Pearl Jam
--- Approximate Hours: 1497.5
|
Show Date |
Venue |
City |
State |
Media Type |
Media Count |
Source |
Tech Note |
??/??/39
|
Green Habit Compilation |
Compilation |
Unknown |
FLAC |
7 |
Various |
v.1.0:
--Original Version
v.1.1:
--Fixed text errors on artwork to discs 4 and 9
--NEW SONG!!!! 109a - The KKK Took My Baby Away (Inglewood 7/14/1998), coming from the newly-surfaced ALD source
--Changed artwork to disc 7 to include the above update |
??/??/91
|
Mementos Vol. 1 & Vol. 2 |
various |
various |
DVD-R |
2 |
|
|
08/??/90
|
Stone's House [The Gossman Project] |
Seattle |
WA |
FLAC |
1 |
soundboard |
source: soundboard
lineage: unknown generation cassette > DAT(1) > CDR(1) > .flac
transfer: EAC > FLAC frontend > .flac
encoding: cps 01/21/07
* alternate source tape & transfer (not "3rd gen? cassette" source) |
09/??/90
|
Eddie Vedder's House |
San Diego |
CA |
FLAC |
1 |
"Bridges: Epilogue" bootleg |
Source: "Bridges: Epilogue" bootleg |
10/22/90
|
Off Ramp Cafe |
Seattle |
WA |
FLAC |
1 |
Source: "Bridges: Epilogue" bootleg |
"Bridges: Epilogue" bootleg |
10/23/90
|
Studio [First Week Rehearsals] |
Seattle |
WA |
SHN |
1 |
Studio Master |
Source: Studio Master > DAT-M > Cassette-1 > CD-R > CD-R > CD-R > EAC > dEDIT > mkwACT > .shn |
10/23/90
|
Studio [First Week Rehearsals] |
Seattle |
WA |
FLAC |
1 |
Master Reel |
Source: Master Reel > DAT(M) > ANA
Lineage: ANA > CD > EAC > WAV > FLAC (encoding level 8) |
11/13/90
|
Unknown |
Seattle |
WA |
FLAC |
1 |
unknown gen HIFI VHS |
Source : unknown gen HIFI VHS > remastered w/ realtime sound processor "Clean!" > CDR > SHN |
02/07/91
|
Florentine Gardens |
Los Angeles |
CA |
FLAC |
1 |
Unknown AUD |
Source: ? > cass > DAT > CDR > EQ > CDR > FLAC |
02/08/91
|
God Save the Queen |
Long Beach |
CA |
FLAC |
1 |
wm-d3 cass-M |
Source: PC62? > wm-d3 cass-M > cass > DAT(c) > dEQ > CDR (dEQ by FGE) > WAV (EAC V0.95) > FLAC |
02/11/91
|
Club With No Name |
Hollywood |
CA |
SHN |
1 |
video ? |
Source: video ? > ? > CD-R > SHN |
07/12/91
|
JC Dobbs |
Philadelphia |
PA |
FLAC |
1 |
Unknown AUD |
Source: ? > cass > DAT > CDR > EQ > CDR > FLAC (speed corrected) |
07/13/91
|
The Marquee Room |
New York |
NY |
SHN |
1 |
Sony TCD-D3 |
Source : Sonic Studios > Sony TCD-D3 |
07/17/91
|
Wetlands Preserve |
New York |
NY |
FLAC |
1 |
bootleg CD: 'Mother of Pearl' (source unknown)> |
Silvers > EAC (Secure) > .wav > .flac |
07/17/91
|
Wetlands Preserve |
New York |
NY |
FLAC |
1 |
Sony WM-D3 |
SOURCE
Sony PC-62 > Sony WM-D3
GENERATION
ANA(1) > WAV [48kHz/24bit] > WAV [44.1kHz/16bit] > FLAC [Level 8]
TRANSFER
Nakamichi DR-8 > LynxONE > Sound Forge 7.0 > CD Wave 1.6.1 > FLAC frontend 1.7.1 |
08/23/91
|
Mural Amphitheater |
Seattle |
WA |
SHN |
1 |
1st gen HIFI VHS |
Source: 1st gen HIFI VHS > MD > cdr > dEQ > cdr > mkw ACT > .shn |
08/29/91
|
RKCNDY |
Seattle |
WA |
SHN |
1 |
Unknown AUD |
Source: UM > UR > cassette > DAT > .wav > .shn
DAT > .wav > .shn: Meghan House (mehouse1@yahoo.com)
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (48kHz > 44.1kHz, fade in/out) > CDWAVE > mkwACT |
09/30/91
|
I-Beam |
San Francisco |
CA |
SHN |
1 |
unknown recorder |
Source: unknown microphone > unknown recorder > analog > dEQ > cdr > eac > wav > shn |
10/06/91
|
Hollywood Palladium |
Los Angeles |
CA |
FLAC |
1 |
Radio Master Discs [In Concert] |
Lineage: Radio Master Discs [In Concert]> Exact Audio Copy V0.95> dBpowerAMP Music Converter> FLAC> WAV> Adobe Audition 1.5> Cutting> Mix Paste> Fade In/ Fade Out> dBpowerAMP Music Converter> FLAC |
10/06/91
|
Hollywood Palladium |
Los Angeles |
CA |
FLAC |
1 |
FM broadcast |
Source : FM broadcast? |
10/15/91
|
Nightclub 9:30 |
Washington |
DC |
SHN |
1 |
Sony WM-D6 |
Sony ECM-909 > Sony WM-D6 > CDR > EAC > Wav > SHN |
10/16/91
|
Oscar Mayer Theater |
Madison |
WI |
SHN |
1 |
Sony WM-D3 |
Source:Sony PZM > Sony WM-D3 > cdr >shn>wav |
10/16/91
|
Oscar Mayer Theater |
Madison |
WI |
SHN |
1 |
unknown recorder |
unknown microphone > unknown recorder > analog > dEQ > cdr>eac'ed to shn>wav |
10/22/91
|
Eagles Ballroom |
Milwaukee |
WI |
SHN |
1 |
Unknown AUD |
Source : UM > UR > Analog 3 > DAT > CDR > EQ > CDR (Perma-Tree Source)
CD-R > SHN : Plextor PlexWriter 12/4/32S > EAC > shorten32 (Log included) |
10/23/91
|
MSU Auditorium [Michigan State] |
East Lansing |
MI |
FLAC |
1 |
unknown dat |
Source: unknown microphones > unknown dat > analog > Sony MHC-F150 > dEdit > cdr |
10/23/91
|
MSU Radio [Interview] |
East Lansing |
MI |
SHN |
1 |
FM Broadcast |
FM > analog gen ? > DAT > CD-R > SHN |
10/26/91
|
Cleveland Music Hall |
Cleveland |
OH |
SHN |
1 |
Sony WM-D6-M |
Source: Unknown Mics > Sony WM-D6-M > CD > dEQ > CDR > EAC > SHN |
10/30/91
|
Concert Hall |
Toronto |
ON |
SHN |
1 |
unknown recorder |
Source: unknown microphones > unknown recorder > cdr > EAC > WAV > SHN |
11/02/91
|
Memorial Auditorium |
Burlington |
VT |
FLAC |
1 |
Sony WM-D3 |
Sony PC62 mic -> Sony WM-D3 -> Sony UX Pro cassette -> Monster interlink 400 MKII -> Yamaha EQ550 (60HZ raised) -> Monster interlink 400 MKII -> SB Live -> Goldwave v5.13 -> FLAC 1.1.2a |
11/03/91
|
Springfield Civic Center |
Springfield |
MA |
FLAC |
1 |
d3-M |
Source: ECM909 > d3-M > cass > DAT > CDR > dED > CDR > FLAC |
11/08/91
|
CBGB |
New York |
NY |
FLAC |
1 |
Sony WM-D3 |
Source: Sony PC-62> Sony WM-D3 (cut patched with Sonic Studios > Sony TCD-D3) > cdr > flac |
11/09/91
|
Tower Records |
Rockville |
MD |
SHN |
1 |
Video |
Source: Video > Bootleg CD: 'Deep Through the Years' |
11/11/91
|
Roseland Ballroom |
New York |
NY |
SHN |
1 |
VID-M |
Source: VID-M > "1st gen VID" > DAT(2) > CDR > .shn |
11/12/91
|
Roseland Ballroom |
New York |
NY |
SHN |
1 |
Sony WM-D6 |
Source: Sony ECM-909 > Sony WM-D6
CD > WAV > SHN: Rick Bendes
Equipment: Sony CDU571-Q 16X IDE > Easy CD Creator > MKW Audio Compression Tool Kit |
11/14/91
|
Tower Records |
Yonkers |
NY |
SHN |
1 |
unknown gen HiFi VHS |
Source 1: unknown gen HiFi VHS > Remastered w/Cool Edit Pro > cdr>eac'ed to wav>shn |
11/18/91
|
Veterans Coliseum |
Columbus |
OH |
SHN |
1 |
unknown recorder (microcassette?) |
unknown microphone > unknown recorder (microcassette?) > analog > dEQ > cdr > EAC > WAV > SHN |
11/21/91
|
Blind Pig |
Ann Arbor |
MI |
FLAC |
1 |
Sony WM-D6 |
Source: Sonic Studios > Sony WM-D6 > cass-M > DAT-C
Transfer: DAT-C > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0 (48KHz -> 44.1KHz, Fade In/Out) > CDWav > FLAC |
11/22/91
|
The State Theatre |
Detroit |
MI |
SHN |
1 |
Toshiba Walkman |
Aiwa CM-30 > Toshiba Walkman > DAT master > dEQ > cdr > EAC > SHN |
11/29/91
|
Aragon Ballroom |
Chicago |
IL |
SHN |
1 |
Sony WM-D3 |
Sony PC-62 (or PZM?) > Sony WM-D3 > cd-r > eac > wav > shn |
12/11/91
|
Trees |
Dallas |
TX |
SHN |
1 |
2nd gen video |
2nd gen video > dEQ > cdr > eac > wav > shn |
12/15/91
|
Club DV8 |
Salt Lake City |
UT |
SHN |
1 |
unknown recorder |
unknown microphone > unknown recorder > analog (4th gen) > dat > cdr >shn>wav |
12/29/91
|
Arizona State University Center |
Tempe |
AZ |
FLAC |
1 |
Sony WM-D6 |
PZM > Sony WM-D6 |
12/31/91
|
Cow Palace |
Daly City |
CA |
FLAC |
1 |
Sony WM-D6 |
Nakamichi CM-300s > Sony WM-D6 > analog (master) > cdr > dEdit > dEQ > flac |
01/17/92
|
Moore Theater |
Seattle |
WA |
FLAC |
1 |
Sony WM-D6 (master) |
unknown mic > Sony WM-D6 (master) > analog (2nd gen) > dat > cdr > dEQ > cdr > EAC > WAV > FLAC |
02/03/92
|
The Esplanade Club |
Southend |
England |
FLAC |
1 |
Unknown AUD |
um > ur > cass-M > cass > cass > DAT > CDR > dED > CDR > FLAC |
02/07/92
|
Koolkat Klub |
Stockholm |
Sweden |
FLAC |
1 |
Sony WM-D6 |
Source: Aiwa CM30 > Sony WM-D6 > ANA-M > DAT1 32khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC |
02/09/92
|
Pumpehuest |
Copenhagen |
Denmark |
FLAC |
1 |
Sony WM-D6 |
Source: Sony ECM-909 -> Sony WM-D6
Generation: ANA(M) -> DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 ->
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC
|
02/10/92
|
Virgin Records |
Paris |
France |
FLAC |
1 |
Sony Professional WM-D3 |
Aiwa microphone CM-30a > Sony Professional WM-D3 > Tape > Audigy Soundblaster > HD > SoundForge 7.0 > CD Wave >
FLAC Frontend (level 6) |
02/10/92
|
Virgin Records |
Paris |
France |
FLAC |
1 |
Sony WM-D3 |
unknown Marantz microphone > Sony WM-D3 > analog-1 > dat > cdr > dEdit > dEQ > cdr > FLAC |
02/11/92
|
Locomotive |
Paris |
France |
FLAC |
1 |
Sony Professional WM-D3 |
Aiwa microphone CM-30a > Sony Professional WM-D3 > Tape > Audigy Soundblaster > HD > SoundForge 7.0 > CD Wave >
FLAC Frontend (level 6) |
02/11/92
|
Locomotive |
Paris |
France |
FLAC |
1 |
DA-20 |
Source: unknown mics > DAT1 48khz (first 2 songs and most of IGaF from PZM>D6>ANA1>DAT1)
Transfer: DA-20 > Monster coax > DiO 2496 > CEP 2.1 > CDWave > FLAC |
02/11/92
|
Locomotive |
Paris |
France |
FLAC |
1 |
Sony WM-D6 |
Source: PZM > Sony WM-D6 > ANA-M > ANA1 > DAT-M > DAT1 44.1 khz
Conversion: DA-20 > Monster coax > DiO 2496 > CEP 2.1 > CDWave > FLAC |
02/12/92
|
Melkweg |
Amsterdam |
Netherlands |
SHN |
1 |
pre-FM Soundboard |
Taper: Unknown
Source: pre-FM Soundboard
LG CD-RW CED-8080b IDE (11X Digital Audio Extraction) > Exact Audio Copy V0.85) > MKW Audio Compression Tool Kit |
02/18/92
|
Sorpasso |
Milan |
Italy |
FLAC |
1 |
Silver CD |
Silver CD > Nero Express > WAV > Trader's Little Helper > flac |
02/18/92
|
Sorpasso |
Milan |
Italy |
FLAC |
1 |
JVC VHS recorder |
Lineage: JVC VHS recorder > Sony VHS c180 tape > Audigy Soundblaster > HD > SoundForge 7.0 > CD Wave >
FLAC Frontend (level 6) |
02/18/92
|
Sorpasso |
Milan |
Italy |
SHN |
1 |
2 Source Mix |
Source-Mix: mix: "Attenzione" Boot + UM > UR > A1> DAT > Remastered w/ RSP “Clean!” > CD-R |
02/22/92
|
Riverside |
Newcastle |
England |
FLAC |
1 |
2 Source Mix |
Source: 2 Sources mix
- FM > boot 5 Alive > SHN > WAV > Cool Edit (speed correction and editing) > FLAC (tracks 1-11 & 13)
- VHS (Remastered w/Cool Edit Pro) > CD-R > FLAC > WAV (mix for track 13) > FLAC (tracks 12-16)
Conversion (source 2) CD > EAC > FLAC by Maleika Attawel |
02/25/92
|
Rock City |
Nottingham |
England |
FLAC |
1 |
Unknown AUD |
Source: um > ur > cass-M > cass > cass > DAT > CDR > dED > CDR > FLAC |
02/26/92
|
Edward's No. 8 |
Birmingham |
England |
FLAC |
1 |
unknown cassette recorder |
Source: unknown mic > unknown cassette recorder
Lineage: cassette master > MiniDisc > CDR > CDR > CDR > .flac |
02/27/92
|
Queenshall |
Bradford |
England |
FLAC |
1 |
Unknown AUD |
Source: um > ur > cass-M > cass > DAT > CDR > FLAC (Why Go from vid) |
02/28/92
|
Union of London University |
London |
England |
FLAC |
1 |
2 Source Mix |
Source: 2 source mix: "I Got a Feeling" Bootleg + "Free World" Bootleg > CD-R > EAC > FLAC |
03/01/92
|
Vera |
Groningen |
Netherlands |
FLAC |
1 |
Unknown AUD VID |
Generation: VID(x) -> AUD -> VID(x) -> STANDALONE -> DVDR(1) -> .AC3 [256kbps, 48kHz, 16 bit] -> .wav [48kHz, 16 bit] -> .wav [44.1kHz, 16 bit] -> .FLAC [level 8] |
03/01/92
|
Vera |
Groningen |
Netherlands |
FLAC |
1 |
Sony WM-D6 |
source: unknown microphones > Sony WM-D6 > analog (master) > dat > cdr > dEdit > flac > dEdit > flac |
03/02/92
|
Paard Van Troje |
Den Haag |
Netherlands |
FLAC |
1 |
Soundboard - DVDR |
DVDR (LPCM Audio) > DVD Audio Extractor > WAV > Audacity (Fade in, Fade Out) > FLAC [Level 8] |
03/02/92
|
Paard Van Troje |
Den Haag |
Netherlands |
FLAC |
1 |
SBD > Sony WM-D6 |
Den Haag Source: soundboard > Sony WM-D6 > analog-1 > dEdit > dat > cdr > dEdit > flac
(cuts patched with soundboard > Sony WM-D6 > analog-2 > dat > cdr) |
03/04/92
|
Tivoli |
Utrecht |
Netherlands |
SHN |
1 |
Pre-FM |
Pre-FM > DAT > DIO2448 > SHN |
03/05/92
|
Effenaar |
Eindhoven |
Netherlands |
SHN |
1 |
d6-M |
unknown mics > d6-M > DAT (Master) > .wav > .shn
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (48kHz > 44.1kHz, fade in/out) > CDWAVE > mkwACT |
03/06/92
|
Nighttown |
Rotterdam |
Netherlands |
SHN |
1 |
HIFI VHS |
Source : 2ndgen HIFI VHS > CDR > dEQ > CDR |
03/08/92
|
Live Music Hall |
Cologne |
Germany |
FLAC |
1 |
Unknown AUD |
? > cass > DAT > CDR > EQ > CDR > FLAC |
03/09/92
|
The Loft |
Berlin |
Germany |
FLAC |
1 |
Sony WM-D£ |
OKM > D3 > DAT > CDR > EQ > CDR > FLAC |
03/10/92
|
Markthalle |
Hamburg |
Germany |
SHN |
1 |
unknown recorder |
unknown microphones > unknown recorder > audio-tape > [cool edit pro] > wav > shn |
03/10/92
|
Markthalle |
Hamburg |
Germany |
SHN |
1 |
unknown recorder |
unknown microphones > unknown recorder > audio-tape > [cool edit pro] > wav > shn |
03/12/92
|
Batschkapp |
Frankfurt |
Germany |
SHN |
1 |
Sony TCD D3 |
Source : Sonic Studios (DSM3) > Sony TCD D3-M > DAT > SHN > WAV > CD-R > SHN |
03/13/92
|
Nachtwerk |
Munich |
Germany |
SHN |
1 |
Unknown VHS |
VHS (unknown gen) > CDR > dEdit > CDR > SHN |
03/16/92
|
Kaufman Astoria Studios |
Queens |
NY |
SHN |
1 |
Soundboard |
dSBD > DAT > dEDIT (level adjustment only) > mkwACT > .shn |
03/16/92
|
Kaufman Astoria Studios [Soundcheck] |
Queens |
NY |
SHN |
1 |
Soundboard |
dSBD > DAT > dEDIT (level adjustment only) > mkwACT > .shn |
03/27/92
|
Marquette University Varsity Theater |
Milwaukee |
WI |
SHN |
1 |
Unknown VHS |
1st gen vid>firewire>.avi>.wav>dEQ |
03/28/92
|
Cabaret Metro |
Chicago |
IL |
FLAC |
1 |
FM |
fm > SoundBlaster > wav > flac > wav > Cool Edit Pro 2.1 > flac |
03/28/92
|
Cabaret Metro |
Chicago |
IL |
FLAC |
1 |
unknown recorder |
Source: unknown microphones > unknown recorder
Lineage: ?? > 2nd gen analog > DAT clone @ 48 kHz > FLAC
Transfer: R300 > ZNP6 > CEP2.1 (resample to 44.1 kHz) > CDWAV > FLAC |
04/04/92
|
Concert Hall |
Toronto |
ON |
FLAC |
1 |
unknown recorder |
Source: unknown mic -> unknown recorder
Generation: ANA(M) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 (resample to 44.1) -> CDWave -> FLAC frontend -> FLAC |
04/06/92
|
Cumnock Hall |
Lowell |
MA |
SHN |
1 |
Unknown AUD |
UM > UR > Cassette > DAT > .wav > .shn |
04/10/92
|
The Trocadero Theatre |
Philadelphia |
PA |
FLAC |
1 |
Unknown AUD |
? > cass > DAT > CDR > EQ > CDR > FLAC |
04/12/92
|
Limelight |
New York |
NY |
FLAC |
1 |
Sony TCD-D3 |
Source: AKG 451 cardioid mics -> Sony TCD-D3
Generation: DAT(M) -> aEQ via studio console/mixer -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 (resample to 44.1) -> CDWave -> FLAC frontend -> FLAC |
04/12/92
|
Limelight |
New York |
NY |
FLAC |
1 |
Sony WM-D3 |
SOURCE
Sony PC-62 > Sony WM-D3
GENERATION
ANA(1) > WAV [48kHz/24bit] > WAV [44.1kHz/16bit] > FLAC [Level 8]
TRANSFER
Nakamichi DR-8 > LynxONE > Sound Forge 7.0 > CD Wave 1.6.1 > FLAC frontend 1.7.1 |
04/13/92
|
Ritchie Coliseum |
College Park |
MD |
FLAC |
1 |
