Grateful Dead - 12/30/77
Winterland Arena, San Francisco, CA
Source:

Black and White Pro-shot from Wolfgang's Vault with SBD Audio upgrade

Media Type:

DVD5

Media Count:

2

Source Info: SBDMR>DAT>Sonic Solutions>CD>EAC>SHN
Notes:

Brokedown House Production using video from WV and SBD audio upgrade. Not seeded at LL or TTD due to WV content.

Tech Notes:

Grateful Dead
Winterland Arena
San Francisco, CA
12/30/77
Multi Cam Black and White Pro Shot

Set 1
Mississippi Half-Step Uptown Toodeloo
Me And My Uncle
Dire Wolf
Looks Like Rain
Row Jimmy
Big River
Peggy-O
Passenger
Ramble On Rose
Let It Grow

Set 2
Samson And Delilah
Ship Of Fools
Estimated Prophet
Eyes Of The World
Saint Stephen
Sugar Magnolia

Encore
U.S. Blues
Good Lovin'


Video Source:
Sourced from Wolfgang's Vault
Big thanks to Bill Graham for having the foresight to have this show filmed.
A Dewins Production
Captured, audio editing and DVD authoring
SIRMick
May 2011

Audio Info:
SBD1
All Songs except Estimated Prophet, Eyes Of The World, Saint Stephen and Sugar Magnolia
Shnid = 30624
SBDMR>DAT>Sonic Solutions>CD>EAC>SHN

This one is the real deal. I'm not sure what is up with the other
versions that are circulating, but I agree with comments that
shnid 20009 sounds like it's from an FM broadcast. This seed is
pre-FM and is superior--at least to 20009. BTW, I just LOVE this
show!- Sean Cribbs 8/2005

SBD2
no shnid because its from DP10
Estimated Prophet, Eyes Of The World, Saint Stephen and Sugar Magnolia
Bonus tracks from 12/29/77 Dick's Pick

SBD3
no shnid
Audio track from the Video - originally in mono and only used for patching

Audio Patches:
1) At beginning of show, first 7.911 seconds were missing before Mississippi Half-Step Uptown Toodeloo from the sbd audio (SBD1) and was filled in using the video audio (SBD3).

2) Between Mississippi Half-Step Uptown Toodeloo and Me And My Uncle, 47.721 seconds were missing from the sbd audio (SBD1) and was filled in using the video audio (SBD3).

3) Between Me And My Uncle and Dire Wolf, 26.727 seconds were missing from the sbd audio (SBD1) and was filled in using the video audio (SBD3).

4) Between Dire Wolf and Looks Like Rain, 2 minutes and 16.329 seconds were missing from the sbd audio (SBD1) and was filled in using the video audio (SBD3).

5) Between Looks Like Rain and Row Jimmy, 16.271 seconds were missing from the sbd audio (SBD1) and was filled in using the video audio (SBD3).

6) Between Row Jimmy and Big River, 15.897 seconds were missing from the sbd audio (SBD1) and was filled in using the video audio (SBD3).

7) Between Big River and Peggy-O, 17.613 seconds were missing from the sbd audio (SBD1) and was filled in using the video audio (SBD3).

8) Between Passenger and Ramble On Rose, 08.222 seconds were missing from the sbd audio (SBD1) and was filled in using the video audio (SBD3).

9) Between Ramble On Rose and Let It Grow, 38.260 seconds were missing from the sbd audio (SBD1) and was filled in using the video audio (SBD3).

10) Between Samson And Delilah and Ship Of Fools, 18.182 was missing from the sbd audio (SBD1) and was filled in using the video audio (SBD3).

11) Between Ship Of Fools and Estimated Prophet, 3 minutes and 20.480 was missing from the sbd audio (SBD1) and was filled in using the video audio (SBD3).

12) About 12 minutes into Eyes Of the World, 49.260 was missing from the DP10 sbd audio (SBD2) and was filled in using the video audio (SBD3). Shame Shame GD Team making us pay for cut up songs.

13) Between Sugar Magnolia and US Blues, 1 minutes and 02.036 was missing from the sbd audio (SBD1) and was filled in using the video audio (SBD3).

14) Between US Blues and Good Lovin', 3 minutes and 23.246 was missing from the sbd audio (SBD1) and was filled in using the video audio (SBD3).

15) There was some major syncing problems between the video and the original video audio track and thanks to many on-line friends, these have been resolved in order to make this amazing video even better ... thanks for their support and help in downloading multiple versions of this set and working with me on trying to make it as close as we can.

