Grateful Dead - 03/26/90
Knickerbocker Arena, Albany, NY
Source:

Single Camera Audience shot with sbd audio upgrade

Media Type:

DVD5

Media Count:

3

Source Info: flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; Pitch corrected version in circulation
Notes:

Brokedown House Production using a video from Peanut Productions - Seeded LL 08/10/13 LL Seeding Seeded at TTD 08/10/13 TTD seeding

Tech Notes:

Grateful Dead
Knickerbocker Arena
Albany, NY
March 26, 1990
Single Camera Audience shot

Set One (DVD 1)
Tuning
Hell In A Bucket
Dupree's Diamond Blues
Just A Little Light
Black Throated Wind
Big Railroad Blues
Picasso Moon
Row Jimmy
Blow Away

Set 2 (DVD 2)
Built To Last ->
Victim Or The Crime ->
China Cat Sunflower ->
I Know You Rider ->
Man Smart, Woman Smarter ->
Drums ->

(DVD 3)
Space ->
I Need A Miracle ->
Dear Mr. Fantasy ->
Gimme Some Lovin' ->
Morning Dew

Encore:
Brokedown Palace

Video Source:
Video: AUD (Tripod) > 1st Gen.
Master: JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master
Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen.
Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> .m2v, .aif -> BHP

Add fades
Add border
Increase brightness (set 1)
Increase audio gain
Fix audio time delay (set 1)

A Peanut Production

Audio Source Information:
shnid = 87350
Recording Info:
SBD -> Dat -> Cassette Master (TDK MA-R90)

Transfer Info:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v9.11 -> FLAC/16
(2 Discs Audio / 2 Discs FLAC)

All Transfers And Mastering By Charlie Miller
charliemiller87@earthlink.net
September 21, 2007

Notes:
-- Encore moved to end of 1st Set to fit show onto 2 discs
-- Encore can be re-joined with Set 2 seamlessly
-- This is from a custom live recording mix by John Cutler
-- Thanks to Steve Marcus for the tapes

Audio Patches:
1) Between Hell In A Bucket and Dupree's Diamond Blues, 45.248 seconds were missing from the soundboard and were filled in using audio from the video.

2) Between Dupree's Diamond Blues and Just Little Light, 8.536 seconds were missing from the soundboard and were filled in using audio from the video.

3) Between Just Little Light and Black Throated Wind, 53.660 seconds were missing from the soundboard and were filled in using audio from the video.

4) Between Black Throated Wind and Big Railroad Blues, 1 minute and 13.805 seconds were missing from the soundboard and were filled in using audio from the video.

5) Between Big Railroad Blues and Picasso Moon, 1 minute and 17.087 seconds were missing from the soundboard and were filled in using audio from the video.

6) Between Picasso Moon and Row Jimmy, 1 minute and 11.973 seconds were missing from the soundboard and were filled in using audio from the video.

7) Between Row Jimmy and Blow Away, 49.738 seconds were missing from the soundboard and were filled in using audio from the video.

8) Between Morning Dew and Brokedown Palace, 34.420 seconds were missing from the soundboard and were filled in using audio from the video.

Video Patches:
None

Notes
-Video assets courtesy of Peanut Production - thank you very much
-SBD torrented from LL with many thanks
-Audio synchronization by Kevin Tobin using Adobe Audition to
compress/expand the audio in multitrack mode to match the original audio.
-Video patches created with Ulead VideoStudio 11 by Kevin Tobin.
-Multiplexing via TMPGEnc MPEG Editor by Kevin Tobin.
-DVD authoring via DVD Architect 6.0 by Kevin Tobin.

Video Attribute :
Video compression mode : MPEG-2
TV system : 525/60 (NTSC)
Aspect Ratio : 4:3
Display Mode : reserved
Source picture resolution : 720x480
Frame Rate : 29.99
Source picture letterboxed : Not letterboxed
Bitrate : Disk 1: 7.500 Mbps
Disk 2: 8.200 Mbps
Disk 3: 8.200 Mbps
Menu : Yes (song list on separate menu)

Audio Attribute :
Number of Audio channels : 2
Number of Audio streams : 1
Audio Coding mode: Linear PCM audio
Sampling Rate : 48kHz 1536Kbps

Brokedown House Production

Do NOT buy or sell this video

J-Card Comment:

Disc 1
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Disc 2
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63b488a16786627bd2dff6d7d0a5d1e7 *VIDEO_TS\VIDEO_TS.IFO
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0313d60201462bb6c0a42f7fc9991a78 *VIDEO_TS\VTS_01_4.VOB
Disc 3
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3e7fb017605e8b7957590aac85c381f7 *VIDEO_TS\VTS_01_0.IFO
47e5b31d8355c8d414d4fa422fc55372 *VIDEO_TS\VTS_01_0.VOB
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44cb90015b9b62c9ddf44359f59d3119 *VIDEO_TS\VTS_01_2.VOB
0251f947c8e9dcb5c1143b4ff428a89b *VIDEO_TS\VTS_01_3.VOB

Trades Allowed: Yes Traded From:

Reference #:

Generation:

0

Lists:
Owned by Kevin Tobin Videos · Last Updated May 18, 2017


Grateful Dead 03/26/90
Knickerbocker Arena, Albany, NY
Set I
Hell In A Bucket
Dupree's Diamond Blues
Just A Little Light
Black Throated Wind
Big Railroad Blues
Picasso Moon
Row Jimmy
Blow Away
Set II
Built To Last >
Victim Or The Crime >
China Cat Sunflower >
I Know You Rider >
Man Smart (Woman Smarter) >
Drums >
Space >
I Need A Miracle >
Dear Mr. Fantasy >
Gimme Some Lovin' >
Morning Dew

Encore:
Brokedown Palace
Set III
 
Comment
This date is featured on Dozin' at the Knick

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(6697) View Source    View Archive
SBD> ?> CD; EAC> SHN by Randy Griesman; note portions of the show appear on Dozin' at the Knick- go buy it
(7509) View Source    View Archive
SBD> 24 Track Mixdown> DAT> C> PCM> FC/DD2496> CD; via David Hollister; Brian Voelz; note portions of the show appear on Dozin' at the Knick- go buy it
(8508) View Source    View Archive
24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky; Note- portions of the show appear on Dozin' at the Knick- go buy it
(87350) View Source    View Archive
flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; Pitch corrected version in circulation
(91916) View Source    View Archive
flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.
(94411) View Source    View Archive
flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
(112092) View Source    View Archive
flac16; FM Broadcast (WPYX)Albany,NY>HIFI VHS>1St Generation Cassette Taper Rich P.,Transfer By Keo Original Equipment/VHS Tape/Cassette Transfer Unknown; Transferred With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
(112093) View Source    View Archive
flac24; FM Broadcast (WPYX)Albany,NY>HIFI VHS>1St Generation Cassette Taper Rich P.,Transfer By Keo Original Equipment/VHS Tape/Cassette Transfer Unknown Transferred With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
(120942) View Source    View Archive
flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(120943) View Source    View Archive
flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(122541) View Source    View Archive
flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version in circulation
(122542) View Source    View Archive
flac16; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
(126788) View Source    View Archive
flac24; Master FM Recording, Broadcast From WPYX 106.5 Albany, New York; Recorded By Fitzy, Transfer By Keo; Unknown Recording Deck > Maxell XLII-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(126789) View Source    View Archive
flac16; Master FM Recording, Broadcast From WPYX 106.5 Albany, New York; Recorded By Fitzy, Transfer By Keo; Unknown Recording Deck > Maxell XLII-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(127210) View Source    View Archive
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:087350) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller and Audience (shnid:094411) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades & Sample Rate Conversion) > CDWAV > FLAC; Recorded, Transferred & Uploaded By Keith Litzenberger
(133045) View Source    View Archive
flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; this is a fixed version of source ID 122541
(135063) View Source    View Archive
flac24; First set, Set II Victim, and, after China -> Rider: Richard Berner's B&K 4011's, 110 degrees ORTF, hand-held @ 5' high, Prolink -> Neumann Power Supply -> D10, 26th Row Center, FOB -> DAT Master, Apogee 701/BETA -> NAK 682 ZX -> Sony Metal-SR/90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; China -> Rider: Schoeps CMC 421 Sub Cardioids, 100 degrees, 1 row in front of soundboard, about 4 seats right
(135497) View Source    View Archive
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16; This is a pitch corrected version of source ID 87350; All Transfers And Mastering By Charlie Miller
(141115) View Source    View Archive
flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
(142991) View Source    View Archive
flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row E Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
(149395) View Source    View Archive
flac16/48kHz; reMaster of shnid 142991; Source: (FOB) Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row E Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes
(160431) View Source    View Archive
flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
(161587) View Source    View Archive
flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 160431 2496 > 1644
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