Unknown Video |
Source: Video
Generation: VID-M -> ???? -> cassette -> DAT-M 48khz
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC frontend -> FLAC -> FLAC frontend -> WAV -> CEP 2.0 (44.1 resample, dead air edits) -> CD Wave 1.71 -> FLAC frontend -> FLAC |
04/20/92
|
Tipitinas |
New Orleans |
LA |
SHN |
1 |
Unknown AUD |
bootleg cd: 'New Orleans '92' > CDR > dEdit > CDR > SHN |
04/23/92
|
Cameo Theater |
Miami |
FL |
VCD |
1 |
|
|
05/02/92
|
Day on the Hill [University of Kansas] |
Lawrence |
KS |
FLAC |
1 |
Unknown AUD DVDR |
Source: DVDr
Transfer: DVDr > DVD Decryptor > MP2 > mkw > WAV
Editing: WAV > Soundforge 7 > dEQ (resampled at 44kHz) > CDWave (track splitting) > FLAC |
05/03/92
|
The Ranch Bowl |
Omaha |
NE |
SHN |
1 |
Sony WM-D6 |
PZM > Sony WM-D6 > analog (unknown gen) > CDR > dEdit > CDR > SHN |
05/05/92
|
Glenn Miller Ballroom, Univ. of Colorado |
Boulder |
CO |
FLAC |
1 |
SV066: Casio DA-7 |
Source: AKG C460b -> Grace pre-amp -> Casio DA-7
Lineage: DAT(M) 48khz -> dEdit -> dEQ -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
05/12/92
|
Ventura Theater |
Ventura |
CA |
FLAC |
1 |
Sony Stereo Walkman Recorder |
Source: Sony Stereo Walkman Recorder> Sony UX-90 min Blank Tape> playback on Optimus SC-37 Dual Cassette Tape Deck> Stereo line-in on PC> Total Recorder(PCM format) 44.1 khz, 16 bit stereo> tracked out in WAV format> FLAC frontend- level 6> FLAC |
05/13/92
|
Palladium |
Hollywood |
CA |
FLAC |
1 |
Video > Hi8 (1) |
Source: Video > Hi8 (1)
Transfer: Hi8 (1) > Firewire > WAV
Conversion/Editing: WAV> dEQ > CD Wave > FLAC |
05/15/92
|
The Warfield |
San Francisco |
CA |
SHN |
1 |
Unknown DAT |
Sonic Studios > DAT > ANA > DAT > CDR > dEQ > CDR > SHN |
05/17/92
|
Roseland Theater |
Portland |
OR |
FLAC |
1 |
Sony WM-D3 |
Source: Sonic Studios -> Sony WM-D3
Lineage: cassette master -> cassette -> DAT -> DAT -> dEQ -> CDR -> .flac
cdr>.flac transfer: EAC > FLAC frontend > .flac
edits: yes (tape speed corrected by blg)
eq: yes (by ptb) |
06/05/92
|
Nürburgring |
Nürburg |
Germany |
FLAC |
1 |
Sony WM-D3 |
Source: Sony WMD3/Sony ECM-929 microphone/TDK SA tape
Transfer: Sony Tapecorder->Creative labs X-FI Elite Pro->Wavelab 5.01b->CD Wave Editor 1.95->Wav>Flac Frontend->Flac |
06/06/92
|
Finsbury Park |
London |
England |
SHN |
1 |
|
|
06/06/92
|
Finsbury Park |
London |
England |
FLAC |
1 |
SV002: 3 Source Mix |
Source: pre-FM soundboard (UK broadcast) > BBC Transcription Services "In Concert" CD (silver) > CDR > SHN > dEdit > FLAC
(cuts patched with pre-FM soundboard (US broadcast) > Westwood One Radio Broadcast CD (silver) > CDR)
"Montage"
source: 3rd gen VHS > MPEG > MP3 > dEdit > dEQ > FLAC |
06/08/92
|
Pinkpop Festival |
Landgraaf |
The Netherlands |
DVD |
1 |
|
|
06/08/92
|
Pinkpop Festival |
Landgraaf |
The Netherlands |
SHN |
1 |
2 Source Mix |
Source: [FM + TV Broadcast] > Exact Audio Copy > wav > Adobe Audition 1.0 (editing) > wav > shn [TV broadcast > ??? > mpeg] > CD-R (VCD) > TmpgEnc > wav > Adobe Audition 1.0 (editing) > wav > shn [unknown microphones > unknown recorder > A3 > rem. w/ RSP "Clean!"] > CD-r > shn > wav > Adobe Audition 1.0 (editing) > wav > shn |
06/10/92
|
Kongresszentrum |
Stuttgart |
Germany |
FLAC |
1 |
Unknown AUD |
"Too Many Faces" bootleg [um > ur] > cdr > eac > wav > flac |
06/11/92
|
Grosse Freiheit 36 |
Hamburg |
Germany |
SHN |
1 |
Unknown AUD |
unknown mic > unknown recorder > analog? > CDR > dEdit > dEQ > SHN |
06/13/92
|
Wuhlheide |
Berlin |
Germany |
FLAC |
1 |
Sony WM-D3 |
OKM > D3 > DAT > CDR > EQ > CDR > FLAC
(some static patched with SS > D3 > DAT > analog out > DAT > CDR > EQ > CDR) |
06/15/92
|
Serenadenhof |
Nuremberg |
Germany |
SHN |
1 |
Unknown AUD |
um > ur > DAT > CD-R |
06/17/92
|
City Square |
Milan |
Italy |
SHN |
1 |
SV044: 2 Source Mix |
2-source mix: [Sony ECM-909 > Sony WM-D3 (master) > dat > shn > .wav > dEdit > dEQ] + [TV broadcast > VHS(PAL) > VHS(NTSC) > .avi > .wav > dEQ] > shn |
06/18/92
|
Volkshaus |
Zürich |
Switzerland |
FLAC |
1 |
Pre-FM DAT |
[pre-FM DAT] > ['Five Alive' bootleg] > ['Live Performance' bootleg] > FLAC frontend 1.71 > FLAC |
06/18/92
|
Volkshaus |
Zürich |
Switzerland |
FLAC |
1 |
pre-FM SBD [1st gen] + FM [2x boot cd] |
Source: pre-FM SBD [1st gen] + FM [2x boot cd] => DAT
Lineage: DAT(2) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> Audacity -> SHNTool -> xACT -> FLAC |
06/19/92
|
Rockhaus |
Vienna |
Austria |
FLAC |
1 |
Sony WM-D6 |
Sennheiser 2000 > Sony WM-D6 (master) > dat > dEdit > dEQ > cdr > dEdit(*) > flac |
06/22/92
|
Elysée Montmartre |
Paris |
France |
FLAC |
1 |
Sony TCD-D3 |
Source: PZM > Sony TCD-D3 > DAT1 48khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC |
06/25/92
|
Moderna Museet, Skeppsholmen |
Stockholm |
Sweden |
FLAC |
1 |
Sony WM-D6 |
Source: Aiwa CM30 > Sony WM-D6 > ANA1 > DAT1 32khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC |
06/26/92
|
Roskilde Festival (Orange stage) |
Roskilde |
Denmark |
FLAC |
1 |
Denon DTR-80p |
Source: Sony ECM-155 -> Denon DTR-80p (first 2 minutes from unknown gen VID)
Lineage: DAT(2) 48khz -> dEQ -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC |
07/21/92
|
UBC Thunderbird Stadium |
Vancouver |
BC |
FLAC |
1 |
Sony WM D3 professional cassette recording walkman |
Taped with a Sony WM D3 professional cassette recording walkman using it's original itty-bitty stereo condenser microphone mounted in my hat onto Fuji FR-II x pro 100 high bias (CrO2) cassettes using Dolby B NR for recording on a very rainy day.
Played into computer's SoundBlaster (16-bit) card using Denon DRM500 deck with azimuth adjusted to be in (semi) alignment with the master tape, bias set for normal tapes with Dolby off through a Sentrek analog EQ for warmth in the lows and air in the highs. |
07/29/92
|
Blossom Music Center |
Cuyahoga Falls |
OH |
SHN |
1 |
Sony WM-D6 |
unknown mics > sony wm-d6 >ana-m>cdr > dEdit > dEQ >cdr |
08/04/92
|
Saratoga Performing Arts Center |
Saratoga Springs |
NY |
SHN |
1 |
Sony WM-D3 |
Source: Sony PC-62 > Sony WM-D3 > analog(unknown gen) > DAT > CDR > dEdit > SHN |
08/07/92
|
Great Woods Center for the Performing Arts |
Mansfield |
MA |
SHN |
1 |
Unknown AUD |
um > ur > analog (1st gen) > dat > cd-r |
08/08/92
|
Great Woods Center for the Performing Arts |
Mansfield |
MA |
FLAC |
1 |
Unknown AUD |
unknown microphones > unknown recorder > analog (unknown gen) > remastered w/ realtime sound processor “Clean” > cdr |
08/12/92
|
Waterloo Village |
Byram Township |
NJ |
SHN |
1 |
Unknown AUD |
Source: unknown microphones > unknown recorder > analog? > CD-R(1) > dEQ > SHN |
08/14/92
|
Lake Fairfax Park |
Reston |
VA |
SHN |
1 |
Unknown AUD |
Unknown Aud > Cass > DAT(?) > CDR |
08/20/92
|
Lakewood Amphitheater |
Atlanta |
GA |
FLAC |
1 |
Panasonic analog walkman |
built-in condenser microphone > Panasonic analog walkman |
08/22/92
|
Bicentennial Park Grounds |
Miami |
FL |
SHN |
1 |
Unknown AUD |
Source: Bootleg "Lollapalooza '92" |
08/25/92
|
Blockbuster Pavilion |
Charlotte |
NC |
FLAC |
1 |
Sony WMD3 Cassette Master |
Unknown mic>Sony WMD3 Cassette Master>BBE1002>BSR EQ3000>CDR>WAV>Audacity>FLAC |
08/25/92
|
Blockbuster Pavilion |
Charlotte |
NC |
SHN |
1 |
Unknown AUD |
Source: unknown mic > unknown recorder > analog (3rd or 4th gen) > dEdit > dEQ > CDR > SHN |
08/28/92
|
Harriet Island |
St. Paul |
MN |
FLAC |
1 |
Aiwa HSJ470 |
Source : Sony FaaLT > Aiwa HSJ470 > dat > cdr > dEQ > cdr (Perma-Tree Source) > flac |
08/29/92
|
Alpine Valley Music Theatre |
East Troy |
WI |
SVCD |
1 |
|
|
08/29/92
|
Alpine Valley Music Theatre |
East Troy |
WI |
FLAC |
1 |
Sony WM-D6 |
Source: SM98 > d6-M > cass > DAT > CDR > EQ > CDR > FLAC |
09/08/92
|
Desert Sky Pavilion |
Phoenix |
AZ |
FLAC |
1 |
Sony WM-D6 |
Source: PZM -> Sony WM-D6
Generation: ANA(1) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 (resample to 44.1) -> CDWave -> FLAC frontend -> FLAC |
09/12/92
|
Irvine Meadows |
Irvine |
CA |
SHN |
1 |
Unknown AUD |
Unknown Microphones > Unknown Recorder > Cass (Unknown Gen.) > DAT > CDR > dEQ > CDR |
09/13/92
|
Irvine Meadows |
Irvine |
CA |
FLAC |
1 |
Unknown AUD |
Source: unknown mic > unknown recorder > analog(unknown gen) > DAT > DAT > DAT > dEdit > FLAC
DAT>FLAC: M1 > Core Sound 7 pin > Delta Dio 2496 > CEP (resample, corrected tape speed) > cdwave > flac 1.1.0 |
09/18/92
|
MTV Singles Premiere Party |
Seattle |
WA |
FLAC |
1 |
'Against' Bootleg |
Unknown > 'Against' Bootleg |
09/20/92
|
Warren G. Magnuson Park |
Seattle |
WA |
SHN |
1 |
Unknown AUD |
Source: bootleg CD: 'Seattle Jammin' (source unknown) > CDR > EAC > SHN |
09/26/92
|
Andrew's Amphitheater |
Honolulu |
HI |
FLAC |
1 |
Soundboard |
source: Soundboard > DAT |
09/26/92
|
Andrew's Amphitheater |
Honolulu |
HI |
FLAC |
1 |
SV062: Soundboard |
soundboard > ? > dat > flac > wav > dEdit > flac (four spots of diginoise patched with soundboard > ?-m > analog (2nd gen) > dEQ > dat > cdr) |
09/27/92
|
Baldwin School Gymnasium [Soundcheck] |
Maui |
HI |
FLAC |
1 |
Unknown VID |
SOUNDCHECK
Source: 4th generation Video -> DAT-M 48khz -> FLAC |
11/01/92
|
Shoreline Amphitheatre |
Mountain View |
CA |
FLAC |
1 |
Soundboard |
Source >>> Soundboard |
11/01/92
|
Shoreline Amphitheatre |
Mountain View |
CA |
SHN |
1 |
Unknown DAT |
Neumann KM47 > unknown DAT > dEQ > CD (first two minutes of show is sourced from 2nd gen Hi-Fi VHS > CD and "Summer of 92" boot) |
12/31/92
|
The Academy |
New York |
NY |
FLAC |
1 |
SV010: Sony TCD-D3 |
Source: Core Sound Binaurals > Sony TCD-D3 > dat > cdr > dEdit > dEQ > shn > cdr ("Goin' Down" from "Deep Through the Years" liberated bootleg) > flac |
12/31/92
|
The Academy |
New York |
NY |
CD |
1 |
Soundboard |
Official Ten Club CD |
04/??/93
|
San Rafael Studios [Vs. Recording Sessions] |
San Rafael |
CA |
SHN |
1 |
Five Against One Bootleg |
Vs. Rough Mix
Source: Five Against One Bootleg CD > EAC > WAV > MKWACT > SHN |
05/13/93
|
Slim's Cafe [Soundcheck] |
San Francisco |
CA |
FLAC |
1 |
Soundcheck: Sony WM-D6 |
Source: Sonic Studios (DSM6) -> Sony WM-D6 -> ANA(M) -> DAT(c)48khz -> FLAC |
05/13/93
|
Slim's Cafe |
San Francisco |
CA |
FLAC |
1 |
Sony WM-D6 |
Source: Sonic Studios (DSM6) -> Sony WM-D6
Generation: ANA(M) -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
06/27/93
|
Kalvoslash Festivalen |
Oslo |
Norway |
SHN |
1 |
Sony TCD-D7 |
Source: Sony ECM T-140 (x2) > Sony TCD-D7 > CDR > EAC > WAV > mkwACT > SHN |
06/28/93
|
Sjöhistoriska Museet |
Stockholm |
Sweden |
FLAC |
1 |
Sony WM-D6 |
Source: Marantz EM8 > Sony WM-D6 > ANA-M > DAT1 32khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC |
06/30/93
|
Ishallen |
Helsinki |
Finland |
FLAC |
1 |
Sony WM-D6 |
Source: ECM144 > d6-M > DAT > CDR > EQ > CDR > FLAC |
07/02/93
|
Stadio Bentegodi |
Verona |
Italy |
FLAC |
1 |
Sony TCD-D7 |
Source: Sonic Studios -> Sony TCD-D7
Lineage: DAT(c) 32khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC |
07/06/93
|
Stadio Flaminio |
Rome |
Italy |
FLAC |
1 |
Sony WM-D6 |
Source: Sony ECM-909 > Sony WM-D6
Generation: CAS-M > DAT-M > DAT-C @ 48khz > FLAC
Transfer: DA-20 > Monster coax > Nomad Jukebox 3 (coax mod) > CEP 2.0 (44.1 resample, dEQ) > CD Wave > FLAC |
07/07/93
|
Stadio Flaminio |
Rome |
Italy |
FLAC |
1 |
Sony WM-D6 |
Source: Sony ECM-909 > Sony WM-D6
Generation: CAS-M > DAT-M > DAT-C @ 48khz > FLAC
Transfer: DA-20 > Monster coax > Nomad Jukebox 3 (coax mod) > CEP 2.0 (44.1 resample, dEQ) > CD Wave > FLAC |
07/10/93
|
Slane Castle |
Slane |
Ireland |
FLAC |
1 |
Unknown AUD |
? > cass > DAT > CDR > EQ > CDR > FLAC |
07/13/93
|
Brixton Academy |
London |
England |
SHN |
1 |
Unknown AUD |
Unknown |
07/14/93
|
Brixton Academy |
London |
England |
SHN |
1 |
Sony WM-D6 |
Source: Sony ECM-909a > Sony WM-D6
CD > WAV > SHN
Equipment: IBM 32x DVD Drive > Creative Digital Audio Center > Shorten Compression |
07/16/93
|
Sportspaleis Ahoy |
Rotterdam |
Netherlands |
FLAC |
1 |
'Against' Bootleg |
'Against' Bootleg, Poss FM/SBD |
07/16/93
|
Sportspaleis Ahoy |
Rotterdam |
Netherlands |
FLAC |
1 |
Sony WM-D6 |
|
07/16/93
|
Sportspaleis Ahoy |
Rotterdam |
Netherlands |
FLAC |
1 |
FM Radio broadcast |
Lineage: Radio broadcast > mastertape > 1st copy tape > Aiwa Tape Deck AD-WX828 > Audigy Soundblaster > HD > SoundForge 7.0 > CD Wave >FLAC Frontend (level 6)
|
07/18/93
|
Paradiso |
Amsterdam |
Netherlands |
FLAC |
1 |
Sony WM-D6 |
Source: Realistic > Sony WM-D6 > ANA1 > DAT-C > CDRx > FLAC |
08/14/93
|
Gimli Motorsport Park |
Gimli |
MB |
SHN |
1 |
mix 2 unknown dat |
mix 2 unknown dat>shn (complete show) |
08/18/93
|
Canadian National Exhibition (CNE) Grandstand |
Toronto |
ON |
FLAC |
1 |
SONY WA-55 stereo cassette-corder |
Source: Cassette Master> SONY TC-RX410 cassette player > MacBook Pro> CD Spin Doctor 3.0.2t > xAct 1.5 (for flac conversion/ sector boundary check/ md5 checksums & flac fingerprint)
Recorded using SONY WA-55 stereo cassette-corder and 2 SONY ECM-16T clip-on microphones. |
09/02/93
|
Universal Amphitheatre |
Universal City |
CA |
FLAC |
1 |
'Against' Bootleg |
?TV Broadcast > 'Against' Bootleg |
09/02/93
|
Universal Amphitheatre |
Universal City |
CA |
FLAC |
1 |
Official Cassette |
CASS(M) > FLAC |
09/04/93
|
B.C. Place Stadium |
Vancouver |
BC |
FLAC |
1 |
Sony WM-D3 |
source: PC62 > wm-d3
lineage: cassette master > EQ > CDR > .flac
cass>cdr transfer: Denon DRM-500 > Sentrek 12 band EQ > SoundBlaster 16 > WaveLab 4.0 dEQ
cdr>.wav rip via EAC
.wav>.flac encoding via FLAC frontend |
09/05/93
|
The Gorge Amphitheatre |
George |
WA |
FLAC |
1 |
Unknown AUD DAT |
Source: Sonic Studios > unknown DAT > DAT > CDR > EAC > FLAC |
09/06/93
|
Portland Meadows Race Track |
Portland |
OR |
SHN |
1 |
Unknown AUD |
Source: SS > ur > DAT > CDR > EQ > CDR
Transfer: CDR > PlexWriter 12/4/32S > EAC > shorten32 (Logs Included) |
10/27/93
|
The Catalyst |
Santa Cruz |
CA |
SHN |
1 |
Sony WM-D3 |
Source: Sony ECM-909 > Sony WM-D3 > cass > DAT > CDR > SHN |
10/28/93
|
Warfield Theater [Soundcheck] |
San Francisco |
CA |
SHN |
1 |
Sony WM-D6 |
Source: Sonic Studios > Sony WM-D6 > CD-R
CD > WAV > SHN:
Equipment: Sony CDU571-Q 16X IDE > Easy CD Creator > MKW Audio Compression Tool Kit |
10/28/93
|
Warfield Theater |
San Francisco |
CA |
SHN |
1 |
Sony WM-D6 |
Source: Sonic Studios > Sony WM-D6 > CD-R
CD > WAV > SHN
Equipment: Sony CDU571-Q 16X IDE > Easy CD Creator > MKW Audio Compression Tool Kit |
10/30/93
|
SJSU Event Center |
San Jose |
CA |
FLAC |
1 |
Sony TCD-D7 |
Source: Core Sound Binaurals -> Sony TCD-D7
Lineage: DAT(2)/(cloned with analog cables) 48khz -> dEQ -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC |
