(6936) View Source    View Archive
SBD (Matrix) > DAT > CDR > WAV > SHN; with AUD patch at end of encore: Schoeps CMC441s > Sony PCM F1> SL-2000> DAT> Cass> SHN (Ken Adelman). DAE (EAC) > tracking (CDWAV) > boundary checking (SHNTOOL) > SHN (MKWACT) via neo_levo; SBD seed via Charlie Miller

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(23532) View Source    View Archive
B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st gen CD-R copy > EAC in secure mode > FLAC

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(29386) View Source    View Archive
Source: Schoeps CMC 441's > Sony PCM F-1 > SL-2000 > DAT master > cassette > SHN; Taper: Michael Kutik; DAT > cassette > SHN transfer, splicing & tracking: Ken Adelman; Also to abgd via David Warren

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(34398) View Source    View Archive
SBD (Matrix) > DAT > CDR > WAV > SHN - Seamless fix of shn id 6936

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(88197) View Source    View Archive
flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C) Microphone configuration: Microphones split approx 30 feet (left and right side of the SBD), 7' up (on stands) Master format: Maxell MX 100 cassettes Transfer: Sony WMD-6C > Lunatec V3 (44.1 kHz, 16 bit, ANSR on) > m-Audio Delta 2496 (SPDIF) > WaveLab Digital editing: Steinberg CuBase (pre and post set fades, blend between d1t07 and d1t08) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2 Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller

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(95251) View Source    View Archive
flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F.

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(111342) View Source    View Archive
flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

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(126537) View Source    View Archive
flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

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(126538) View Source    View Archive
flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

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(134549) View Source    View Archive
flac16/48kHz; Recorded by Sean Weber-Small with Schoeps CMC42s (FOB omnis spaced 8' with 5' 11" mic stands) -> Oade Power Supply -> Panasonic SV-250. Transfer from a DAT clone of Sean's Master by FOBAUD: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV @48kHz

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(142578) View Source    View Archive
flac16/48kHz; Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250) mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

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(143344) View Source    View Archive
flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

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(145489) View Source    View Archive
flac16; Source: Utramatrix > Dat (44k) - Provided by Rich Gastwirt; Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - Transfer by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick February 2019

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(149620) View Source    View Archive
flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller

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(149721) View Source    View Archive
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller,This file set is 16 bit @ 44.1

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(150584) View Source    View Archive
flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 11, 2020

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(150619) View Source    View Archive
flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020