(3299) View Source    View Archive
Nak 300's/cp 4's > *Marantz PMD420 (mc) > dat > cdr >eac (range extracted at 100% for retracking) > cdwave > mkwact; Taped by Alan Wallace; Discs provided by Kevin Gills, shn by Doug Nawrocki

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(5064) View Source    View Archive
FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro > RME46/8 > SoundForge > CD> EAC> SHN

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(12198) View Source    View Archive
SBD -> ? -> Dat -> Samplitude -> Cool Edit Pro -> SHN. Transfer and editing done by Charlie Miller

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(13391) View Source    View Archive
SBD -> ? -> Dat -> Samplitude -> Cool Edit Pro -> SHN, same as previous with d1t1 fix

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(17731) View Source    View Archive
MSC> DAT> Cdr > Eac > cool edit pro > cdwav > shntool > shnv3; Discs kindly provided by Andy Lemieux; Eac > shn by Ernie Dodd; reportedly upgrade relative to previous shn set

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(97216) View Source    View Archive
flac16; matrix of SBD: shnid=17731 and AUD: shnid=3299 by hansokolow using ProTools

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(106763) View Source    View Archive
flac16;Recorded by David Cohen. OTS 8 foot stand (sec. 128 Row CC Seat11) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November, 2009

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(131205) View Source    View Archive
flac16; Source info: FOB/Schoeps CMC 421's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and Rick Katzeff; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty

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(133276) View Source    View Archive
flac16; Source info: FOB/Schoeps CMC 421's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and Rick Katzeff; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio; Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131205 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed

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(137933) View Source    View Archive
flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules L & R(tracks 1 & 2) w/(1)Senheiser 441 panned to center(track 3) > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH

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(142002) View Source    View Archive
flac16/48kHz; Dave Brotman FOB Recording using Ted mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Fixed version in circulation

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(143172) View Source    View Archive
flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster Notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized

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(145219) View Source    View Archive
flac24; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel

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(145749) View Source    View Archive
flac16; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel. This file set is 16 bit @ 44.1

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(149446) View Source    View Archive
flac16/48kHz; reMaster of shnid 142002; Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Dave Brotman

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(152287) View Source    View Archive
flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

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(152510) View Source    View Archive
flac16/44 Source: A:D AudioTechnica815A shotguns>Panasonic SV-250(48kHz) Transfer: DAT(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD-r Tapes provided by Tom and Roger Transfer by Chris Larson (VegasBobby@gmail.com)

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(154440) View Source    View Archive
flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152287 2496 > 1644