10/31/93
|
Greek Theatre, Univ. of California |
Berkeley |
CA |
SHN |
1 |
Sony WM-D3 |
Source: Sony ECM-909 > Sony WM-D3
Equipment: Sony CDU571-Q 16X IDE > EAC v0.85 > MKW Audio Compression Tool Kit |
10/31/93
|
Greek Theatre, Univ. of California |
Berkeley |
CA |
FLAC |
1 |
Soundcheck: Sony WM-D6 |
Source: Sonic Studios > Sony D6 > DAT
Transfer: Tascam DA-20 mkII>HDP2>CD Wave>.wav>.flac |
11/02/93
|
Civic Theatre |
San Diego |
CA |
FLAC |
1 |
Unknown AUD |
Source: unknown mic -> unknown recorder
Generation: ANA(x) -> DAT-M 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> FLAC frontend -> FLAC |
11/03/93
|
Civic Theatre |
San Diego |
CA |
SHN |
1 |
Incomplete Soundboard |
Source: SBD
CD > WAV > SHN: Mike Woellert (DMBnum41@aol.com)
Equipment: NEC DV 5700A (13x Audio Extraction) > EAC (Dell PIII 700) > SHN (MKW Audio Tool) |
11/05/93
|
Empire Polo Fields |
Indio |
CA |
FLAC |
1 |
SV022: 2-source mix |
[soundboard > dat > "Dedicated to the Motherfuckers" boot > dEdit] + [Sonic Studios > Sony TCD-D7 > dat-2 > cdr > dEdit] > shn > flac |
11/06/93
|
Mesa Amphitheater |
Mesa |
AZ |
FLAC |
1 |
Unknown DAT |
Source: Sonic Studios > DAT-C 48khz > CDR > dEQ > CDRx > FLAC |
11/12/93
|
Moody Coliseum [SMU] |
Dallas |
TX |
FLAC |
1 |
Casio DA-R100 |
Source: Core Sound Binurals > DAR-100 > DAT-C? > dEDIT > dEQ > CD-R Master > EAC > .wav > .flac |
11/16/93
|
UNO Lakefront Arena |
New Orleans |
LA |
SHN |
1 |
'The Kids are Alright' bootleg |
Source: "The Kids are Alright" boot CD (SS>D3?) > .wav > EQ > dED > SHN
Notes: Ed's talking between several songs patched from SS>d6-M>DAT>CDR>dED>EQ
'Last Exit' from "Surfer Eddie's Sunshine State" boot CD (SS>D3?)>dED |
11/17/93
|
UNO Lakefront Arena |
New Orleans |
LA |
SHN |
1 |
Sony WM-D6 |
Source: Sonic Studios > Sony WM-D6(master) > DAT > CDR > SHN |
11/19/93
|
UNO Lakefront Arena |
New Orleans |
LA |
SHN |
1 |
Sony WM-D6 |
Source: Sonic Studios > Sony WM-D6 > DAT3 > CDR > SHN |
11/20/93
|
William R. Johnson Coliseum, Stephen F. Austin U. |
Nacogdoches |
TX |
FLAC |
1 |
Sony WM-GX90 |
Source: um > SonyWM-GX90(master) > DAT2 > CDR > EQ > CDR > FLAC |
11/24/93
|
Century II |
Wichita |
KS |
SHN |
1 |
"World Jam" Bootleg |
Silver CD > EAC > shn |
12/01/93
|
Aladdin Theater |
Las Vegas |
NV |
FLAC |
1 |
Sony TCD-D3 |
Source: Sonic Studios -> Sony TCD-D3
Lineage: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC |
12/02/93
|
Lawlor Athletic Events Center |
Reno |
NV |
FLAC |
1 |
Sony TCD-D3 |
Source: Marcsounds?? (or CSB) -> Sony TCD-D3
Generation: DAT-M -> DAT-2 48khz
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC frontend -> FLAC |
12/02/93
|
Lawlor Athletic Events Center |
Reno |
NV |
FLAC |
1 |
2 Source Mix |
Source: [Marcsounds??->D3->DAT(2)48khz->.wav] + [Sonic Studios->D6->ANA(M)->DAT(c)48khz->.wav] -> FLAC
Transfers: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
12/07/93
|
Seattle Center Arena |
Seattle |
WA |
FLAC |
1 |
Sony WM-D3 |
Source: Sonic Studios > Sony WM-D3 > dEQ > 2CDR > mkwACT > .shn |
12/08/93
|
Seattle Center Arena |
Seattle |
WA |
SHN |
1 |
Sony TCD-D3 |
Source: Sonic Studios > Sony TCD-D3 > Bootleg CD: 'Home' > CDR > EAC > WAV > mkwACT > SHN |
12/09/93
|
Seattle Center Arena |
Seattle |
WA |
FLAC |
1 |
Sony TCD-D3 |
Source: Sonic Studios (DSM3) -> Sony TCD-D3
Lineage: DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC |
03/06/94
|
Paramount Theater |
Denver |
CO |
FLAC |
1 |
Unknown VID |
Source: Video Hi8 (Only known source)
Transfer: Hi8 MASTER > Sony DCR-TRV350 > Firewire > DV/48KHz PCM > dED > dEQ > CDWAVE > FLAC |
03/07/94
|
Paramount Theater |
Denver |
CO |
FLAC |
1 |
Video Hi8 |
Source: Video Hi8
Transfer: Hi8 MASTER > Sony DCR-TRV350 > Firewire > DV/48KHz PCM > dED > dEQ > CDWAVE > FLAC |
03/09/94
|
Civic Center [Rock for Choice] |
Pensacola |
FL |
FLAC |
1 |
SV030: Sony TCD-D3 |
Source: Sonic Studios > Sony TCD-D3 > dat > cdr > dEdit > shn > flac |
03/10/94
|
Chicago Stadium |
Chicago |
IL |
FLAC |
2 |
SV021: Sony TCD-D3 |
Source: Sonic Studios (DSM3) > Sony TCD-D3 > dEQ > cdr > flac |
03/13/94
|
New Regal Theater |
Chicago |
IL |
FLAC |
2 |
Sony TCD-D3 |
Source: Sonic Studios (DSM3) > Sony TCD-D3 > DAT > dEdit > dEQ > CDR > FLAC |
03/13/94
|
New Regal Theater |
Chicago |
IL |
FLAC |
2 |
Sony TCD-D3 |
Source: Sonic Studios (DSM3) > Sony TCD-D3 > DAT1 48khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 > CDWave > FLAC |
03/14/94
|
Fox Theatre |
St. Louis |
MO |
SHN |
1 |
Sony WM-D6 |
recording source: Realistic lavalier mics > Sony WM-D6
recording lineage: cassette master > DAT > DAT > CDR > SHN |
03/15/94
|
Fox Theatre |
St. Louis |
MO |
SHN |
1 |
Unknown AUD VID |
Source: VHS (only known source) > Remastered w/Cool Edit Pro > 2CDR > mkwACT > .shn |
03/17/94
|
Elliot Hall [Purdue University] |
West Lafayette |
IN |
FLAC |
1 |
Unknown AUD DAT |
Source: unknown mics -> DAT
Generation: DAT(M) -> ???? -> ANA(3?) -> DAT 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 -> (resample to 44.1) -> CDWave -> FLAC |
03/19/94
|
Masonic Theater |
Detroit |
MI |
FLAC |
1 |
Incomplete Unknown AUD |
Source: BIC mic -> unknown walkman
Lineage: ANA(1) -> DAT(1) 48khz
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC |
03/20/94
|
Crisler Arena |
Ann Arbor |
MI |
FLAC |
2 |
Sony TCD-D7 |
Source: CSB > TCD-D7 > dEDIT > dEQ > CD-R |
03/22/94
|
Cleveland State University Convocation Center |
Cleveland |
OH |
FLAC |
2 |
Aiwa JS-415 walkman |
Source : unknown Aiwa microphone > Aiwa JS-415 walkman > analog (2nd gen) > dEQ > dat > cdr > EAC (wav) > dEdit > flac |
03/24/94
|
Louisville Gardens |
Louisville |
KY |
SHN |
2 |
Unknown AUD |
Source: Cassette Master > VHS > cassette > cassette > DAT > .wav > .shn
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (48kHz > 44.1kHz, fade in/out) > CDWAVE > mkwACT |
03/26/94
|
Murphy Athletic Center |
Murfreesboro |
TN |
FLAC |
1 |
Aiwa HS-J360 |
Source: Aiwa mic -> Aiwa HS-J360 (recorded on stage)
Generation: ANA(1) -> DAT(M) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> Dio 2496 -> CEP 2.1 -> CDWave -> FLAC |
03/26/94
|
Murphy Athletic Center |
Murfreesboro |
TN |
SHN |
1 |
Sony TCD-D7 |
Source: Sonic Studios > Sony TCD-D7 > DAT > CDR > SHN |
03/28/94
|
Bayfront Amphitheater |
Miami |
FL |
SHN |
2 |
SV015: Denon DTR-80p |
Source: Sonic Studios (DSM-6P) > Denon DTR-80p > DAT-M (48khz)
Location: 10th row, left side
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 > CDWave > FLAC
Edit: FLAC > .wav > dEQ (CEP 2.0) > SHN |
03/29/94
|
Bayfront Arena |
St Petersburg |
FL |
FLAC |
2 |
SV031: Denon DTR-80P |
Source: Sonic Studios (DSM-6P) > Denon DTR-80P (5th row, right) > dEQ > dEdit > shn > flac |
03/29/94
|
Bayfront Arena |
St Petersburg |
FL |
FLAC |
1 |
Denon DTR-80p |
Source: Sonic Studios (DSM-6P) -> Denon DTR-80p
Location: 5th row, right side
Lineage: DAT master 48khz (last 3 songs in 32khz) -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC |
03/29/94
|
Bayfront Arena |
St Petersburg |
FL |
FLAC |
2 |
DTR-80P |
Source: Sonic Studios DSM6P Mics > DTR-80P > DAT-C? > dEDIT > dEQ > CD-R Master > EAC > .wav > .flac |
04/02/94
|
Fox Theater |
Atlanta |
GA |
SHN |
2 |
'Atlanta the Day Before' Bootleg |
"ATLANTA the Day Before" Bootleg
silver cd->EAC->shn |
04/03/94
|
Fox Theater |
Atlanta |
GA |
FLAC |
2 |
SV016: Sony Australia promo cd |
Show Source: Sony Australia promo cd > cdr > dEdit > dEQ > flac (cuts in promo cd patched with pre-FM (satellite) > dat1 > cdr1) |
04/03/94
|
Fox Theatre [Post Show DJ Set] |
Atlanta |
GA |
FLAC |
1 |
SV016: FM |
Aftershow Source: FM > analog (unknown gen) > flac > dEdit > flac (cuts in first analog source patched with second analog source FM > analog (unknown gen) > cdr > dEdit) |
04/06/94
|
Springfield Civic Center |
Springfield |
MA |
FLAC |
2 |
Sony TCD-D3 |
Source: Sonic Studios (DSM-6) > Sony TCD-D3 > DAT1 32khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC |
04/06/94
|
Springfield Civic Center |
Springfield |
MA |
SHN |
2 |
Sony TCD-D3 |
Source: Sonic Studios (DSM-6) > Sony TCD-D3 > DAT1 32khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC
Edit: FLAC > WAV > dEQ (CEP 2.0) > SHN |
04/07/94
|
War Memorial |
Rochester |
NY |
SHN |
2 |
Sony WM-D3 |
Source: Sony PC-62 > Sony WM-D3 > DAT > CDR > dEdit > SHN (cuts in dissident and porch EQ'ed and patched with unknown analog source) |
04/08/94
|
Patriot Center |
Fairfax |
VA |
FLAC |
2 |
Sony TCD-D7 |
Source: CSB > D7 > DAT(32kHz) > .wav > dEQ > FLAC |
04/10/94
|
Boston Garden |
Boston |
MA |
FLAC |
1 |
Sony TCD-D7 |
Recording Information: Sony TCD-D7 with Realistic 33-1063 microphones containing Panasonic custom capsules. Recorded 75 feet left-center from the stage (Floor DD - Row 28 - Seat 2).
Lineage: DAT Master>WAV>FLAC
Mastering Informtion: DAT converted to Wave optically via a Prodiff 96 digital
soundcard into Wavelab. Downsampled from 48kHz to 44.1kHz in Wavelab. Individual Wave
tracks created in Wavelab. Wave files converted to FLAC using FLAC Frontend (level 8). |
04/10/94
|
Boston Garden |
Boston |
MA |
FLAC |
1 |
Sony TCD-D7 |
Source: custom Panasonic mics > Sony TCD-D7 > DAT1 48khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC |
04/11/94
|
Boston Garden |
Boston |
MA |
SHN |
2 |
Sony TCD-D3 |
Source : (bootleg cd"AND THE PEARLS SWEEP") Sonic Studios > Sony TCD-D3 > CD-R > EAC V0.9b3 > WAV > mkwact > shn |
04/11/94
|
Boston Garden |
Boston |
MA |
SHN |
2 |
|
|
04/12/94
|
Orpheum Theater |
Boston |
MA |
FLAC |
2 |
SV020: Unknown AUD DAT |
source: B&K4011 > dat > shn > dEQ > cdr (beginning of "Oceans" and "IGaF" from Sony ECM-144 > Sony TCD-D7 > dat-1 > cdr) > flac |
04/14/94
|
NBC Studios |
New York |
NY |
FLAC |
1 |
'Chapters' Bootleg |
from: "Chapters" Bootleg
source: silver CD>EAC>wav>flac |
04/16/94
|
NBC Studios |
New York |
NY |
SHN |
1 |
'Mesmerize' Bootleg |
from: Mesmerize Bootleg
source: silver CD>EAC>SHN |
04/17/94
|
Paramount Theater |
New York |
NY |
FLAC |
1 |
'Last American Heros' Bootleg |
Source: Liberated Bootleg (Last American Heros) Original Silver Discs > Flac |
07/??/94
|
Bad Animals Studios |
Seattle |
WA |
FLAC |
1 |
Soundboard |
Sources:01-15 SBD > DAT > ANA (>3?) > ? > CDR(2) > EAC > WAV > dED > FLAC
16-17 More Nonsense Boot CD (silver) > EAC > WAV > FLAC |
10/01/94
|
Shoreline Amphitheatre |
Mountain View |
CA |
FLAC |
1 |
Unknown DAT AUD |
Source: Schoeps MK4>DATc 48khz
Transfer: Tascam DA-20 > Monster coax > Delta Dio 2496 > CEP 2.1 (resample to 44.1) > CDWAVE > FLAC |
10/02/94
|
Shoreline Amphitheatre |
Mountain View |
CA |
SHN |
1 |
Soundboard |
Source: SBD -> VID-M -> DAT -> dEDIT -> DAT -> SHN(some tracking problems) |
01/08/95
|
Self Pollution Radio |
Seattle |
WA |
FLAC |
1 |
'Self Pollution' Bootleg |
'Self Pollution' Bootleg CD |
01/14/95
|
Constitution Hall [Voters for Choice] |
Washington |
DC |
FLAC |
1 |
Soundboard |
Source: Soundboard > ???? > FLAC |
01/14/95
|
Constitution Hall [Voters for Choice] |
Washington |
DC |
SHN |
2 |
2 Source Mix |
Source: [bootleg cd: "Boundless" > CDR > dEdit] + [bootleg cd: "Alive & Kickin '95" > CDR > dEQ] > dEQ > SHN |
01/15/95
|
Constitution Hall [Voters for Choice] |
Washington |
DC |
SHN |
1 |
Sony TCD-D7 |
Sonic Studios (DSM6) > Sony TCD-D7 > CDr
CRr > WAV was done using EAC V0.9 beta 4
WAV > SHN was done using mkw Audio Compression Toolkit |
02/05/95
|
Moore Theater |
Seattle |
WA |
SHN |
1 |
Unknown AUD |
Source: unknown audience recording > "Piss Bottle Men" Bootleg > EAC > SHN |
02/06/95
|
Moore Theater |
Seattle |
WA |
SHN |
1 |
Soundboard |
Source: Soundboard - Bootleg CD "Act of love" |
02/08/95
|
Adams Field House, University of Montana |
Missoula |
MT |
FLAC |
1 |
'Live From The Vitalogy Health Club' Bootleg |
Lineage: Silver CD>aiff>xact>flac |
02/08/95
|
Adams Field House, University of Montana |
Missoula |
MT |
FLAC |
1 |
Sony TCD-D3 |
Source: CSB -> Sony TCD-D3
Lineage: DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC |
02/18/95
|
Izumity 21/Sun Plaza |
Sendai |
Japan |
FLAC |
1 |
Sony TCD-D7 |
Source: Sony ECM-TS 120 -> Sony TCD-D7
Lineage: DAT(c) 48khz -> dEdit -> dEQ -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
02/20/95
|
Budokan |
Tokyo |
Japan |
FLAC |
1 |
Sony TCD-D7 |
Source: Sony ECM-TS 120 -> Sony TCD-D7
Lineage: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
02/21/95
|
Kosei Nenkin Kaikan |
Osaka |
Japan |
CDR |
2 |
Denon DTR-80p |
Source: Sonic Studios (DSM-6P) > Denon DTR-80p > DAT1 48khz
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC |
02/26/95
|
Folk Arts Theater |
Manila |
Philippines |
SHN |
1 |
Realistic CTR-24 Cassette Master |
Source: Realistic CTR-24 Cassette Master > cassette > cassette > DAT > .wav > .shn
DAT > .wav > .shn: Meghan House (mehouse1@yahoo.com)
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (fade in/out) > CDWAVE > mkwACT |
02/28/95
|
Hua Mark Indoor Stadium |
Bangkok |
Thailand |
SHN |
1 |
Sony ECM-939 |
Source Info: Sony ECM-939 > DAT > dEQ > CDr > WAV > SHN
CRr > WAV was done using EAC V0.9 beta 4
WAV > SHN was done using mkw Audio Compression Toolkit |
03/03/95
|
The Indoor Stadium |
Singapore |
Singapore |
FLAC |
1 |
Sony ECM-939 |
Source: ECM-939 > DAT-M > DAT1 48khz
Transfer: DA-20 > Monster coax > Dio 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC |
03/08/95
|
Memorial Drive Tennis Centre |
Adelaide |
Australia |
FLAC |
1 |
Unknown AUD |
Source: unknown microphones > unknown recorder > cdr > eac > wav > flac |
03/10/95
|
Entertainment Centre |
Sydney |
Australia |
FLAC |
2 |
Sony WM-D3 |
Source: PC-62 > d3-M > DAT > CDR > dED > CDR > FLAC |
03/11/95
|
Eastern Creek International Raceway |
Sydney |
Australia |
FLAC |
1 |
Sony WM-D3 |
Source: PC-62 > d3-M > DAT > CDR > dED > CDR > FLAC |
03/14/95
|
Exhibition Park |
Canberra |
Australia |
FLAC |
2 |
Unknown AUD |
Source: unknown microphone > unknown recorder > analog (unknown gen) > cdr > dEQ > cdr > dEdit > cdr > flac |
03/16/95
|
Flinders Park Tennis Centre |
Melbourne |
Australia |
FLAC |
1 |
Sony WM-D3 |
Source: Sony PC-62 > Sony WM-D3 > cass-M > cass-2 > DAT-M
Transfer: DAT-M > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0 (48KHz -> 44.1KHz, Fade In/Out) > CDWav > FLAC |
03/17/95
|
Flinders Park Tennis Centre |
Melbourne |
Australia |
FLAC |
2 |
SV041: 'Rarified and Live' Australian promo cd |
Source: "Rarified and Live" Australian promo cd > cdr1 > dEdit > flac |
03/18/95
|
Sidney Myers Music Bowl |
Melbourne |
Australia |
FLAC |
2 |
Sony WM-D3 |
Source: Sony PC-62 > Sony WM-D3 > cass-M > cass-2 > DAT-M
Transfer: DAT-M > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0 (48KHz -> 44.1KHz, Fade In/Out) > CDWav > FLAC |
