gauloisesblondes - Dave Matthews Band 06/27/15Taper: Ryan Hoyt<br> Source: dpa 4028 > v2 > 744 > MBIT+ dithering to 16 bit<br> Location: Back of pit, right stack, mics DINa @ ~7'

Dave Matthews Band - 06/27/15
Susquehanna Bank Center, Camden, NJ

Media Type:	flac	Media Count:	3
Source Info:	Taper: Ryan Hoyt Source: dpa 4028 > v2 > 744 > MBIT+ dithering to 16 bit Location: Back of pit, right stack, mics DINa @ ~7'
Notes:	Lovely Ladies on Everyday, BOWA, Rooftop, Can´t Stop, Stay
Trades Allowed:	Yes	Traded From:
Reference #:		Generation:	0
Lists:	DMB Audio \|

Owned by gauloisesblondes · Last Updated Apr 21, 2017

Dave Matthews Band 06/27/15
Susquehanna Bank Center, Camden, NJ

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Set I

Rye Whiskey
The Needle And The Damage Done
Grace Is Gone
The Stone
When The World Ends
Satellite
Typical Situation
Rhyme And Reason
Stay Or Leave

Set II

Don't Drink The Water
Crush
So Right
Digging A Ditch
Why I Am
Virginia In The Rain
Pantala Naga Pampa/Rapunzel
Everyday (w/The Lovely Ladies)
Best Of What's Around (w/The Lovely Ladies)
Rooftop (w/The Lovely Ladies)
Can't Stop (w/The Lovely Ladies)
Stay (Wasting Time) (w/The Lovely Ladies)

E: The Space Between
Shake Me Like A Monkey

Set III

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Last Changed By Matthew

Sources

(133630) View Source
Taper: Dean Wolfgang
Source: AKG CK61>Naiant AKG Actives/PFAs>Lunatec V3 (SPDIF)>R44 @24/48 kHz
Location: Rear Pit Stage Left Stack, Mics DIN @ 6 1/2 feet

(133631) View Source
Taper: Jeff Travitz
Source: Neumann KM 185 -> Sound Device 744T
Location: PIT 8 feet high

(133632) View Source
Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744 > MBIT+ dithering to 16 bit
Location: Back of pit, right stack, mics DINa @ ~7'

(133633) View Source
FLAC24 Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744
Location: Back of pit, right stack, mics DINa @ ~7'

(134443) View Source
Taper: Christopher Jones
Source: DPA 4015-TL Transformerless Handmatched Wide Cardioid > Mogami Gold Neglex Studio Quad Microphone Cable > Rupert Neve Designs Portico 5012-H Microphone Preamplifier ("Silk" circuit engaged) >
Location: GA Pit, approximately 10 meters from stageleft line array. Microphones elevated 2 meters pursuant to supposed venue "head height" requirement, A-B.

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