Joe Rocha - Grateful Dead 10/08/89

Grateful Dead - 10/08/89
Hampton Coliseum, Hampton, VA

Source:	VIDEO: MAC (8mm camera with dual Sony ECM 77-B mics > Sony EV-S1 8mm Recorder > Videum 1000 Capture card > Ulead Videostudio version 6 > SVCD or VCD > VCD-compliant MPEG-1 II AUDIO: SBD>DAT>CDR>EAC>Cool Edit Pro>Video
Media Type:	VCD	Media Count:	3
Tech Notes:	10/08/89 Hampton Coliseum Hampton VA Set 1 Disk 1 Foolish Heart Walkin' Blues Candyman Me & My Uncle-> Big River Stagger Lee Queen Jane Approximately Disk 2 Bird Song Promised Land Set 2 Help On The Way-> Slipknot!-> Franklin's Tower Victim Or The Crime-> Eyes Of The World Disk 3 Drums-> Jam-> I Need A Miracle-> The Wheel-> Gimme Some Lovin'-> Morning Dew E: We Bid You Good Night SOURCE Video: MAC (8mm camera with dual Sony ECM 77-B mics > Sony EV-S1 8mm Recorder > Videum 1000 Capture card > Ulead Videostudio version 6 > SVCD or VCD > VCD-compliant MPEG-1 Audio: SBD>DAT>CDR>EAC>Cool Edit Pro>Video Note: After capturing the video, the audience soundtrack (from the video) was exported and then loaded into Cool Edit Pro along with a copy of the sbd audio. Then, an unique note at approximately 1 minute intervals on the video soundtrack was found and matched to the same note from the sbd. Some modification (ie stretching or shrinking) to the length of these segment was required in order for the sbd to flawlessly match the captured video. The original video audience track was then muted and the sbd tracks imported as background music prior to rendering the video file as either a vcd or svcd. The video was captured at 480x480 resolution (SVCD) and 24bit RGBT compression for a fairly clean picture. The camera was on a tripod, a little shakey at times but not too bad. A 50-200mm lens was used for some great closeups. The SVCD format will play on most DVD players otherwise the VCD will. The SVCD format also includes a song menu. VCD format (352x240) was rendered from the svcd file and does not have the song menu, but does have the imported sbd audio as part of the file. Flaws: 1) 1 min 24 secs had been cut from the dead space between Big River and Stagger Lee on the cd - I used the video audience soundtrack to fill in. 2) 3 seconds into Help on the Way, there was a 6 sec gap on the video. I filled in using the last frame before the gap that transitioned into the first frame after the gap with no cut in the music. 3) 32 sec gap during space (possible tape flip) was filled in using the video audience soundtrack. Brokedown House Productions Original 8mm cassette supplied by Dan Cole who also let me borrow the Sony EV-S1 8mm Recorder that the tapes were originally recorded on. Video Conversion by Kevin Tobin Audio SBD imported and synced by Kevin Tobin Audio cds provided with thanks by Rick Martin MPEG-1 preparation and seeding by MattMan (mcoleATsun.science.wayne.edu)
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Owned by Joe Rocha · Last Updated May 23, 2023

Grateful Dead 10/08/89
Hampton Coliseum, Hampton, VA

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Set I

Foolish Heart >
Walkin' Blues
Candyman
Me & My Uncle >
Big River
Stagger Lee
Queen Jane Approximately
Bird Song >
Promised Land

Set II

Help On The Way > *
Slipknot! >
Franklin's Tower
Victim Or The Crime >
Eyes Of The World >
Drums >
Space >
I Need A Miracle >
The Wheel >
Gimme Some Lovin' >
Morning Dew

We Bid You Good Night

Set III

Comment

Billed as "Formerly The Warlocks" after the Grateful Dead were banned from playing at Hampton Coliseum after several fan incidents during the March 1988 shows. To maintain a low profile, Hampton was not included as part of the regular ticket sales for the East Coast fall tour. Tickets went onsale at local outlets only 10 days prior to the shows. The Marquee for the shows read The Warlocks. The Grateful Dead did not perform at Hampton again until March 5, 1992.

First time played since September 12, 1985 *

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

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Last Changed By OBIE

Sources

(439) View Source View Archive
FOB Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego II digi I/O -> CDWAV by D. Nawrocki; seed via P. Delgado

(8365) View Source View Archive
SBD> Master Cass>DAT>CD; via CDead vine; Unknown seeder

(17732) View Source View Archive
SBD; CDR> EAC> WAV> SHNv3 via Dan Carr

(25261) View Source View Archive
SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN

(32427) View Source View Archive
flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko

(81532) View Source View Archive
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller

(89508) View Source View Archive
flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.

(96442) View Source View Archive
flac16; matrix of SBD: shnid=81532 and DAUD: shnid=439 by hansokolow using ProTools

(120376) View Source View Archive
flac24; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename

(120377) View Source View Archive
flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430>Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

(142509) View Source View Archive
flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

(147605) View Source View Archive
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller

(147651) View Source View Archive
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1

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