03/21/95
|
Entertainment Centre |
Brisbane |
Australia |
FLAC |
1 |
Incomplete Soundboard |
Source: SBD > VID > dED > FLAC |
03/22/95
|
Entertainment Centre |
Brisbane |
Australia |
FLAC |
2 |
Sony TCD-D7 |
Source: Sony TS-120 -> Sony TCD-D7
Lineage: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
03/24/95
|
Mt. Smart Super Top |
Auckland |
NZ |
FLAC |
1 |
Unknown AUD |
Source: AUD > ANA > CDR |
03/25/95
|
Mt. Smart Super Top |
Auckland |
NZ |
FLAC |
1 |
Unknown AUD |
Source: Unknown Microphones > Unknown DAT > Cassette 3rd Gen > CD-R > EAC > dEdit > dEQ ( with Adobe Audition v.1.0) > FLAC |
06/16/95
|
Casper Events Center |
Casper |
WY |
FLAC |
1 |
2 Source Mix |
Source: [Marcsounds>D7>DAT>CDR>dEQ]+['Long Road' silver CDs>dEQ]>dEQ>SHN>FLAC |
06/19/95
|
Red Rocks Amphitheatre |
Morrison |
CO |
FLAC |
1 |
Sony TCD-D7 |
Source: Sonic Studios (DSM6) -> Sony TCD-D7(mod2)
Generation: DAT(M) -> DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 (resample to 44.1) -> CDWave -> FLAC |
06/20/95
|
Red Rocks Amphitheatre |
Morrison |
CO |
DVD |
2 |
|
|
06/20/95
|
Red Rocks Amphitheatre |
Morrison |
CO |
FLAC |
2 |
SV014: 3 Source Mix |
3-source mix: [Sonic Studios > TCD-D7(mod) > dat > shn > dEQ] + [Sonic Studios > TCD-D7 > dat > cdr > shn > dEQ] + [MarcSounds? > Denon DTR-80 > dat > analog > dat > cdr > shn > dEQ] > dEQ > cdr > flac |
06/22/95
|
Cal Expo Amphitheater |
Sacramento |
CA |
FLAC |
2 |
Sony TCD-D7 |
Source: Core Sounds > Sony TCD-D7 > DAT > CDR > dEdit (with Schoeps source) > CDR > FLAC |
06/22/95
|
Cal Expo Amphitheater |
Sacramento |
CA |
FLAC |
2 |
Denon DTR-80p |
Source: Schoeps MK5 -> Denon DTR-80p
Lineage: DAT(c) 48khz -> dEQ -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC |
06/24/95
|
Golden Gate Park - Polo Fields |
San Francisco |
CA |
FLAC |
2 |
Sony TCD-D7(mod2) |
Source: Sonic Studios (DSM6) -> Sony TCD-D7(mod2)
Generation: DAT(M) -> DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 (resample to 44.1) -> CDWave -> FLAC frontend -> FLAC |
07/08/95
|
Marcus Amphitheater [Summerfest] |
Milwaukee |
WI |
FLAC |
2 |
SV003: Sony TCD-D7 |
source: Core Sound Binaurals > Sony TCD-D7 (16th row right) > dEdit > dEQ > cdr > flac |
07/09/95
|
Marcus Amphitheater [Summerfest] |
Milwaukee |
WI |
FLAC |
2 |
SV008: Sony TCD-D7 |
source: Core Sound Binaurals > Sony TCD-D7 (15th row, center) > dat > cdr > dEQ > cdr > flac |
07/11/95
|
Soldier Field |
Chicago |
IL |
SHN |
2 |
'Live At Soldier Field' Bootleg |
Source: Boot CD "Live at Soldier Field" MWFM (Red Robin) |
07/11/95
|
Soldier Field |
Chicago |
IL |
FLAC |
2 |
2 Source Mix |
2 Sources Mix: Monkey Wrench Mono FM + CS > D7 > 3 CD-R |
07/11/95
|
Soldier Field |
Chicago |
IL |
SHN |
2 |
2 Source Mix |
Source: Boot CD-"Live at Soldier Field": MWFM (Red Robin) + "Animal" from MWFM > Q101 promo CD + Coresounds > Sony TCD-D7 |
09/13/95
|
Veterans Coliseum |
Phoenix |
AZ |
FLAC |
2 |
Sony TCD-D7 |
Source: Nakamichi CM700 -> Sony TCD-D7
Lineage: DAT(2) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
09/14/95
|
Pan American Center |
Las Cruces |
NM |
FLAC |
2 |
Sony TCD-D7 |
Source: Nakamichi CM700 -> Sony TCD-D7
Generation: DAT(M) -> DAT(2) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
09/16/95
|
South Park Meadows |
Austin |
TX |
SHN |
1 |
Sony TCD-D7 |
Source: CSB > D7 (2nd clone DAT) > .wav > .shn
DAT > .wav > .shn: Meghan House (mehouse1@yahoo.com)
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (48kHz > 44.1kHz, fade in/out) > CDWAVE > mkwACT |
09/17/95
|
Tad Gormley Stadium |
New Orleans |
LA |
FLAC |
2 |
Sony TCD-D7 |
Source: Core Sound Binaurals -> Sony TCD-D7
Lineage: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC |
11/01/95
|
Delta Center |
Salt Lake City |
UT |
FLAC |
2 |
SV051: dSBD |
Source: dSBD > dat > cdr (dropout on "Daughter" patched with "Road Rage" boot; cut on "Porch" patched with "Malaria" boot) > cdr > flac |
11/02/95
|
Delta Center |
Salt Lake City |
UT |
FLAC |
2 |
SV052: 2 Source Mix |
Show Source: 2-source mix: [Mono FM (Monkeywrench radio) > dat > cdr] + [Nakamichi CM-700 + CP-701 > Sony TCD-D7 > dat-M > cdr1 > flac > .wav] > flac
Aftershow Source: FM > analog > cdr > flac (various spots of static patched with FM > dat > cdr) |
11/04/95
|
Spartan Stadium |
San Jose |
CA |
FLAC |
4 |
SV054: 2, 2 source mixes |
2 source mix: ["Anxiety" liberated bootleg > .WAV] + [Schoeps CMC441s > Lunatec pre-amp > Sony D10 ProII (on micstand, next to SBD cage) > DAT > CDR] > cdr > flac
Alterative Mix: 2 source mix: [Schoeps CMC441s > Lunatec pre-amp > Sony D10 ProII (on micstand, next to SBD cage) > DAT > CDR > dEQ] + ["Anxiety" liberated bootleg > .WAV > dEdit] > flac
|
11/04/95
|
Spartan Stadium |
San Jose |
CA |
FLAC |
2 |
Monkeywrench Radio FM Broadcast |
source : monkeywrench radio |
11/06/95
|
Sports Arena |
San Diego |
CA |
FLAC |
2 |
SV055: Sony D10 ProII |
Source: Neumann KM-184 > Sonosax pre-amp > Sony D10 ProII (on 20' micstand, next to SBD cage) > DAT
Transfer: DAT-M > Archive Python 01931 > DAT2WAV > WAV > dEQ > dED > CDWAV > FLAC
(Intro music patched in from MWFM > DAT) |
11/06/95
|
Sports Arena |
San Diego |
CA |
DVD |
2 |
|
|
11/07/95
|
Sports Arena |
San Diego |
CA |
FLAC |
3 |
SV056: 2 Source Mix |
Show Source: 2-source mix: [Neumann KM-140 > HHb Pro 1 > dat > dEQ > dEdit > cdr > 44.1 kHz wav > 48 kHz wav > dEQ] + [MWFM > dat > 48kHz wav] > 44.1 kHz wav > shn > flac
Aftershow Source: FM (91X pirated MWFM broadcast) > dat > cdr > EAC > dEdit > flac |
11/07/95
|
Sports Arena |
San Diego |
CA |
FLAC |
2 |
Monkeywrench FM |
FM Broadcast-->Silver CD-->FLAC |
09/14/96
|
The Showbox |
Seattle |
WA |
FLAC |
1 |
'Secret Gig' Bootleg |
Source: "Secret Gig" Bootleg (Original silver discs) > WAV > FLAC |
09/14/96
|
The Showbox |
Seattle |
WA |
SHN |
2 |
Sony TCD-D7 |
Source: CSB > D7 > DAT > CDR > dEQ > CDR > SHN |
09/16/96
|
Key Arena |
Seattle |
WA |
SHN |
2 |
'Dangerous Minds' Bootleg |
Source: Bootleg CD Dangerous Minds (AKG451+SS source) > CDR
(Directly from the Silver Bootleg)
Extracted to .wav with EAC V0.9 Beta 4 using combined read/write offset (See EAC Logs)
Converted to .shn with mkwACT 0.96f |
09/21/96
|
Maple Leaf Gardens |
Toronto |
ON |
FLAC |
2 |
SV004: Sony TCD-D7 |
Source: Countryman Isomax II > Sony TCD-D7 (on 10' micstand just behind soundboard) > dat > cdr > dEQ > cdr > flac |
09/22/96
|
John F. Savage Hall |
Toledo |
OH |
FLAC |
1 |
SV058: Sony TCD-D7 |
Source: Countryman Isomax II > Sony TCD-D7 > dat (last song is Sony ECM-909a > Sony TCD-D7 > dat) > cdr > flac |
09/24/96
|
Merriweather Post Pavilion |
Columbia |
MD |
FLAC |
1 |
Sony TCD-D10 Pro-II |
Source: AMS 250 > TCD-D10 ProII > DAT > CDR > EQ > CDR > FLAC |
09/24/96
|
Merriweather Post Pavilion |
Columbia |
MD |
FLAC |
1 |
Sony TCD-D8 |
Source: Schoeps MK4 caps -> Schoeps pre-amp (48v p/s) -> Sony TCD-D8 (24th row)
Generation: DAT(c) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
09/26/96
|
Civic Center |
Augusta |
ME |
FLAC |
1 |
Sony TCD-D10 Pro-II |
Source: Nakamichi 300 Shotgun (x2) + Audio Technica 822 (x2) > Mixer > Sony D10proII > Denon DTR-80P
Lineage: DATm > DAT1 > WAV > FLAC
Transfer: DA-20 > Audiophile2496 > Audacity > CDWave > xACT |
09/26/96
|
Civic Center |
Augusta |
ME |
FLAC |
1 |
Sony WM-D3 |
Source: Sennheiser 441 -> Sony WM-D3 -> Sony TCD-D7
Lineage: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC |
09/28/96
|
Downing Stadium (Randall's Island) |
New York |
NY |
FLAC |
1 |
Sony TCD-D8 |
Source: Sony ECM-144 > Sony TCD-D8 > DAT > CDR > FLAC
CD>WAV>FLAC by BLG |
09/29/96
|
Downing Stadium (Randall's Island) |
New York |
NY |
SHN |
2 |
Sony TCD-D8 |
Source: Sony ECM-909 > D8 > unknown DAT > CDR > EQ > CDR >
(Mic Taped to 15’ stand) Remastered > CDR > mkw ACT > .shn |
10/01/96
|
Marine Midland Arena |
Buffalo |
NY |
SHN |
2 |
Sony TCD-D10 Pro-II |
Source: Schoeps MK4/CMC6>Sonosax pre-amp>D10 II>DAT>CDR>.wav>EQ>SHN (mics on 8' stand) |
10/02/96
|
Meadows Music Theatre |
Hartford |
CT |
SHN |
2 |
Soundboard |
Source: SBD->DAT (1st gen clone) @ 44.1 kHz
Transfer: Tascam DA-20 mkII->Tascam HD-P2->Soundforge 6.0->CD Wave->mkwAct->.shn |
10/02/96
|
Meadows Music Theatre |
Hartford |
CT |
SHN |
2 |
SV032: 2 Source Mix |
Source: [ALD > DAT > bootleg CD > CDR1 > .WAV > dEdit] + [Sonic Studios > Sony TCD-D7 > DAT1 > .WAV > dEdit] > SHN |
10/04/96
|
Memorial Stadium |
Charlotte |
NC |
FLAC |
2 |
SV017: Sony TCD-D7 |
Source: Countryman Isomax II > Sony TCD-D7 > dat > cdr > dEdit > dEQ > cdr > shn > flac |
10/05/96
|
North Charleston Coliseum |
Charleston |
SC |
FLAC |
2 |
Sony TCD-D7 |
Source: Countryman Isomax II > Sony TCD-D7 > CDR > dEQ > CDR > SHN > WAV > FLAC |
10/07/96
|
Ft. Lauderdale Baseball Stadium |
Fort Lauderdale |
FL |
FLAC |
2 |
Denon DTR-80p |
Source: Sonic Studios (DSM-6P) > Denon DTR-80p > DAT-M 48khz
Location: approx 50' left stack
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 > CDWave > FLAC |
10/19/96
|
Shoreline Amphitheatre |
Mountain View |
CA |
SHN |
1 |
2 Source Mix |
Source: Mix of Schoeps CMC64 > Aerco pre-amp > D7 > dED and PRO-SHOT video w/SBD audio (gen ?) > dED |
10/20/96
|
Shoreline Amphitheatre |
Mountain View |
CA |
SHN |
1 |
Sony TCD-D10 Pro II |
Schoeps CMC-441's > Lunatec V2 > Sony TCD-D10 Pro II > DATC? > CDR1 > EAC > SHN > WAV > dED > SHN |
10/24/96
|
Millstreet Arena |
Cork |
Ireland |
FLAC |
1 |
Sony TCD-D7 |
Source: Core Sound Binaurals -> Sony TCD-D7
Lineage: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC |
10/26/96
|
The Point Theatre |
Dublin |
Ireland |
FLAC |
1 |
Sony TCD-D8 |
Source: CSB > D8 > DAT > CDR > EQ > CDR > FLAC |
10/28/96
|
Wembley Arena |
London |
UK |
FLAC |
2 |
Sony TCD-D8 |
Source : Core Sounds > Sony TCD-D8
Mastering : DAT > BBE 462 Sonic Maximizer > DOD 32 Band EQ > Sony 2000ES DAT > Marantz CDR > CD-R
Conversion: CD-R > Plextor PlexWriter 12/4/32S > EAC* > flac 1.1.0 (Logs Included) |
10/29/96
|
Wembley Arena |
London |
UK |
FLAC |
2 |
Sony TCD-D7 |
Source: Countryman Isomax II > Sony TCD-D7 > CD-R > EAC > FLAC |
11/01/96
|
Torwar |
Warsaw |
Poland |
FLAC |
1 |
Sony TCD-D7 |
Source: Core Sound Binaurals -> Sony TCD-D7
Generation: DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
11/03/96
|
Deutschlandhalle |
Berlin |
Germany |
FLAC |
4 |
SV050: 98Rock Tampa Promo CD |
Show Source: 98Rock Tampa Promo CD > CDR > dEdit > FLAC (cuts in Promo CD patched with pre-FM (satellite) > DAT-M > DAT2WAV)
Aftershow Source: Pre-FM SBD > Promo CD > CDR > dEdit > FLAC |
11/03/96
|
Radio Fritz [Post Show DJ Set] |
Berlin |
Germany |
FLAC |
1 |
|
|
11/03/96
|
Deutschlandhalle |
Berlin |
Germany |
FLAC |
2 |
FM Broadcast |
Lineage: KRO Radio broadcast > JVC VHS video recorder > Audigy Soundblaster > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) |
11/04/96
|
Sporthalle |
Hamburg |
Germany |
SHN |
2 |
2 Source Mix |
Source: [unknown mic > unknown DAT(promo cd?) > CDR > dEdit] + [Countryman Isomax II > Sony TCD-D7 > DAT > CDR > dEdit] > SHN |
11/06/96
|
RAI Parkhal |
Amsterdam |
Netherlands |
SHN |
2 |
Sony TCD-D7 |
Source: CMI II > D7 > DAT > .wav > .shn
DAT > .wav > .shn: Meghan House (mehouse1@yahoo.com)
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (48kHz > 44.1 kHz, fade in/out) > CDWAVE > mkwACT |
11/09/96
|
Hallenstadion |
Zürich |
Switzerland |
SHN |
1 |
Sony TCD-D8 |
Source: Core Sounds > Sony TCD-D8 > CDR |
11/13/96
|
Forum |
Milan |
Italy |
SHN |
1 |
Sony TCD-D7 |
Source : Countryman Isomax II > Sony TCD-D7 > 2 CD-R > EAC V0.9b4 > WAV > mkwact > shn |
11/15/96
|
Sports Hall |
Prague |
Czech Republic |
FLAC |
1 |
Sony Professional WM-D3 |
Lineage: Aiwa microphone CM-30a > Sony Professional WM-D3 > Tape > Audigy Soundblaster > HD > SoundForge 7.0 > CD Wave >
FLAC Frontend (level 6) |
11/15/96
|
Sports Hall |
Prague |
Czech Republic |
SHN |
1 |
Sony TCD-D7 |
Source: CSB? > D7 > DAT > .wav > .shn
DAT > .wav > .shn: Meghan House (mehouse1@yahoo.com)
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CEP (48kHz > 44.1 kHz, fade in/out) > CDWAVE > mkwACT |
11/17/96
|
Sports Hall [Soundcheck] |
Budapest |
Hungary |
FLAC |
1 |
Aiwa Walkman |
SOUNDCHECK
Source: Aiwa mic -> Aiwa Walkman
Generation: ANA(1) -> DAT(M) 32khz -> FLAC |
11/17/96
|
Sports Hall |
Budapest |
Hungary |
FLAC |
2 |
Sony Walkman |
Source: BIC mic -> Sony Walkman (inside sound cage)
Generation: ANA(1) -> DAT(M) 32khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 (resample to 44.1) -> CDWave -> FLAC |
11/19/96
|
World Trade Center |
Istanbul |
Turkey |
FLAC |
1 |
Sony Walkman |
Source: BIC mic -> Sony Walkman (inside sound cage)
Generation: ANA(1) -> DAT(M) 32khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 (resample to 44.1) -> CDWave -> FLAC
|
11/21/96
|
Sports Palace |
Barcelona |
Spain |
SHN |
2 |
Sony TCD-D7 DAT |
Re-master:Countryman Isomax II (hypercardioid) > Sony TCD-D7 DAT
Mastering : Sony D7 DAT > BBE 462 Sonic Maximizer > DOD 32 Band EQ > Sony 2000ES DAT > Marantz CDR > CD-R
Conversion: CD-R > Plextor PlexWriter 12/4/32S > EAC > shorten32 (Logs Included) |
11/21/96
|
Sports Palace |
Barcelona |
Spain |
FLAC |
1 |
Sony TCD-D7 |
Source: Countryman Isomax II (hypercardioid) -> Sony TCD-D7 (~5' from left PA)
Lineage: D7 -> DAT(M) -> BBE 462 Sonic Mazimizer -> DOD 32 Band EQ -> Sony DTC-2000ES -> DAT(c) 48khz
DAT>FLAC Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC |
11/21/96
|
Sports Palace [Soundcheck] |
Barcelona |
Spain |
SHN |
1 |
sony TCD-D8 |
Source: Marc Sounds > sony TCD-D8 |
11/24/96
|
Dramatico |
Cascais |
Portugal |
FLAC |
1 |
Sony TCD-D7 |
Source: Sonic Studios -> Sony TCD-D7 (diginoise patched w/CSB->D7->DAT->CDR->FLAC)
Generation: DAT-M -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC frontend -> FLAC -> FLAC frontend -> WAV -> CEP 2.0 (44.1 resample, dEQ, fades, edits) -> CD Wave -> FLAC frontend -> FLAC |
11/25/96
|
Dramatico |
Cascais |
Portugal |
CDR |
2 |
|
|
11/25/96
|
Dramatico |
Cascais |
Portugal |
SVCD |
2 |
|
|
11/12/97
|
Catalyst |
Santa Cruz |
CA |
FLAC |
1 |
Sony TCD-D100 |
Source: Schoeps CCM4s -> Aerco -> Sony TCD-D100
Lineage: DAT(c) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
11/14/97
|
Oakland-Alameda County Stadium |
Oakland |
CA |
VCD |
1 |
|
|
11/14/97
|
Oakland-Alameda County Stadium |
Oakland |
CA |
SHN |
1 |
Sony TCD-D100 |
Source: Schoeps CCM-4 > Sonosax pre-amp > Sony TCD-D100 > dEQ > CD-R |
11/15/97
|
Oakland-Alameda County Stadium |
Oakland |
CA |
FLAC |
1 |
Unknown AUD DAT |
Schoeps>DAT>CDR>EAC>FLAC |
11/18/97
|
Oakland-Alameda County Stadium |
Oakland |
CA |
SHN |
1 |
Sony TCD-D100 |
Source: Schoeps CCM-4 > Sonosax pre-amp > Sony TCD-D100 > DAT > CD-R |
