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Grateful Dead - 07/16/90
Rich Stadium, Orchard Park, NY
Edit Details
Source:

Multi-Camera proshot - capture from Shakedown Stream 6/23/21 - ac3 sbd audio
Media Type:

MKV

 Media Count:

1
Notes:

Indykid Production - not seeded anywhere due to the source
Tech Notes:

Grateful Dead
Rich Stadium
Orchard Park, New York
Monday, July 16, 1990
(broadcast date: May 29, 2020)

Lineage: "LIVE" Webcast -> Streamlink -> FFmpeg (edit) -> MKVToolNix GUI -> .mkv
Video: MPEG4 Video (H264) 640x480 4:3 picture 640 Kbps 30.00 fps
Audio: AAC 125 Kbps 48.0 KHz stereo

Setlist:

Set 1:
Hell in a Bucket
Mississippi Half-Step
Blow Away
Mama Tried (Merle Haggard cover) >
Mexicali Blues (Bob Weir song)
Loose Lucy
It's All Over Now (The Valentinos cover)
High Time
Let It Grow
Don't Ease Me In (Henry Thomas cover)

Set 2:
Sugar Magnolia
Scarlet Begonias
Man Smart, Woman Smarter (King Radio cover)
Ship of Fools
Truckin'
Mind Left Body Jam
Drums
Jam
The Wheel (Jerry Garcia song)
Gimme Some Lovin' (The Spencer Davis Group cover)
Wharf Rat
Around and Around (Chuck Berry cover)
Sunshine Daydream

Encore:
Brokedown Palace

TRT = 02:55:35

Note: This is a perfect capture of the webcast.
No imperfections were inherent in the broadcast.

Captured and uploaded by indykid.

MediaInfo:
General
Unique ID : 200100762273979873534542996617591638491 (0x968A014767E6715922E2406BEF01C9DB)
Complete name : Grateful Dead - 1990-07-16 Rich Stadium, Orchard Park, New York [480p].mkv
Format : Matroska
Format version : Version 4
File size : 961 MiB
Duration : 2 h 55 min
Overall bit rate : 765 kb/s
Encoded date : UTC 2020-05-31 02:25:17
Writing application : mkvmerge v31.0.0 ('Dolores In A Shoestand') 64-bit
Writing library : libebml v1.3.6 + libmatroska v1.4.9

Video
ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile : Main@L3
Format settings : CABAC / 1 Ref Frames
Format settings, CABAC : Yes
Format settings, RefFrames : 1 frame
Codec ID : V_MPEG4/ISO/AVC
Duration : 2 h 55 min
Bit rate : 637 kb/s
Width : 640 pixels
Height : 480 pixels
Display aspect ratio : 4:3
Frame rate mode : Constant
Frame rate : 30.000 FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Bits/(Pixel*Frame) : 0.069
Stream size : 801 MiB (83%)
Default : Yes
Forced : No
Color range : Limited
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709

Audio
ID : 2
Format : AAC LC
Format/Info : Advanced Audio Codec Low Complexity
Codec ID : A_AAC-2
Duration : 2 h 55 min
Bit rate : 125 kb/s
Channel(s) : 2 channels
Channel layout : L R
Sampling rate : 48.0 kHz
Frame rate : 46.875 FPS (1024 SPF)
Compression mode : Lossy
Delay relative to video : -50 ms
Stream size : 157 MiB (16%)
Default : Yes
Forced : No

Captured and uploaded by indykid.
J-Card Comment:

e132774983fc8e6413af718f14ac0de6 *Grateful Dead - 1990-07-16 Rich Stadium, Orchard Park, New York [480p].mkv
a304d0159ad2fbd4e25030a608d907aa *Grateful Dead - 1990-07-16 Rich Stadium, Orchard Park, New York [480p].txt
Trades Allowed: Yes Traded From:

Reference #:

Generation:

Lists:
Owned by Kevin Tobin Videos · Last Updated May 23, 2023


Grateful Dead 07/16/90
Rich Stadium, Orchard Park, NY
Add Source    Reviews    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Hell In A Bucket
Mississippi Half-Step Uptown Toodleloo
Blow Away
Mama Tried >
Mexicali Blues
Loose Lucy
It's All Over Now
High Time
Let It Grow >
Don't Ease Me In
Set II
Sugar Magnolia >
Scarlet Begonias >
Man Smart (Woman Smarter)
Ship Of Fools
Truckin' >
Drums >
Space >
The Wheel >
Gimme Some Lovin' >
Wharf Rat >
Around & Around >
Sunshine Daydream

