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Grateful Dead - 04/13/84
Hampton Coliseum, Hampton, VA
Edit Details
Source:

SBD -> Cassette Master -> Cassette -> Dat (Panasonic SV3800/48k) Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC

Media Type:

flac

 Media Count:

3
Source Info: flac16; SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
Notes:

Patch Info:
(FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat -> CD (Recorded By Rob Eaton)
End of Fire On The Mountain through start of Estimated Prophet (76 seconds long)
End of Truckin' through start of Goin Down The Road Feelin' Bad (32 seconds long)

Notes:
-- Seamless transition between discs 2 and 3.
Trades Allowed: Yes Traded From:

Reference #:

27733

 Generation:

0
Lists:
Owned by barney rubble · Last Updated May 29, 2006


Grateful Dead 04/13/84
Hampton Coliseum, Hampton, VA
Add Source    Reviews    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Keep Your Day Job >
New Minglewood Blues
Dire Wolf
Beat It On Down The Line >
West L.A. Fadeaway
It's All Over Now
Bird Song
Hell In A Bucket >
Don't Ease Me In
Set II
Scarlet Begonias >
Fire On The Mountain >
Estimated Prophet >
Drums >
Space >
The Wheel >
Truckin' >
Goin' Down The Road Feeling Bad >
Around & Around >
Good Lovin'
U.S. Blues
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(1521) View Source    View Archive
Neumann U-87 mics > Sony D6 cass > Dat > CDR; via PJ to abgd; includes alternate tracking suggestion for 2 discs
(21130) View Source    View Archive
Rob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN
(27733) View Source    View Archive
flac16; SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
(34469) View Source    View Archive
Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Location: FOB and to the left to avoid blocking view MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity Normalization > WAV > CDWave > WAVs > mkwAC > SHNs
(90470) View Source    View Archive
flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
(102499) View Source    View Archive
flac16;Recording Info:SBD -> Cassette Master -> Cassette -> Dat (Panasonic SV3800/48k); Transfer Info:Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(109288) View Source    View Archive
flac16; source: 3 Beyer M160's (up front) > custom made blend box> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
(122974) View Source    View Archive
flac24; source: (3) audio technica atm 11 fob>tcm-d-5; conversion: sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit
(123178) View Source    View Archive
flac16; MAC; Nakamichi 300's(w/shotguns) > Sony D5 > Sony D6 (master) > 2 x Maxell XLII 90; Location/Info: center, directly behind SBD, 10-12 feet high; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16e> WaveLab 7.2.1> .wav @ 24/88.2> Crystal Resampler> Apogee UV22HR> .wav @16/44.1> xACT(encoding/tracking/meta tagging)> flac16 (level eight); Tapers: Mark McCue and Kurt Casey; Transfer, editing and mastering: Alex Ford
(126039) View Source    View Archive
flac16; Master: 2 Beter M-160s and Sony TC-D5m; 2nd deck in line after another D5; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
(132771) View Source    View Archive
flac16; Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
(132772) View Source    View Archive
flac24; Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
(137367) View Source    View Archive
flac24; Set 2 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Robert Bryant
(137369) View Source    View Archive
flac16; Set 2 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Robert Bryant 24bit > 16bit with r8brain
(149109) View Source    View Archive
flac 16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook
(149110) View Source    View Archive
flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook
(154377) View Source    View Archive
flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
(154378) View Source    View Archive
flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
(155212) View Source    View Archive
FLAC 2496 Recording Info: (FOB) Neumann U87 > Cassette Master (Nakamichi 550)
Transfer Info: Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k)
Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24
(155699) View Source    View Archive
FLAC 16/44 Recording Info: (FOB) Neumann U87 > Cassette Master (Nakamichi 550) Transfer Info: Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24 This is 155212 2496 > 1644
(157541) View Source    View Archive
flac2448 Lineage: unknown mics -> Marantz pdm360 - no dolby Maxell XL-IIS 90s-> Nakamichi CR3a -> M-Audio 192-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, flac, checksums. taped and transferred by Ted Carpenter
(164044) View Source    View Archive
flac1648 Source Info: 1st Set: Jim Vita's Master Audience Cassettes; (2) Sennheiser 421 mics + (1) Nakamichi 300 mic blend > unknown mixer > Sony D5M (Maxell XLII-S) 2nd Set: Jim Vita's Master Audience Cassettes; (2) Sennheiser 421 mics + (1) Beyer M160 mic blend > unknown mixer > Sony D5M (Maxell XLII-S)
(164045) View Source    View Archive
flac2496 Source Info: 1st Set: Jim Vita's Master Audience Cassettes; (2) Sennheiser 421 mics + (1) Nakamichi 300 mic blend > unknown mixer > Sony D5M (Maxell XLII-S) 2nd Set: Jim Vita's Master Audience Cassettes; (2) Sennheiser 421 mics + (1) Beyer M160 mic blend > unknown mixer > Sony D5M (Maxell XLII-S)
(164368) View Source    View Archive
flac1648 Rob Eaton's Master (FOB)(DFC) Audience Cassettes; Neumann U87 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
(164369) View Source    View Archive
flac2496 Rob Eaton's Master (FOB)(DFC) Audience Cassettes; Neumann U87 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
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