Grateful Dead - 07/15/88
Greek Theatre, U. Of California, Berkeley, CA
Source:

Single Camera Audience shot with sbd audio upgrade - 2nd set only

Media Type:

DVD5

Media Count:

2

Source Info: Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman
Notes:

Name78 Production - Seeded at LL 06/04/14 LL Seeding Seeded at TTD 06/03/14 TTD Seed

Tech Notes:

Grateful Dead
July 15, 1988
Greek Theater
Berkeley, CA

Set 2 Only

Audio Syncronization and DVD authoring by Name78

Video: AUD (Tripod) > Medium Generation > VHS > Transfer > Movie Studio Platinum 12.0 > DVD Architect 5.0
[NTSC, 4:3, 720x480, 29.97 fps, 9.7 Mbps]

Audio:
Sources:
Primary Source:
Ultramatrix (SBD/AUD mix)
Lineage: DAT> ?> CD> SHN ("?" may not be a
generation, or it may be. I dunno.)
Seconday Source:
Sean Weber-Small's Aud PCM Master>Sony PCM 601ES> RME Hammerfall>
Soundforge 4.5/CD Architect>CDR>Shn The secondary source supplies a
patch in Estimated Prophet (d2t05) from 3:03 thru 3:07

Patched by Scott Clugston.

Thanks to Steve Aserkoff for the discs.
Tracked, normalized, and seeded by Peter Braverman
(braverman@earthlink.net), June 2002.
[LPCM, 1.5Mbs, 16 Bit, 48 kHz]

DVD 1 - Set 2A
Scarlet Begonias
Fire on the Mountain
Man Smart, Woman Smarter
Ship of Fools
Estimated Prophet
Drums

DVD 2 - Set 2B
Space
I Need a Miracle
The Wheel
Gimme Some Lovin'
Morning Dew

Encore:
Turn on Your Lovelight


Jerry Garcia - Guitar
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Bass
Bob Weir - Guitar
Brent Mydland - Keyboards

J-Card Comment:

Disc 1
6e934d5f885a24edb409a2101c0884fc *7-15-88 Set 2A\VIDEO_TS\VIDEO_TS.BUP
6e934d5f885a24edb409a2101c0884fc *7-15-88 Set 2A\VIDEO_TS\VIDEO_TS.IFO
df3ec3b6997f53f8c4992bf2db602c95 *7-15-88 Set 2A\VIDEO_TS\VIDEO_TS.VOB
460358379948994c9c57564c2f330612 *7-15-88 Set 2A\VIDEO_TS\VTS_01_0.BUP
460358379948994c9c57564c2f330612 *7-15-88 Set 2A\VIDEO_TS\VTS_01_0.IFO
6adbf148757b87ed2d9a9b4ec2f633fb *7-15-88 Set 2A\VIDEO_TS\VTS_01_0.VOB
f5d9158d0e4628f5d2d2ec37b2c8e46a *7-15-88 Set 2A\VIDEO_TS\VTS_01_1.VOB
ef66126813a308ee962cdaf7d2551a04 *7-15-88 Set 2A\VIDEO_TS\VTS_01_2.VOB
2f5d51eb819d38d6dcc6317b74e9529c *7-15-88 Set 2A\VIDEO_TS\VTS_01_3.VOB
135df5003b0956e6e7e9f91b3d6eed96 *7-15-88 Set 2A\VIDEO_TS\VTS_01_4.VOB

Disc 2
abbebb383cded42bf308b100d5c48b7d *7-15-88 Set 2B\VIDEO_TS\VIDEO_TS.BUP
abbebb383cded42bf308b100d5c48b7d *7-15-88 Set 2B\VIDEO_TS\VIDEO_TS.IFO
df3ec3b6997f53f8c4992bf2db602c95 *7-15-88 Set 2B\VIDEO_TS\VIDEO_TS.VOB
cd48928423ec20fc90a3a67cd88a4839 *7-15-88 Set 2B\VIDEO_TS\VTS_01_0.BUP
cd48928423ec20fc90a3a67cd88a4839 *7-15-88 Set 2B\VIDEO_TS\VTS_01_0.IFO
d1d8e7ce198ed0522f3efa954200b455 *7-15-88 Set 2B\VIDEO_TS\VTS_01_0.VOB
8b3d945cbc24151741bfc3cb17f39eea *7-15-88 Set 2B\VIDEO_TS\VTS_01_1.VOB
34ada156065576286d96648b7d4d7f09 *7-15-88 Set 2B\VIDEO_TS\VTS_01_2.VOB
e294dd0fb0165b9db8c7a3a3201a41b7 *7-15-88 Set 2B\VIDEO_TS\VTS_01_3.VOB

