Kevin Tobin Videos - Grateful Dead 03/31/85<b>flac16/48kHz</b>; Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master); Transfer Info: Set 1: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/44.1k; Set 2: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite

Grateful Dead - 03/31/85
Cumberland County Civic Center, Portland, ME

Source:	(Master) Single camera audience shot with multiple audio upgrade Complete show on YouTube
Media Type:	BD	Media Count:	2
Source Info:	flac16/48kHz; Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master); Transfer Info: Set 1: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/44.1k; Set 2: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
Notes:	Brokedown House Production with master video provided by Ian - Seeded on LL 08/02/18 LL Seeding Seeded at TTD 08/02/18 TTD Seeding
Tech Notes:	Grateful Dead March 31, 1985 Cumberland County Civic Center Portland, ME Brokedown House Production Taped & Provided by Ian Production Consultant: Markiki Captured & Edited by P.Togos Synch & Authoring by Kevin Tobin Set 1 The Music Never Stopped Candyman C.C. Rider Loser Beat It On Down The Line Dupree's Diamond Blues It's all Over Now Don't Ease Me In 00:53:22 Set 2 Iko Iko Samson & Delilah He's Gone I Need A Miracle China Doll Drums Space The Wheel Playing In The Band Day Tripper U.S. Blues 01:20:43 Notes: Only Set 1 has been upgraded due to the release of a sbd replacing the audience previously used with this video. Set 2 is exactly the same. Set 1 00:16:41-00:16:50 - Filled With Graphics 00:42:59-00:43:11 - Filled With Graphics Set 2 Inverted Playing In The Band 00:00:00-00:02:08 - Filled With Graphics 00:04:44-00:05:02 - Filled With Graphics 00:06:54-00:07:17 - Filled With Graphics 00:55:48-00:56:11 - Filled With Graphics 01:15:08-01:15:18 - Filled With Graphics Jerry Garcia - Guitar Bob Weir - Guitar Brent Mydland - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums Video: AUD (Tripod) > Master VHS (Maxell HGX Gold HiFi 120) Transfer: VHS Master > Panasonic AG-7150 > Canopus ADVC-300 > Firewire > HD > Sony Vegas 9 (.avi) > MPEG2 > TMPGEnc MPEG Editor 2.0 > TMPGEnc Authoring Works 5 > Bluray [NTSC, 4:3, 25.0 Mbs, 720x480, 29.97 fps] Audio Information: Audio Track 1: SBD SBD - Set 1 (shnid = 142415) Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k) Transfer Info: Set 1: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/44.1k Patch Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > PCM (Sony PCM-F1) supplies: It's All Over Now (0:06 - 0:17) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net August 14, 2017 Notes: -- Thanks to Rob Eaton for the Set 1 Dat -- Thanks to the Oade Brothers for the patch source (Set 2) (shnid = 139086) Recording Info: SBD > PCM Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16 All Transfers and Mastering by Charlie Miller August 14, 2017 Notes: -- Inverted Playing In The Band -- This source has corrected emphasis decoding [LPCM, 1.5 Mbs, 16 Bit, 48 kHz] Audio Track 2: Matrix shnid = 142805 SBD + AUD Matrix 2 Source Mix [LPCM, 2.3 Mbs, 16 Bit, 48 kHz] Audio Track 3: 5.1 LPCM Surround Sound shnid = 142808 [LPCM, 4.6Mbs, 16 Bit, 48 kHz] Audio Track 4: DTS 5.1 shnid = 142806 DTS-Audio-48khz 5.1 Mix You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player. [LPCM, 1.5 Mbs, 16 Bit, 48 kHz] NOTE: Track 2/3/4 are a combination of the Audio Track 1 (SBD) listed above and this audience: AUD (shnid = 106791) Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16 All Transfers and Mastering By Charlie Miller March 30, 2010 Patch Info: Schoeps CMC4/MK41 -> PCM (shnid=23592) supplies: Dupree's Diamond Blues (0:00 - 0:07) China Doll (11:20 - 11:29) (13:06 - 13:25) Notes: -- Inverted Playing In The Band. -- Thanks to Rango Keshavan for lending me his masters
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Owned by Kevin Tobin Videos · Last Updated Aug 2, 2018

Grateful Dead 03/31/85
Cumberland County Civic Center, Portland, ME

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History

Edit Show

Set I

The Music Never Stopped
Candyman >
C.C. Rider >
Loser
Beat It On Down The Line
Dupree's Diamond Blues
It's All Over Now >
Don't Ease Me In

Set II

Iko Iko
Samson & Delilah
He's Gone >
I Need A Miracle >
China Doll >
Drums >
Space >
The Wheel >
Playing In The Band >
Day Tripper
U.S. Blues

Set III

Comment

The only inverted Playing in the Band.

