Grateful Dead - 10/09/89
Hampton Coliseum, Hampton, VA
Source:

(Master) Single Camera Audience w/SBD audio upgrade

Media Type:

DVD

Media Count:

3

Source Info: SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates
Notes:

Less Than Face Production Originally seeded at LL on 1/9/07 (3 torrents have been consolidated below) Old Set 1 and Old Set 2a and Old Set 2b Seeded at TTD 11/21/06 TTD seeding Consolidated at LL on 7/08/18 New LL Seed

Tech Notes:

* A LESS THAN FACE PRODUCTION *

Audio: SBD + AUD Matrix Mix (60%-SBD/40%-AUD) 1536 k/s, LPCM
SBD: PCM (analog out) > DAT x 4 > CDR, AUD: FOB Schoeps CMC641 > DAT

Video: JVC GXN8U > JVC S20U > Master VHS > Canopus 1394 >
AVI > Vegas 5.0 > Architect 2.0.
720x480, NTSC, CBR, 7.0 m/s

Disc 1 - Set 1 (1:11:55)
01 Feel Like A Stranger
02 Built To Last
03 Little Red Rooster
04 Ramble On Rose
05 We Can Run
06 Jack-A-Roe
07 Memphis Blues Again
08 Row Jimmy
09 The Music Never Stopped


Disc2 - Set 2 (1:01:14)
01 Playing in the Band >
02 Uncle John's Band >
03 Playing Reprise
04 Dark Star >
05 Drums >
06 Space


Disc 3 - Set2 (con't) (44:12)
01 Death Don't Have No Mercy >
02 Dear Mr. Fantasy >
03 Hey Jude >
04 Throwing Stones >
05 Good Lovin'
Encore:
06 Attics Of My Life

J-Card Comment:

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99ea2f8a783b3105a5fed908042beea7 *Disc 3VIDEO_TSVTS_01_0.VOB
ad87c897dc8bdbd71e7f158250faea4b *Disc 3VIDEO_TSVTS_01_1.VOB
73b1e116d084b301aa567bf6b84e6f85 *Disc 3VIDEO_TSVTS_01_2.VOB
5ab6bb32dde337ceb3e441ffcf5507f9 *Disc 3VIDEO_TSVTS_01_3.VOB
6f9c7c26f7a2a6f23608066df23027ca *gd1989-10-09.lessthanface.txt

Trades Allowed: Yes Traded From:

Show Rating:

Yes

Sound Rating:

Reference #:

Generation:

0

Lists:
Owned by Kevin Tobin Videos · Last Updated Oct 24, 2021


Grateful Dead 10/09/89
Hampton Coliseum, Hampton, VA
Set I
Feel Like A Stranger *
Built To Last
Little Red Rooster
Ramble On Rose
We Can Run
Jack A Roe
Stuck Inside Of Mobile With The Memphis Blues Again
Row Jimmy
The Music Never Stopped
Set II
Playing In The Band >
Uncle John's Band >
Playing In The Band Reprise
Dark Star > #
Drums >
Space >
Death Don't Have No Mercy >
Dear Mr. Fantasy >
Hey Jude >
Throwing Stones >
Good Lovin'

Attics Of My Life $
Set III

Comment
Billed as "Formerly The Warlocks" after the Grateful Dead were banned from playing at Hampton Coliseum after several fan incidents during the March 1988 shows. To maintain a low profile, Hampton was not included as part of the regular ticket sales for the East Coast fall tour. Tickets went onsale at local outlets only 10 days prior to the shows. The Marquee for the shows read The Warlocks. The Grateful Dead did not perform at Hampton again until March 5, 1992.

This Version Appears On Without A Net *
First time played since July 13, 1984 #
First time played since October 28, 1972 $

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(443) View Source    View Archive
Schoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif 32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav> WAV > SHN; via T. Howland; note set 1 will fit all on d1 if you overburn 26 sec; listener M. Burgess reports, "first set sounds ok, maybe a little muddy, but the second sounds thin and trebley, totally different from the first set"; note Mark Ferguson renamed md5s and shns with his 8/3/00 rehosting- see his public comments, and md5s marked "ren" (for "rename")
(2276) View Source    View Archive
SBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com
(7721) View Source    View Archive
Lineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
(17704) View Source    View Archive
FOB Schoeps CMC421> DAT> HHB standalone CD> EAC> ADDAWAV> CDWav retracking> WAV> SHN; conversions done by JR Fishman
(26235) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD: PCM (analog out) > DAT x 4 > CDR AUD; FOB: Schoeps CMC641 > DAT; mixed by dan@am-dig.com; related matrix also circulates
(26236) View Source    View Archive
SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates
(31211) View Source    View Archive
Recording by: Rob R 3 Nak CM300 - 2 CP4's and 1 CP3 arrianged X/Y direct to dat > ? > .shn SBEs on Set 2 repaired using shntool v.2.0.3 (10/11/2005)
(32902) View Source    View Archive
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(80840) View Source    View Archive
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC . This has an upgraded patch source.
(89563) View Source    View Archive
flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
(92005) View Source    View Archive
DTS Audio 5.1 Mix; 4 Source Mix - SBD (ShnID = 80840), SBD (ShnID = 80840), AUD2 (ShnID = 17704) and AUD3 (ShnID = 443)
(92495) View Source    View Archive
flac16; SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3)
(92553) View Source    View Archive
- 4 Source Mix - DVD-Audio 5.1 Surround (6ch x 24/48) via Dan Haugh
(99647) View Source    View Archive
flac16; Source: Nakamichi cm300/cp4->Sony D-5M (Dolby B encoded)->Maxell MX90 x 2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield; Transfer and seeded by: M. Watson
(116646) View Source    View Archive
flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster
(120403) View Source    View Archive
flac24; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename
(120404) View Source    View Archive
flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby B>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(125737) View Source    View Archive
flac16/48kHz; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
(125738) View Source    View Archive
flac16; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
(131003) View Source    View Archive
flac16; Master Digital FOB Recording by Lance Deal using Schoeps CMC521's> Schoeps VMS 52 UB> Technics SVMD1; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5)
(142510) View Source    View Archive
flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
(147611) View Source    View Archive
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller;
(147621) View Source    View Archive
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1
(154041) View Source    View Archive
flac16; Matrix 2 Source Mix>/i> - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin
(154042) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin
(154043) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - surround mixing by Kevin Tobin
(158308) View Source    View Archive
flac16; Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80840 & 125738.
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