11/19/97
|
Oakland-Alameda County Stadium |
Oakland |
CA |
FLAC |
1 |
Sony TCD-D8 |
Source: Sonic Studios (DSM6) -> SBM-1 -> Sony TCD-D8
Generation: DAT(M) -> DAT(c) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC frontend -> FLAC |
01/31/98
|
Monkeywrench Radio |
Seattle |
WA |
FLAC |
1 |
Pre-FM Soundboard |
Source: PreFM > ??? > cdr > shn > wav > flac |
02/20/98
|
Alexander M. Baldwin Amphitheatre |
Maui |
HI |
SHN |
2 |
2-source mix |
Source: 2-source mix: [Sennheiser MKE2002 > Sony TCD-D8 > dat-1 > shn] + [Nakamichi 300 (shotguns) > unknown pre-amp > Sony TCD-D7 > dEQ > CDR] > dEQ > shn > flac > EAC > shn |
02/20/98
|
Alexander M. Baldwin Amphitheatre [Soundcheck] |
Maui |
HI |
SHN |
1 |
Sony TCD-D8 |
Sound check Source: Marc Sounds > Sony TCD-D8 > dat > cdr > flac > cdr > EAC > shn |
02/20/98
|
Alexander M. Baldwin Amphitheatre |
Maui |
HI |
FLAC |
2 |
SV027: 2 Source Mix |
Source: 2-source mix: [Sennheiser MKE2002 > Sony TCD-D8 > dat-1 > shn] + [Nakamichi 300 (shotguns) > unknown pre-amp > Sony TCD-D7 > dEQ > CDR] > dEQ > shn > flac
Soundcheck Source: Marc Sounds > Sony TCD-D8 > dat > cdr > flac |
02/21/98
|
Alexander M. Baldwin Amphitheatre |
Maui |
HI |
FLAC |
1 |
Sony TCD-D8 |
Source: Sennheiser MKE-2002 > D8 (DAT Master)
Transfer: Tascam DA-20 mkII>HDP2>CD Wave>Flac Frontend>.flac |
03/02/98
|
Melbourne Park |
Melbourne |
Australia |
FLAC |
2 |
Sony TCD-D100 |
Source: Countryman Isomax II -> Sony TCD-D100 (2' from stage/stacks, front barricade, left side)
Generation: DAT(M) -> DAT(1) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
03/03/98
|
Melbourne Park |
Melbourne |
Australia |
FLAC |
1 |
Sont TCD-D100 |
Source: Countryman Isomax II > D100 > DAT > CDR |
03/05/98
|
Melbourne Park |
Melbourne |
Australia |
FLAC |
2 |
Pre-FM Soundboard |
preFM --> DAT --> CD-R |
03/05/98
|
Melbourne Park |
Melbourne |
Australia |
FLAC |
2 |
SV042: Sony Music Australian promo |
Source: Sony Music Australian promo > cdr > dEdit > cdr (first 1.5 minutes from webcast > dat > cdr) > flac |
03/07/98
|
Thebarton Oval |
Adelaide |
Australia |
FLAC |
1 |
Sony TCD-D7 |
Source: Core Sound Binaurals -> Sony TCD-D7 (FOB, to the side)
Generation: DAT(M) -> DAT(1) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0
(resample to 44.1) -> CDWave -> FLAC |
03/09/98
|
Entertainment Centre |
Sydney |
Australia |
FLAC |
1 |
Sony TCD-D8 |
Source : Core Sounds Binaurals > Sony TCD-D8 > DAT > CD-R
Conversion: CD-R > Plextor PlexWriter 12/4/32S > EAC* > flac 1.1.0 |
03/11/98
|
Entertainment Centre |
Sydney |
Australia |
FLAC |
1 |
SV009: Sony TCD-D100 |
Source: Countryman Isomax II > Sony TCD-D100 > dat > dEdit > cdr > flac |
03/12/98
|
Entertainment Centre |
Sydney |
Australia |
FLAC |
1 |
Sony TCD D-100 |
Countryman Isomax II's > TCD D-100 > FLAC |
03/12/98
|
Entertainment Centre |
Sydney |
Australia |
FLAC |
1 |
Sony TCD D-100 |
Countryman Isomax II's > TCD D-100 > FLAC |
03/15/98
|
Entertainment Centre |
Brisbane |
Australia |
FLAC |
2 |
Unknown AUD |
Source: ?? > cass > DAT-M
Transfer: DAT-M > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0 (32KHz -> 44.1KHz, Fade In/Out) > dEQ > CDWav > FLAC |
03/19/98
|
Perth Entertainment Centre |
Perth |
Australia |
SHN |
1 |
Sony TCD-D100 |
Source: Core Sounds > Sony TCD-D100 > CD-R |
05/07/98
|
ARO.space |
Seattle |
WA |
FLAC |
1 |
Panasonic walkman |
Source: BIC mic -> Panasonic walkman
Generation: ANA(1) -> DAT-M 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 (resample to 44.1) -> CDWave -> FLAC frontend -> FLAC |
06/14/98
|
Robert F. Kennedy Stadium |
Washington |
DC |
SHN |
1 |
Sony TCD-D7 |
Source: AKG 451 > AMSBPR2 > TCD-D7 > dEQ > CDR
Transfer: CDR > PlexWriter 12/4/32S > EAC > SHN |
06/20/98
|
Washington-Grizzly Stadium, Univ. of Montana |
Missoula |
MT |
FLAC |
1 |
Sony TCD-D8 |
Source: AKG460+CK63 > BeyerMV100 > D8 > CDR > CDR
Conversion: CD-R > Lite-On Combo LTC-48161H > EAC > flac 1.1.0 |
06/21/98
|
The Canyons |
Park City |
UT |
FLAC |
1 |
2 source mix |
2 source mix: [Schoeps MK5(card) -> Rmod -> SBM-1 -> Sony TCD-D7 -> DAT (2nd row right)] + [Nakamichi CM700 -> Sony TCD-D8 -> DAT (2nd row left)] => mixed via Pro-Tools => DAT(c)
Lineage: DAT(c) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
06/23/98
|
Fiddlers Green |
Englewood |
CO |
FLAC |
2 |
2 source mix |
2 source mix: [Schoeps MK5(card) -> Rmod -> SBM-1 -> Sony TCD-D7 -> DAT] + [Nakamichi CM700 -> Sony TCD-D8 -> DAT] => mixed via Pro-Tools => DAT(c)
Lineage: DAT(c) 44khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
06/24/98
|
Rushmore Civic Center Arena |
Rapid City |
SD |
FLAC |
1 |
Sony WM-D6 |
Source: Sony ECM-MS907 -> Sony WM-D6
Generation: ANA(M) -> DAT(c) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
06/26/98
|
Alpine Valley Music Theatre |
East Troy |
WI |
SHN |
2 |
Sony PCM-M1 |
Source: AKG SE 300b's > Crown PH-1 > Sony PCM-M1 (11th row, left)
CD > WAV > SHN: Rick Bendes (rarepj@hotmail.com, http://pearljam.simplenet.com)
Equipment: Sony CDU571-Q 16X IDE > Easy CD Creator > MKW Audio Compression Tool Kit |
06/26/98
|
Alpine Valley Music Theatre |
East Troy |
WI |
FLAC |
1 |
SV029: 2-source mix |
Source: 2-source mix: [Shure SM-98 > Sony TCD-D7 (Sec.102, row F, seat 124) > dat > cdr] + [Sonic Studios (DSM6L) > PA-6LC3 > Sony TCD-D8 > dat > cdr] > dEQ > flac > dEdit > flac |
06/27/98
|
Alpine Valley Music Theatre |
East Troy |
WI |
FLAC |
1 |
|
|
06/27/98
|
Alpine Valley Music Theatre |
East Troy |
WI |
FLAC |
2 |
SV025: 2-source mix |
source: 2-source mix: [AKG 393b's > Crown PH-1 > M1 (sec. 212, row 14) > dat-m > dEQ > cdr] +
[Sonic Studios (DSM-6) > Sony TCD-D7 (lawn stacks) > dat > cdr] > dEQ > shn > flac |
06/29/98
|
United Center |
Chicago |
IL |
FLAC |
2 |
SV007: Sony PCM-M1 |
Source: AKG 391b & CK63 (hyper) > Sony SBM-1 > Sony PCM-M1 (Sec.112, row 11) > dEQ > cdr > flac |
06/29/98
|
United Center |
Chicago |
IL |
FLAC |
2 |
Sony TCD-D7 |
Source: Shure SM-98 -> 94A1670 -> Sony TCD-D7 (Sec. 4, row 4, seat 7)
Generation: DAT-M -> DAT-1 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 (resample to 44.1) -> CDWave -> FLAC frontend -> FLAC |
06/30/98
|
Target Center |
Minneapolis |
MN |
FLAC |
2 |
SV006: Sony PCM-M1 |
Source: AKG 391b + CK63 (hyper) > Sony SBM-1 > Sony PCM-M1 (Sec. 111, Row 4) > dEQ > cdr > flac |
07/02/98
|
Riverport Amphitheatre |
Maryland Heights |
MO |
FLAC |
2 |
3 Source DTS Mix |
Source Info
SBD
Mono SBD (ALD) > SBM-1 > TCD-D8 > DAT(M) > FLAC
AUD1
Schoeps CCM-4 > Aerco > SBM-1 > D100 > DAT1 > FLAC
Location: Recorded 20th Row Center
AUD2
AKG460b + ck8 (shotgun) > EAA-PSP3 > DTR-80P >
D7 > DAT1 > FLAC
Location: Recorded 33rd Row Center |
07/02/98
|
Riverport Amphitheatre |
Maryland Heights |
MO |
FLAC |
2 |
SV065: 3 Source Mix |
3-source matrix:
[SBD (mono) -> ALD -> SBM-1 -> D8 -> DAT(M) -> FLAC -> .wav] +
[Schoeps CCM4s -> Aerco -> SBM-1 -> D100 (20th row center) -> DAT(1) -> FLAC -> .wav] +
[AKG460b + ck8 (shotgun) -> EAA-PSP3 -> DTR-80P -> D7 (33rd row center) -> DAT(1) -> FLAC -> .wav -> dEQ]
=> FLAC
DAT>FLAC transfers: DA20mkII -> Audiophile 2496 -> Soundforge -> FLAC frontend -> .flac |
07/02/98
|
Riverport Amphitheatre |
Maryland Heights |
MO |
FLAC |
2 |
2 Source Mix |
Source Info: [SchoepsCCM4 > aerco > SBM1 > D100]+[um>ur]> EQ > CDR > FLAC |
07/03/98
|
Sandstone Amphitheatre |
Bonner Springs |
KS |
FLAC |
1 |
SV064: Sony TCD-D100 |
Source: Schoeps CCM-4 > Aerco pre-amp > Sony SBM-1 > Sony TCD-D100 (16th row, right/center) > dat > cdr > dEdit > dEQ > flac |
07/05/98
|
Reunion Arena |
Dallas |
TX |
FLAC |
2 |
Sony TCD-D8 |
Source: CSC > Sony TCD-D8 > DAT (24th Row, Left)
Transfer: DAT-C > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion/Editing: WAV > Adobe Audition 1.0 (48KHz -> 44.1KHz, Fade In/Out, Clap Removal) > CDWav > FLAC |
07/07/98
|
Tingley Coliseum |
Albuquerque |
NM |
FLAC |
1 |
Sony WM-D6 |
Source: Sonic Studios (DSM6) -> PA-6LC -> Sony WM-D6 (approx 50' from left PA)
Generation: ANA(1) -> DAT(M) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 (resample to 44.1) -> CDWave -> FLAC frontend -> FLAC |
07/08/98
|
Veterans Coliseum |
Phoenix |
AZ |
FLAC |
1 |
Sony TCD-D8 |
Source: AKG 460b+ck63 -> Beyer MV-100 -> Sony TCD-D8
Generation: DAT(2) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC |
07/10/98
|
Cox Arena |
San Diego |
CA |
FLAC |
2 |
Sony TCD-D8 |
Source: AKG460b + CK63 > Beyer pre-amp > Sony TCD-D8 > DAT (4th Row, right)
Transfer: DAT-C > Archive Python DDS Drive > DAT2WAV 1.2 > WAV
Conversion: WAV > Adobe Audition 1.0 (48KHz -> 44.1KHz, Fade In/Out) > CDWav > FLAC |
07/10/98
|
Cox Arena |
San Diego |
CA |
FLAC |
2 |
2 source mix |
2 source mix:
[Schoeps CCM4->Aerco->SBM-1->Sony TCD-D8 (right lower lodge, FOB)->DAT(1)->CDR(1)->FLAC->.wav] +
[Schoeps MK5(card)->R-mod->SBM-1->Sony TCD-D8 (right lower lodge, FOB)->DAT(M)->CDR(2)->FLAC->.wav] => FLAC |
07/11/98
|
Thomas & Mack Center |
Las Vegas |
NV |
FLAC |
1 |
Sony TCD-D100 |
Source: Sonic Studios [DSM6] > Sony TCD-D100 [center, just FOB] > DAT > CDR
Conversion: CD-R > Lite-On Combo LTC-48161H > EAC > flac |
07/13/98
|
The Forum |
Inglewood |
CA |
FLAC |
1 |
Assisted Listening Device |
Source: ALD > Unknown DAT
Transfer: Unknown DAT -> Unknown Transfer to CD -> EAC -> FLAC Frontend > .flac |
07/13/98
|
The Forum |
Inglewood |
CA |
FLAC |
1 |
2 Source Mix |
Source: [ALD->DAT] + [AKG 460b+ck63->Beyer MV-100->D8->DAT(c)48khz] -> FLAC
Transfer (AKG): DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
07/14/98
|
The Forum |
Inglewood |
CA |
FLAC |
1 |
Assisted Listening Device |
Source: ALD > Unknown DAT
Transfer: Unknown DAT -> Unknown Transfer to CD -> EAC -> FLAC Frontend > .flac |
07/14/98
|
The Forum |
Inglewood |
CA |
FLAC |
1 |
2 Source Mix |
Source: [ALD->DAT] + [AKG 460b+ck63->Beyer MV-100->D8(6th row, left)->DAT(3)48khz] => FLAC
Transfer (AKG): DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 |
07/16/98
|
Arco Arena |
Sacramento |
CA |
SHN |
1 |
2 Source Mix |
Source: Mix of Schoeps CCM4 > Aerco > D100 + Schoeps MK4 > VMS02IB > SBM-1 > D8
Conversion: Master DATs > AMIII > ProTools > CDR (1st burn) > Toast Audio Extractor(double-extracted, verified bit identical)>.shn |
07/18/98
|
Rose Garden Arena |
Portland |
OR |
FLAC |
1 |
2 Source Mix |
source: [Nak700 > DTR80P] + [SBD (mono) > ALD > DAT] => CDR
lineage: CDR > CDR > .flac
cdr>.flac transfer: EAC > FLAC frontend > .flac |
07/18/98
|
Rose Garden Arena |
Portland |
OR |
FLAC |
1 |
Denon DTR-80p |
Source: Nakamichi CM700 -> Denon DTR-80p (11th row)
Generation: DAT(M) -> DAT(2) 44.1khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 -> (resample to 44.1) -> CDWave -> FLAC |
07/19/98
|
Pacific Coliseum |
Vancouver |
BC |
SHN |
2 |
Sony MZ-E30 Minidisc |
Source: Sony ECM-737 > Sony MZ-E30 Minidisc > MD > DAT > .wav > .shn
DAT > .wav > .shn: Meghan House (mehouse1@yahoo.com)
Equipment: Archive-Python DDS DAT Drive > DAT2WAV > CDWAVE > CEP (fade in/out) > mkwACT |
07/21/98
|
Memorial Stadium |
Seattle |
WA |
SHN |
2 |
2 Source Mix |
Source: [Schoeps CCM-4 > Aerco > SBM-1 > Sony TCD-D100] + [Nakamichi 700 > Denon DTR-80p] > CDR > SHN
CD>WAV>SHN by BLG |
07/22/98
|
Memorial Stadium |
Seattle |
WA |
FLAC |
2 |
SV022: dSBD |
Source: dSBD > dat > cdr > dEdit > cdr > shn > flac |
08/17/98
|
Deer Creek Music Center |
Noblesville |
IN |
FLAC |
1 |
Sony TCD-D100 |
Source: MarcSounds > Sony TCD-D100 (FOB 7th row center)
Generation: DAT(M) 48kHz > FLAC
Transfer: Sony PCM-R300 > ZNP6 > CEPv2.1 @ 48 kHz (fades, resample, normalize) > CDWave > FLAC8 |
08/18/98
|
Breslin Student Events Center |
East Lansing |
MI |
FLAC |
1 |
Sony PCM-M1 |
Source: Core Sound (mod.box) > PCM-M1 (11th row floor, center)
Lineage: DAT(M) 48khz -> DATC -> SoundForge 6.0 (Resampling) -> FLAC
Transfer: PCM-M1 -> 7pin-to-coax -> DiO 2496 -> EAC -> FLAC
Transfer: DAT Master -> DAT -> CD -> EAC -> FLAC Frontend > .flac |
08/20/98
|
Molson Centre |
Montreal |
QC |
SHN |
2 |
2 Source Mix |
Source: Mix: [CSC > SBM1 > D8]+[SankinCOS-11 > D8] > CDR
extracted to .wav via EAC V0.9 beta converted to .shn via mkwACT .97f |
08/22/98
|
Molson Park |
Barrie |
ON |
SHN |
1 |
2 Source Mix |
Source: [Sonic Studios(DSM-13)>Sony PCM1]+[CSB>Sony TCD-D8] > cdr
WAV>SHN: Toshiba SD-M1502 > EAC09 > mkw |
08/23/98
|
Palace Of Auburn Hills |
Auburn Hills |
MI |
FLAC |
1 |
Casio DAR-100 |
Neumann KM140's>Aerco>Casio DAR-100
Transfer: Clone1 played back in Sony TCD-D10PROII>Edirol R-4>CDWAV>FLAC |
08/26/98
|
Blossom Music Center |
Cuyahoga Falls |
OH |
FLAC |
2 |
SV034: 2-source mix |
Source: 2-source mix: [Schoeps CMC6 + MK4 > Sonosax pre-amp > Sony SBM-1 > Sony TCD-D8 (first song: Sonic Studios DSM13 > PA-6LC > Sony PCM-M1)] + [unknown source] > cdr > flac
Soundcheck Source: Sonic Studios DSM13 > PA-6LC > Sony PCM-M1 > cdr > flac |
08/28/98
|
Blockbuster Music Entertainment Centre |
Camden |
NJ |
SHN |
1 |
Sony TCD-D100 |
Source : Sonic Studios (DSM6) > PA-6LC > Sony TCD-D100 (Sec.104, row Z) > 2cd-r |
08/29/98
|
Blockbuster Music Entertainment Centre |
Camden |
NJ |
SHN |
2 |
2 Source Mix |
Source : [Schoeps MK4 > VMS02IB > SBM1 > TCD-D100 > DAT > CDR] + [Sonic Studios DSM6 > PA-6LC > TCD-D100 > DAT > CDR] > CD Wave > shorten32 > SHN |
08/31/98
|
Walnut Creek Amphitheater |
Raleigh |
NC |
SHN |
2 |
Sony TCD-D7 |
Source : Oade mini mics > Sony TCD-D7 (FOB) > CDR > WAV > SHN |
09/01/98
|
Lakewood Amphitheater |
Atlanta |
GA |
FLAC |
2 |
SV026: 2 Source Mix |
Source: 2-source mix: [AKG 414TLII > Oade M248 pre-amp > Sony SBM-1 > Sony TCD-D8 > dat > cdr > dEdit > cdr] + [Sonic Studios > Sony TCD-D7 > dat > cdr] > dEQ > shn > flac |
09/03/98
|
Birmingham-Jefferson Civic Center |
Birmingham |
AL |
FLAC |
1 |
Sony TCD-D100 |
Source: Neumann KM184s -> Aerco pre-amp -> Sony TCD-D100 (8th row)
Lineage: master DAT 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave |
09/03/98
|
Birmingham-Jefferson Civic Center |
Birmingham |
AL |
FLAC |
1 |
SV057: Sony TCD-D100 |
Source: Sonic Studios (DSM6) > Sony TCD-D100 > DAT1 48khz
Location: 2nd row, right side
Transfer: DA-20 > Monster coax > DiO 2496 > Soundforge 6.0 (resample to 44.1) > CDWave > FLAC |
09/04/98
|
Bi-Lo Center |
Greenville |
SC |
FLAC |
1 |
SV005: Sony TCD-D8 |
Source:Neumann KM-184 > Aerco pre-amp > Sony TCD-D8 (FOB) > dEdit > cdr > flac |
09/06/98
|
Thompson-Boiling Arena |
Knoxville |
TN |
FLAC |
1 |
Sony TCD-D100 |
Source: Sonic Studios (DSM-6S) -> PA-6LC -> Sony TCD-D100
Generation: DAT-M -> DAT(c) 48khz -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 (resample to 44.1) -> CDWave -> FLAC frontend -> FLAC |
09/07/98
|
GTE Virginia Beach Amphitheatre |
