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Grateful Dead - 03/23/86
The Spectrum, Philadelphia, PA
Edit Details
Source:

Single camera audience shot with multiple audio upgrade
Complete show on YouTube
Media Type:

MKV

 Media Count:

2
Source Info: flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
Notes:

Brokedown House Production with video provided by Ian - Seeded on LL 04/01/19 LL Seeding

Tech Notes:

Grateful Dead
March 23, 1986
The Spectrum
Philadelphia, PA

Brokedown House Production

Tapes Provided by Ian
Capture & Edit by P.Togos
Synch & Author by Kevin Tobin

Set 1
Gimme Some Lovin'
Deal
Willie & The Hand Jive
Candyman
Cassidy
West L.A. Fadeaway
Mama Tried
Big River
Might As Well
00:54:11

Set 2
Shakedown Street
Samson & Delilah
He's Gone
Spoonful
Drums
Space
The Other One
Comes A Time
Good Lovin'
Keep Your Day Job
01:23:35

Notes:
Set 1
00:00:00-00:21:22 - Filled With Graphics
00:40:31-00:41:36 - Filled With Graphics
Set 2
00:00:00-00:00:10 - Filled With Graphics
00:39:19-00:50:32 - Filled With Graphics
01:19:17-01:19:19 - Filled With Graphics

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Video: AUD (Tripod) > 1st Gen VHS (Maxell HGX Gold HiFi 120)
Transfer: VHS 1st Gen > Panasonic AG-7150 > Canopus ADVC-300 > Firewire > HD > Sony Vegas 9 (.avi) > MPEG2 > TMPGEnc MPEG Editor 2.0 > MKVToolNix GUI v31.0.0 > .mkv
[NTSC, 4:3, 8.0 Mbs, 4:3, 29.97 fps]

Audio Source Information
Audio Track 1: SBD
(shnid = 142392)

Recording Info:
SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)

Transfer Info:
Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
(3 Discs Audio / 1 DVD FLAC)

Patch Info:
(FOB) Schoeps CMC4/MK41 > Oade M118 > PCM supplies:
Drums (8:22 - 8:46)

All Transfers and Mastering by Charlie Miller
charliemiller87@earthlink.net
June 24, 2018

Notes:
- Thanks to Rob Eaton for the Dats
- Thanks to the Oade Brothers for the patch source
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 2: Matrix
shnid = 145702
SBD + AUD Matrix 2 Source Mix
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 3: 5.1 LPCM Surround Sound
shnid = 145705
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]

Audio Track 4: DTS 5.1
shnid = 145703
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

NOTE: Track 2/3/4 are a combination of the Audio Track 1 (SBD) listed above and this audience:
AUD (shnid = 141998)

Source Info:
Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1

Transfer Info:
Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16

Notes:
- Thanks to the Oade brothers and crew for their master recording(s), as well as a proper transfer to hard disk
- Thanks to Jim Wise for the hard disk
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Tony Suraci for the shnid79879 Nakamichi 304 source which supplies a 0:01.2 patch at the end of "Mama Tried"
- Other One space included in "The Other One"
- Another fine Oade capture

Mastered by Scott Clugston
May 17, 2018
J-Card Comment:

bad4d134b1202fdb9d8a61b94c8215b4 *gd1986-03-23.set1.mkv
8a184aa9ac391d7f7ad3b8cfc4de78b7 *gd1986-03-23.set2.mkv
Trades Allowed: Yes Traded From:

Show Rating:

Yes

 Sound Rating:

Reference #:

Generation:

0
Lists:
Owned by Kevin Tobin Videos · Last Updated Mar 19, 2020


Grateful Dead 03/23/86
The Spectrum, Philadelphia, PA
Add Source    Reviews    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Gimme Some Lovin' >
Deal
Willie & The Hand Jive
Candyman
Cassidy
West L.A. Fadeaway
Mama Tried >
Big River
Might As Well
Set II
Shakedown Street >
Samson & Delilah
He's Gone >
Spoonful >
Drums >
Space >
The Other One >
Comes A Time >
Good Lovin'
Keep Your Day Job
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(15203) View Source    View Archive
MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn
(15244) View Source    View Archive
MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn; Note- This is an sbefix of ; this source
(79565) View Source    View Archive
Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools. Taped & Transfered by Brian Mandel
(79879) View Source    View Archive
flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci
(87649) View Source    View Archive
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
(102167) View Source    View Archive
flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
(111956) View Source    View Archive
flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M (dolby off) - master analog cassettes; Transfer: Sony TC-D5M (original record deck-dolby off) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
(127536) View Source    View Archive
flac24; source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(132708) View Source    View Archive
flac16; FOB Schoeps CMC3s/MK4s>PCM>DAT; Transfer: DAT>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by Unknown; CDRs provided by Mark Lynn; Conversion to wav>flac by DATBRAD
(133873) View Source    View Archive
flac16; FOB Schoeps CMC3s/MK4s>PCM>DAT; Transfer: DAT>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by Unknown; de-emphasis version of source ID 132708 using xACT 2.34 by chillwig
(133940) View Source    View Archive
flac16; Partial Set 2 Source: SBD > ? > Cassette. Transfer: Hitachi ME-Metal > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Andrew F. 08/2015
(141998) View Source    View Archive
flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
(142392) View Source    View Archive
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
(145702) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin
(145703) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin
(145705) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin
(148872) View Source    View Archive
flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(148873) View Source    View Archive
flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
(156076) View Source    View Archive
flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
(156077) View Source    View Archive
flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
(156622) View Source    View Archive
flac1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
(156623) View Source    View Archive
flac2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
(159372) View Source    View Archive
flac1648 OTS Nak CM300/CP-4/Marantz PMD 420/TDK MA 90 All transfers made from Nakamchii DR-3 to SD 722 at 24/48 Taped by Jon Pasternak
(159373) View Source    View Archive
flac2448 OTS Nak CM300/CP-4/Marantz PMD 420/TDK MA 90 All transfers made from Nakamchii DR-3 to SD 722 at 24/48 Taped by Jon Pasternak
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Cached: Mon, 29 Apr 2024 17:28:42 EDT