Grateful Dead - 04/16/89
The Mecca, Milwaukee, WI
Source:

Audience with matrix audio upgrade

Media Type:

DVD5

Media Count:

3

Source Info: flac16; Matrix 3 Source Mix - SBD (shn id 81703) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shn id 118402) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin
Notes:

Brokedown House Production using Peanut Production video - set 2 dvd5 not torrented per PP request

Tech Notes:

Grateful Dead
The Mecca, Milwaukee, WI
April 16, 1989
Single Camera audience shot

DVD 1
Set 1:
Hell In A Bucket ->
They Love Each Other
Little Red Rooster
Stagger Lee
Mama Tried ->
Mexicali Blues
Bird Song

DVD 2
Set 2:
Scarlet Begonias ->
Fire On The Mountain
Saint Of Circumstance
Truckin' ->
Drums ->

DVD 3
Space ->
The Other One ->
Stella Blue ->
Throwing Stones ->
Turn On Your Lovelight

Encore:
Box Of Rain

Video Source:
Master: JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master
Transfer: S-VHS Master -> Unknown Deck -> Unknown Deck -> VHS 1st Gen.
Transfer: VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> .m2v, .aiff -> BHP

Add fades
Add border
Increase audio gain
Fix audio time delay

Video work done by Peanut Productions

Audio Source Information
SBD + AUD Matrix 3 Source Mix (65%-AUD/35%-SBD)

SBD1
shnid = 81703
Recording Info:
SBD -> Cassette Master (TDK MA-XG90)

Transfer Info:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v8.01 -> FLAC/16
(2 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 17, 2006

Notes:
-- 2nd Set is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes

AUD1
shnid = 118402
Master Audience Recorded By Mr. Darby
AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)>
AKG9V Phantom Power>Sony TC-D5M
Tapes Set 1:Maxell MX,Set 2:TDK MA-X
Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48>
HDD>Amadeus Pro (Tracking/Fades/Flac8)
Tracks Renamed/Metadata Tagging With AudioGate Software By Keo

AUD2
no shnid
LCPM audio from video soundtrack
Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7
(lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape.
Mics on 7-foot stand in front row of OTS.
Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge
(at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.

Audio Patches:
1) I used the video soundtrack as the timing reference and while the SBD1 was slightly slower than the video at about .3 seconds per minute, the AUD1 was very fast averaging about 1.4 seconds a minute faster than the video.

2) As video came in 48k 16 bit, I used the 48k 24 bit Darby recording and upped the bitrate of the soundboard using rBrain so that it matched the video and audience to mix the matrix for the video.

Video Patches:
None

Notes
-Video assets courtesy of Peanut Productions - thank you very much
-AUD1 downloaded from LMA with appreciation
-SBD1 torrented from LL with many thanks
-Audio synchronization by Kevin Tobin using Adobe Audition to
compress/expand the audio in multitrack mode to match the original audio.
-Video patches created with Ulead VideoStudio 11 by Kevin Tobin.
-Multiplexing via TMPGEnc MPEG Editor by Kevin Tobin.
-DVD authoring via DVD Architect 5.2 by Kevin Tobin.

Video Attribute :
Video compression mode : MPEG-2
TV system : 525/60 (NTSC)
Aspect Ratio : 4:3
Display Mode : reserved
Source picture resolution : 720x480
Frame Rate : 29.99
Source picture letterboxed : Not letterboxed
Bitrate : 7.200 Mbps
Menu : Yes (song list on separate menu)

Audio Attribute :
Number of Audio channels : 2
Number of Audio streams : 1
Audio Coding mode: Linear PCM audio
Sampling Rate : 48kHz 1536Kbps

