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Grateful Dead - 05/11/86
Frost Amphitheatre, Palo Alto, CA
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Source:

SBD>MC>DAT>CDR (Additional Cass generations?)
Media Type:

SHN

 Media Count:

2
Source Info: SBD>MC>DAT>CDR (Additional Cass generations?); via Tony Gardner
Notes:

Grateful Dead
05/11/86
Frost Amphitheater (Stanford U)
Palo Alto, CA

SBD>MC>DAT>CDR (Additional Cass generations?)

Disc 1 ~ Set 1
1 Tuning
2 Gimme Some Lovin' >
3 Dancin' In The Streets
4 Good Times Blues
5 Iko Iko
6 My Brother Esau
7 It Must Have Been The Roses
8 Cassidy >
9 Might As Well

Disc 2 ~ Set 2
1 Samson and Delilah >
2 Crazy Fingers >
3 He's Gone >
4 Smokestack Lightnin' >
5 Drums// >

Disc 3 ~ Set 2 (cont.)
1 Space >
2 The Other One >
3 Comes A Time >
4 Around and Around >
5 Not Fade Away
ENCORE
6 I need A Miracle >
7 US Blues

MC flip at end of Drums

EAC (secure mode with proper offsets)
and shn conversion by Tony G (spreaddead@bellsouth.net)
03/10/02
Trades Allowed: Yes Traded From:

Reference #:

Generation:

0
Lists:
Owned by Thomas Frank · Last Updated May 19, 2006


Grateful Dead 05/11/86
Frost Amphitheatre, Palo Alto, CA
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Set I
Gimme Some Lovin' >
Dancin' In The Streets
Never Trust A Woman
Iko Iko
My Brother Esau
It Must Have Been The Roses
Cassidy >
Might As Well
Set II
Samson & Delilah >
Crazy Fingers >
He's Gone >
Smokestack Lightning >
Drums >
Space >
The Other One >
Comes A Time >
Around & Around >
Not Fade Away
I Need A Miracle >
U.S. Blues
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(2317) View Source    View Archive
AUD> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; taped by Charlie Connor; A>D conversion by Stephen Agan; via Charlie Connor to abgd; see alternate tracking suggestions in info file
(8115) View Source    View Archive
SBD>MC>DAT>CDR (Additional Cass generations?); via Tony Gardner
(26557) View Source    View Archive
flac16; SBD > MC > C > DAT > CD > EAC > FLAC; inlcuding AUD patches from previous Beyer source; EAC/FLAC by Darryl Hinko, from David Feldstein's source discs
(81626) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(120512) View Source    View Archive
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
(120513) View Source    View Archive
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(135048) View Source    View Archive
flac24; lineage: schoeps cmc 44 fob> tcd-d5> tcd-d5>mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
(140257) View Source    View Archive
flac16; Source Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
(156610) View Source    View Archive
flac1644 1GEN AUDCA speed corrected 2.25% usig Audacity Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, John Hance, Aaron; patched out of Poris/Olness rig Transferred & Processed by Kyle Holbrook
(156611) View Source    View Archive
flac2448 1GEN AUDCA speed corrected 2.25% usig Audacity Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, John Hance, Aaron; patched out of Poris/Olness rig Transferred & Processed by Kyle Holbrook
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Cached: Fri, 26 Apr 2024 13:46:19 EDT