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Grateful Dead - 09/26/91
Boston Garden, Boston, MA
Edit Details
Source:

Single Camera Audience shot with sbd audio upgrade This show has been upgraded
Media Type:

DVD5

 Media Count:

1
Source Info: SBD> MC> DAT> CDA; high pitched buzz (9200hz- 10200hz) throughout the show removed with a 30% notch filter; via Jay Ashley; etreed; presumably identical source to abgd copy, but md5s differ
Notes:

Mattman production - Seeded on LL 07/27/05 LL Seeding

Tech Notes:

Grateful Dead
9-26-91
Boston Garden
Boston, Mass

Video Source: 2nd gen VHS > JVC SRV10U S-VHS w/ Time Base Corrector &
Digital NR engaged > s-video > ATI All-in-Wonder 128 > VirtualDub Sync mod
w/ HuffYUV > AVIsynth 2.5.4 (w/ script to apply temporal noise reduction,
limited sharpening, crop video head-switching noise [bottom 16 lines],
then center image).

CAPTURE: NTSC D1 (704x480, 29.97fps).

Audio Source: Bertha Remaster of SBD>DAT>CD>EAC>CDWAVE>MKWACT>SHN(shnid=21242)>
WAV>ADOBE AUDITION.

DVD: encoded @ 5000kbps VBR interlaced & 1536kbps 48KHz Stereo PCM WAV.



Set 2A.
0:00:00 Dark Star V1 >
0:15:14 Saint Of Circumstance >
0:22:24 Eyes Of The World >
0:35:02 Drums >
0:47:22 Space >
0:55:31 The Other One >
1:03:03 Dark Star V2 >
1:09:46 Attics of My Life >
1:15:12 Good Lovin'
1:23:24 Brokedown Palace >
1:29:13 And We Bid You Goodnight

Notes:
-shnid=21242 transfer and conversion by JR Fishman (fishmanj_98@yahoo.com)
somewhere in rural Westchester County (formerly of NY, NY), 12/15/03.
-Audio source shnid=21242 digitally remastered using a custom built DAW,
nicknamed Bertha, by jashley@deadacated.com on 2/1/05.
-VHS source provided by Donald Buderus (thanks!).
-Capture, MPEG1 rendering, and DVD authoring by awolfoutwest69.
-Audio synchronization by MattMan (mcole@med.wayne.edu) using Adobe
Audition to compress/expand the audio in multitrack mode to match the original
audio and convert sample rate to 48KHz (DVD) on 2/2/05.
-Original audio: 00:00-00:19, 50:14-52:15, 1:21:44-1:23:47
J-Card Comment:

782cade86e60567a556e487ac698b686 *VIDEO_TS\VIDEO_TS.BUP
782cade86e60567a556e487ac698b686 *VIDEO_TS\VIDEO_TS.IFO
89f654e63b9dbdb41a895d8c0dcef1cb *VIDEO_TS\VIDEO_TS.VOB
d919575b5391118ef833acf5ae6548bd *VIDEO_TS\VTS_01_0.BUP
d919575b5391118ef833acf5ae6548bd *VIDEO_TS\VTS_01_0.IFO
ebb61cbbe4b090fb5e9190a008fd5625 *VIDEO_TS\VTS_01_0.VOB
67af7d9f49f373543b04e4b00f849124 *VIDEO_TS\VTS_01_1.VOB
48d2532b4246b2268aeb631ae8e52849 *VIDEO_TS\VTS_01_2.VOB
a6c20f0e47d220cea845f764c09582cc *VIDEO_TS\VTS_01_3.VOB
b854679a33caa930f6d861f796080889 *VIDEO_TS\VTS_01_4.VOB
b2f67afbb3192de3aebb9577dc907927 *VIDEO_TS\VTS_01_5.VOB
0640bf9e4f880d66611aed094e8d859d *VIDEO_TS\VTS_02_0.BUP
0640bf9e4f880d66611aed094e8d859d *VIDEO_TS\VTS_02_0.IFO
71d7a0273edd3c15f8f7100fcf55095f *VIDEO_TS\VTS_02_0.VOB
2c00cdf7921e65933ed6fa3b6379ebd3 *VIDEO_TS\VTS_02_1.VOB
Trades Allowed: Yes Traded From:

Reference #:

Generation:

0
Lists:
Owned by Kevin Tobin Videos · Last Updated May 24, 2017


Grateful Dead 09/26/91
Boston Garden, Boston, MA
Add Source    Reviews    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Jack Straw
Cold Rain & Snow
Wang Dang Doodle
Candyman
Mexicali Blues >
Cumberland Blues
Picasso Moon
Box Of Rain
Set II
Dark Star >
Saint Of Circumstance >
Eyes Of The World >
Drums >
Space >
The Other One >
Dark Star >
Attics Of My Life >
Good Lovin'

Brokedown Palace >
We Bid You Good Night
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(1575) View Source    View Archive
SBD> MC> DAT> CDA; high pitched buzz (9200hz- 10200hz) throughout the show removed with a 30% notch filter; via Jay Ashley; etreed; presumably identical source to abgd copy, but md5s differ
(21242) View Source    View Archive
SBD(1)>DAT>CD>EAC>CDWAVE>MKWACT>SHN This may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD. Thanks to an old friend Dougal Donaldson for providing me with the source DATS some years back. Listener reports probably one cassette generation. Transfers and conversions all done by JR Fishman
(34851) View Source    View Archive
flac16/48; Set 2 only - DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro > DAT (1) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* 48kHz > flac (8)
(34852) View Source    View Archive
flac16; Set 2 only - DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro > DAT (1) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* 44kHz > flac (8)
(76050) View Source    View Archive
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
(84852) View Source    View Archive
flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.
(84853) View Source    View Archive
flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
(94247) View Source    View Archive
flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
(95247) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
(95534) View Source    View Archive
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v7.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(101443) View Source    View Archive
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
(101543) View Source    View Archive
flac16; Matrix of Soundboard (shnid 95534) and Front of Board Audience (shnid 101443) -> Matrix by Amdig
(102067) View Source    View Archive
DTS Audio 5.1; Mix of SBD (shnID = 95534) SBD > DAT > CD > EAC > SHN; Via A. Kowalski and AUD (shnID = 101443) FOB Digital Audience Recording
(121758) View Source    View Archive
flac24; Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
(121759) View Source    View Archive
flac16; Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(124758) View Source    View Archive
flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
(124759) View Source    View Archive
flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(138152) View Source    View Archive
flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
(139874) View Source    View Archive
flac16/48kHz; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger
(148585) View Source    View Archive
flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Master>1 Maxell XL-II-S Tapes (1 90 Minute For 1st Set,1TDK SA-X 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section U, Row E,Seat 7
(148727) View Source    View Archive
flac16/48kHz; Source: Set I Neumann TLM 170 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Set II Neumann KMi86 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Transfer: Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience recording by Tim Dalton; Transfer by Charlie Miller; Edited & Mastered w/ Adobe Audition by Joe Noel
(149553) View Source    View Archive
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
(149662) View Source    View Archive
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
(153422) View Source    View Archive
flac16/44 A Photoleon Matrix: Source: (fob) B&k 4011> Master Dat + (ots) Neumann Tlm 170> Master Dat + Sbd (dat). Fob Recording By James Young & Clay Brennecke. Ots Recording By Tim Dalton. Sbd Shared By Po & Stucco Tina Holmes. Matrix Created By Joe Noel August 12, 2021
(156465) View Source    View Archive
flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 EDited and mastered SIRMick April 2022
(156741) View Source    View Archive
flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48
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Cached: Mon, 29 Apr 2024 19:34:38 EDT