PRO

88ae7dd2aa695de77dbb79c2ab209016 *Hank Williams III 17-2-2001 Lynaghs Lexington NTSC DVD5 FAD06.txt
1d03dc09897d865dee3da955e45fdacc *VIDEO_TS\VIDEO_TS.BUP
1d03dc09897d865dee3da955e45fdacc *VIDEO_TS\VIDEO_TS.IFO
c53884f179b14882f84e4681be8d03df *VIDEO_TS\VIDEO_TS.VOB
743c6d74b6fb6b67a4a7cba6944491da *VIDEO_TS\VTS_01_0.BUP
743c6d74b6fb6b67a4a7cba6944491da *VIDEO_TS\VTS_01_0.IFO
66754288fc7e027c910768f04c2af6ac *VIDEO_TS\VTS_01_1.VOB
62c99109a1543142b4a1876afae43d3c *VIDEO_TS\VTS_01_2.VOB
5a4729e516b2d2265111547019d76f5e *VIDEO_TS\VTS_01_3.VOB
aac0c078698be8c192ae4118f396e1cd *VIDEO_TS\VTS_01_4.VOB

DVD

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2 cam Mix

NTSC 4:3 (720x480) VBR
Audio #1: AC3, 2/0 ch, 256Kbps

2 Camera mix recorded by Finatic and Elvis Hitler
Video mixing by Finatic

TRT : 02:17:52

Camera Masters>SVHS Submaster>Panasonic WJ-MX5>SVHS Master Mix tape>Panasonic DMR15 DVD Recorder>Roadkill Unstoppable Copier>Traders Little Helper>You

I was doing some cleaning and went through some boxes of my old VHS collection and started pulling out some of my early mixing work. In 1998 I started
buying up gear to mix the concert videos I was shooting with other tapers like Elvis Hitler. I was very much into SVHS for submastering my camcorder
tapes. I had two JVC HR-S4500 decks with jog/shuttle wheels. The pain of synching up tapes by flashbulbs then jogging decks back and forth to synch.
For a myriad of reasons the tapes would lose synch and I would go back and fix over and over, hands flying all around the controls to try to keep
things in synch while mixing the best shots on the fly. The cheesy graphics generator I had at the time, but back in the day, it was some cutting edge
stuff that was not common in the bootleg video world.

2 Camera mix

Finatic

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A-

EXT3

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