Virginia Beach |
VA |
FLAC |
1 |
Unknown AUD DAT |
Source: Sonic Studios -> DAT
Lineage: DAT(c) 48khz -> FLAC
Transfer DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> CDWave -> FLAC |
09/08/98
|
Continental Airlines Arena |
East Rutherford |
NJ |
SHN |
1 |
Sony TCD-D7 |
Source : AKG 300b > Aerco pre-amp > Sony TCD-D7 (17th row, center) > 2cd-r |
09/10/98
|
Madison Square Garden |
New York |
NY |
SHN |
1 |
2 Source Mix |
Source: Mix: [Schoeps MK5 > R-Mod > SBM-1 > M1] + [AKG300b > Aerco > D7] > CDR > .shn |
09/11/98
|
Madison Square Garden |
New York |
NY |
DVD |
2 |
|
|
09/11/98
|
Madison Square Garden |
New York |
NY |
FLAC |
2 |
SV011: 2-source mix |
Source: 2-source mix: [Schoeps MK5 (cardioid) > R-Mod > Sony SBM-1 > Sony PCM-M1 (right risers) > dat] + [Core Sound Cardioid > Sony TCD-D7 > dat] > cdr > dEdit > dEQ > flac |
09/13/98
|
Meadows Music Theatre |
Hartford |
CT |
FLAC |
1 |
SV001: 2-source mix |
source: 2-source mix: [Core Sound Cardioid > Sony TCD-D7 (dead center, directly behind soundboard)] + [AKG 451 > AMR-BPS2 > Sony TCD-D8 (mics on 7’ stand)] > dEdit > cdr > flac |
09/13/98
|
Meadows Music Theatre |
Hartford |
CT |
SHN |
1 |
2 Source Mix |
source: [AKG451>AMR-BPS2>D8>DAT>.wav>EQ]+[CSC>D7>DAT>CDR>.wav>EQ]>dED
2 cuts in AKG filled with [AT822>D8>DAT>CDR>.wav>EQ] |
09/15/98
|
Great Woods Center for the Performing Arts |
Mansfield |
MA |
SHN |
1 |
2 Source Mix |
Source: [AKG 300b > Aerco pre-amp > Sony TCD-D7 (sec 4, row J) > DAT > CDR] + [Sony ECM-717 > Sony TCD-D8 (sec 2, row R) > DAT > CDR] > SHN
|
09/16/98
|
Great Woods Center for the Performing Arts |
Mansfield |
MA |
FLAC |
2 |
SV013: 2-source mix |
Source: 2-source mix: [soundboard > in-house ALD (mono) > ? > dat > cdr] + [Sonic Studios > Sony TCD-D7 (Sec.1, Row AA) > dat > cdr] > cdr > flac |
09/18/98
|
Merriweather Post Pavilion |
Columbia |
MD |
SHN |
1 |
2 Source Mix |
Source: [Countryman Isomax II > Sony PCM-M1 (row U, left) > DAT > CDR (remastered by taper)] + [Sonic Studios (DSM6S) > PA-6LC > Sony TCD-D100 (row R, center) > DAT > CDR > dEQ] > dEQ > SHN |
09/19/98
|
Constitution Hall [Voters for Choice] |
Washington |
DC |
FLAC |
2 |
SV019: Sony TCD-D100 |
Source: Sonic Studios(DSM6) > Sony TCD-D100 (2nd row) > dat > cdr > dEQ > cdr ["Patriot" pre-show, Gloria speech, and first 1.2 songs are Countryman Isomax II > Sony PCM-M1 (Sec.F, row D) > dat > cdr > dEQ > cdr] > flac |
09/22/98
|
Coral Sky Amphitheatre |
West Palm Beach |
FL |
FLAC |
1 |
Sony TCD-D100 |
Source: Neumann KM184s -> Aerco pre-amp -> Sony TCD-D100 (9th row, right)
Lingeage: master DAT 48khz -> dEQ -> FLAC
Transfer: DA-20 -> Monster coax -> DiO 2496 -> SF 6.0 -> CDWave -> FLAC |
09/22/98
|
Coral Sky Amphitheatre |
West Palm Beach |
FL |
FLAC |
2 |
SV049: Sony TCD-D7 |
Source: Sonic Studios (DSM-6P) > Sony TCD-D7 (9th row, right side) > DAT-M 48khz
Transfer: Master DAT > Tascam DA-20 > Monster coax > DIO 2496 > CEP 2.1 (dEdit, dEQ, resample to 44.1) > CDWave > FLAC |
09/23/98
|
Coral Sky Amphitheatre |
West Palm Beach |
FL |
FLAC |
2 |
SV012: Sharp MD-MS702 minidisk |
source: Core Sound Cardioid > Sharp MD-MS702 minidisk (Sec. 2, Row Q) > cdr > dEQ > cdr > flac (small cut patched in with Neumann KM-184 > Aerco pre-amp > Sony TCD-D8 (20th row, far right) > dat > cdr) |
10/10/98
|
Crocodile Cafe |
Seattle |
WA |
FLAC |
1 |
Sony TCD-D100 |
Source: Marcsounds > Sony D100 > DAT-C > DA-20 > Monster coax > Nomad Jukebox 3 (coax mod) > CD Wave 1.95.1 > flac |
10/30/99
|
Shoreline Amphitheatre |
Mountain View |
CA |
FLAC |
1 |
Soundboard |
SDB >??? satelite uplink intercept>???>CDR>eac> flac |
10/30/99
|
Shoreline Amphitheatre |
Mountain View |
CA |
SHN |
1 |
2 Source Mix |
Source: [PRO-SHOT video] + [Schoeps > DAT] > CDR
Transfer: CDR > EAC > Plextor PlexWriter 12/4/32(SCSI) > EAC 0.9b3 > shorten32 > SHN |
10/31/99
|
Shoreline Amphitheatre |
Mountain View |
CA |
SHN |
1 |
2 Source Mix |
Source: [PRO-SHOT video] + [Schoeps > DAT] > CDR
Transfer: CDR > EAC > Plextor PlexWriter 12/4/32(SCSI) > EAC 0.9b3 > shorten32 > SHN |
04/12/00
|
Ed Sullivan Theatre [The Late Show] |
New York |
NY |
FLAC |
1 |
TV Broadcast |
Source: TV > ??? > CD-R
Extraction: CD-R > PlexWriter 12/4/32S > EAC > SHN > FLAC |
05/10/00
|
Mount Baker Theatre |
Bellingham |
WA |
SHN |
1 |
Sony TCD-D100 |
Source: DSM6 > D100 > DAT > CDR (Of the Girl from CSB > M1) > .wav > .shn
Extracted to .wav with EAC and converted to .shn with mkwACT |
05/11/00
|
Commodore Ballroom |
Vancouver |
BC |
SHN |
1 |
Sony TCD-D8 |
Source: CSB > TCD-D8 > DAT > CDR > EQ > CDR > .wav > .shn
Extracted to .wav with EAC and converted to .shn with mkwACT |
05/23/00
|
Estadio de Restelo |
Lisbon |
Portugal |
CD |
2 |
01: Official Bootleg |
Official Bootleg |
05/25/00
|
Palau Sant Jordi |
Barcelona |
Spain |
FLAC |
2 |
02: Official Bootleg |
Source: Official release > EAC v0.95 > WAV (logs included)
> FLAC Frontend (level 8) > FLAC |
05/26/00
|
Estadio Anoeta |
San Sebastián |
Spain |
FLAC |
2 |
03: Official Bootleg |
Source: Official Release > EAC v0.95 beta02 (log files included) > WAV > DB PowerAmp > FLAC |
05/29/00
|
Wembley Arena |
London |
UK |
CD |
2 |
04: Official Bootleg |
Official Bootleg |
05/30/00
|
Wembley Arena |
London |
England |
CD |
2 |
05: Official Bootleg |
Official Bootleg |
06/01/00
|
The Point Depot |
Dublin |
Ireland |
CD |
2 |
06: Official Bootleg |
Official Bootleg |
06/03/00
|
Scottish Exhibition and Conference Center |
Glasgow |
Scotland |
FLAC |
2 |
07: Official Bootleg |
Source: Official Release > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC |
06/03/00
|
Scottish Exhibition and Conference Center |
Glasgow |
Scotland |
CD |
2 |
07: Official Bootleg |
Official Bootleg |
06/04/00
|
Manchester Evening News Center |
Manchester |
England |
CD |
2 |
08: Official Bootleg |
Official Bootleg |
06/06/00
|
Cardiff International Arena |
Cardiff |
Wales |
CD |
2 |
09: Official Bootleg |
Official Bootleg |
06/08/00
|
Palais Omnisports de Paris Bercy |
Paris |
France |
CD |
2 |
10: Official Bootleg |
Official Bootleg |
06/08/00
|
Palais Omnisports de Paris Bercy |
Paris |
France |
FLAC |
2 |
10: Official Bootleg |
Source: Silver > EAC > WAV > FLAC |
06/09/00
|
Rock Am Ring Festival |
Köln |
Germany |
FLAC |
2 |
11: Official Bootleg |
Source: Official Bootleg > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC |
06/11/00
|
Rock Im Park Festival |
Nurnberg |
Germany |
FLAC |
2 |
12: Official Bootleg |
Source: official release > EAC v0.95 > wav (log files included) > FLAC Frontend (level 8) > FLAC |
06/11/00
|
Rock Im Park Festival |
Nurnberg |
Germany |
CD |
2 |
12: Official Bootleg |
Official Bootleg |
06/12/00
|
Pinkpop Festival |
Landgraaf |
Netherlands |
FLAC |
2 |
13: Official Bootleg |
Source: Silver > EAC > WAV > FLAC |
06/12/00
|
Pinkpop Festival |
Landgraaf |
Netherlands |
CD |
2 |
13: Official Bootleg |
Official Bootleg |
06/14/00
|
Peagas Arena |
Prague |
Czech Republic |
CD |
2 |
14: Official Bootleg |
Official Bootleg |
06/15/00
|
Spodek |
Katowice |
Poland |
CD |
2 |
15: Official Bootleg |
Official Bootleg |
06/16/00
|
Spodek |
Katowice |
Poland |
FLAC |
2 |
16: Official Bootleg |
SOURCE: Original CD (2000 Tour #16) -> EAC -> WAV -> FLAC (Level 8) |
06/18/00
|
Salzburg City Square |
Salzburg |
Austria |
FLAC |
2 |
17: Official Bootleg |
Source: Official CD Release > WAV (EAC V0.95) > FLAC (FLAC Frontend v.1.7.1) |
06/19/00
|
Hala Tiveli |
Ljubjana |
Slovenia |
FLAC |
2 |
18: Official Bootleg |
SOURCE: Original CD (2000 Tour #18) -> EAC -> WAV -> FLAC (Level 8) |
06/20/00
|
Arena |
Verona |
Italy |
CD |
2 |
19: Official Bootleg |
Official Bootleg |
06/22/00
|
Fila Forum Arena |
Milan |
Italy |
CD |
2 |
20: Official Bootleg |
Official Bootleg |
06/22/00
|
Fila Forum Arena |
Milan |
Italy |
FLAC |
2 |
20: SV040: 2 Source Mix |
Source: 2-source mix: [Official Bootleg #20 (silver)] + [Schoeps MK5 > R-Mod > Sony PCM-M1 (dead center in stands, about 50ft from stage) > dat] > dEQ > flac > dEdit > flac
Matrix Mix and Digital Remastering: ThinAir (January 2004) |
06/23/00
|
Hallenstadion |
Zürich |
Switzerland |
CD |
2 |
21: Official Bootleg |
Official Bootleg |
06/25/00
|
Freiluftbuehne Wuhlheide |
Berlin |
Germany |
FLAC |
2 |
22: Official Bootleg |
SOURCE: Original CD (2000 Tour #22) -> EAC -> WAV -> FLAC (Level 8) |
06/26/00
|
Sporthall |
Hamburg |
Germany |
CD |
2 |
23: Official Bootleg |
Official Bootleg |
06/28/00
|
Naval Museum |
Stockholm |
Sweden |
CD |
2 |
24: Official Bootleg |
Official Bootleg |
06/28/00
|
Naval Museum |
Stockholm |
Sweden |
FLAC |
2 |
24: SV036: Official Bootleg |
Show Source: Official Bootleg #24 (silver) > EAC v0.95pb3 > wav > flac
Ed's Solo Preset Source: Schoeps MK5 (cardioid) > R-Mod > Sony PCM-M1 > dEdit (first 15 seconds mixed with Core Sound Cardioid > Sharp MD-831(master) > dEQ) > cdr > flac |
06/29/00
|
Spektrum |
Oslo |
Norway |
CD |
2 |
25: Official Bootleg |
Official Bootleg |
08/03/00
|
GTE Virginia Beach Amphitheatre |
Virginia Beach |
VA |
SHN |
2 |
26: Official Bootleg |
Source: Official Release #26>EAC>wav>mkwACT>shn |
08/04/00
|
Blockbuster Pavilion |
Charlotte |
NC |
SHN |
2 |
27: Official Bootleg |
Official Bootleg > EAC > wav > mkwACT > SHN |
08/04/00
|
Blockbuster Pavilion |
Charlotte |
NC |
CD |
2 |
27: Official Bootleg |
Official Bootleg |
08/06/00
|
Coliseum |
Greensboro |
NC |
FLAC |
2 |
28: SV045: Official Bootleg |
Source: Official Bootleg #28 (silver) > EAC v0.95pb3 > wav > flac |
08/07/00
|
Philips Arena |
Atlanta |
GA |
FLAC |
2 |
29: SV046: Official Bootleg |
Source: Official Bootleg > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC |
08/09/00
|
Mars Music Amphitheatre |
West Palm Beach |
FL |
CD |
2 |
30: Official Bootleg |
Official Bootleg |
08/10/00
|
Mars Music Amphitheatre |
West Palm Beach |
FL |
CD |
2 |
31: Official Bootleg |
Official Bootleg |
08/10/00
|
Mars Music Amphitheatre |
West Palm Beach |
FL |
FLAC |
2 |
31: Official Bootleg |
SOURCE: Original CD (2000 Tour #31) -> EAC -> WAV -> FLAC (Level 8) |
08/12/00
|
Ice Palace |
Tampa |
FL |
SHN |
2 |
32: Official Bootleg |
Source: Official release > EAC V0.95 prebeta 3 > WAV > mkwACT V0.97b1 > shn [seek tables appended and log files included] |
08/14/00
|
New Orleans Arena |
New Orleans |
LA |
CD |
2 |
33: Official Bootleg |
Official Bootleg |
08/15/00
|
The Pyramid |
Memphis |
TN |
CD |
2 |
34: Official Bootleg |
Official Bootleg |
08/17/00
|
AmSouth Amphitheatre |
Antioch |
TN |
SHN |
2 |
35: Official Bootleg |
Source: Official release > EAC V0.95pb5 > WAV > mkwACT V0.97b1 > shn [seek tables appended and log files included] |
08/18/00
|
Deer Creek Music Center |
Noblesville |
IN |
FLAC |
2 |
36: Official Bootleg |
Official Botleg |
08/20/00
|
Riverbend Music Center |
Cincinnati |
OH |
FLAC |
2 |
37: SV047: 3 Source Mix |
2.0 Stereo Source: 3-source mix: [Schoeps CCM-4 > Beyer MV-100 > Sony SBM-1 > Sony TCD-D8 > dat] +
[Schoeps MK5 (cardioid) > R-mod > Sony PCM-M1 > dat] + Multitrack SBD > Official Bootleg #37 (silver)] > shn |
08/21/00
|
Polaris Amphitheatre |
Columbus |
OH |
CD |
2 |
38: Official Bootleg |
Official Bootleg |
08/23/00
|
Jones Beach |
Wantagh |
NY |
FLAC |
2 |
39: Official Bootleg |
SOURCE: Original CD (2000 Tour #39) -> EAC -> WAV -> FLAC (Level 8) |
08/23/00
|
Jones Beach |
Wantagh |
NY |
CD |
2 |
39: Official Bootleg |
Official Bootleg |
08/24/00
|
Jones Beach |
Wantagh |
NY |
FLAC |
2 |
40: Official Bootleg |
SOURCE: Original CD (2000 Tour #40) -> EAC -> WAV -> FLAC (Level 8) |
08/25/00
|
Jones Beach Music Theater |
Wantagh |
NY |
SHN |
2 |
41: Official bootleg |
Source: Official Release > EAC v0.95b04 > WAV > mkwACT v0.97b1 > shn [seek tables appended and log files included] |
08/27/00
|
Saratoga Performing Arts Center |
Saratoga Springs |
NY |
CD |
2 |
42: Official Bootleg |
Official Bootleg |
08/29/00
|
Tweeter Center |
Mansfield |
MA |
FLAC |
2 |
43: Official Bootleg |
SOURCE: Original CD (2000 Tour #43) -> EAC -> WAV -> FLAC (Level 8) |
08/30/00
|
Tweeter Center |
Mansfield |
MA |
FLAC |
2 |
44: Official Bootleg |
SOURCE: Original CD (2000 Tour #44) -> EAC -> WAV -> FLAC (Level 8) |
09/01/00
|
Sony E-Center |
Camden |
NJ |
FLAC |
2 |
45: Official Bootleg |
Source: Offical Release > EAC v0.95 beta2 > WAV > dbPowerAMP > FLAC |
09/02/00
|
Sony E-Center |
Camden |
NJ |
CD |
2 |
46: Official Bootleg |
Official Bootleg |
09/04/00
|
Merriweather Post Pavilion |
Columbia |
MD |
FLAC |
2 |
47: SV038: Official Bootleg |
Show Source: Official Bootleg #47 (silver) > EAC v0.95pb3 > wav > flac
Ed's Solo Preset Source: Analog Walkman (master) > dat ("Parting Ways" fades into Sonic Studios DSM6S/L > PA-6LC >
Sony TCD-D8 (Sec. Ctr, row EE) > dat source) > dEQ > shn > cdr > dEdit > flac |
09/05/00
|
Post Gazette Pavilion at Star Lake |
Pittsburgh |
PA |
FLAC |
2 |
48: SV037: Official Bootleg |
Show Source: Official Bootleg #48 (silver) > EAC v0.95pb3 > wav > flac
Ed's Solo Preset Source: Schoeps CCM-4 > Beyer MV-100 pre-amp > Sony SBM-1 > Sony TCD-D8 (15th row center) > dat > cdr > dEdit > flac |
10/04/00
|
Molson Centre |
Montreal |
QC |
CD |
2 |
49: Official Bootleg |
Official Bootleg |
10/05/00
|
Air Canada Centre |
Toronto |
ON |
CD |
2 |
50: Official Bootleg |
Official Bootleg |
10/05/00
|
Air Canada Centre |
Toronto |
ON |
DVD |
1 |
|
|
10/07/00
|
The Palace |
Auburn Hills |
MI |
CD |
2 |
51: Official Bootleg |
Official Bootleg |
10/08/00
|
Alpine Valley Music Theatre |
East Troy |
WI |
FLAC |
2 |
52: Official Bootleg |
Source: Official Bootleg > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC |
10/09/00
|
Allstate Arena |
Chicago |
IL |
FLAC |
2 |
53: SV067: Official Bootleg |
source: Official Bootleg #53 (silver) > EAC v0.95pb3 > wav > dEdit (retracking only) > FLAC |
10/09/00
|
Allstate Arena |
Chicago |
IL |
CD |
2 |
53: Official Bootleg |
Official Bootleg |
10/11/00
|
Riverport Amphitheatre |
Maryland Heights |
MO |
CD |
2 |
54: Official Bootleg |
Official Bootleg |
10/11/00
|
Riverport Amphitheatre |
Maryland Heights |
MO |
FLAC |
2 |
54: Official Bootleg |
Source: Official Release > EAC v0.95 > WAV (logs included) > FLAC Frontend (level 8) > FLAC |
10/12/00
|
Sandstone Amphitheatre |
Bonner Springs |
KS |
CD |
2 |
55: Official Bootleg |
Official Bootleg |
10/12/00
|
Sandstone Amphitheatre |
Bonner Springs |
KS |
FLAC |
2 |
55: Official Bootleg |
SOURCE: Original CD (2000 Tour #55) -> EAC -> WAV -> FLAC (Level 8) |
10/14/00
|
Cynthia Woods Mitchell Pavilion |
Woodlands |
TX |
FLAC |
2 |
56: Official Bootleg |
SOURCE: Original CD (2000 Tour #56) -> EAC -> WAV -> FLAC (Level 8) |
10/15/00
|
Cynthia Woods Mitchell Pavilion |
