Manfred Jungeblut - Grateful Dead 10/28/85<b>flac16</b>; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller

Grateful Dead - 10/28/85
Fox Theater, Atlanta, GA

Media Type:		Media Count:	0
Source Info:	flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
Trades Allowed:	Yes	Traded From:
Reference #:		Generation:	0
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Owned by Manfred Jungeblut · Last Updated Jan 26, 2011

Grateful Dead 10/28/85
Fox Theater, Atlanta, GA

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Set I

Sugaree >
Kansas City *
Peggy-O
My Brother Esau
Ramble On Rose
Cassidy
Row Jimmy
Promised Land

Set II

Scarlet Begonias >
Touch Of Grey >
Man Smart (Woman Smarter) >
Terrapin Station >
Drums >
Space >
Truckin' >
Smokestack Lightning >
Stella Blue >
Around & Around >
Good Lovin'

Encore:
Keep Your Day Job

Set III

Comment

First time performed *
Kansas City Royals were in the World Series

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

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Last Changed By J

Sources

(8566) View Source View Archive
Nak 300->Sony D-5>MC>Sony KA1ES->HHb 850>CD>EAC>Cool Edit 2000>CDwav>Shnv3; via Tommy Danscuk; Seeded to etree by Ernie Dodd

(13566) View Source View Archive
Source: FOB Schoeps CMC3's/MK4's > PCM > DAT > CDR > EAC > CDWave > mkwACT Beginning of Sugaree and Scarlet Begonias patched with following source: Nak 300's > D5/Sony KA1ES > HHB 850 > EAC Eac'd/Patched/SHN'd by Doug Nawrocki

(17276) View Source View Archive
SET 1 and Encore ONLY; S:CM>D>CDR; Uploaded To Furthur Via DigiB; Seeded To Etree 05-16-03 By Bubba420

(18250) View Source View Archive
Set 2 S:MC>D>CDR>Toast 1.1>SHN uploaded to furthur via Sbd seeded to etree by bubba420

(77370) View Source View Archive
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

(83672) View Source View Archive
flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC

(88156) View Source View Archive
flac16; Set 2 only. source: 2 Sony ECM-33P's > Sony TC-D5M (Dolby B)Maxell MX90 cassette. recorded by Jerry Moore, 8th row orchestra. transfer: master cassette (maxell MX90)> Nakamichi Dragon (Dolby B) > HHBCDR830plus > EAC > SoundForge 6.O (fades and tape flip)> CD Wave > flac. Transfer and flac encoding by Anne Cohen, May 2007.

(88862) View Source View Archive
flac16; Source: Master Audience Recording Media: MAC Maxell MX 90 type IV cassettes Lineage: 2 x Sennheiser 421 > Sony TC D5M > Sony TC D5M [Tapers Section] Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5 [24/96] Mastering Software: WaveLab, iZotope Ozone 3 and Waves Q4 EQ, > converted to [44.1/16] with r8brain > CDWAV1.9 >TLH > Flac Level 8 Taped by B.Koucky Transfer by C.Ladner. Mastered By B. Koucky

(104706) View Source View Archive
flac16; Recorded by Dave Cohen Orchestra Floor Sec. R/C Row RR Seat 54 3 Nakamichi CM300s w/CP4s> Nakamichi MX100 mixer>patchbay>Sony WMD6 Maxell XLII cassette masters No Dolby. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.

(105882) View Source View Archive
flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller

(118891) View Source View Archive
flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

(119947) View Source View Archive
flac16; Source: Sony C38B> TCD5M OTS Seat CTR EE 103; Conversion: TD302Bk>PMD660> CDWave > flacfrontend > traderslittle helper; Recorded by Stan Roberts

(126299) View Source View Archive
flac24; source: (2)audio technica atm 11/(2) beyers 160> mixer> tcd-d5>mc; conversion: sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

(128757) View Source View Archive
flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Droncit; Editing with Diamond Cut Forensics 8 and Forensics 9 (alpha). BCE de-emphasis curve (modified PCM de-emphasis) applied. May 19,2014

(148421) View Source View Archive
flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp

(148422) View Source View Archive
flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

(148850) View Source View Archive
flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp

(148851) View Source View Archive
flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

(151839) View Source View Archive
flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

(151840) View Source View Archive
flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

(154299) View Source View Archive
flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24

(154408) View Source View Archive
flac1644; Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 - -- This is 154299 2496 > 1644

(158504) View Source View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC/16 via xACT w/meta-tagging), of shnid's 154299 & 151840.

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