Brokedown House Production

Do NOT buy or sell this video

J-Card Comment:

d1
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df3ec3b6997f53f8c4992bf2db602c95 *\gd1989-04-16.1st.PP-BHP.dvd5\VIDEO_TS\VIDEO_TS.VOB
77968a2a047656e9a57cd77dfba84618 *\gd1989-04-16.1st.PP-BHP.dvd5\VIDEO_TS\VTS_01_0.BUP
77968a2a047656e9a57cd77dfba84618 *\gd1989-04-16.1st.PP-BHP.dvd5\VIDEO_TS\VTS_01_0.IFO
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2ad02b1674022d71652f409d96cbe71c *\gd1989-04-16.1st.PP-BHP.dvd5\VIDEO_TS\VTS_01_3.VOB
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d2

d3
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df3ec3b6997f53f8c4992bf2db602c95 *\gd1989-04-16.2b.PP-BHP.dvd5\VIDEO_TS\VIDEO_TS.VOB
930965581cb840a48eb5cdc4a79c9451 *\gd1989-04-16.2b.PP-BHP.dvd5\VIDEO_TS\VTS_01_0.BUP
930965581cb840a48eb5cdc4a79c9451 *\gd1989-04-16.2b.PP-BHP.dvd5\VIDEO_TS\VTS_01_0.IFO
a8d6929c1a3a53c44c0db09167ee5c49 *\gd1989-04-16.2b.PP-BHP.dvd5\VIDEO_TS\VTS_01_0.VOB
e6a3a398bd9ba890896fb6421ee628e3 *\gd1989-04-16.2b.PP-BHP.dvd5\VIDEO_TS\VTS_01_1.VOB
c8248ebb28a1dd2c421d469acd5593b2 *\gd1989-04-16.2b.PP-BHP.dvd5\VIDEO_TS\VTS_01_2.VOB
1098ba10befd23670429399e883a5b25 *\gd1989-04-16.2b.PP-BHP.dvd5\VIDEO_TS\VTS_01_3.VOB
b954d8aab205e4b0bafc2ac08262eddf *\gd1989-04-16.2b.PP-BHP.dvd5\VIDEO_TS\VTS_01_4.VOB

Trades Allowed: Yes Traded From:

Reference #:

Generation:

0

Lists:
Owned by Kevin Tobin Videos · Last Updated Jan 25, 2013


Grateful Dead 04/16/89
The Mecca, Milwaukee, WI
Set I
Hell In A Bucket >
They Love Each Other
Little Red Rooster
Stagger Lee
Mama Tried >
Mexicali Blues
Bird Song
Set II
Scarlet Begonias >
Fire On The Mountain
Saint Of Circumstance
Truckin' >
Drums >
Space >
The Other One >
Stella Blue >
Throwing Stones >
Turn On Your Lovelight

Box Of Rain
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(9371) View Source    View Archive
SBD> DAT> C> DAT> CD; via Paul B; Seeded to etree by Peter Braverman
(9963) View Source    View Archive
Shntool fix by Willy of previous Braverman seed; SBD> DAT> C> DAT> CD
(81703) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(96081) View Source    View Archive
flac16; Source: AKG 460B omni capsules, 7' high, 6' spread > Crown phantom power > Sony TC-D5M (pass-thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS) Transfer: Yamaha MT120S (dbx type II decode) > Tascam DA-20 (D/A conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Amarok > Cool Edit (edits and fades) > CDWAV > FLAC Taped and transferred by Pat Volkerding , 2008-11.
(106339) View Source    View Archive
flac16;Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 2, 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1 w/ Nakamichi 550>Sony TCD5M Oade erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(112742) View Source    View Archive
flac 16; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11]
(112743) View Source    View Archive
flac24; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11]
(118402) View Source    View Archive
flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
(118403) View Source    View Archive
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Litttle Helper; Metadata Tagging With AudioGate Software
(122041) View Source    View Archive
flac16; Matrix 3 Source Mix - SBD (shn id 81703) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shn id 118402) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin
(140995) View Source    View Archive
flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
(149618) View Source    View Archive
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
(149699) View Source    View Archive
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
(149793) View Source    View Archive
flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes> Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24.44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section PP,Row5,Seat 7
(156417) View Source    View Archive
Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 13, 2021
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