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Display Setlist > >

Last Changed By OBIE

Sources

(8244) View Source View Archive
Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR; Seeded to etree by Charlie Connor

(14671) View Source View Archive
SBD: MC> DAT> CD> SHN via Peter Braverman set 2 only

(23592) View Source View Archive
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

(30884) View Source View Archive
flac16; Nak CM100's > D5 at the soundboard taped by Dave Minor encoded by Matt Vernon

(35409) View Source View Archive
flac16; MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Master cassettes provided by Mark McCue. Transfer, edits, conversion, and seeding to bt.etree.org by Alex Ford.

(78505) View Source View Archive
flac16; Source: *Beyer M88's>Sony D5M Location: FOB, stand at 7 feet; Transfer: Sony D5Pro>Lunatec V3>722 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony Suraci./nak700

(87283) View Source View Archive
flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend

(104927) View Source View Archive
flac24; source: nak 300/cp4 (12' ots) > tcd5m/maxell mx 90 (+dolby) > master cassette/tcd5m (orig recorder) > minime (24/96) > sd744t > audacity > xact (flac24); recorded: david barfield and/or david lane transferred/seeded: david barfield

(106786) View Source View Archive
flac16;Recorded by Bob Morris. Transferred & edited by Bob Morris 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) . Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

(106791) View Source View Archive
flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller

(114487) View Source View Archive
flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24

(124768) View Source View Archive
flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

(139080) View Source View Archive
flac24; Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (Analog Outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; the original version had incorrect PCM emphasis

(139086) View Source View Archive
flac16; Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller

(140858) View Source View Archive
flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

(141209) View Source View Archive
flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

(141602) View Source View Archive
flac24; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

(142415) View Source View Archive
flac16/48kHz; Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master); Transfer Info: Set 1: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/44.1k; Set 2: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k

(142788) View Source View Archive
flac16; Matrix of AUD: Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR> EAC(Secure mode)> Shn(MKW ACT) and SBD: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master); MATRIX: +2.5db added to Oade source; Mastering done by mdmilhausen

(142805) View Source View Archive
flac16; Matrix 3 Source Mix - SBD Set1 (shnid = 142415) Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); + SBD Set2 (shnid = 139086)Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 106791) Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin

(142806) View Source View Archive
DTS-Audio-CD 5.1 Mix; - SBD Set1 (shnid = 142415) Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); + SBD Set2 (shnid = 139086)Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 106791) Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin

(142808) View Source View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD Set1 (shnid = 142415) Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); + SBD Set2 (shnid = 139086)Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 106791) Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller - surround mixing by Kevin Tobin

(143374) View Source View Archive
flac16; Matrix: AUD: Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR> EAC(Secure mode)> Shn(MKW ACT) and SBD: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master) +2.5db added to Oade source rendered @ -3db via wavelab 5; Mastering done by mdmilhausen

(145051) View Source View Archive
flac16; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1

(145326) View Source View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; neumann U84's* > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger

(145328) View Source View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; neumann U84's* > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger

(149309) View Source View Archive
flac1648 Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp

(149310) View Source View Archive
flac24 Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

(150871) View Source View Archive
flac16 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96)
Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16

(150872) View Source View Archive
flac24 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96)
Lineage: Wav24/96 > Wavelab 10 (tracking, patching) > FLAC 2496

(152071) View Source View Archive
flac16/44 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage DFC, shoulder height Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt

(152072) View Source View Archive
flac24/48 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage DFC, shoulder height Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt

(167112) View Source View Archive
flac1648 Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

(167113) View Source View Archive
flac2496 Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

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