Kevin Tobin Videos - Grateful Dead 10/09/89<b>flac16</b>; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC . This has an upgraded patch source.

Grateful Dead - 10/09/89
Hampton Coliseum, Hampton, VA

Source:	(Master) Single Camera Audience shot with sbd audio upgrade
Media Type:	DVD5	Media Count:	3
Source Info:	flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC . This has an upgraded patch source.
Notes:	From the udders of Lazy Cow video (Angle 2) Originally seeded at LL on 2/9/08 (3 torrents have been consolidated below) Old Set 1 and Old Set 2a and Old Set 2b Seeded at TTD 5/15/07 TTD seeding Consolidated at LL on 7/06/18 New LL Seed
Tech Notes:	Grateful Dead (Formerly The Warlocks) October 9, 1989 Hampton Coliseum Hampton, VA Lazy Cow Production This is Lazy Cow angle 2, which is the same angle as the Less Than Face release. A different source video tape was used. (See Lineage Below) A different audio source was used. (See Lineage Below) The missing parts of Little Red Rooster & Ramble On Rose have been patched with Lazy Cow angle 1. (See Lineage Below) Comparison screen shots are provided to help you decide if you would like to download this version. Video: AUD (Tripod) > Master [Angle 2] Set 1 & 2 Master: JVC Single Tube Camera, Nak 300 Shotguns > 1 or 2 Decks > JVC Deck > VHS Master Transfer: VHS Master > Panasonic AG-7150 > Canopus ADVC-100 > iMac G4 > Final Cut Pro-3 > DVD Studio Pro 1 Set 1 [Patches in Little Red Rooster & Ramble On Rose - (Lazy Cow Angle 1)] Master: JVC Single Tube Camera, Nak 300 Shotguns > 0 Decks > Panasonic AG-7400 > S-VHS Master Transfer: S-VHS Master > Panasonic AG-7400 > Panasonic AG-7400 > S-VHS 1st Gen Transfer: S-VHS 1st Gen > Panasonic AG-7150 > Canopus ADVC-100 > iMac G4 > Final Cut Pro-3 > DVD Studio Pro 1 NTSC 4:3 [D1 6700 kbs, D2 & D3 8400 kbs] 720X480 Audio: SBD > DAT [Casette Master SBD - (Little Red Rooster, Ramble On Rose, Jack-A-Roe thru Row Jimmy)] LPCM 1.5 Mbs DVD 1 Set 1 Intro Feel Like A Stranger Built To Last Little Red Rooster Ramble On Rose We Can Run Jack-A-Roe Memphis Blues Row Jimmy The Music Never Stopped 01:12:34 DVD 2 Set 2 Intro Playing In The Band Uncle John's Band Playing In The Band (Reprise) Dark Star Jam Drums 00:54:34 DVD 3 Space Death Don't Have No Mercy Dear Mr Fantasy Hey Jude Throwing Stones Good Love Attics Of My Life 00:47:58 Jerry Garcia - Guitar Bob Weir - Guitar Brent Mydland - Keys Phil Lesh - Bass Bill Kreutzman - Drums Mickey Hart - Drums
J-Card Comment:	Disc 1 38ac69a848afa33a4135020c3f66c74f VIDEO_TSVIDEO_TS.BUP 38ac69a848afa33a4135020c3f66c74f VIDEO_TSVIDEO_TS.IFO 84fd86fa32d34454c2c65a3bbd83ef15 VIDEO_TSVIDEO_TS.VOB 6bda1315dd417d33c70bf819eb1371a7 VIDEO_TSVTS_01_0.BUP 6bda1315dd417d33c70bf819eb1371a7 VIDEO_TSVTS_01_0.IFO 57c6457a4b7e4074887ac784671f7d02 VIDEO_TSVTS_01_1.VOB fadd7b575ab69088148be131c326fca5 VIDEO_TSVTS_01_2.VOB 2bcec5bc4fcb5c7bb22ccd953b7f7e0c VIDEO_TSVTS_01_3.VOB a5333b6544dfd4590266f8004acec89f VIDEO_TSVTS_01_4.VOB 0dfca0c0f7bcc1b534d1c75e8adabff6 VIDEO_TSVTS_01_5.VOB Disc 2 50545967a3fe8e8fc03fc2b99e704a5c VIDEO_TSVIDEO_TS.BUP 50545967a3fe8e8fc03fc2b99e704a5c VIDEO_TSVIDEO_TS.IFO 44ef99fc1abe0cf11428933a6a8055db VIDEO_TSVIDEO_TS.VOB 4f52ba55f52c88eb0fbcd61b063c2ae8 VIDEO_TSVTS_01_0.BUP 4f52ba55f52c88eb0fbcd61b063c2ae8 VIDEO_TSVTS_01_0.IFO df53c4ca351fcf5b81e3c04f501ca3d6 VIDEO_TSVTS_01_1.VOB f16fc504b712cf658a91428c375b57b3 VIDEO_TSVTS_01_2.VOB 6eb049cf3cf47510d035d4dfa2de0e0f VIDEO_TSVTS_01_3.VOB 79b2a11601639b4aff30a600dfc8183c VIDEO_TSVTS_01_4.VOB Disc 3 50545967a3fe8e8fc03fc2b99e704a5c VIDEO_TSVIDEO_TS.BUP 50545967a3fe8e8fc03fc2b99e704a5c VIDEO_TSVIDEO_TS.IFO bea8eaebc95ef06a59d44f35a6c6742d VIDEO_TSVIDEO_TS.VOB 0418302b663b941b55a163952cf35130 VIDEO_TSVTS_01_0.BUP 0418302b663b941b55a163952cf35130 VIDEO_TSVTS_01_0.IFO d10fb3b082299eee2e0babfe2a4964aa VIDEO_TSVTS_01_1.VOB 3ace8818bccd68743b769dfeafe0a778 VIDEO_TSVTS_01_2.VOB ae01064b2b0d4ce003d14f61ab2ff78a VIDEO_TSVTS_01_3.VOB 79ace7eba6fa58a9f91e48376fcf2889 VIDEO_TSVTS_01_4.VOB
Trades Allowed:	Yes	Traded From:
Show Rating:	Yes	Sound Rating:
Reference #:		Generation:	0
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Owned by Kevin Tobin Videos · Last Updated Oct 24, 2021

