(1681) View Source
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AUD> Beyer 160> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; A>D Conversion by Stephen Agan; seeded to abgd by Charlie Connor
(7229) View Source
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SBD; Seeded by Todd Campbell; EAC> Shn by Jim Keith; Slight DigiNoise(?) before Feels Like A Stranger; Tape flip plays the begining of Music Never Stops twice (very short)
(7691) View Source
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Oade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') ->
Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) >
Audio CDR from Doug Oade; via Darrin Sacks
(27250) View Source
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flac16 Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Oade Brothers Recording
Transferred by Doug Oade, tracked by Darrin Sacks; possible difference re normalization compared to a similar previous fileset (see txt note)
(34668) View Source
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flac16/48; FOB Schoeps CMC42Omni and CMC34Cardiod Passive Mix > F1 > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* > shntool > flac (8)
(34669) View Source
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flac16; FOB Schoeps CMC42Omni and CMC34Cardiod Passive Mix > F1 > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 44.1kHz* > shntool > flac (8)
(34772) View Source
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flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info:
CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
(77197) View Source
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flac16; Primary Source: FOB (Section 2A Row D Seat 8)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M(Charlie Connor's CM - TDK MA90's)
Secondary Source:Oade Master -Schoeps CMC441
The Secondary source supplies Patches as follows:d1t07 3:48 - 3:50 (two seconds of crowd noise d2t02 Last seven seconds;d2t07 First 47 secondsTransfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>
Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57
(tracking only)>flac16:Taped & Transferred by Charlie Connor
(94595) View Source
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flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
(119570) View Source
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flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/LOC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
(119571) View Source
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flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/LOC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(123078) View Source
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flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(148575) View Source
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flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(148576) View Source
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flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
(150522) View Source
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flac16/48kHz; Source: Beyer M160 > Sony D5 (Cass/M) > DAT @ 16/48; Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > iZotope RX > xACT (FLAC/TAG)
(153132) View Source
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flac16/44 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42
Recorder: Sony TC-D5M
Location: front row OTS; ~125' from stage
This Source: 1st gen AUDCA Maxell UDXLII90 x2 No NR [KH]
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha
Transfer by: Kyle Holbrook
Eleventh AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
(153133) View Source
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flac24/48 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42
Recorder: Sony TC-D5M
Location: front row OTS; ~125' from stage
This Source: 1st gen AUDCA Maxell UDXLII90 x2 No NR [KH]
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD
Processing: SD| Audacity | cdwav editor | TLH | FLAC
Recorded by: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha
Transfer by: Kyle Holbrook
Eleventh AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP