Grateful Dead - 12/31/79
Oakland Auditorium Arena, Oakland, CA
Source:

3 camera black and white pro shot with 4 tracks of audio upgrades

Media Type:

BD

Media Count:

1

Source Info: flac16; Matrix 3 Source Mix - SBD1 (shnid=17281) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko + AUD1 (shn id 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 + SBD2 (no shn id) low generation video - matrix mixing by Kevin Tobin
Notes:

Brokedown House Production - not seeded anywhere due to source

Tech Notes:

Grateful Dead
Oakland Auditorium, Oakland, CA
December 31, 1979
Multi-camera B&W Proshot with multiple audio tracks

Set 1
Jack Straw ->
Franklin's Tower
Mama Tried ->
Mexicali Blues
Tennessee Jed
Looks Like Rain ->
Alabama Getaway ->
The Promised Land

Set 2
New Year's Eve Countdown ->
Sugar Magnolia ->
China Cat Sunflower ->
I Know You Rider
Samson And Delilah
Ship Of Fools
Lost Sailor ->
Saint Of Circumstance ->
Deal

Set 3
Althea ->
New Minglewood Blues
Uncle John's Band ->
Drums ->
Space ->
Not Fade Away ->
Stella Blue ->
Sunshine Daydream

Encore:
Good Lovin'
Bill Graham

Video Source:
I'm sure you can guess - from the internet

Audio Information:
Audio Track 1:
SBD + AUD Matrix 3 Source Mix(48%-SBD/52%-AUD)
using the sources listed below

Audio Track 2:
SBD1 (shnid = 17281)
SBD > ?? > Cassette > CD with AUD patches
EAC/SHN by Darryl Hinko (flyerfanatic)
flyerfanatic2817@yahoo.com
SHNtool used to comfirm sector boudries and to reattach wavs
CDwav used to split tracks
Cool Edit Pro used for all splices

Original Patch source : (NOTE: SBD2 was used to replace all

patches listed below)
AUD > NAK 700s >Sony TC-158 > MC > DAT > CDR >
EAC (calibrated, secure mode, test and copy) > SHN

Notes:

- Between Mexicali and Tennessee tuning was missing added
from the AUD source
- Tennessee Jed patch for a couple of seconds on
"Cracked my spine"
- Between d1t05 and d1t06 a lot of audience was missing I
spliced it in.
- Looks Like Rain was split badly because of a cassette flip
also about 2 minutes spliced in at the end
- Ship of Fools was missing from the SBD source - AUD source
- Lost Sailor splice from 5:17 - 5:24 has 2 pops they were on the
audience source.
- Beginning of 3rd set added a bit of audience so the set didn't
start abruptly
- Stella Blue - 2 splices - first on the line "In every Cheap" -
second Towards the end of the song
- Not much crowd time between SSDD and Good Lovin' so I
added the tuning from the AUD
- Last 2:30 of Good Lovin' was missing patched with AUD

Audio Track 3:
AUD (shnid = 88768)
Recording Info:
Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)

Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Samplitude Professional v9.12 -> FLAC/16
(4 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
November 20, 2007

Patch Info:
Nakamichi 700 -> Cassette Master -> Dat -> CD (shnid=18589)
supplies:
Drums (6:13 - 6:29)

Notes:
-- Seamless disc change between Set 3 and Encore
-- Move Encore to end of 1st or 2nd Set to fit show onto 3 discs
-- Recorded By Joani Walker
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Patch source recorded by Steve Rolfe

Audio Track 4:
LPCM DTS 5.1 using sources listed here

Extra Audio Source:
SBD2 (no shnid)
Audio from video used to patch the soundboard.

audio patches
1) Between Franklin's Tower and Mama Tried, 1 minute and
42.840 seconds were missing from the soundboard and were
filled in with audio from the video.

2) Also between Franklin's Tower and Mama Tried, 2 minute and
06.265 seconds were missing from the audience and were filled
in with audio from the video.

3) Between Mexicali Blues and Tennessee Jed, 1 minute and
37.467 seconds were missing from the soundboard and were
filled in with audio from the video.

4) Also between Mexicali Blues and Tennessee Jed, 1 minute and
24.163 seconds were missing from the soundboard and were
filled in with audio from the video.

5) Between Tennessee Jed and Looks Like Rain, 25.352 seconds
were missing from the soundboard and were filled in with audio
from the video.

6) At the end of Looks Like Rain, 2 minute and 05.111 seconds
were missing from the soundboard and were filled in with audio
from the video.

7) At the beginning of set 2, 4 minute and 08.290 seconds were
missing from the soundboard and were filled in with audio from
the video. This includes most of the NYE countdown.

8) At the beginning of set 2, 3 minute and 54.454 seconds were
missing from the audience and were filled in with audio from the
video. This includes most of the NYE countdown.

9) Between I Know You Rider and Samson and Delilah, 1 minute
and 23.919 seconds were missing from the soundboard and were
filled in with audio from the video.

10) Also between I Know You Rider and Samson and Delilah, 1
minute and 17.265 seconds were missing from the audience and
were filled in with audio from the video.

11) Also between I Know You Rider and Samson and Delilah,
58.092 seconds were missing from the soundboard and were
filled in with audio from the audience.

12) Between Samson and Delilah and Ship Of Fools, 9 minute and
20.028 seconds were missing from the soundboard and were
filled in with audio from the video. This includes all of Ship Of
Fools.

13) Between Ship Of Fools and Lost Sailor, 47.016 seconds were
missing from the audience and were filled in with audio from the
video.

14) About 5 minutes into Lost Sailor, 07.653 seconds were
missing from the soundboard and were filled in with audio from
the video.

