brothercrow (a.k.a. michael crow) - Grateful Dead 04/17/71set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield

Grateful Dead - 04/17/71
Dillon Gym, Princeton University, Princeton, NJ

Source:	SBD>Reel>?>DAT>ZA2>wav>shn
Media Type:	shn>cdr=	Media Count:	2
Source Info:	set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield
Notes:	this is not either of the two copies circulating , but rather a new version that comes mostly from the same DAT's of the two originals sources ( one is the first set , one is the second ). this is the entire show , and has been maticulasly spliced with a few other DAT versions to make one near perfect show . see the tech notes for more info on the splicing , sources , ect...
Tech Notes:	Growing up near Princeton, this show was one of the first dead tapes I ever heard. My copy was probably S:RCCCCCCCCCCC but I loved it anyway. I later received a much better copy (sounded like 2-3 analog gens) with a really lame flip at 45 minutes (aka middle of King Bee). When I first got my DAT deck, a kind soul (thanks Mike) spun me a copy of the set. This copy had a cut in Lovelight but beat the analogs any day. I finally found a copy without the infamous cut in Lovelight and decent levels to boot. Since this set was worth the trouble of getting different copies at least 5 times, I figured that I'd distribute it further than it has been until now. The lineage of these files is: Main: S:R?D Dub: S:RPD Both DATs were downsampled into my computer via ZA2 (48>44.1) The Main tape sounds much better than the dub - which is only used for 1.1 seconds (want to find it? Listen to the last time the guys say "the blues" in Bobbi McGee) Given the differences in the reel flip (at the end of lovelight) I would guess that the 'Main' tape represents a separate A>D transfer than the 'Dub' tape. If you know more, I'd love to hear about it. This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D conversion. This is from a reel made in 1971, so you will hear some rough bits. To the best of my knowledge, this transfer represents the best circulating copy in existence. Rod Nayfield rod@nycheads.com with thanks to D.H.
Trades Allowed:	Yes	Traded From:
Show Rating:		Sound Rating:	a
Reference #:		Generation:	0
Lists:

Owned by brothercrow (a.k.a. michael crow) · Last Updated Aug 22, 2002

Grateful Dead 04/17/71
Dillon Gym, Princeton University, Princeton, NJ

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Set I

Truckin', Big Railroad Blues, Big Boss Man, Bird Song, Playin' In The Band, Hard To Handle, Loser, Mama Tried, Casey Jones, Sugar Magnolia

Set II

Good Lovin'-> Drums-> Good Lovin', Me And Bobby McGee, Deal, Beat It On Down The Line, I'm A King Bee, Bertha, Sing Me Back Home, Goin' Down The Road Feelin' Bad-> Turn On Your Love Light

Set III

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'NFA' tease before "Lovelight' - Other artist(s): NRPS

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Sources

(121) View Source View Archive
set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield

(122) View Source View Archive
set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield

(88760) View Source View Archive
flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav

(89031) View Source View Archive
flac24; source: soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate

(107075) View Source View Archive
flac16; Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith

(107384) View Source View Archive
flac16; Matrix 2 Source Mix - SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + AUD (no shnid) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - matrix mixing by Kevin Tobin

(107385) View Source View Archive
DTS-Audio-CD 5.1 Mix; SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + SBD2 (shn id 122) set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield + AUD1 (no shn id) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - dts mixing by Kevin Tobin

(138033) View Source View Archive
flac16/48kHz; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017

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