6 MHz > dBpoweramp > wav 24/96 > Adobe Audition CC 2014 > Flac 24 > rBrain PRO > wav 16/48

Thanks to Mark for sharing his masters.

Thanks to Charlie for the transfer
[LPCM, 4.6 Mbs, 24 Bit, 96 kHz]

NOTE: VHS Master Hi Fi audio tracks (used to fill in minor gaps between some songs) was also used for pitch correction as referenced to the video for both the Soundboard and the Audience

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