SBD A TM Production remaster 130 min
Outlook account one drive
Genesis master folder

FLAC

2

GENESIS - LIVE IN MONTR�AL

Forum de Montr�al, 19th June 1980
Soundboard-recording.
Restoration/Mastering/Cover design by tom 2006
A TM Production. GEN800619TM

Free trade - never buy or sell!
Do not trade without CUE-files, graphics and textfiles!
Do not convert to mp3 unless for strictly personal use.

CD1 (66:15):
01. DEEP IN THE MOTHERLODE 5:22
02. DANCING WITH THE MOONLIT KNIGHT (opening section) 1:49
03. SQUONK 6:47
04. ONE FOR THE VINE 10:46
05. BEHIND THE LINES 5:22
06. DUCHESS 7:10
07. GUIDE VOCAL 1:29
08. TURN IT ON AGAIN 5:07
09. DUKE�S TRAVELS 7:21
10. DUKE�S END 2:09
11. THE LADY LIES 6:23

CD2 (61:54):
01. Introduction 1:53
02. RIPPLES 10:03
03. MISUNDERSTANDING 3:52
04. IN THE CAGE 7:32
05. THE COLONY OF SLIPPERMEN (instrumental excerpt) 1:05
06. AFTERGLOW 4:48
07. FOLLOW YOU FOLLOW ME 4:25
08. DANCE ON A VOLCANO 4:41
09. DRUM DUET 1:16
10. LOS ENDOS 6:11
11. I KNOW WHAT I LIKE (IN YOUR WARDROBE) 13:28


(Times show the actual music without intros*)

Audio source provided GASP (Genesis Authentic Soundboards Project)
CEDAR Cambridge restoration by tom.
Band photos from the 1980 tour book courtesy of genesismuseum.com.
Flyer courtesy of genesis-movement.org
Special thanks to: Alessandro Vasserot, Steve Sussman,
David Dunnington, Willem Beens.

*The producer strongly recommends the use of the freeware EAC
(www.exactaudiocopy.de) for perfect copies of the original CD
images with special mastering feature.
For further information see the notes in the
"Readme - how to use the CUE-files.txt"-file!


THE SHOW:
"As the much loved Duke tour moved from the UK and progressed through North America and
Canada, Genesis continued to grow in popularity. Indeed armed with their latest hit
"Misunderstanding" rising to 14 in the US charts the band were poised on the brink of
global superstardom. Outside Europe, there were three main strongholds where a manic
reception was guaranteed: Philadelphia, Toronto and Montreal. Presented here is an
essential document from the closing stages of the Duke tour, a performance recorded on 19th
June 1980 at the Montreal Forum.

Phil's voice is somewhat hoarse giving the show a rather intimate, urgent quality which
seems well suited to the excitement of the occasion. The crowd are low in the mix yet
still manage to make their presence known during Mr Collins� amusing and oolourful
interpretation of the French language, especially when forced at one point to plead
"do you speak English?".
Overall the performance is excellent aside from the odd slip (eg Tony struggling during
One For The Vine) and it is refreshing to hear the variations from the UK shows: the
abrupt transition between Moonlit Knight and Squonk; Phil proudly belting out Misunderstanding.

Based on the purest raw soundboard source, courtesy of the GASP project, this remaster
benefits from the full TM Productions treatment.
It features reverb authentically modelled on a carefully chosen section of this same show,
breathing life into the dryness of the original soundboard recording. The first few
seconds of the concert, missed by the sound engineer, are also reconstructed from
alternative sections of the raw source.

A Duke show of the highest rank."
David Dunnington


THE REMASTER:
Montr�al 1980, one of the farm boards that appeared out of the blue a few years ago, is
technically spoken of a very good quality. Thanks to GASP, it came out newly approved on
the torrent scene and it was obvious that I took the opportunity.
These were the restoration/remastering stages in short:
EQing (DITM and TLL from Archive #2 were used again as references), de-noising, de-buzzing,
phase correction, auto-balance (all CEDAR Cambridge v4 plugins), enhancing (Ozone 3:
Retro-Exciter and slight use of multiband-compression to even out the levels in the bass
range), adding reverb (during one of Phil's introductions he ended a sentence with a loud
"t", then there was 1.5 sec silence where the impulse response of the Forum was audible.
I used this sample for the S.I.R. convolution reverb), editing, crossfades and mixdown
(Magix Sequoia), hard limiting, fades and conversion to 16 bit (Adobe Audition).
tom 22.7.2007

SBD

Firewalkwithme41@gma

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