Phish - 12/29/96
The Spectrum, Philadelphia, PA
Media Type:

Audio

Media Count:

3

Source Info: Schoeps CMC6/mk41 > Sonosax SX-M2 > SBM-1 > DA-P1; Tascam DA-P1 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
Notes:

Show Notes: YEM featured a rotation jam (Trey on drums, Fish on piano, Page on bass, and Mike on guitar, then Fish switched to bass, Mike to piano, Page to guitar, and Trey continued on drums). Sixteen Candles was Mike solo on piano. Harpua featured a story about everybody in town: Jimmy, Poster Nutbag, Harpua, etc., go to hell, where they all see the Uber-Demon. Champagne Supernova was sung by Tom Marshall, better known on this night as the "Uber-Demon".

Anomolies: I patched the left channel with the right to cover a balloon pop during Poor Heart, I also softened a small glitch in Sixteen Candles.

Trades Allowed: Yes Traded From:

Reference #:

Generation:

0

Lists:
Owned by laura · Last Updated Mar 13, 2004


Phish 12/29/96
The Spectrum, Philadelphia, PA
Set I
Poor Heart, Caravan, Cavern, Taste, Guelah Papyrus, Train Song, Rift, Free, The Squirming Coil, La Grange,
Set II
David Bowie, A Day in the Life, Bathtub Gin, Lizards, You Enjoy Myself*-> Sixteen Candles**-> Vocal Jam, Harpua***-> Champagne Supernova#-> Harpua, E: Rocky Top
Set III

Comment
*With an "instrument shift" jam. First: Trey on drums, Fishman on
Last Changed By System
Sources
(651) View Source   
Schoeps CMC641> Sonsosax> SBM-1> DA-P1> ZA2> Teac 55S CD-R (1st row taper section)
(21147) View Source   
Schoeps CMC6/mk41 > Sonosax SX-M2 > SBM-1 > DA-P1; Tascam DA-P1 > M-Audio 24/96 > Wavelab (48>44.1kHz) > CDWav > SHNv3
(32720) View Source   
Microtech Geffel m300>Beyer MV-100>DA-P1; Tascam DA-20 mkII>SB Audigy>Soundforge 6.0>CDWav>mkwACT>.shn
(75962) View Source   
[2-Sennheiser 441 + 1-Nakamichi 700 (cardioid)] Matrix > Nakamichi MX-100 (mixer) > Strasser DAT Prototype > CDR > EAC > WAV > FLAC
(91201) View Source   
(FOB) Schoeps CMBI/mk4 > HHb PDR-1000 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (48 to 44.1 kHz) > Samplitude SE v9.1.1 (fades, tracking) > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel
(109572) View Source   
Nakamichi CM300's/CP4's > Sony TC-D5; Cass(m) > Tascam CDRW2000 > CD > xACT 2.00a (cdparanoia) > WAV > FLAC; Taped by Jon Pasternak; Transferred by Dave Mallick
(116668) View Source   
flac16; (FOB) Neumann KM140 > Beyer MV100 > Sony SBM-1 > DAT (44.1 khz); Sony PCM-2600 (AES) > Sound Devices 722 (24/44.1) > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track, bit depth conversation) > xACT 2.13 (align on sector boundaries, encode, tag, fingerprint) > flac16 (level 8); Taped by Jeff Kemp; Transferred by Lenny Stubbe
(123448) View Source   
flac16; AKG 414 + Audio Technica 4031 > Folio Notepad 4-Channel Mixer > Tascam DA-P1 > Sony TCD-D7; Sony TCD-D8 > Behringer UCA202 > Audacity > WAV > FLAC; Taped by Don Wright; Patch-taped by Robert Dunbar; Transferred by Bill Graves
(124458) View Source   
flac16; set 2 only; (FOB)Schoeps CMC 6/mk4 > ? > DAT; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Transferred by Jeff Mitchell
(142349) View Source   
flac16 48khz Recorded: Taper’s Section-> Core Sound Omnis-> Sony D-8 @48K-> DAT;Taper: Michael Frasca Transfer: DAT-> S/PDIF optical-> Diamond Extreme Sound-> USB-> iMac using Audacity-> FLAC Taper: Michael Frasca Transfer: Michael Frasca
(147597) View Source   
flac16/44.1khz Source: 2-Scheops CMC6 W/MK-4 Cardiod ( 10" Apart ORTF ) Stand 8ft > Symetrix SX-202 Pre-Amp> Sony D-10 Pro II DAT DAT Transfer: Panosonic SV-3700>SP/DIF>Philips CD-R 830 December 1998 CD Transfer: CD Opital Drive>Traders Little Helper FLAC Encoding Location: Sec Lower A Row 7 Seat 9 Taper: Terry Sullivan
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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