The Woodlands |
TX |
FLAC |
2 |
57: Official Bootleg |
Official Bootleg |
10/17/00
|
Smirnoff Music Center |
Dallas |
TX |
FLAC |
2 |
58: Official Bootleg |
SOURCE: Original CD (2000 Tour #58) -> EAC -> WAV -> FLAC (Level 8) |
10/18/00
|
United Spirit Arena |
Lubbock |
TX |
FLAC |
2 |
59: Official Bootleg |
Source: Official CD Release > WAV (EAC V0.95) > FLAC (FLAC Frontend v.1.7.1) |
10/20/00
|
Mesa del Sol Amphitheatre |
Albuquerque |
NM |
FLAC |
2 |
60: Official Bootleg |
Source: Official Release > EAC v0.95 beta02 > WAV > DB PowerAmp > FLAC |
10/21/00
|
Desert Sky Pavilion |
Phoenix |
AZ |
SHN |
2 |
61: Official Bootleg |
Source: Official Release > EAC v0.95 beta04 > WAV > mkwACT v0.97b1 > shn [seek tables appended and log files included] |
10/22/00
|
MGM Grand Arena |
Las Vegas |
NV |
CD |
2 |
62: Official Bootleg |
Official Bootleg |
10/24/00
|
The Greek Theatre |
Los Angeles |
CA |
CD |
2 |
63: Official Bootleg |
Official Bootleg |
10/25/00
|
San Diego Sports Arena |
San Diego |
CA |
CD |
2 |
64: Official Bootleg |
Official Bootleg |
10/27/00
|
Selland Arena |
Fresno |
CA |
FLAC |
2 |
65: Offical Bootleg |
Source: Offical Release > EAC v0.95 beta2 > wav > dbPowerAMP > FLAC |
10/28/00
|
Glen Helen Blockbuster Pavilion |
Devore |
CA |
FLAC |
2 |
66: Official Bootleg |
Source: Official release > EAC 0.95 > WAV > mkwACT V0.97b1 > shn > FLAC |
10/30/00
|
Sacramento Valley Amphitheater |
Marysville |
CA |
FLAC |
2 |
67: Official Bootleg |
SOURCE: Original CD (2000 Tour #67) -> EAC -> WAV -> FLAC (Level 8) |
10/31/00
|
Shoreline Amphitheatre |
Mountain View |
CA |
FLAC |
2 |
68: Official Bootleg |
Source: Official Bootleg Release
Transfer: CD>WAV>FLAC |
11/02/00
|
Rose Garden |
Portland |
OR |
FLAC |
2 |
69: Official Bootleg |
SOURCE: Original CD (2000 Tour #69) -> EAC -> WAV -> FLAC (Level 8) |
11/03/00
|
Idaho Center |
Boise |
ID |
FLAC |
2 |
70: Official Bootleg |
SOURCE: Original CD (2000 Tour #70) -> EAC -> WAV -> FLAC (Level 8) |
11/03/00
|
Idaho Center |
Boise |
ID |
CD |
2 |
70: Official Bootleg |
Official Bootleg |
11/05/00
|
Key Arena |
Seattle |
WA |
CD |
2 |
71: Official Bootleg |
Official Bootleg |
11/05/00
|
Key Arena |
Seattle |
WA |
FLAC |
2 |
71: SV039: Official Bootleg |
Show Source: Official Bootleg #71 (silver) > EAC v0.95pb3 > wav > flac
Ed's Solo Preset Source: Audio Technica 933 (hypercardoid) > Sony PCM-M1 > dat > cdr > flac |
11/06/00
|
Key Arena |
Seattle |
WA |
CD |
3 |
72: Official Bootleg |
Official Bootleg |
10/20/01
|
Shoreline Amphitheatre |
Mountain View |
CA |
SHN |
1 |
DAUD |
Source: DAUD/FOB Unspecified Schoeps -> DAT
Conversion: DAT -> Audio CD-R burner -> EAC -> Cool Edit 2000 (fade in/out) -> mkwACT v0.97 |
10/21/01
|
Shoreline Amphitheatre |
Mountain View |
CA |
SHN |
1 |
Unknown AUD |
Source: AUD > DAT > SHN (taper's setup withheld to protect his/her identity) |
10/21/01
|
Shoreline Amphitheatre |
Mountain View |
CA |
SHN |
1 |
Unknown DAUD |
Source: DAUD/FOB Unspecified Schoeps -> DAT
Conversion: DAT -> Audio CD-R burner -> EAC -> Cool Edit 2000 (fade in/out) -> mkwACT v0.97 |
10/22/01
|
Key Arena [Groundwork] |
Seattle |
WA |
FLAC |
1 |
SV048: 2-source mix |
Source: 2-source mix: [unknown AUD] + [mono sbd webcast (300 kbps feed)] > dEQ > shn > wav > flac |
09/23/02
|
House of Blues |
Chicago |
IL |
SHN |
1 |
Sony PCM-M1 |
Source: Schoeps MK4v > Schoeps VMS021B > Sony SBM-1 > Sony PCM-M1 > DAT > CDR > SHN |
12/05/02
|
The Showbox |
Seattle |
WA |
SHN |
1 |
Unknown AUD DAT |
Source: Schoeps cardioid connected to a digital audio tape deck
Transfer: Transfer: ARCHIVE Python 01931 SCSI DAT drive > Adaptec AHA-2930CU > WD800JB hard drive
Editing: Sound Forge 6.0 (remove DC offset, remove very low/inaudible frequencies under 20hz, normalize to 99.88%, fade in and out), shntool 1.2.0 (fix track boundaries) |
12/06/02
|
The Showbox |
Seattle |
WA |
CDR |
2 |
|
|
12/08/02
|
Key Arena |
Seattle |
WA |
SHN |
2 |
Unknown AUD |
|
12/09/02
|
Key Arena |
Seattle |
WA |
SHN |
2 |
2 Source Mix |
Source: [Schoeps > DAT > CDR > EAC > WAV] + [Sony DCR-TR7000 > Digital8 (48KHz PCM) > FireWire > Premiere > WAV > Resample > dEQ] > dMIX > CD Wave > mkwACT |
02/08/03
|
Brisbane Entertainment Center |
Brisbane |
Australia |
SHN |
2 |
01: Official Bootleg |
Source: SNDBD <sony release>
Tools: EAC -> MKW |
02/09/03
|
Brisbane Entertainment Center |
Brisbane |
Australia |
FLAC |
2 |
02: Official Bootleg |
Source: Official Release > WAV > FLAC |
02/11/03
|
Sydney Entertainment Center |
Sydney |
Australia |
SHN |
2 |
03: Official Bootleg |
Source: SBD
Transfer: EAC>MKWACT>SHN (log files included and seek tables appended) |
02/13/03
|
Sydney Entertainment Center |
Sydney |
Australia |
FLAC |
2 |
04: Official Bootleg |
official boot > eac > wav > flac frontend > flac |
02/14/03
|
Sydney Entertainment Center |
Sydney |
Australia |
SHN |
2 |
05: Official Bootleg |
Source: SBD
Tools: EAC -> MKW |
02/16/03
|
Entertainment Centre |
Adelaide |
Australia |
SHN |
2 |
06: Official Bootleg |
Official Bootleg > EAC > SHN |
02/16/03
|
Entertainment Centre |
Adelaide |
Australia |
SHN |
2 |
06: Official Bootleg |
Official Bootleg > EAC > SHN |
02/18/03
|
Rod Laver Arena |
Melbourne |
Australia |
SHN |
2 |
07: Official Bootleg |
Source: SBD
Transfer: EAC > MKWACT > SHN |
02/19/03
|
Rod Laver Arena |
Melbourne |
Australia |
SHN |
2 |
08: Official Bootleg |
Source: SBD
Tools: EAC -> WAV -> mkwACT -> SHN |
02/19/03
|
Rod Laver Arena [Soundcheck] |
Melbourne |
Australia |
FLAC |
1 |
08: Digital Recorder |
Source: Digital > CDR > FLAC |
02/20/03
|
Rod Laver Arena |
Melbourne |
Australia |
SHN |
2 |
09: Official Bootleg |
Source: SBD
Tools: EAC -> MKW |
02/23/03
|
Burswood Dome |
Perth |
Australia |
CD |
2 |
10: Official Bootleg |
Official Bootleg |
02/28/03
|
Izumity 21/Sun Plaza |
Sendai |
Japan |
FLAC |
2 |
11: Official Bootleg |
Source: Official release > xAct v1.58 > WAV > xAct v1.58 > Flac |
03/01/03
|
Pacifico Yokohama |
Yokohama |
Japan |
FLAC |
2 |
12: Official Bootleg |
official boot > eac > wav > flac frontend > flac |
03/03/03
|
Budokan |
Tokyo |
Japan |
CD |
2 |
13: Official Bootleg |
Official Bootleg |
03/04/03
|
Kosei Nenkin Kaikan |
Osaka |
Japan |
FLAC |
2 |
14: Official Bootleg |
SOURCE: Original CD (2003 Tour #14) -> EAC -> WAV -> FLAC (Level 8) |
03/06/03
|
Nagoyashi Kokaido |
Nagoya |
Japan |
FLAC |
2 |
15: Official Bootleg |
SOURCE: Original CD (2003 Tour #15) -> EAC -> WAV -> FLAC (Level 8) |
04/01/03
|
Pepsi Center |
Denver |
CO |
FLAC |
2 |
16: Official Bootleg |
Source: Official Bootleg > .wav > .flac |
04/03/03
|
Ford Center |
Oklahoma City |
OK |
SHN |
2 |
17: Official Bootleg |
Source: Official release > EAC V0.9b4 > WAV > mkwACT V0.97b1 > shn (seek tabs appended) |
04/05/03
|
Verizon Wireless Amphitheater |
Selma |
TX |
CD |
2 |
18: Official Bootleg |
Official Bootleg |
04/06/03
|
Cynthia Woods Mitchell Pavilion |
Spring |
TX |
SHN |
2 |
19: Official Bootleg |
Source: Official release > EAC V0.9b4 > WAV > mkwACT V0.97b1 > shn (seek tables appended) |
04/08/03
|
UNO Lakefront Arena |
New Orleans |
LA |
SHN |
2 |
20: Official Bootleg |
Source: SBD
Tools: EAC 0.9b4 -> WAV -> mkwACT 0.97b1 -> SHN |
04/09/03
|
Oak Mountain Amphiteathre |
Pelham |
AL |
SHN |
2 |
21: Official Bootleg |
Source: SBD
Tools: Nero -> WAV -> mkw Audio Compression Tool -> SHN |
04/11/03
|
Sound Advice Amphitheatre |
West Palm Beach |
FL |
FLAC |
2 |
22: Official Bootleg |
SOURCE: Original CD (2003 Tour #22) -> EAC -> WAV -> FLAC (Level 8) |
04/12/03
|
House Of Blues |
Lake Buena Vista |
FL |
SHN |
2 |
2 Source Mix |
Source: Mix of [SBD > 300kb/s Real Audio Feed > Total Recorder/SoundForge 6.0] and [DPA 4061 > (Oade mod mic in) M1 > dEQ (recorded from center balcony)] |
04/13/03
|
St. Pete Times Forum |
Tampa |
FL |
FLAC |
2 |
23: Official Bootleg |
SOURCE: Original CD (2003 Tour #23) -> EAC -> WAV -> FLAC (Level 8) |
04/15/03
|
Alltell Pavilion Walnut Creek |
Raleigh |
NC |
SHN |
2 |
24: Official Bootleg |
Source: Official Bootleg
SHN Transfer: EAC > WAV > mkw Audio Compression > SHN |
04/16/03
|
Verizon Wireless Amphitheater |
Charlotte |
NC |
SHN |
2 |
25: Official Bootleg |
Source: SBD
Tools: EAC 0.9b4 -> WAV -> mkwACT 0.97b1 -> SHN |
04/18/03
|
AmSouth Amphitheatre |
Nashville |
TN |
FLAC |
2 |
26: Official Bootleg |
SOURCE: Original CD (2003 Tour #26) -> EAC -> WAV -> FLAC (Level 8) |
04/19/03
|
Hi Fi Buys Amphitheater |
Atlanta |
GA |
FLAC |
2 |
27: Official Bootleg |
SOURCE: Original CD (2003 Tour #27) -> EAC -> WAV -> FLAC (Level 8) |
04/21/03
|
Rupp Arena |
Lexington |
KY |
FLAC |
2 |
28: Official Bootleg |
official boot > eac > wav > flac frontend > flac |
04/22/03
|
Savvis Center |
St. Louis |
MO |
CD |
2 |
29: Official Bootleg |
Official Bootleg |
04/23/03
|
Assembly Hall |
Champaign |
IL |
FLAC |
2 |
30: Official Bootleg |
Source: Official Release > EAC > WAV > > FLAC Level 8 |
04/25/03
|
Gund Arena |
Cleveland |
OH |
FLAC |
2 |
31: Official Bootleg |
official boot > eac > wav > flac frontend > flac |
04/26/03
|
Mellon Arena |
Pittsburgh |
PA |
FLAC |
2 |
32: Official Bootleg |
SOURCE: Original CD (2003 Tour #32) -> EAC -> WAV -> FLAC (Level 8) |
04/28/03
|
First Union Spectrum |
Philadelphia |
PA |
FLAC |
2 |
33: Official Bootleg |
Official Bootleg > EAC > WAV > FLAC Frontend > Flac |
04/29/03
|
Pepsi Arena |
Albany |
NY |
CD |
2 |
34: Official Bootleg |
Official Bootleg |
04/30/03
|
Nassau Coliseum |
Uniondale |
NY |
FLAC |
2 |
35: Official Bootleg |
SOURCE: Original CD (2003 Tour #35) -> EAC -> WAV -> FLAC (Level 8) |
04/30/03
|
Nassau Coliseum |
Uniondale |
NY |
FLAC |
2 |
2 Source DTS Mix |
Source Info
SBD
Source: Multitrack SBD > Official Bootleg > SHN
AUD
SP-CMC-6 (AT853) Hypercard caps > 69hz rolloff > PCM-M1
Location: ORTF behind stage |
04/30/03
|
Nassau Coliseum |
Uniondale |
NY |
FLAC |
2 |
2 Source Mix |
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
SBD
Source: Multitrack SBD > Official Bootleg > SHN
AUD
SP-CMC-6 (AT853) Hypercard caps > 69hz rolloff > PCM-M1
Location: ORTF behind stage |
05/02/03
|
HSBC Arena |
Buffalo |
NY |
CD |
3 |
36: Official Bootleg |
Official Bootleg |
05/02/03
|
HSBC Arena |
Buffalo |
NY |
FLAC |
2 |
36: Official Bootleg |
Official Bootleg > EAC > FLAC |
05/03/03
|
Bryce Jordan Center, Penn State Univ. |
State College |
PA |
CD |
3 |
37: Official Bootleg |
Official Bootleg |
05/28/03
|
Adams Center, University of Montana |
Missoula |
MT |
FLAC |
2 |
38: Official Bootleg |
Official Bootleg > EAC > FLAC |
05/30/03
|
GM Place |
Vancouver |
BC |
FLAC |
2 |
39: Official Bootleg |
official Boot > EAC > FLAC Frontend > FLAC |
06/01/03
|
Shoreline Amphitheatre |
Mountain View |
CA |
FLAC |
2 |
40: Official Bootleg |
official Boot > EAC > FLAC Frontend > FLAC |
06/02/03
|
Verizon Wireless Amphitheatre |
Irvine |
CA |
FLAC |
2 |
41: Official Bootleg |
official Boot > EAC > FLAC Frontend > FLAC |
06/03/03
|
Verizon Wireless Amphitheatre |
Irvine |
CA |
SHN |
2 |
42: Official Bootleg |
Source: Official release > EAC V0.9 beta 4 > WAV > mkwACT V0.97 beta 1 > shn [seek tables appended and log files included] |
06/03/03
|
Verizon Wireless Amphitheatre |
Irvine |
CA |
CD |
2 |
42: Official Bootleg |
Official Bootleg |
06/05/03
|
Sports Arena |
San Diego |
CA |
DVD+R |
2 |
|
|
06/05/03
|
Sports Arena |
San Diego |
CA |
SHN |
2 |
43: Official Bootleg |
Source: Official release > EAC V0.95 > WAV > mkwACT V0.97 beta 1 > shn [seek tables appended and log files included] |
06/06/03
|
MGM Grand Garden Arena |
Las Vegas |
NV |
SHN |
2 |
44: Official Bootleg |
Source: CD>EAC v.9 beta 3>MKW Tool V.97 Beta 3>SHN (no seek table's sorry) |
06/07/03
|
Cricket Pavilion |
Phoenix |
AZ |
SHN |
2 |
45: Official Bootleg |
Source: SBD
Tools: Official Bootleg > WAV (EAC v0.9) > SHN (mkwACT v0.96f) [all sector boundaries verified with Shntool] |
06/09/03
|
Smirnoff Music Center |
Dallas |
TX |
SHN |
2 |
46: Official Bootleg |
Source: Official release > EAC V0.95 prebeta 3 > WAV > mkwACT V0.97Beta1 > shn [seek tables appended and log files included] |
06/10/03
|
Alltel Arena |
North Little Rock |
AR |
SHN |
2 |
47: Official Bootleg |
Source: Official release > EAC V0.95pb3 > WAV > mkwACT V0.97b1 > shn [seek tables appended and log files included] |
06/12/03
|
Sandstone Amphitheatre |
Bonner Springs |
KS |
SHN |
2 |
48: Official Bootleg |
Source: Official release > EAC V0.9 Beta 4 > WAV > mkwACT V.97 > shn [seek tables appended] |
06/13/03
|
Mid-America Center |
Council Bluffs |
IA |
SHN |
2 |
49: Official Bootleg |
Source: Official release > EAC V0.9 beta 4 > WAV > mkwACT V0.96f > shn [log files included] |
06/15/03
|
Fargo Dome |
Fargo |
ND |
SHN |
2 |
50: Official Bootleg |
Source: Official release > EAC V0.95pb3 > WAV > mkwACT V0.97b1 > shn [seek tables appended and log files included] |
06/16/03
|
Xcel Energy Center |
St. Paul |
MN |
SHN |
2 |
51: Official Bootleg |
Source: Official release > EAC V0.9 beta 4 > WAV > mkwACT V0.97 beta 1 > shn |
06/18/03
|
United Center |
Chicago |
IL |
SHN |
2 |
52: Official Bootleg |
Source: Official release > EAC V0.9b4 > WAV > mkwACT V0.97b1 > shn [seek tables appended and log files included] |
06/18/03
|
United Center |
Chicago |
IL |
DVD+R |
2 |
|
|
06/21/03
|
Alpine Valley Music Theatre |
East Troy |
WI |
SHN |
2 |
54: Official Bootleg |
Source: Official release > EAC V0.9b4 > WAV > mkwACT V0.97b1 > shn [seek tables appended and log files included] |
06/22/03
|
Verizon Wireless Music Center |
Noblesville |
IN |
SHN |
2 |
55: Official Bootleg |
Source: Official release > EAC V0.95 prebeta 3 from 11 May 2003 > WAV > mkwACT 1998, 1999 > shn [log files included] |
06/24/03
|
Germain Amphitheatre |
Columbus |
OH |
FLAC |
2 |
56: Official Bootleg |
official boot > eac > wav > flac frontend > flac |
06/25/03
|
DTE Energy Music Theater |
Detroit |
MI |
SHN |
2 |
57: Official Bootleg |
Source: Official release > EAC V0.9 beta 4 from 22 May 2002 > WAV > mkwACT V0.97 BETA 1 >
shn [seek tables appended and log files included] |
06/26/03
|
DTE Energy Music Theater |
Detroit |
MI |
SHN |
2 |
58: Official Bootleg |
Source: Official release > EAC V0.95 prebeta3 > WAV > mkwACT V0.97 BETA 1 >
shn [seek tables appended and log files included] |
06/28/03
|
Molson Amphitheatre |
Toronto |
ON |
FLAC |
2 |
59: Official Bootleg |
SOURCE: Original CD (2003 Tour #59) -> EAC -> WAV -> FLAC (Level 8) |
06/29/03
|
Bell Center |
Montreal |
QC |
SHN |
2 |
60: Official Bootleg |
Source: Official release > EAC v 095pb3 > wav >mkwACT v 0.97beta1 > shn |
07/01/03
|
Nissan Pavilion at Stone Ridge |
Washington |
DC |
SHN |
2 |
61: Official Bootleg |
