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Grateful Dead - 07/01/79
Seattle Center Coliseum, Seattle, WA
Edit Details
Source:

SBD
Media Type:

FLAC

 Media Count:

2
Source Info: flac16; Recording Info:SBD -> Cassette Master -> Cassette -> PCM -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
Trades Allowed: Yes Traded From:

Reference #:

Generation:

0
Lists: New List |
Owned by j.j. · Last Updated Sep 1, 2008


Grateful Dead 07/01/79
Seattle Center Coliseum, Seattle, WA
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Set I
Mississippi Half Step Uptown Toodleloo >
Franklin's Tower
Mama Tried >
Mexicali Blues
Peggy-O
New Minglewood Blues
Stagger Lee
El Paso
Brown Eyed Women
Passenger
Set II
Don't Ease Me In
Samson & Delilah
Sugaree
Terrapin Station >
Playing In The Band >
Drums >
Space >
Stella Blue >
Truckin' >
Around & Around

Shakedown Street
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(315) View Source    View Archive
no source info; via D. Barrick; d3 now tracked out; update 7/00: listener Joe Doss reports that this sounds like a SBD, and Rob Bertrando points out that a SMC> VHS HiFi> R> D version circulates- one might infer that this is that version; see flaw notes in public comment section;; upgrade now in circulation
(90696) View Source    View Archive
flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 35' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
(93433) View Source    View Archive
flac16; Recording Info:SBD -> Cassette Master -> Cassette -> PCM -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(95742) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
(105210) View Source    View Archive
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nak CM 700's >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
(141412) View Source    View Archive
flac16; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
(141413) View Source    View Archive
flac24; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
(141414) View Source    View Archive
flac16; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
(141415) View Source    View Archive
flac24; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
(145357) View Source    View Archive
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(145358) View Source    View Archive
flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
(156176) View Source    View Archive
flac24; Matrix 2 Source Mix - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - matrix mixing by Kevin Tobin
(156177) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - matrix mixing by Kevin Tobin
(156179) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - dts mixing by Kevin Tobin
(156180) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - surround mixing by Kevin Tobin
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Cached: Fri, 26 Apr 2024 19:25:38 EDT