datdork - Phish 09/17/99

Phish - 09/17/99
Shoreline Amphitheatre, Mountain View, CA

Source:	Schoeps mk4>m222 >NT222>HHB>ZA2 (48 kHz to 44.1 kHz resampling>HD>CDWav (track splitting)>shn
Media Type:	shn	Media Count:	2
Notes:	09/17/99 Shoreline Amphitheatre - Mountain View, California DAT > HD transfer, shortening and uploading by Mike Masse <mail@mikemasse.com> This is from Adam Braman's rig, via a DAT clone. Source info: DAUD (Schoeps M222 tubes/Mk4 > Elvo NT222 > HHB PortaDAT) > ZA2 (48 kHz to 44.1 kHz resampling) > HD > CDWav (track splitting) > shn I: Free Thought, Guyute, Ghost, Lawn Boy, Peaches en Regalia, Moma Dance, Water in the Sky, When the Circus Comes, Get Back on the Train, David Bowie, The Squirming Coil II: Runaway Jim, Sand, Piper, Roggae, You Enjoy Myself* > Bass duet, Wolfman's Brother, Cold Rain and Snow* E: Viola Lee Blues*** * - with Phil Lesh on bass (and trampoline on "You Enjoy Myself") - with Phil Lesh on bass and vocals * - with Phil Lesh on bass and Warren Haynes on guitar Disc 1 1. Free Thought 2. Guyute 3. Ghost 4. Lawn Boy 5. Peaches en Regalia 6. Moma Dance 7. Water in the Sky 8. When the Circus Comes 9. Get Back on the Train 10. David Bowie Disc 2 1. The Squirming Coil 2. Runaway Jim 3. Sand 4. Piper 5. Roggae Disc 3 1. You Enjoy Myself 2. Bass duet 3. Wolfman's Brother 4. Cold Rain and Snow 5. Viola Lee Blues Notes about the transfer: This show is brought to you by PFFP, the People for a Fade-Free Phish! ;-) Due to all the recent discussion/controversy over crowd fades during sets, I decided not to do any this time. Yes, you too can be the proud owner of an exact digital duplicate of the original DAT! Oh wait, but I did resample to 44.1. D'oh! Better luck next time... There was a small glitch in "Ghost" that I fixed. It was a skip that was actually present on the DAT, oddly. I filled it in with a brief section of the song from a few seconds later. It's a little noticeable, but much less so than the skip was. The only other notable thing is that there was a break on the DAT source between the end of Set 2 and the encore. I merged the crowd noise and omitted the break. But if you happen to notice an apparent cut in the crowd noise during that short break, that's the reason. The DAT levels were super hot, so I didn't do any normalizing. Considering this was an outdoor show, it sounds quite nice. And it's not as boomy as the mystery Schoeps copy that most of us have already burned. Enjoy! -Mike Masse
Tech Notes:	all
Trades Allowed:	Yes	Traded From:
Reference #:	0004367411	Generation:	0
Lists:	non masters \|

Owned by datdork · Last Updated May 23, 2023

Phish 09/17/99
Shoreline Amphitheatre, Mountain View, CA

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Set I

Mozambique, Guyute, Ghost > Lawn Boy > Peaches en Regalia > The Moma Dance, Water in the Sky, When the Circus Comes, Back on the Train > David Bowie, The Squirming Coil

Set II

SET 2: Runaway Jim > Sand, Piper
The typically high energy "Piper" jam settles down after 12:00 into a low key, blues-tinged exploration, with quiet, looping space bombs from Trey, and great Mike/Page grooving.
> Roggae, You Enjoy Myself[1] -> Jam[2], Wolfman's Brother[3] > Cold Rain and Snow[4]

ENCORE: Viola Lee Blues[5]

Set III

Comment

[1] No vocal jam; Phil Lesh on a second bass guitar.
[2] Bass jam; Phil Lesh on a second bass guitar.
[3] Phil Lesh on a second bass guitar.
[4] Phish debut; Phil Lesh on a second bass guitar.
[5] Phish debut; Phil Lesh on a second bass guitar and Warren Haynes on guitar.