15) About 8 minutes into Drums, 1 minute and 02.277 seconds
were missing from the soundboard and were filled in with audio
from the video.

16) About 3 minutes into Not Fade Away, 01.293 seconds were
missing from the soundboard and were filled in with audio from
the video.

17) About 6 minutes into Stella Blue, 04.141 seconds were
missing from the soundboard and were filled in with audio from
the video.

18) At the end of Stella Blue, 16.164 seconds were missing from
the soundboard and were filled in with audio from the video.

19) At the start of Good Loving, 04.111 seconds were missing
from the soundboard and were filled in with audio from the
video.

20) About 5 minutes into Good Lovin', 41.417 seconds were
missing from the soundboard and were filled in with audio from
the video.

21) About 7 minutes into Good Lovin', 2 minutes and 45.285
seconds were missing from the soundboard and were filled in
with audio from the video.

video patches
1) At the start of the 1st set, 2.000 seconds were missing and
were filled in using graphics and soundboard audio. This included
the first notes of Jack Straw.

2) At the start of Looks Like Rain, 4.000 seconds were missing
and were filled in using graphics and soundboard audio. This
included the first notes of Looks Like Rain.

3) About 16 seconds into Alabama Getaway, 4 minute and 41.210
seconds were missing and were filled in using graphics and
soundboard audio.

4) About 26 seconds into Promised Land, 1 minute and 56.180
seconds were missing and were filled in using graphics and
soundboard audio.

5) At the end of the 1st set, 4.670 seconds were missing and
were filled in using graphics and soundboard audio.

6) Between I Know You Rider and Samson and Delilah, 30.860
seconds were missing and were filled in using graphics and
soundboard audio. This includes the first notes of Samson And
Delilah.

7) Between Samson and Delilah and Ship Of Fools, 12.110
seconds were missing and were filled in using graphics and
soundboard audio. This includes the first notes of Ship Of Fools.

8) At the end of the 2nd set, 34.094 seconds were missing and
were filled in using graphics and soundboard audio. This includes
the last notes of Deal.

9) At the start of the 3rd set, 23.120 seconds were missing and
were filled in using graphics and soundboard audio. This included
the first notes of Althea.

10) About 6 minutes into Drums, 1 minute and 48.040 seconds
were missing and were filled in using graphics and soundboard
audio.

Notes
-SBD downloaded from LL with many thanks
-AUD downloaded from LMA with many thanks
-Audio synchronization by BHP using Adobe Audition to
compress/expand the audio in multitrack mode to match the
original audio.
-Video patches (if needed) created with Ulead VideoStudio 11 by
BHP.
-Multiplexing via TMPGEnc MPEG Editor by BHP.
-BD authoring via TMPGEnc Authoring Works 5

Video Attribute :
Video compression mode : MPEG-2
TV system : 525/60 (NTSC)
Aspect Ratio : 4:3
Display Mode : reserved
Source picture resolution : 720x480
Frame Rate : 29.99
Source picture letterboxed : Not letterboxed
Bitrate : 8,000 Mbps
Menu : Yes (song list on separate menu)

Audio Attribute :
Number of Audio channels : 8
Number of Audio streams : 4
Audio Coding mode: Linear PCM audio
Sampling Rate : 48kHz 1536Kbps

Brokedown House Production

Do NOT buy or sell this video

J-Card Comment:

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Trades Allowed: Yes Traded From:

Show Rating:

Yes

Sound Rating:

Reference #:

Generation:

0

Lists:
Owned by Kevin Tobin Videos · Last Updated May 5, 2022


Grateful Dead 12/31/79
Oakland Auditorium Arena, Oakland, CA
Set I
Jack Straw >
Franklin's Tower
Mama Tried >
Mexicali Blues
Tennessee Jed
Looks Like Rain >
Alabama Getaway >
Promised Land
Set II
New Years Eve Countdown >
Sugar Magnolia >
China Cat Sunflower >
I Know You Rider
Samson & Delilah
Ship Of Fools
Lost Sailor >
Saint Of Circumstance >
Deal
Set III
Althea >
New Minglewood Blues
Uncle John's Band >
Drums >
Space >
Not Fade Away > *
Stella Blue > *
Sunshine Daydream *

Encore:
Good Lovin'
Bill Graham Outro
Comment
Richard Olson opened
Flying Karamozov Brothers opened

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
John Cipollina - Guitar *
Last Changed By J
Sources
(5477) View Source    View Archive
Recording by Steve Rolfe: Master Audience Cassette: Nakamichi CM700 mics > Sony TC-158 cassette deck > DAT > CDR; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation
(6031) View Source    View Archive
Recording by Steve Rolfe: AUD > NAK 700s >Sony TC-158 > MC > DAT > CDR > EAC > SHN; EAC> SHN> etree by G. Gorinsky, with thanks to Glenn Gillis; cut in NFA : upgrade now in circulation
(17281) View Source    View Archive
SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko
(18589) View Source    View Archive
Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded and patched by Matt Vernon
(88768) View Source    View Archive
flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
(126183) View Source    View Archive
flac16; SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin
(126184) View Source    View Archive
flac16; Matrix 3 Source Mix - SBD1 (shnid=17281) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko + AUD1 (shn id 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 + SBD2 (no shn id) low generation video - matrix mixing by Kevin Tobin
(144795) View Source    View Archive
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(144796) View Source    View Archive
flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
(154881) View Source    View Archive
flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
(154882) View Source    View Archive
flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
(156628) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 126183) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin + AUD (shnid = 155895) (original shnid = 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 - surround mixing by Kevin Tobin
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Cached: Mon, 29 Apr 2024 17:49:33 EDT