(9199) View Source
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Senn 421 mics > Sony TC-D5 > MAC > DAT > CD; via Tiger-Rose; Seeded to etree by Sean Cribbs
(14190) View Source
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Audience Recording: Sennheiser 441-->Sony D6
Note: Track 1 is incomplete; posted to abgd
(27703) View Source
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SBD> Master Cassette> Reel> Dat (48k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Rob Eaton's FOB Senn 441 source; Transferred, Edited and Patched By Charlie Miller
(93145) View Source
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flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN ->
WAV -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
(97109) View Source
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flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
(135190) View Source
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flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(135191) View Source
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flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
(137037) View Source
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flac24; Set Two AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2016
(137038) View Source
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flac16; Set Two AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2016
(141612) View Source
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flac16/44.1 Source Audience Recording: Beyer M 201c
Location: 60 feet from stage|DFC
Lineage: MA CA FOB - Beyer M201's (hyper cardiod)XY 6ft>> Sony TCD5M w Maxell XL-II, No Dolby
Playback: Nakamichi CR-5A ->Tascam DR-680|SD card 24/48
Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
Taped by: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney
Transferred by Kyle Holbrook
(141613) View Source
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flac24/48 Source Audience Recording: Beyer M 201c
Location: 60 feet from stage|DFC
Lineage: MA CA FOB - Beyer M201's (hyper cardiod)XY 6ft>> Sony TCD5M w Maxell XL-II, No Dolby
Playback: Nakamichi CR-5A ->Tascam DR-680|SD card 24/48
Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
Taped by: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney
Transferred by Kyle Holbrook
(141614) View Source
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flac16/44.1 Source Audience Recording: JVC200E Binaural headphone microphones
Location: 60 feet from stage|DFC
Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby
Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48
Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone
Transferred by Kyle Holbrook
(141615) View Source
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flac24/48 Source Audience Recording: JVC200E Binaural headphone microphones
Location: 60 feet from stage|DFC
Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby
Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48
Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone
Transferred by Kyle Holbrook
(145466) View Source
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flac16/48kHz; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(145467) View Source
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flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
(162265) View Source
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flac1648 Source Info:
Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
(162266) View Source
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flac2496 Source Info:
Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
(163633) View Source
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flac1648 Source Info:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
(163634) View Source
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flac2496 Source Info:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (left + right) + (1) Neumann U87 (center) > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496