Phil Lesh joined the band on a second bass guitar from YEM through the end of the show. The encore also featured Warren Haynes on guitar. Cold Rain and Snow and Viola Lee Blues were both Phish debuts. YEM did not contain a vocal jam and included Phil joining Trey and Mike on trampolines. The subsequent jam out of YEM comprised of solely Mike and Phil.

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Last Changed By jeff mitchell

Sources

(869) View Source
Schoeps (no further rig info); mastering: DAT at 44.1k> D8->Event Gina SPDIF in> Soundforge> CDR, by R. Avizienis; note faint clicks between some tracks: d1: between 3/4, 7/8, 9/10; d2: 2/3, 3/4; d3: 1/2, 2/3, no other flaws noticed; too bassy for some

(870) View Source
DAUD (Schoeps M222 tubes/Mk4 > Elvo NT222 > HHB PortaDAT) > ZA2 (48 kHz to 44.1 kHz resampling) > HD > CDWav (track splitting) > shn; taper A. Braman, mastering M. Masse; patched DAT skip in Ghost; pop in GBOTT 1:26

(871) View Source
FOB Schoeps CMB1+MK4v > SX-M2 > SBM-1 > D8; DAT via S. James; DAT > WAV via Turtle Beach Fiji w/Digi I/O (S/PDIF) > SHN; Conversion by: Jeff K.; beginning of each set (missing in DAT) were patched in from Tubes source; note bad track splits at d1t09, d1t10, d2t03, d2t04, d2t05, and d3t01, fixed versions upped by Jeff 12/17

(87260) View Source
AKG 460b/ck61 > V2 > SBM1 > D8; DAT > CDR > EAC > CDWav > FLAC

(95181) View Source
Schoeps cmc6/mk41 > Apogee AD-1000 > DAT (@ 44.1 kHz); Tascam DA-20MKII > Tascam HD-P2 > Samplitude SE v9.1.1 (fades, track splits) > FLAC v1.2.1 (Level 8); Transferred by Jason Sobel

(98304) View Source
AKG c568eb -> Aerco Pre-Amp -> Sony D-8 (@ 48kHz); Sony PCM-R500 -> MOTU Traveler/MacBook Pro/Digital Performer v5.1 (peak normalize, fades, split tracks, resample to 44.1KHz) -> xACT v1.58 -> FLAC (level 8); Taped by Art Newberg & James Bartoli; Transferred by James Bartoli

(108846) View Source
Neumann KM84i > Beyer MV100 > Tascam DA-P1 (@ 44kHz); Sony TCD-D7 > 7-pin optical > Creative Nomad Jukebox 3 > FireWire > CD Wave > FLAC; Transferred by Paul Hofferkamp

(123613) View Source
flac16; AKG 460b/ck61 > Lunatec V2 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R500 > Marantz PMD-661 > audiogate (16/44.1) > cd wave > tlh; Taped by JK; Transferred by John M.

(155218) View Source
flac1644 FOB; Schoeps MK4V > Schoeps CMBI > Sonosax SX-M2 > Sony SBM-1 > Sony TCD-D8 Transfer: DAT(m) @ 44.1kHz > Tascam DA-20 > Tascam SS-R1 > Samplitude Pro X5 > dBpoweramp > Foobar Live Show Tagger > Traders Little Helper Recorded by Mikey K Unidecker Transfer by Jeff Mitchell

(164750) View Source
shnf Taper: Craig Willoughby Source: earthworks SR-77 > Lunatec V2 > ADC-20 > DA-P1 & M1 (concurrent) Location: Front row, stage left corner of tapers DAT > CD > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2 Panasonic 7502 (burn/extract)

(167279) View Source
flac1644 Microtech Gefell M300 > Lunatec V2 > Graham Patton ADC-20 Transfer: DAT @ 44.1kHz > Tascam DA-20 > Marantz PMD-661 MKII > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) DAT provided by Charlie Miller & Arielle Phares Transfer by Jeff Mitchell

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