Video Patches:
1) About 4 minutes into Saint Stephen, 8.110 seconds of video was blacked out (not missing) and was filled in using graphics.

2) About 1 minute into Sugar Magnolia, 1 minute and 59.246 seconds was missing from the video and was filled in using graphics.

Notes
-Video assets courtesy of Dewin Productions - thank you very much
-SBD1 torrented from LL with many thanks .. DP10 was found in a subcellar of the basement and put to good use.
-Audio synchronization by Kevin Tobin using Adobe Audition to
compress/expand the audio in multitrack mode to match the original audio.
-Video synchronization was with the help of on-line friends.
-Video patches created with Ulead VideoStudio 11 by Kevin Tobin.
-Multiplexing via TMPGEnc MPEG Editor by Kevin Tobin.
-DVD authoring via DVD Architect 5.2 by Kevin Tobin.

Video Attribute :
Video compression mode : MPEG-2
TV system : 525/60 (NTSC)
Aspect Ratio : 4:3
Display Mode : reserved
Source picture resolution : 720x480
Frame Rate : 29.99
Source picture letterboxed : Not letterboxed
Bitrate : 4.000 Mbps
Menu : Yes (song list on separate menu)

Audio Attribute :
Number of Audio channels : 2
Number of Audio streams : 1
Audio Coding mode: Linear PCM audio
Sampling Rate : 48kHz 1536Kbps

Brokedown House Production

Do NOT buy or sell this video

J-Card Comment:

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e544aa89618e9fda2ababb59fd9ccb40 *gd1977-12-30.set1.bhp.dvd5VIDEO_TSVIDEO_TS.IFO
df3ec3b6997f53f8c4992bf2db602c95 *gd1977-12-30.set1.bhp.dvd5VIDEO_TSVIDEO_TS.VOB
75e6b1981eb50591d3fd8ebc4e45f099 *gd1977-12-30.set1.bhp.dvd5VIDEO_TSVTS_01_0.BUP
75e6b1981eb50591d3fd8ebc4e45f099 *gd1977-12-30.set1.bhp.dvd5VIDEO_TSVTS_01_0.IFO
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a66d8b10837109a8c6803bc265e17775 *gd1977-12-30.set2.bhp.dvd5VIDEO_TSVTS_01_2.VOB
5fbe855671db0260781efc547b1d5a54 *gd1977-12-30.set2.bhp.dvd5VIDEO_TSVTS_01_3.VOB
b53700637e7384324b60a73be9b760e4 *gd1977-12-30.set2.bhp.dvd5VIDEO_TSVTS_01_4.VOB

Trades Allowed: Yes Traded From:

Show Rating:

Yes

Sound Rating:

Reference #:

Generation:

0

Lists:
Owned by Kevin Tobin Videos · Last Updated Dec 4, 2019


Grateful Dead 12/30/77
Winterland Arena, San Francisco, CA
Set I
Mississippi Half-Step Uptown Toodleloo
Me & My Uncle
Dire Wolf
Looks Like Rain
Row Jimmy
Big River
Peggy-O
Passenger
Ramble On Rose
Let It Grow
Set II
Samson & Delilah
Ship Of Fools
Estimated Prophet >
Eyes Of The World >
Saint Stephen >
Sugar Magnolia

Encore:
U.S. Blues
Good Lovin'
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Keith Godchaux - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Donna Jean Godchaux - Vocals
Last Changed By J
Sources
(20009) View Source    View Archive
partial; SBD> MR> DAT> CD; via Candyman
(30624) View Source    View Archive
SBDMR>DAT>Sonic Solutions>CD>EAC>SHN
(112745) View Source    View Archive
flac16; Audience Recording by Gene Taback; One Casette Master Transferred by Jim Blackwood at 24bit 96 kHz Edited and Mastered by Jamie Waddell Weiss-Saracon for 16 bit 44.1 kHz TLH for FLAC8 Tag&Rename for MetaData
(132379) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat -> FLAC; Transfer Info: FLAC -> Samplitude Professional v11.2.1 -> FLAC; fixed version levels were increased approximately 14db; please do not circulate the original files; All Transfers and Mastering By Charlie Miller
(139533) View Source    View Archive
flac24; Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017
(139536) View Source    View Archive
flac16; Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; This is a patched version of shnid=132379
(142696) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - matrix mixing by Kevin Tobin
(142697) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - dts mixing by Kevin Tobin
(142698) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - surround mixing by Kevin Tobin
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