Jerry Garcia Band - 10/25/87
Lunt-Fontanne Theatre, New York, NY
Lunt-Fontanne Theatre, New York, NY
Edit Details| Media Type: | Media Count: | 1 |
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| Notes: | Nice Soundboard |
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| Trades Allowed: | Yes | Traded From: | |
| Show Rating: | A+ |
Sound Rating: | A+ |
| Reference #: | Generation: | 0 |
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| Lists: | A-J | | ||
Owned by MyLibbyDog · Last Updated May 23, 2023
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Set I
Acoustic:, Deep Elem Blues, I'm Troubled, Spike Driver Blues, Blue Yodel No. 9 (Standing On The Corner), Short Life Of Trouble, If I Los
Set II
Electric:, How Sweet It Is To Be Loved By You, Forever Young, Stop That Train, Think, Mission In The Rain, The Harder They Come*, When I Paint My Masterpiece**-> Deal*, E: All Along The Watchtower** *** ****
Set III
Comment
Late show. Jerry Garcia Acoustic Band/Jerry Garcia Band: Jerry Garcia, John Kahn, David Kemper, David Nelson, Sandy Rothman. *=w/Bob Weir. **=w/Bob Weir vocals, ***=first time played, ****=only time played. "Ain't No Lie" dedicated to Elizabeth Cotton, who wrote it.
Last Changed By
System
Sources
(15616) View Source
JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.
(25751) View Source
JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.
(80295) View Source
JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(80337) View Source
JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(15616) View Source
JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.
(25751) View Source
JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.
(80295) View Source
JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(80337) View Source
JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
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Cached: Mon, 29 Apr 2024 16:59:30 EDT