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Grateful Dead - 04/08/85
The Spectrum, Philadelphia, PA
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Source:

Audience w/SBD audio upgrade - This show has been upgraded
Media Type:

DVD

 Media Count:

1
Source Info: SB> MC> DAT> CD via Kevin Gills
Notes:

Brokedown House Production - 1st set only - seeded on Dime but text/md5 not archived.

Tech Notes:

The Grateful Dead
The Spectrum. Philadelphia, PA
April 8, 1985
Single camera audience shot - complete 1st set (some filler)

Dvd one:
Set I
Midnight Hour
Walkin' the Dog
Big Boss Man
Me and My Uncle>
Cumberland Blues
Meet Me On the Bottom/ Superstitious
Althea
100,00 Tons of Steel>
Supplication Jam>
Might As Well

Video:
Jeff Silbermans Master -> Harvey Lubars 1st GEN VHS-> panasonic standalone dvd recorder

Audio:
SB> MC> DAT> CD
eac (secure, C2, cache disabled) > shn (via MKW, skt's appended) by Kevin Gills
audio discs provided by Chris Frisco
uploaded to Tol.etree.org 9-2003

Notes:
-Video capture by Eric using a standalone dvd recorder
-sbd downloaded from tol with many thanks (one of my last downloads from that site)
-Audio synchronization by Kevin Tobin using Adobe Audition to
compress/expand the audio in multitrack mode to match the original audio.
-Video patching, Multiplexing and DVD authoring via Ulead DVD Workshop 2 by Kevin Tobin.

Audio\Video Faults:
1) First 7.183 seconds that is the lead into Midnight Hour used the audio that came with the video. This portion of the audio was normalized to blend in better.

2) During Big Boss Man, 35 seconds of the video was missing - used graphics and soundboard audio source to fill in.

3) After Big Boss Man ends, 5 minute 46.000 seconds was missing from the video source - used graphics and soundboard audio source to fill in. This includes approx 2 minutes of dead air, the complete Me and My Uncle and the first 45 seconds of Cumberland Blues.

4) During Meet Me on the Bottom, 24 seconds of the video was missing - used graphics and soundboard audio source to fill in.

5) After Althea ends, 1 minute 52.200 seconds was missing from the video source - used graphics and soundboard audio source to fill in. This includes approx 35 seconds of dead air and the start of 100,000 Tons of Steel.

6) During Supplication Jam, 12 seconds of the video was missing - used graphics and soundboard audio source to fill in.

7) After about 5 seconds of Might as Well starts, it cuts off abruptly to end the tape. 4 minute 30.000 seconds was missing from the video source - used graphics and soundboard audio source to fill in.

Video Attribute :
Video compression mode : MPEG-2
TV system : 525/60 (NTSC)
Aspect Ratio : 4:3
Display Mode : reserved
Source picture resolution : 720x480 (525/60)
Frame Rate : 29.97
Source picture letterboxed : Not letterboxed
Bitrate : 8.00 Mbps
Menu : Yes (song list on separate menu)

Audio Attribute :
Audio Coding mode : Linear PCM audio
Sampling Rate : 48kHz 1536Kbps
Audio application mode : Not specified
Number of Audio channels : 2
Number of Audio streams : 1

Brokedown House Productions

Do NOT Buy or Sell this video
Trades Allowed: Yes Traded From:

Reference #:

Generation:

0
Lists:
Owned by Kevin Tobin Videos · Last Updated Oct 9, 2017


Grateful Dead 04/08/85
The Spectrum, Philadelphia, PA
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Set I
In The Midnight Hour >
Walking The Dog >
Big Boss Man
Me & My Uncle >
Cumberland Blues
Down In The Bottom >
I Ain't Superstitous
Althea
Tons Of Steel >
Supplication >
Might As Well
Set II
Revolution
Hell In A Bucket >
Touch Of Grey
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
Goin' Down The Road Feeling Bad >
Stella Blue >
Around & Around >
Turn On Your Lovelight
Brokedown Palace
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(3420) View Source    View Archive
possible reDAE/reSHN of previous shn set; via redbeard to abgd
(8755) View Source    View Archive
(Healy Mix)SBD>MC>PCM>BETA>DAT>CDR; Seeded to etree by Tim W
(20010) View Source    View Archive
SB> MC> DAT> CD via Kevin Gills
(24227) View Source    View Archive
Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
(33804) View Source    View Archive
Sennheiser 421's FOB & Sony TCD5M Transfered: Master Casssette; Taped & Transfered by Brian Mandel; Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tool
(74161) View Source    View Archive
Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHN taped and transferred by Charles Bandrofcheck
(87465) View Source    View Archive
flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro >flac frontend
(96598) View Source    View Archive
flac16; Taper: Greg Holtz Source: Nakamichi 100's & Sennheiser 421's Mix -> D-5 Transfer: (By JAZ) Cassette Master (Maxell Metaxial 90) -> Tascam 112, dolbyB -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
(102065) View Source    View Archive
flac24; Source: Nak 300/CP4 > TCD5m - TDK MA90 (metal), OTS, 12' -- TCD5m (same as recorder) > Minime @ 24/96 > SD744 > Audacity > Flac24; Recorded: David Barfield And/Or David Lane; Transfer: David Barfield
(103445) View Source    View Archive
flac16; Recorded by Dave Cohen Back right corner of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was NOT used on the Master Cassettes.The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(107045) View Source    View Archive
flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; recorded and mastered to cdr by D5scott
(117189) View Source    View Archive
flac16; Source: MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> r8brain PRO> .wav @ 16/44.1> CD Wave Editor> TLH> flac16. Location: Approx. 20 feet from the stage, Dead Center; Taper: Mark McCue; Transferred and mastered by Alex Ford
(117212) View Source    View Archive
flac24; MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> CD Wave Editor> TLH> flac24. Location: Approx. 20 feet from the stage, Dead Center; Recorded by Mark McCue; Transferred and mastered by Alex Ford
(118375) View Source    View Archive
flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (48) -> WAV; Transfer Info: WAV -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(118481) View Source    View Archive
flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper : Dan Healy; Editing : Joe D'Amico
(124854) View Source    View Archive
flac24; lineage: nakamichi 700 (fob)> optimus> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(145497) View Source    View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
(145498) View Source    View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
(149321) View Source    View Archive
flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(149322) View Source    View Archive
flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
(151430) View Source    View Archive
16 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96)
Lineage: Wavelab 10 (tracking, patching, pitch correction, Ozone 8 Maximizer for levels, resample, mBit+ dither) > FLAC 1644
(151431) View Source    View Archive
24 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wavelab 10 (tracking, patching, pitch correction, Ozone 8 Maximizer for levels) > FLAC 2496
(152173) View Source    View Archive
flac16/44 Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey
(152174) View Source    View Archive
flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey
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Cached: Mon, 29 Apr 2024 18:26:57 EDT