Kevin Tobin Videos - Grateful Dead 07/10/89Unknown SBD (Matrix); EAC/SHN by Darryl Hinko

Grateful Dead - 07/10/89
Giants Stadium, East Rutherford, NJ

Source:	Pro shot with multiple audio upgrade - Complete show
Media Type:	BD	Media Count:	1
Source Info:	Unknown SBD (Matrix); EAC/SHN by Darryl Hinko
Notes:	Brokedown House Production/Mattman Production - Seeded on LL 7/15/17 LL Seeding
Tech Notes:	Grateful Dead July 10, 1989 Giants Stadium East Rutherford, NJ Brokedown House Production Set 1 Tuning Feel Like a Stranger> Franklin's Tower Walkin' Blues Jack A Roe When I Paint My Masterpiece Tennessee Jed Music Never Stopped> Don't Ease Me In Set 2 Foolish Heart Just A Little Light Playing In The Band Uncle John's Band Drums # Space Iko Iko # All Along The Watchtower * Morning Dew * Sugar Magnolia * Sunshine Daydream * Encore: Knockin' On Heaven's Door * Jerry Garcia - Guitar Bob Weid - Guitar Brent Mydland - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums William Green - Drums #, Percussion * Art Neville - Keyboards * Brian Stoltz - Guitar * Video: Set 1: (released by BHP 6/05) Video Source: 3rd Generation Pro-shot>VHS>PINNACLE DV500>SCENALYZER LIVE (CAPTURE)> PREMIERE 6.5>MPEG-2>ULEAD VIDEOSTUDIO VERSION 7>DVD [NTSC, 4:3, 8.0 Mbs, 720x480, 29.97 fpsc] Set 2: (released by Mattman 6/05) Video Source: Pro-shot>?>DVD>TMPGEnc Edit>TMPGEnc DVD AUTHOR 1.6. [NTSC, 4:3, 8.0 Mbs, 720x480, 29.97 fpsc] Audio Source Information Audio Track 1: SBD shnid = 16071 Source: Unknown SBD (Matrix) EAC/SHN by Darryl Hinko (flyerfanatic) Sector Boundries confirmed by set with SHNtool, thanks Tommy. [LPCM, 1.5 Mbs, 16 Bit, 48 kHz] Audio Track 2: Matrix shnid = 138762 SBD + AUD Matrix 2 Source Mix [LPCM, 2.3 Mbs, 24 Bit, 48 kHz] Audio Track 3: 5.1 LPCM Surround Sound shnid= 138781 [LPCM, 4.6 Mbs, 16 Bit, 48 kHz] Audio Track 4: DTS 5.1 shnid = 138770 DTS-Audio-48khz 5.1 Mix You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player. [LPCM, 1.5 Mbs, 16 Bit, 48 kHz] NOTE: Track 2 & 3 & 4 are a combination of the sounboard listed above and this audience: AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. (July 2006) Both SBD and AUD were patched with the following: AUD (shnid = 132698) Recording info: FOB/Schoeps cmc 42 S (spaced omni's)> Oade p/s> SV-250 by Ted Mattes DAT clones provided by Lance Deal Transfer: Fostex D-5 (AES/BU)> M-Audio USB transit> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5) Tranferred and liberated to etree on March 22, 2015 by Will Petty
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Trades Allowed:	Yes	Traded From:
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Owned by Kevin Tobin Videos · Last Updated Jul 18, 2017

Grateful Dead 07/10/89
Giants Stadium, East Rutherford, NJ

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Set I

Feel Like A Stranger >
Franklin's Tower
Walkin' Blues
Jack A Roe
When I Paint My Masterpiece
Tennessee Jed
The Music Never Stopped >
Don't Ease Me In

Set II

Foolish Heart >
Just A Little Light
Playing In The Band >
Uncle Johns Band >
Drums > $
Space >
Iko Iko > $
All Along The Watchtower > *
Morning Dew > *
Sugar Magnolia *

Encore:
Knockin' On Heaven's Door *

Set III

Comment

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Art Neville - Hammond B3 *
Brian Stoltz - Guitar *
William Green - Drums $, Percussion *

Display Setlist > >

Last Changed By Shawnee

Sources

(13053) View Source View Archive
2nd set only; unknown audience source (possibly Schoeps FOB)> DAT> Cassette> HD> CDWAVE> CDR; via Patrick White, with thanks to Tom Goshaw

(16071) View Source View Archive
Unknown SBD (Matrix); EAC/SHN by Darryl Hinko

(76249) View Source View Archive
flac16; AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F.

(79598) View Source View Archive
flac16; FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC

(79608) View Source View Archive
flac24/48; FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC

(109588) View Source View Archive
flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich

(124499) View Source View Archive
flac16; 2 Source Matrix using Soundboard (shinid:016071) Source: Unknown SBD > EAC > SHN and Audience (shnid:79608) FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC

(125291) View Source View Archive
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

(125292) View Source View Archive
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

(132698) View Source View Archive
flac16; Recording info: FOB/Schoeps cmc 42 S (spaced omni's)> Oade p/s> SV-250 by Ted Mattes; DAT clones provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> M-Audio USB transit> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty

(133774) View Source View Archive
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

(138761) View Source View Archive
flac16; Patched/Pitch Corrected Soundboard (original shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko - pitch correction and patches by Kevin Tobin

(138762) View Source View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - matrix mixing by Kevin Tobin

(138770) View Source View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - dts mixing by Kevin Tobin

(138781) View Source View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - surround mixing by Kevin Tobin

(138789) View Source View Archive
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller

(138791) View Source View Archive
flac16; Set 1 Recording Info: SBD -> Cassette Master -> Sony R500 (A>D) -> Sound Forge -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller

(138792) View Source View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138789 24 bit -> 16 bit

(142467) View Source View Archive
flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

(153414) View Source View Archive
flac16 A Photoleon Matrix. Source; (fob) Akg 414-btl (cardioid X-y) > Neuman Bs945i > Technics Svmd1 Master Dat + (ots) Schoeps Cmc4 Mk2s Mics Spaced On Stands, Ots > Panasonic Sv-250 Master Dat + Umtx Sbd> Cassette Master. Fob Recorded By Dan Tepper. Ots Recorded By Ted Mattes. Sbd Shared By Charlie Miller. Matrix Created By Joe Noel. July 13, 2021

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