Grateful Dead 10/09/89
Hampton Coliseum, Hampton, VA

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Set I

Feel Like A Stranger *
Built To Last
Little Red Rooster
Ramble On Rose
We Can Run
Jack A Roe
Stuck Inside Of Mobile With The Memphis Blues Again
Row Jimmy
The Music Never Stopped

Set II

Playing In The Band >
Uncle John's Band >
Playing In The Band Reprise
Dark Star > #
Drums >
Space >
Death Don't Have No Mercy >
Dear Mr. Fantasy >
Hey Jude >
Throwing Stones >
Good Lovin'

Attics Of My Life $

Set III

Comment

Billed as "Formerly The Warlocks" after the Grateful Dead were banned from playing at Hampton Coliseum after several fan incidents during the March 1988 shows. To maintain a low profile, Hampton was not included as part of the regular ticket sales for the East Coast fall tour. Tickets went onsale at local outlets only 10 days prior to the shows. The Marquee for the shows read The Warlocks. The Grateful Dead did not perform at Hampton again until March 5, 1992.

This Version Appears On Without A Net *
First time played since July 13, 1984 #
First time played since October 28, 1972 $

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

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Last Changed By OBIE

Sources

(443) View Source View Archive
Schoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif 32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav> WAV > SHN; via T. Howland; note set 1 will fit all on d1 if you overburn 26 sec; listener M. Burgess reports, "first set sounds ok, maybe a little muddy, but the second sounds thin and trebley, totally different from the first set"; note Mark Ferguson renamed md5s and shns with his 8/3/00 rehosting- see his public comments, and md5s marked "ren" (for "rename")

(2276) View Source View Archive
SBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com

(7721) View Source View Archive
Lineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes

(17704) View Source View Archive
FOB Schoeps CMC421> DAT> HHB standalone CD> EAC> ADDAWAV> CDWav retracking> WAV> SHN; conversions done by JR Fishman

(26235) View Source View Archive
DTS-Audio-CD 5.1 Mix; SBD: PCM (analog out) > DAT x 4 > CDR AUD; FOB: Schoeps CMC641 > DAT; mixed by dan@am-dig.com; related matrix also circulates

(26236) View Source View Archive
SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates

(31211) View Source View Archive
Recording by: Rob R 3 Nak CM300 - 2 CP4's and 1 CP3 arrianged X/Y direct to dat > ? > .shn SBEs on Set 2 repaired using shntool v.2.0.3 (10/11/2005)

(32902) View Source View Archive
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

(80840) View Source View Archive
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC . This has an upgraded patch source.

(89563) View Source View Archive
flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.

(92005) View Source View Archive
DTS Audio 5.1 Mix; 4 Source Mix - SBD (ShnID = 80840), SBD (ShnID = 80840), AUD2 (ShnID = 17704) and AUD3 (ShnID = 443)

(92495) View Source View Archive
flac16; SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3)

(92553) View Source View Archive
- 4 Source Mix - DVD-Audio 5.1 Surround (6ch x 24/48) via Dan Haugh

(99647) View Source View Archive
flac16; Source: Nakamichi cm300/cp4->Sony D-5M (Dolby B encoded)->Maxell MX90 x 2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield; Transfer and seeded by: M. Watson

(116646) View Source View Archive
flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster

(120403) View Source View Archive
flac24; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename

(120404) View Source View Archive
flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby B>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

(125737) View Source View Archive
flac16/48kHz; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

(125738) View Source View Archive
flac16; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

(131003) View Source View Archive
flac16; Master Digital FOB Recording by Lance Deal using Schoeps CMC521's> Schoeps VMS 52 UB> Technics SVMD1; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5)

(142510) View Source View Archive
flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

(147611) View Source View Archive
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller;

(147621) View Source View Archive
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1

(154041) View Source    View Archive
flac16; Matrix 2 Source Mix>/i> - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin
(154042) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin
(154043) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - surround mixing by Kevin Tobin
(158308) View Source    View Archive
flac16; Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80840 & 125738.

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