Grateful Dead - 03/01/69
Fillmore West, San Francisco, CA
Source:

16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > CD

Media Type:

cdr/shn

Media Count:

1

Source Info: SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning
Notes:

(DAT conversion to CD by Aoxoa =====> THANKS!)
(Extraction and initial .shn encoding by R. Keshavan)
(Subsequent editing and.shn encoding by Seth Kaplan)
(Properly aligned sector boundaries verified via .shntool)

Known flaws:
Light static of unknown origin on the last thirty seconds of
Dark Star(22:52.611-23:22.480) > the first twenty five seconds
of St. Stephen(0:00.000-0:25.467)

Splice in Lovelight cuts at 0:17.815 on the master. A 0:01.355
silent gap after the splice was removed as well as a 0:00.300
segment prior to the splice in order to create a better flow from
the splice > the section in which the selection continues. The start
of Lovelight through to the splice was normalised +7.5db to better
match the flow of the selection up to the splice with the segment
in which the selection continues.

The Lovelight cut is on ALL known sources. One possible suggested
explanation for this is the possibility of a temporary power outage
common to the areas where the various taping equipment setups were
located. Sounds like a logical explanation for a bizarre happening!
Anyway, it seems to have been only a couple of minutes (if anything)
that were effected here.

Various segments of tunings and onstage banter prior to the Bill Graham
intros and the Hey Jude encore have been cut from the multi-track source.
These were subsequently spliced in from the alternate sources noted below.

The following alternate sources were used in editing the multi-track source:

1. SBD > Cassette Master > C > DAT > ZA2 > WAVs >SHN > CDR > DAT > WAV
2. SBD > 2-Track MSR > D > D > D > D > CD
3. SBD > 16-Track MSR > C2 > DAT > CD

Alternate source info for spliced portions:
0:59.372 seconds of pre-Bill Graham Set One intro tuning: 2-Track MSR > D > D >
D > D > CD
0:31.200 seconds of pre-Bill Graham Set Two intro tuning: 2-Track MSR > D > D >
D > D > CD
2:26.538 seconds of pre-encore stage banter: 2-Track MSR > D > D > D > D > CD
3:32.318 seconds of pre-encore stage banter: Cassette Master > C > DAT > ZA2 >
WAVs >SHN > CDR > DAT > WAV

The majority of the show was re-tracked after completing the above edits.

Trades Allowed: Yes Traded From:

Reference #:

Generation:

0

Lists:
Owned by barney rubble · Last Updated Oct 13, 2002


Grateful Dead 03/01/69
Fillmore West, San Francisco, CA
Set I
Cryptical Envelopment-> The Other One-> Cryptical Envelopment-> New Potato Caboose-> Doin' That Rag-> Cosmic Charlie
Set II
Dupree's Diamond Blues-> Mountains Of The Moon, Dark Star, Saint Stephen-> The Eleven-> Turn On Your Lovelight, E: Hey Jude
Set III
 
Comment
Other artist(s): GD; Pentangle; Sir Douglas Quintet
Last Changed By Hamilton, Greg & Diana
Sources
(60) View Source    View Archive
revised source info: SBD> cass master > 1 cass > DAT> ZA2> Soundforge> SHN; transfer by R. Nayfield; reel flip beginning Lovelight; 5/01 note upgrade now in circulation
(4030) View Source    View Archive
SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning
(9391) View Source    View Archive
Jay Ashley (Bertha) remaster of previous multi-track source; SBD>>MTMR>>DAT>>CDA>>DAW(Bertha)>>CDA
(13584) View Source    View Archive
SBD > DUAL RTR DECKS AT 15 I.P.S. > LESH DIGITAL MIXDOWN IN 1998 > MCS D > SSSB (Jay Serafin remaster)
(132657) View Source    View Archive
flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape- Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO(Mine); Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some Pitch Correction Implemented
(138788) View Source    View Archive
flac16/48kHz; SBD > 2-track Master Reels > Dat; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Joe Noel Edited & Mastered in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Cached: Sat, 27 Apr 2024 09:30:01 EDT