Encore:
Brokedown Palace
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Crosby, Stills & Nash opened
Last Changed By Shawnee
Sources
(1316) View Source    View Archive
SBD> DAT> CD's> EAC> SHN; SHN/upload by Randall Ward, seed via Matt Knapp
(32018) View Source    View Archive
flac16; 1st Set:Soundboard->DAT@48 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample->CDWAV (track) ->FLAC. 2nd Set:Soundboard->DAT@44.1 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC. Conversion by Mark Lynn
(84980) View Source    View Archive
DSBD>CD
(95580) View Source    View Archive
flac16; FOB AUD: Sennheiser MD-441's > Sony TC-D5M > TDK SA 90's with no Dolby. Mics on stand, 18th row FOB. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.
(95782) View Source    View Archive
flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(98919) View Source    View Archive
flac16; Source: Nakamichi CM-100s with CP-4 shotgun caps > D-5 > mac; at the soundboard, a bit right of center if memory serves me correctly Lineage: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16
(116444) View Source    View Archive
flac16; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Radio Shack Mixer>Sony D5>Sony D5 Unknown Number Of Patch In Line; Taper JB,Transfer By Keo; Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
(116445) View Source    View Archive
flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Radio Shack Mixer>Sony D5>Sony D5 Unknown Number Of Patch In Line; Taper JB,Transfer By Keo; Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
(121580) View Source    View Archive
flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(121581) View Source    View Archive
flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Rename
(128387) View Source    View Archive
flac16; 3 source matrix mix of AUD shnid 95580, SBD shnid 95782 and AUD shnid 116444; Mixed by Nick Crump
(131228) View Source    View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(131229) View Source    View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(133997) View Source    View Archive
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(142695) View Source    View Archive
flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Set I: Spaced Schoeps CMC5 MK21 > Jensen PS > DAT (Panasonic SV250); Mics spaced @ 8'5" on stands @ 6'; Set II: Spaced Schoeps CMC3 MK2 > Jensen PS > DAT (Panasonic SV250). Mics spaced @ 8'5" on stands @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
(143604) View Source    View Archive
flac16/48kHz; Set 1 Dave Brotman Master DAT Recording: (FOB/DFC) Schoeps CMC3/MK2S (spaced 8'3" stands 6'4") > JE13 > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
(145658) View Source    View Archive
flac16/48kHz; Source: Utramatrix > Dat (48k) - Provided by Rich Gastwirt; Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick March 2019; a version of this circulated without the encore (s2t15)
(149401) View Source    View Archive
flac16; Source: Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell XL-II 90 And 100 Minute Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
(157718) View Source    View Archive
flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
(158164) View Source    View Archive
flac1644; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 157718 2496 > 1644
(162747) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 157718) Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shnid = 142695) Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Set I: Spaced Schoeps CMC5 MK21 > Jensen PS > DAT (Panasonic SV250); Mics spaced @ 8'5" on stands @ 6'; Set II: Spaced Schoeps CMC3 MK2 > Jensen PS > DAT (Panasonic SV250). Mics spaced @ 8'5" on stands @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - matrix mixing by Kevin Tobin
(162759) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 157718) Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shnid = 142695) Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Set I: Spaced Schoeps CMC5 MK21 > Jensen PS > DAT (Panasonic SV250); Mics spaced @ 8'5" on stands @ 6'; Set II: Spaced Schoeps CMC3 MK2 > Jensen PS > DAT (Panasonic SV250). Mics spaced @ 8'5" on stands @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - dts mixing by Kevin Tobin
(162769) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 157718) Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shnid = 142695) Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Set I: Spaced Schoeps CMC5 MK21 > Jensen PS > DAT (Panasonic SV250); Mics spaced @ 8'5" on stands @ 6'; Set II: Spaced Schoeps CMC3 MK2 > Jensen PS > DAT (Panasonic SV250). Mics spaced @ 8'5" on stands @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - surround mixing by Kevin Tobin
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Cached: Mon, 29 Apr 2024 18:59:33 EDT