Grateful Dead - 03/21/91
Capital Centre, Landover, MD
Source:

(Master) Single Camera Audience shot with sbd audio upgrade

Media Type:

DVD5

Media Count:

3

Source Info: flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
Notes:

Brokedown House Production using Peanut Production video Originally seeded at LL on 11/19/12 (3 torrents have been consolidated below) Old Set 1 and Old Set 2a and Old Set 2b Seeded at TTD 12/08/12 TTD Seed Consolidated at LL on 7/26/18 New LL Seed

Tech Notes:

Grateful Dead
Capital Centre, Landover, MD
March 21, 1991
Single Camera Audience Shot

Set 1:
Mississippi Half-Step Uptown Toodeloo
Mexicali Blues ->
Big River
Candyman
Stuck Inside Of Mobile With The Memphis Blues Again
Bird Song

Set 2:
Victim Or The Crime ->
Scarlet Begonias ->
Fire On The Mountain ->
Stir It Up Jam ->
Drums ->
Space ->
Goin' Down The Road Feeling Bad ->
Throwing Stones ->
Not Fade Away

Encore:
Box Of Rain

Video Source:
Video: AUD (Tripod) > Master
Master: JVC Single Tube Camera, Nak 300 Shotguns -> ? Decks -> Panasonic AG-7400 -> S-VHS Master
Transfer: S-VHS Master -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> .m2v, .aif -> BHP

Add fades
Add border
Increase brightness
Fix audio time delay

Video work done by Peanut Productions

Audio Source Information:
shnid = 87289
Recording Info:
SBD -> Dat -> Cassette Master (TDK SA-X100)

Transfer Info:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v9.11 -> FLAC/16

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 18, 2007

Notes:
-- Set 2 is seamless

Audio Patches:
1) Between Stuck Inside Of Mobile With The Memphis Blues Again and Bird Song, 57.351 seconds were missing from the soundboard and was filled using audio from the video.

2) About 7 minutes into Drums, 1 minute and 27.351 seconds were missing from the soundboard and was filled using audio from the video.

3) Between Not Fade Away and Box Of Rain, 3 minutes and 27.351 seconds were missing from the soundboard and was filled using audio from the video.

Video Patches:
None

Notes
-Video assets courtesy of Peanut Productions - thank you very much
-Soundboard was torrented from LL with many thanks
-Audio synchronization by Kevin Tobin using Adobe Audition to
compress/expand the audio in multitrack mode to match the original audio.
-Video patches created with Ulead VideoStudio 11 by Kevin Tobin.
-Multiplexing via TMPGEnc MPEG Editor by Kevin Tobin.
-DVD authoring via DVD Architect 5.2 by Kevin Tobin.

Video Attribute :
Video compression mode : MPEG-2
TV system : 525/60 (NTSC)
Aspect Ratio : 4:3
Display Mode : reserved
Source picture resolution : 720x480
Frame Rate : 29.99
Source picture letterboxed : Not letterboxed
Bitrate : 7.900 Mbps
Menu : Yes (song list on separate menu)

Audio Attribute :
Number of Audio channels : 2
Number of Audio streams : 1
Audio Coding mode: Linear PCM audio
Sampling Rate : 48kHz 1536Kbps

Brokedown House Production

Do NOT buy or sell this video

J-Card Comment:

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Trades Allowed: Yes Traded From:

Reference #:

Generation:

0

Lists:
Owned by Kevin Tobin Videos · Last Updated Jul 26, 2018


Grateful Dead 03/21/91
Capital Centre, Landover, MD
Set I
Mississippi Half Step Uptown Toodleloo
Mexicali Blues >
Big River
Candyman
Stuck Inside Of Mobile With The Memphis Blues Again
Bird Song
Set II
Victim Or The Crime >
Scarlet Begonias >
Fire On The Mountain >
Drums >
Space >
Goin' Down The Road Feeling Bad >
Throwing Stones >
Not Fade Away

Encore:
Box Of Rain
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By Shawnee
Sources
(474) View Source    View Archive
SBD> DAT> ZA2> SHN; slight cut d2t7 ~5:44; via G. King
(87289) View Source    View Archive
flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(94179) View Source    View Archive
flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC
(109365) View Source    View Archive
flac16; Recorded by David Cohen Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4) 2 Nakamichi CM300s/ CP4s w/6" diameter plexiglass plates directly behind the rear pickups of the capsules & 1 Nakamichi CM300/CP1 > Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(111877) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
(132471) View Source    View Archive
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(132472) View Source    View Archive
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(138994) View Source    View Archive
flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017
(149507) View Source    View Archive
flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: first row center, taper’s section; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648
(151341) View Source    View Archive
flac24/96khz Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
(151624) View Source    View Archive
flac16/44khz Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151341 24 -> 16 @ 44.1
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