(2786) View Source    View Archive
SBD > DAT > Cass > DAT > CD > EAC > CDWav (retrack) > CD; Retracking done by Ivan Kotch; to etree via Adam Jerugim; known flaws: splice during Promised, noise during FOTM (A patched version of d1t08 also circulates as of June, 2010.)

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(19144) View Source    View Archive
Source: AUD (unknown mics) >DAT>CDR>WAV>SHN. SHN encoding via C.Ladner.

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(28392) View Source    View Archive
FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer : Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller

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(95645) View Source    View Archive
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.

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(109345) View Source    View Archive
SBD>CM>DAT>SHN>CD; edited and transferred to cd by michael lai

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(116153) View Source    View Archive
flac24; Master Audience Nakamichi CM300/CP4 Shotguns SonyD5; Taper Mr. Baker,Tapes From JB's Collection,Transfer By Keo; Tapes Maxell MX-s 90.100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz

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(116154) View Source    View Archive
flac16; Master Audience Nakamichi CM300/CP4 Shotguns SonyD5; Taper Mr. Baker,Tapes From JB's Collection,Transfer By Keo; Tapes Maxell MX-s 90.100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper

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(138579) View Source    View Archive
flac16; SBD>CM>DAT>SHN>CD; This is a minor remaster of shnid: 109345

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(140452) View Source    View Archive
flac24/96Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel

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(149584) View Source    View Archive
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

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(149645) View Source    View Archive
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1

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(150372) View Source    View Archive
flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set I FOB, Section Center, Row O, Seat 18 (hand held);Location: Set II FOB, Section Center, Row O, Seat 18 (on stand @ 6'); Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick. Transfer By Charlie Miller. Edited & Mastered using Adobe Audition by Joe Noel.May 16, 2020