(4233) View Source
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SBD> MC> DAT> CDR> EAC> shn; via Tony Gardner; includes filler from 9/9/87 (see pub comments)
(34422) View Source
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SBD>MC>DAT>CDR>EAC>shn - Seamless fix of
shn id 4233
(92277) View Source
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flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXLIIs Analog Lineage: 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Danny Thompson Transfer By: Adam Egert Mastering By: Derek McCabe
(92498) View Source
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flac24; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Danny Thompson Transfer By: Adam Egert Mastering By: Derek McCabe
(103629) View Source
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flac16; Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(138758) View Source
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flac16/48kHz; unknown taper: Schoeps > spaced cardioids > pcm > dat (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT; (Admin note: the info file indocates that these files are 44.1kHz; they are actually 48kHz)
(142150) View Source
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flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(142151) View Source
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flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
(142157) View Source
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flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(142332) View Source
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flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
(151156) View Source
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flac16/4khz Source Info:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Transfer Info:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
(151157) View Source
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flac24/96khz Source Info:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Transfer Info:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
(152484) View Source
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flac24/96 Dead Aire 100.1 FM master by Mike French "Moke"
Lineage:
Mostly Dead Aire 100.1 FM, but with a couple of patches from the sbd in set two to fix fm signal loss issues.
Master:
Portable FM radio (walkman type) headphone out-> Sony WM-D6C "b" n.r.
Recorded live, from inside the concert venue.
Lineage to 24/96 high resolution digital:
master playback,...
Sony TC-D5M "B" n.r. on, with Maxell MX90 master cassette -> *Grace Lunatec V3 +23dB gain analog out-> Sound Devices SD722 @ 24/96
*I needed additional +6dB of clean gain to run unity gain with the 722.
then:
SD722 digital files via firewire->Mac G4 (tiger 10.4)
Processed via Sonic Studios 2.2.4
16/44.1 sbd patch-in samples, up-sampled to 24/96 via SS 2.2.4
Flac by xACT @ 7/8