Grateful Dead - 03/25/86
The Spectrum, Philadelphia, PA
Source:

(Master) Single camera audience shot with multiple audio upgrade
Complete show on YouTube

Media Type:

BD

Media Count:

2

Source Info: Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start
Notes:

Brokedown House Production with video provided by Andrew Tatkow - Seeded on LL 04/03/19 LL Seeding Seeded at TTD 04/03/19 TTD Seeding

Tech Notes:

Grateful Dead
March 25, 1986

The Spectrum
Philadelphia, PA

Brokedown House Production

Taped & Provided by Andrew Tatkow
Production Consultant: Markiki
Capture & Edit by P.Togos
Synch & Author by Kevin Tobin


Set 1
Feel Like A Stranger
Tennessee Jed
C.C. Rider
Tons Of Steel
It Must Have Been The Roses
Desolation Row
Don't Ease Me In
00:53:19

Set 2
Scarlet Begonias
Touch Of Grey
Looks Like Rain
Goin' Down The Road Feeling Bad
Drums
Space
Just Like Tom Thumb's Blues
Black Peter
Throwing Stones
Turn On Your Love Light
Brokedown Palace
01:21:33

Notes:
Set 1
00:11:25-00:11:32 - Filled With Graphics
00:26:45-00:27:10 - Filled with Graphics
Set 2
00:30:54-00:31:30 - Filled with alternate angle

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums


Video: AUD (Tripod) > Master
Master: JVC GX-N7U (with Nikkor 70-210mm Zoom Lense) > Canon VR-40 > VHS Master (Maxell HGX Gold HiFi 120)
Transfer: VHS Master > Panasonic AG-7150 > Canopus ADVC-300 > Firewire > HD > Sony Vegas 9 (.avi) > MPEG2 > TMPGEnc MPEG Editor 2.0 > TTMPGEnc Authoring Works 6 > Bluray
[NTSC, 4:3, 25.0 Mbs, 720x480, 29.97 fps]

Audio Source Information
Audio Track 1:
SBD
(shnid = 9880)

Source: SBD
Lineage: Master Cassette> DAT> CD> SHN

Thanks to Rob Harrison for the discs. Seeded by Peter Braverman
(braverman@earthlink.net), May 2002

>Shntool fix of sbe's by Willy*
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 2: Matrix
shnid = 145620
SBD + AUD Matrix 2 Source Mix
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

Audio Track 3: 5.1 LPCM Surround Sound
shnid = 145624
[LPCM, 4.6Mbs, 16 Bit, 48 kHz]

Audio Track 4: DTS 5.1
shnid = 145623
DTS-Audio-48khz 5.1 Mix
You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player.
[LPCM, 1.5 Mbs, 16 Bit, 48 kHz]

NOTE: Track 2/3/4 are a combination of the Audio Track 1 (SBD) listed above and this audience:
AUD (shnid = 3188)

Source Audience FOB (30ft Center Stage)
Mics Beyer Dynamic M88's
Tapedeck Sony TCD5M
Media Maxell MX90
Taper Charlie Connor

AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>
Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>
Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR
redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT)

COMMENTS:
I'm not usually this bold, but I'm going out on a limb.
This FOB Aud is as close to a Board as they come.
With the exception of the tape flip cut on Don't Ease there should
be no glitches. If there are any problems noted on this first set
please notify me at crconnor@optonline.net Charlie Connor

Both SBD and AUD were patched with the following source:
AUD (shnid = 139773)

From the Rich Gastwirt Collection

Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB)

Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44

Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44

J-Card Comment:

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Trades Allowed: Yes Traded From:

Show Rating:

Yes

Sound Rating:

Yes

Reference #:

Generation:

0

Lists:
Owned by Kevin Tobin Videos · Last Updated Mar 19, 2020


Grateful Dead 03/25/86
The Spectrum, Philadelphia, PA
Set I
Feel Like A Stranger
Tennessee Jed >
C.C. Rider
Tons Of Steel
It Must Have Been The Roses
Desolation Row > *
Don't Ease Me In
Set II
Scarlet Begonias >
Touch Of Grey >
Looks Like Rain >
Goin' Down The Road Feeling Bad >
Drums >
Space >
Just Like Tom Thumb's Blues >
Black Peter >
Throwing Stones >
Turn On Your Lovelight
Brokedown Palace
Set III
 
Comment
First time performed *

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(3188) View Source    View Archive
AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min
(9404) View Source    View Archive
SBD> Master Cassette> DAT> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start; upgrade in circulation
(9880) View Source    View Archive
Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start
(79901) View Source    View Archive
flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
(80002) View Source    View Archive
Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
(87672) View Source    View Archive
flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
(102169) View Source    View Archive
flac16; Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
(105580) View Source    View Archive
flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD front row of taper's section behind soundboard by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
(111954) View Source    View Archive
flac16; MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford
(117825) View Source    View Archive
flac16; Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
(127540) View Source    View Archive
flac24; source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(139773) View Source    View Archive
flac16; Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
(145618) View Source    View Archive
flac16; Patched & Pitch Corrected Soundboard - SBD (original shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start - pitch correction and patches by Kevin Tobin
(145619) View Source    View Archive
flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 3118) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - pitch correction and patches by Kevin Tobin
(145620) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - matrix mixing by Kevin Tobin
(145623) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - dts mixing by Kevin Tobin
(145624) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - surround mixing by Kevin Tobin
(151098) View Source    View Archive
flac16/48khz Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
(151099) View Source    View Archive
flac24/96khz Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
(156080) View Source    View Archive
flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
(156081) View Source    View Archive
flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
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Cached: Mon, 29 Apr 2024 16:22:19 EDT