S:MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN

SHN

2

This is another one of my favorite shows from the pre-1995 tours.
This is the version remastered by Mr. Marmar which is so much more
pleasant to the ears than the original source was. The entire show is
well played, but the "Big Black Furry Antelope From Mars" at the end
of set I is just really fun with some stop-start jamming and a cool little
vocal jam.

***********************************************************
Phish
Campus Club
Providence, RI
3/13/92

Lineage: S:MCass>(DAT ?)>PCM>CD>EAC>SHN
**update**
S:MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN

Disc 1 / Set 1:

1. The Curtain >
2. Split Open and Melt *
3. Poor Heart >
4. Guelah Papyrus
5. Maze
6. Dinner and a Movie >
7. Divided Sky

Disc 2:

1. Mound >
2. Fluffhead >
3. Run Like an Antelope >
4. BBFCFM^ >
5. Run Like an Anteope

Set 2

6. Wilson^^ >
7. Brother >
8. The Horse >
9. Silent in the Morning

Disc 3:

1. The Landlady >
2. Lizards
3. My Mind's Got a Mind of its Own
4. The Sloth >
5. Rift
6. Cold As Ice
7. Love You >
8. Cold As Ice
9. Possum^^^

Encore

10. Contact
11. Fire


Notes: The "?" in the lineage is not an extra analog generation. I'm just not
sure if the PCM came from a DAT or not, thus I put the question mark in. I
transferred the PCM, removed the DC offset, converted from 44.056Khz to
44.1Khz at the highest quality setting, tracked, and burned this show on
July 30, 2003. I wonder if perhaps the master was recorded with Dolby on and
played back with it off. It seems a bit too bright to me. However, I did
not mess with the recording in any way. Enjoy!

* - There is a very small dropout at 2:10. I tried several times to get a
clean read off the PCM tape at that spot, but could not. It's hardly
noticable, though.

^ - Has a vocal jam based on "Hawaii" and a "Lullabye" tease in it.

^^ - "Somewhere Over the Rainbow" tease to start

^^^ - Trey explains secret language

David Hollister

***RE-MASTERING NOTES 8/2003***
This show almost certainly has the pre-emphisis enabled if this a *true* PCM recording. That is the most likely cause for the overly harsh sound of the show. Upon getting these SHN's, they were loaded into REBA and passed through a 20band Parametric EQ with the J17 de-emphisis setting. Next in store for this show was a pass through the BBE Sonic Maximizer. This was used to really bring the mix together....it really brought out the low end very well. You can actually hear Mike's bass now ;-) The reason this was done is because if you listen real closely, you may notice you hear a lot of room dynamics....the recording had a slight time smear problem because of the 2 sources used to record this. The BBE unit was used to correct for this. Yes, you heard me right...I think this is a matrix, SBD+AUD. The SOAM has some nasty feedback. I crossfaded the feedback to "lessen" the damage to our ears. The pops in Fluffhead were toned down somewhat, but I had to leave BBFCFM alone....most of the distortion you hear is not dropouts but rather mic overload.

The show was re-mastered, re-tracked, then shn'd in August 2003.

Remastering by Mr. Marmar

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