Kevin Tobin Videos - Grateful Dead 10/06/84<b>flac24</b>; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename

Grateful Dead - 10/06/84
Richmond Coliseum, Richmond, VA

Source:	Single camera audience shot with soundboard audio upgrade End Set 1 & Start Set 2 on YouTube
Media Type:	DVD	Media Count:	1
Source Info:	flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
Notes:	Brokedown House Production with video provided by Ian - Seeded on LL 10/06/16 LL Seeding Seeded at TTD 10/06/16 TTD Seeding
Tech Notes:	Grateful Dead October 6, 1984 Richmond Coliseum Richmond, VA Brokedown House Production Taped by Anon Tape provided by Ian Captured & Edited by P.Togos Synch & Authoring by Kevin Tobin Video: AUD (Tripod) > 3rd Gen VHS (Sony Dynamicron T-120) Transfer: VHS 3rd Gen > Panasonic AG-7150 > Canopus ADVC-300 > Firewire > HD > Sony Vegas 9 (.avi) > MPEG2 > TMPGEnc MPEG Editor 2.0 > TMPGEnc Authoring Works 5 > DVD9 [NTSC, 4:3, 8.0 Mbps, 720x480, 29.97 fps] Audio: Nakamichi CM100/CP4 Shotguns > Sony D5 > Maxell UDXLII 90's > Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz > AudioGate V.3.0.2 To 24/96 kHz > FLAC (shnid=132556) Tapes Labelled: Nakamichi 100 Guns - Sandy Master Audience Recorded By Steve Hill Transfer By Keo [LPCM, 1.5 Mbs, 16 Bit, 48 kHz] Set 1 Don't Ease Me In Set 2 Scarlet Begonias Fire On The Mountain Playing In The Band China Doll Drums Space// 01:07:32 Notes: Regular white flashes/warbles 00:00:36-00:00:40 - Filled With Graphics 00:03:08-00:03:51 - Filled With Graphics 01:01:33-01:02:12 - Filled With Graphics 01:03:44-01:04:29 - Filled With Graphics 01:05:29-01:06:22 - Filled With Graphics Jerry Garcia - Guitar Bob Weir - Guitar Brent Mydland - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums
J-Card Comment:	63b488a16786627bd2dff6d7d0a5d1e7 VIDEO_TS\VIDEO_TS.BUP 63b488a16786627bd2dff6d7d0a5d1e7 VIDEO_TS\VIDEO_TS.IFO df3ec3b6997f53f8c4992bf2db602c95 VIDEO_TS\VIDEO_TS.VOB ece337bc89031db0acb5af48c0ebf219 VIDEO_TS\VTS_01_0.BUP ece337bc89031db0acb5af48c0ebf219 VIDEO_TS\VTS_01_0.IFO 7685dada829b03468dcae7746ee16931 VIDEO_TS\VTS_01_0.VOB 44db7a793e12c7c889725f2a60a6102e VIDEO_TS\VTS_01_1.VOB c63dc92a98c8b407fc22ed5fcaafab32 VIDEO_TS\VTS_01_2.VOB 7c583220f6c73078fd440bb85b60fd41 VIDEO_TS\VTS_01_3.VOB 2c2c928fc84924336d464755ff6a6488 VIDEO_TS\VTS_01_4.VOB fc43e7d2dfe72c0e97b3ab8b7640ffed *VIDEO_TS\VTS_01_5.VOB
Trades Allowed:	Yes	Traded From:
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Owned by Kevin Tobin Videos · Last Updated Sep 8, 2018

Grateful Dead 10/06/84
Richmond Coliseum, Richmond, VA

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Set I

Hell In A Bucket
Dire Wolf
Cassidy
They Love Each Other
New Minglewood Blues
Tennessee Jed
Looks Like Rain >
Don't Ease Me In

Set II

Scarlet Begonias >
Fire On The Mountain >
Playing In The Band >
China Doll >
Drums >
Space >
Throwing Stones >
Goin' Down The Road Feeling Bad >
One More Saturday Night

Encore:
Keep Your Day Job

Set III

Comment

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

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Last Changed By J

Sources

(3160) View Source View Archive
AUD?; no other info available

(15573) View Source View Archive
FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT

(32898) View Source View Archive
Unknown shotgun mics > Sony D6 > MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwACT > SHN; upgrade in circulation

(33955) View Source View Archive
This is a re-record of shnid 32898 using azimuth adjustment and Audacity.

(77750) View Source View Archive
flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700

(87015) View Source View Archive
flac16; taper : Joe D'Amico aka Joebeacon nak 300 mics > sony d5 Transfer: nak dragon tape deck into creative extigy sound card into pc -flac frontend

(91173) View Source View Archive
flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend (This source is an EAC version of the previous D'Amico source.)

(92383) View Source View Archive
flac16; Taper: Greg Holtz Source: Nakamichi CM100s CP4caps, FOB-> D-6 Transfer: (By Holtz 1997) Unknown Nakamichi Tape Deck-> RCA-1/8"-> D-3 DAT @ 48kHz Current Transfer: (By JAZ) DAT (Direct from Cassette Master)-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> R8brainPro 44.1kHZ-> Traders Little Helper flac8; Upgrade in circulation

(109985) View Source View Archive
flac16; source: 2 Beyer M-88's & 1 Beyer M-160 Microphones > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

(112831) View Source View Archive
flac24; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96

(112860) View Source View Archive
flac16; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > R8-Brain dither to 16/44 > TLH > Flac Level 8

(124157) View Source View Archive
flac24; lineage: (2) audio technica atm11/ (2) nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

(127557) View Source View Archive
flac16/48kHz; Set 2 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper

(132556) View Source View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename

(132557) View Source View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

(158247) View Source View Archive
flac1644 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 4' Apart On Two Shure S15 Stands (up High) Recorded & Transferred By Anon Edited & Mastered (adobe Audition) By Joe Noel March 31, 2022

(158248) View Source View Archive
flac2448 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Approx. 40' From Stage, Mics Spaced 4' Apart On Two Shure S15 Stands (up High) Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel March 31, 2022

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