Scott Miller - Grateful Dead 12/26/79

Grateful Dead - 12/26/79
Oakland Auditorium Arena, Oakland, CA

Source:	DP 5
Media Type:		Media Count:	0
Trades Allowed:	Yes	Traded From:
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Owned by Scott Miller · Last Updated May 23, 2023

Grateful Dead 12/26/79
Oakland Auditorium Arena, Oakland, CA

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Set I

Cold Rain & Snow
C.C. Rider
Dire Wolf
Me & My Uncle >
Big River
Brown Eyed Women
New Minglewood Blues
Friend Of The Devil
Looks Like Rain
Alabama Getaway >
Promised Land

Set II

Uncle John's Band >
Estimated Prophet >
He's Gone >
The Other One >
Drums >
Space >
Not Fade Away >
Brokedown Palace >
Around & Around >
Johnny B. Goode

Encore:
Shakedown Street >
Uncle John's Band

Set III

Soundcheck:
Wharf Rat
Brokedown Palace
Black Throated Wind
New Minglewood Blues

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SEVA Benefit
This date is featured on Dick's Picks 5.

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

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Sources

(16092) View Source View Archive
Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded by Matt Vernon with Soundcheck.

(17418) View Source View Archive
AUD>Cm>?>Cass>MiniDisc>Samplitude>SHN Soundcheck via Charlie Miller : upgrade now in circulation

(81323) View Source View Archive
flac16; Lineage: SBD Transfer: SBD -> ? -> DAT; DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing:- All editing and mastering by Jamie Waddell Wavelab 6.0- BBE, L3(type 1 dither)>16/44.1 SBE FREE

(89187) View Source View Archive
flac16; Recording by Joani Walker (Soundcheck by David Gans): Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller

(128505) View Source View Archive
flac16; Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; first generation "safety tape" transferred on a Nakamichi CR-7A

(144773) View Source View Archive
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp

(144774) View Source View Archive
flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496

(150235) View Source View Archive
flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller

(154873) View Source View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 150235 & 128505.

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