Trades Allowed: Yes Traded From:

Reference #:

Generation:

0

Lists:
Owned by Kevin Tobin Videos · Last Updated May 8, 2017


Grateful Dead 07/15/88
Greek Theatre, U. Of California, Berkeley, CA
Set I
Shakedown Street
Walkin' Blues
Friend Of The Devil
Queen Jane Approximately
Dire Wolf
Never Trust A Woman
Cassidy >
Bertha
Set II
Scarlet Begonias >
Fire On The Mountain
Man Smart (Woman Smarter)
Ship Of Fools
Estimated Prophet >
Drums >
Space >
I Need A Miracle >
The Wheel >
Gimme Some Lovin' >
Morning Dew

Turn On Your Lovelight
Set III

Comment
Rex Benefit
FM Broadcast KPFA

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(9244) View Source    View Archive
2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner
(10079) View Source    View Archive
Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman
(10343) View Source    View Archive
Sources: Primary Source: Prev Braverman Matrix Seed Seconday Source: Prev Gardner Seed of Sean Weber-Small's Aud PCM Master The secondary source supplies a patch in Estimated Prophet(d2t05) from 3:03 thru 3:07; Patched by Scott Clugston. Vined and posted to abgd via Charlie Connor
(34751) View Source    View Archive
flac16; Seamless fix of shn id 10343 - Ultramatrix>DAT>?>CD>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
(137888) View Source    View Archive
flac16; NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH
(138063) View Source    View Archive
flac16; Fixed version Source Info: Healy-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on/azimuth adjusted) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Converted to 16bit/44k w/ Audacity > Encoded to FLAC (level 8) w/ TLH; Original source marked pre-FM and had some files that were 44.1kHz and others 96kHz
(138064) View Source    View Archive
flac24; Some file are 24 bit and others are 16bit; Source Info: pre-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Encoded to FLAC (level 8) w/ TLH; this entry is for documentation purposes
(140749) View Source    View Archive
flac16; Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
(141922) View Source    View Archive
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(141959) View Source    View Archive
flac16; Patched and Pitch Corrected Audience - AUD (original shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - pitch correction and patches by Kevin Tobin
(141960) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - matrix mixing by Kevin Tobin
(141961) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - dts mixing by Kevin Tobin
(141962) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - mixing by Kevin Tobin; Fixed version in circulation
(141964) View Source    View Archive
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(142014) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - surround mixing by Kevin Tobin
(143091) View Source    View Archive
flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(143155) View Source    View Archive
flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1
(143187) View Source    View Archive
flac16; Sean Weber-Small recording: Schoeps CMC42S (Spaced Omni 14' Split)> Oade Power Supply> PCM (Sony PCM-F1 w/ Apogee modified A/D filters); Location (OTS, 2nd Row behind Healy); A Philly Crew transfer: PCM(1)> Sony PCM601esd (spdif out)> VX Pocket (spdif in)> Nuendo> FLAC 16/44
(160871) View Source    View Archive
flac1644 Source: 1st Gen AUDCA: microphones: Beyer M201's aimedFWD (0')about 2 feet wide mixed with AKG ck61's XY> Tascam 442# mixed to 2 channels on the fly > recorder: Sony TCD5M|Maxell MX 90 x 2 No Dolby Location: 100 feet from stage 20 ft LOC Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Billy Myrick, Tom Pinney, Phil Schuman, Kyle Holbrook, John Goode Processed by: Kyle Holbrook # NOTES: This is first gen from the dbx 4 channel master decoded using an dbx224.
(160873) View Source    View Archive
flac2448 Source: 1st Gen AUDCA: microphones: Beyer M201's aimedFWD (0')about 2 feet wide mixed with AKG ck61's XY> Tascam 442# mixed to 2 channels on the fly > recorder: Sony TCD5M|Maxell MX 90 x 2 No Dolby Location: 100 feet from stage 20 ft LOC Transfer: Nakamichi LX-5 > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Billy Myrick, Tom Pinney, Phil Schuman, Kyle Holbrook, John Goode Processed by: Kyle Holbrook # NOTES: This is first gen from the dbx 4 channel master decoded using an dbx224.
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