(104829) View Source
Source: AKG 463 > phatcables > R-4 (@24/96)
Location: FOB/DFC 6th row @8ft high
Linage: R-4 > Samplitude 10 Pro
Recorded By: Momule (Nick Hatfield)
(106596) View Source
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AKG C 460 B comb/ CK63-ULS > Grace V3 > iRiver iHP-120
iRiver iHP-120 > USB > PC >
(106597) View Source
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MBHO KA200N (DIN) > 603A > Oade T-mod Tascam HD-P2
CF > Wavelab 5 (Dither/Resample) > CD Wave > FLAC (Level 6)
Recorded By: Harrison Keijzer
(106598) View Source
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ADK A-51TL's (Hi Ho Silver Cables) > Busman Hybrid R4 (W-Mod) @24/48
Lineage: Busman Hybrid R4 (USB)> CD Wave Editor> Sony Sound Forge 9.0 (Edits)> FLAC Frontend (Verify/Level 8)
Jim Mimna
(106599) View Source
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ADK A-51TL's (Hi Ho Silver Cables) > Busman Hybrid R4 (W-Mod) @24/48
Busman Hybrid R4 (USB)> CD Wave Editor> Sony Sound Forge 9.0 (Edits, Resample, & Dither)> FLAC Frontend (Verify/Align on Sector Boundaries/Level 8)
Jim Mimna
(106600) View Source
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Soundboard
(106607) View Source
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MATRIX:
Source 1: SBD recording: (48Khz 24 bit WAV) WAV > Sound Forge (convert to 44 Khz 16 bit, normalize to 98%)
Source 2: Audience recording: MBHO KA200N (DIN) > 603A > Oade T-mod Tascam HD-P2 DSP: CF > Wavelab 5 (Dither/Resample) > CD Wave > FLAC (Level 6)Recorded and transferred by: Harrison Keijzer
Both sources synched and mixed using Sound Forge (SBD 100%, AUD 65%)> CDWAVE (track splits)> FLAC
SBD conversion and matrix production by Tahoe Bob - September 15, 2009