Source: Official release > EAC V0.95 prebeta 3 > WAV > mkwACT V0.97 Beta 1 > shn |
07/02/03
|
Tweeter Center |
Mansfield |
MA |
SHN |
2 |
62: Official Bootleg |
Source: Official Bootleg > WAV (EAC v0.95) > FLAC (FLAC Frontend v1.7.1, encoding level 8) |
07/03/03
|
Tweeter Center |
Mansfield |
MA |
SHN |
2 |
63: Official Bootleg |
Source: Official Bootleg > WAV (EAC v0.95) > FLAC (FLAC Frontend v1.7.1, encoding level 8) |
07/05/03
|
Tweeter Center |
Camden |
NJ |
FLAC |
2 |
64: Official Bootleg |
Source: Official Bootleg > EAC 0.95 > WAV (logs included)
> FLAC Frontend (level 8) > FLAC |
07/06/03
|
Tweeter Center |
Camden |
NJ |
SHN |
2 |
65: Official Bootleg |
Source: Official release > EAC 0.9b4 > WAV > mkwACT V0.97b1 > shn [seek tables appended and log files included] |
07/08/03
|
Madison Square Garden |
New York |
NY |
CD |
3 |
66: Official Bootleg |
Official Bootleg |
07/09/03
|
Madison Square Garden |
New York |
NY |
CD |
2 |
67: Official Bootleg |
Official Bootleg |
07/11/03
|
Tweeter Center |
Mansfield |
MA |
CD |
3 |
68: Official Bootleg |
Official Bootleg |
07/12/03
|
Hershey Park Stadium |
Hershey |
PA |
FLAC |
2 |
69: Official Bootleg |
SOURCE: Original CD (2003 Tour #69) -> EAC -> WAV -> FLAC (Level 8) |
07/14/03
|
PNC Bank Arts Center |
Holmdel |
NJ |
FLAC |
2 |
70: Official Bootleg |
SOURCE: Original CD (2003 Tour #70) -> EAC -> WAV -> FLAC (Level 8) |
07/17/03
|
Palacio de los Deportes |
Mexico City |
Mexico |
FLAC |
2 |
71: Official Bootleg |
SOURCE: Original CD (2003 Tour #71) -> EAC -> WAV -> FLAC (Level 8) |
07/18/03
|
Palacio de los Deportes |
Mexico City |
Mexico |
FLAC |
2 |
72: Official Bootleg |
SOURCE: Original CD (2003 Tour #72) -> EAC -> WAV -> FLAC (Level 8) |
07/19/03
|
Palacio de los Deportes |
Mexico City |
Mexico |
DVD+R |
2 |
|
|
07/19/03
|
Palacio de los Deportes |
Mexico City |
Mexico |
SHN |
2 |
73: Official Bootleg |
Source: Official release > EAC V0.95 prebeta 3 > WAV > mkwACT V0.97 beta 1 > shn [seek tables appended and log files included] |
10/22/03
|
Benaroya Hall |
Seattle |
WA |
DVD+R |
2 |
|
|
10/22/03
|
Benaroya Hall |
Seattle |
WA |
CD |
2 |
Official CD |
Official CD 'Benaroya Hall' |
10/25/03
|
Shoreline Amphitheatre |
Mountain View |
CA |
SHN |
1 |
Unknown DAT |
Source: Schoeps > DAT > CD-R > EAC > mkwACT > .shn |
10/26/03
|
Shoreline Amphitheatre |
Mountain View |
CA |
SHN |
1 |
Unknown DAT |
Source: Schoeps > DAT > CD-R > EAC > mkwACT > .shn |
10/28/03
|
Santa Barbara Bowl |
Santa Barbara |
CA |
SHN |
2 |
Unknown DAT |
Source: Schoeps > DAT (details withheld at taper's request)
Conversion: Panasonic SV-3800 > M-Audio 2496 card > Soundforge 7.0 > CD Wave Editor > shntool > shorten32 |
10/28/03
|
Santa Barbara Bowl |
Santa Barbara |
CA |
DVD+R |
2 |
|
|
04/09/04
|
Westin Hotel [IMPACT Awards] |
Seattle |
WA |
FLAC |
1 |
Unknown AUD |
Source: unknown schoeps (not sure?) > unknown recorder > .wav > cdr > .wav > .flac (see EAC log) |
09/24/04
|
The Showbox |
Seattle |
WA |
SHN |
1 |
Unknown AUD DAT |
Source: Schoeps > DAT
Conversion: Fostex D5 > SP/DIF > DIO2448 > Soundforge 7.0b > shntool 2.0.3 |
09/28/04
|
FleetCenter |
Boston |
MA |
FLAC |
2 |
Sony PCM-M1 |
source: schoeps cmc6/mk4 > nbox > m1
conversion: m1 > rme-audio multiface > wavelab > shntool > flac |
09/29/04
|
FleetCenter |
Boston |
MA |
SHN |
2 |
Unknown AUD DAT |
Source: Schoeps > DAT
Conversion: Fostex D5 > SP/DIF > DIO2448 > Soundforge 7.0b > shntool 2.0.3 |
09/30/04
|
Ed Sullivan Theatre [The Late Show] |
New York |
NY |
FLAC |
1 |
SV076: CBS HD (WWJ-DT) |
Source: CBS HD (WWJ-DT) > FusionHDTV3 Q > AC3 > BeSweet > Audition > CDWave > FLAC |
10/01/04
|
Sovereign Center |
Reading |
PA |
SHN |
1 |
Sony TCD-D8 |
csb>d-8(48) >spdif >peak(44)>.wav>xact>shn |
10/01/04
|
Sovereign Center |
Reading |
PA |
FLAC |
1 |
Sony TCD-D7 |
Source: Core Sound Binaurals > Sony TCD-D7 > .wav > .flac
Conversion: Archive Python DDS DAT Drive > DAT2WAV > Cool Edit Pro (48 kHz > 44.1 kHz, fade in/out) > CDWAVE > FLAC Frontend |
10/01/04
|
Sovereign Center |
Reading |
PA |
FLAC |
2 |
SV070: Unknown AUD DAT |
Pre-Set Source: Geffel M20 > JKL DVC iii > M1 > FLAC > dEQ > FLAC
(First 25 seconds is CSB > D8 > SHN)
Main Set Source: Schoeps > DAT > SHN > dEQ > FLAC |
10/02/04
|
Sports Arena |
Toledo |
OH |
SHN |
2 |
Unknown AUD DAT |
Source: Schoeps > DAT
Conversion: Fostex D5 > SP/DIF > DIO2448 > Soundforge 7.0b > shntool 2.0.3 |
10/02/04
|
Sports Arena |
Toledo |
OH |
FLAC |
2 |
SV071: 2 Source Mix |
Source: [Schoeps > DAT] + [DPA4022 > SX-M2 > SBM-1 > D100] > CD Wave > FLAC |
10/03/04
|
Delta Plex |
Grand Rapids |
MI |
SHN |
2 |
Unknown AUD DAT |
Source: Schoeps > DAT
Conversion: Fostex D5 > SP/DIF > DIO2448 > Soundforge 7.0b > shntool 2.0.3 |
10/03/04
|
Delta Plex |
Grand Rapids |
MI |
FLAC |
2 |
SV072: 2 Source Mix |
Source: [Schoeps > DAT] + [Dynamic Audio Binaurals > DA-120F > IRiver 120] > CD Wave > FLAC |
10/05/04
|
Fox Theatre |
St. Louis |
MO |
FLAC |
2 |
Sony TCD-D100 |
Source: Core Sound Binaurals>bat box>attenuator cable>D100
Transfer:DAT>Jcrab66 magic>Cool Edit Pro 2>cd wave>flac |
10/05/04
|
Fox Theatre |
St. Louis |
MO |
FLAC |
2 |
SV073: Unknown AUD DAT |
Pre-Set Source: Schoeps > DAT > dEQ > FLAC
Main Set Source: AKG's > DAT > EMagic 2|6 > Spark XL v2.8 > xACT > dED > FLAC(Patched with Schoeps > DAT > dEQ in d1t11 and d2t04) |
10/06/04
|
Civic Center |
Asheville |
NC |
FLAC |
2 |
SV074: Sony TCD-D100 |
Source: DPA4022 > SX-M2 > SBM-1 > D100 > Audiowerk2 > Wavelab > FLAC > dEQ > FLAC |
10/08/04
|
Silver Spur Arena |
Kissimmee |
FL |
FLAC |
2 |
Sony TCD-D8 |
Source: Schoeps CCM4s > Aerco > SBM-1 > TCD D8
Transfer: Fostex D5 > S/PDIF > DIO2448 > Soundforge 7.0b > shntool 3.0.2 > flac 1.1.1 |
10/08/04
|
Silver Spur Arena |
Kissimmee |
FL |
FLAC |
2 |
SV075: Sony TCD-D8 |
Pre-Set Source: DPA4061 > mod SBM-1 > PCM-M1 > DAT-M > FLAC
Main Set Source: Schoeps CCM4s > Aerco > SBM-1 > TCD D8 > FLAC > dEQ > FLAC |
10/11/04
|
MCI Center |
Washington |
DC |
DVD |
1 |
|
|
10/11/04
|
MCI Center |
Washington |
DC |
FLAC |
1 |
SV076: DirecTV Music Choice |
10/11 Source: Source: DirecTV Music Choice > STR-DE845 > DA-20 DAT > CEP 2.1 > CDWave > FLAC |
03/18/05
|
Paramount Theater |
Seattle |
WA |
FLAC |
1 |
Sony TCD-D100 |
Source : SS DSM 6-P > Sony D100 >Tascam DA-40 > Marantz CDR630 Pro |
03/18/05
|
Paramount Theater |
Seattle |
WA |
FLAC |
1 |
Unknown AUD MD |
MD>WAV>FLAC(Level5/verify/test) |
04/29/05
|
Easy Street Records |
Seattle |
WA |
FLAC |
1 |
Unknown AUD DAT |
Source: Unknown DAT > Remaster > SHN > FLAC |
08/29/05
|
Adams Event Center |
Missoula |
MT |
FLAC |
2 |
Nomad JB3 |
Source: SP-CMC-4>SP-SPSB-1>JB3 44.1K Wave |
09/01/05
|
The Gorge Ampitheatre |
George |
WA |
FLAC |
2 |
edirol-r-1 |
Lineage>DPA4061>mma6000>edirol-r-1
Conversion:PBG4>Peak(4.14)>BBE sonic Maximizer>Xact>flac |
09/01/05
|
The Gorge Ampitheatre |
George |
WA |
CD |
3 |
Official CD |
Official CD 'Live At The Gorge' |
09/11/05
|
Memorial Auditorium |
Kitchener |
ON |
FLAC |
2 |
JB3 |
Source: Dynamic Audio Binaurals > DA-120F Custom Battery Box, Bass Roll off 85hz > AD20 (set to 0) > JB3 (Optical Line-In) > 44.1K WAV
Transer: JB3 > computer via Firewire > Adobe Audition 1.5 > CD Wave Editor 1.94.5 > FLAC FrontEnd (Level 8, Align SB) |
09/15/05
|
Bell Centre |
Montreal |
QC |
FLAC |
2 |
iRiver iHP-140 |
Source: iRiver iHP-140 with binaural mics (sp-bmc-3) Floor
> WAV (wav 44khz, 1411 kbps) > CD Wave > FLAC (using compression level 8) |
09/15/05
|
Bell Centre |
Montreal |
QC |
FLAC |
2 |
NJB3 |
Source: SP-PASM-2-L > NJB3 @ 44.1 > FLAC
SP-PASM-2-L > Nomad Jukebox III @ 44.1 > USB > WAV
> Adobe Audition 1.5 (normalization+track split)
> FLAC Frontend (level 8) > FLAC |
09/20/05
|
Colisee Pepsi Arena |
Quebec City |
QC |
FLAC |
2 |
Nomad Jukebox III |
SP-PASM-2-L > Nomad Jukebox III @ 44.1 > USB > WAV > Adobe Audition 1.5 (normalization+track split)
> FLAC Frontend (level 8) > FLAC |
09/28/05
|
PNC Park |
Pittsburgh |
PA |
FLAC |
1 |
Canon ZR300 |
Source: (Canon ZR300 w/ a small patch from the Canon ZR50 &
Wild Horses = unknown FLAC set from dimeadozen.org & Canon ZR300) > XiliSoft DVd Audio Ripper 4 > .wav > FLAC Frontend (level 8) > FLAC |
10/03/05
|
Wachovia Center |
Philadelphia |
PA |
FLAC |
2 |
Edirol R-1 @ 24/44.1 |
Source: DPA 4023 > Sonosax SX-M2 > Mogami interconnect > Edirol R-1 @ 24/44.1 |
10/05/05
|
House of Blues |
Chicago |
IL |
FLAC |
2 |
Sony TCD-D100 |
Source: Schoeps MK4s > Nbox > D100
Lineage: DAT master > FLAC |
11/25/05
|
Estadio Ferrocarril Oeste Arquitecto Ricardo Etch |
Buenos Aires |
Argentina |
FLAC |
1 |
Sony MZ-NF810 MD |
Source: Custom Stereo Mics With Battery Box > Sony MZ-NF810 MD
Transfer: NF810 > RCA Cable > Sound Blaster PCI 128 > Cool Edit Pro > WAV >
Cool Edit Pro (see below for details) > cdwave > flac @ level 8 |
11/26/05
|
Estadio Ferrocarril Oeste Arquitecto Ricardo Etch |
Buenos Aires |
Argentina |
FLAC |
2 |
Sony MZ-NF810 MD |
Source: Custom Stereo Mics With Battery Box > Sony MZ-NF810 MD
Transfer: NF810 > RCA Cable > Sound Blaster PCI 128 > Cool Edit Pro > WAV >
Cool Edit Pro (see below for details) > cdwave > flac @ level 8 |
11/28/05
|
Ginásio Gigantinho |
Porto Alegre |
Brazil |
FLAC |
2 |
Sony MZ-NF810 MD |
Source: Custom Stereo Mics With Battery Box > Sony MZ-NF810 MD
Transfer: NF810 > RCA Cable > Sound Blaster PCI 128 > Cool Edit Pro > WAV >
Cool Edit Pro (see below for details) > cdwave > flac @ level 8 |
03/??/06
|
Studio X (Sessions @ AOL) |
Seattle |
WA |
FLAC |
1 |
Web Stream Complete |
Source: Sessions@AOL Web Stream > Soundforge 6.0 > WAV > CDWave > FLAC |
03/??/06
|
Studio X (Sessions @ AOL) |
Seattle |
WA |
FLAC |
1 |
AOL Radio Incomplete |
Source: AOL Radio > Soundforge 7.0 > WAV > FLAC |
04/15/06
|
NBC Studios |
New York |
NY |
FLAC |
1 |
TV Broadcast |
Source: [Digital Cable > Motorola DCT6200 HDTV STB > PC via Firewire > CapDVHS > .TS files > HDTVtoMPEG2 (editing) > mpeg-vcr (convert to Program Stream) > TMPGEenc Plus 2.5 (demux/render/multiplex) > Ulead DVD Moviefactory 5 > DVD] > XiliSoft DVD Audio Ripper 4 > .wav > FLAC Frontend (level 8) > FLAC |
04/20/06
|
Astoria |
London |
UK |
FLAC |
1 |
Unknown AUD |
Source: Unknown mics -> Unknown recorder (info withheld)
Generation: DAT(M) -> CD -> FLAC
Transfer: Unknown -> EAC -> FLAC frontend -> FLAC |
05/03/06
|
Maida Vale Studios |
London |
UK |
FLAC |
1 |
FM Broadcast |
Lineage: FM (Sony STRDB1070) > Creative SBLive! > CD Wave Editor > Flac Frontend FLAC 8 Aligned on sector boundaries and verified |
05/04/06
|
Ed Sullivan Theater |
New York |
NY |
FLAC |
1 |
TV Broadcast |
Source: RealVideo > River Past Audio Converter Pro 6.7.1.51108 > Wav > CDwave > Flac |
05/05/06
|
Irving Plaza |
New York |
NY |
FLAC |
1 |
Sony D8 DAT Walkman |
Sony D8 DAT Walkman + CSB mics w/Bass Roll-Off mod->Dig Coax->HHB 830 CD Recorder->FLAC |
05/09/06
|
Air Canada Centre |
Toronto |
ON |
FLAC |
2 |
01: Official Bootleg |
Official Bootleg |
05/09/06
|
Air Canada Centre |
Toronto |
ON |
FLAC |
2 |
Sony MZ-NH1 Hi-MD |
Source: Apex162 > MZ-NH1 Hi-MD (44.1kHz/16bit LPCM Stereo) > Hi-MD(m)
Transfer: SonicStage v3.4 > WAV > CEP2.1 (tracking, limiting, some mic handling noise corrected, no other fx) > FLAC (level 8, verify enabled) |
05/09/06
|
Air Canada Centre |
Toronto |
ON |
FLAC |
2 |
Sony TCD-D8 |
Microphones: Sound Professionals Deluxe Audio Technica Cardiods (AT831's)->Sound Professionals Bass Roll off filter/battery box (SP-SPSB-2)
Recording Device: Sony D8 @ 48khz
Source:Sony DTC60ES->toslink->M-Audio CO3->THX coax ->Teac CD burner->CD->WAV(via Itunes)->Audacity
->FLAC |
05/10/06
|
Air Canada Centre |
Toronto |
ON |
FLAC |
2 |
02: Official Bootleg |
Official Bootleg |
05/10/06
|
Air Canada Centre |
Toronto |
ON |
FLAC |
2 |
Nomad JB3 Line-In |
SOURCE:
SP-CMC-8 > SP-SPSB-8 (Bass rolloff @95Hz) > JB3 Line-In
TRANSFER:
JB3 > Firewire > Seagate Serial-ATA HDD > WAV [48kHz]
LINEAGE:
JB3 > WAV [48kHz] > T-Racks 24 v2.04 > Adobe Audition v1.5 > CD Wave Editor v1.94.4 > FLAC [Level 8] > You (Your copy will be CDR(1) if burnt)
GENERATION:
WAV [48kHz] > WAV [44.1kHz] > FLAC |
05/10/06
|
Air Canada Centre |
Toronto |
ON |
FLAC |
2 |
Sony TCD-D8 |
Microphones: Sound Professionals Deluxe Audio Technica Cardiods (AT831's)->Sound Professionals Bass Roll off filter/battery box (SP-SPSB-2)
Recording Device: Sony D8 @ 44.1khz
Source:Sony DTC60ES->toslink->M-Audio CO3->THX coax ->Teac CD burner->CD->WAV(via Itunes)->Audacity->FLAC |
05/12/06
|
Pepsi Arena |
Albany |
NY |
FLAC |
2 |
03: Official Bootleg |
Official Bootleg |
05/13/06
|
Dodge Music Center |
Hartford |
CT |
FLAC |
2 |
04: Official Bootleg |
Official Bootleg |
05/13/06
|
Dodge Music Center |
Hartford |
CT |
FLAC |
2 |
Nomad JB3 |
SP-CMC-4>SP-SPSB-1> JB3 44.1 |
05/16/06
|
United Center |
Chicago |
IL |
FLAC |
2 |
05: Official Bootleg |
Official Bootleg |
05/16/06
|
United Center |
Chicago |
IL |
FLAC |
2 |
Sony M1 DAT |
Master: Sonic Studios DSM-6 => Sony M1 DAT (15th row center)
Transfer: Sony ES DAT => Stand-alone Pioneer CD burner => EAC => Magix Audio Cleaning Lab => WAV => FLAC Front-end (level 8) |
05/17/06
|
United Center |
Chicago |
IL |
FLAC |
2 |
06: Official Bootleg |
Official Bootleg |
05/19/06
|
Van Andel Arena |
Grand Rapids |
MI |
FLAC |
2 |
07: Official Bootleg |
Official Bootleg |
05/19/06
|
Van Andel Arena |
Grand Rapids |
MI |
FLAC |
2 |
Microtrack 24/96 |
Source: DPA 4061s (High Boost Screens) > SP Powered Dongle (TRS) > Microtrack 24/96 set to 24bit/48khz > Sandisk Ultra II 4GB CF card
Transer: Ultra II > Computer via USB 2.0 CF Card Reader
Processing: Adobe Audition 1.5 > Dither/Resample to 16bit/44.1khz >
Increase Volume by 5db > Swap Channels, Fades > CD Wave Editor 1.94.5 > FLAC FrontEnd (Level 8, Align SB) |
05/20/06
|
Quicken Loans Arena |
Cleveland |
OH |
FLAC |
2 |
08: Official Bootleg |
Official Bootleg |
05/22/06
|
Palace of Auburn Hills |
Detroit |
MI |
FLAC |
2 |
09: Official Bootleg |
Official Bootleg |
05/24/06
|
TD Banknorth Garden |
Boston |
MA |
FLAC |
2 |
10: Official Bootleg |
Official Bootleg |
05/25/06
|
TD Banknorth Garden |
Boston |
MA |
FLAC |
2 |
11: Official Bootleg |
Official Bootleg |
05/27/06
|
Tweeter Center at the Waterfront |
Camden |
NJ |
FLAC |
2 |
Edirol R-01 |
Source: SCHOEPS MK4V's>Schoeps VMS02IB>Edirol R-01, 9th row center |
05/27/06
|
Tweeter Center at the Waterfront |
Camden |
NJ |
FLAC |
2 |
12: Official Bootleg |
Official Bootleg |
05/28/06
|
Tweeter Center at the Waterfront |
Camden |
NJ |
FLAC |
2 |
13: Official Bootleg |
Official Bootleg |
05/30/06
|
Verizon Center |
Washington |
DC |
FLAC |
2 |
14: Official Bootleg |
Official Bootleg |
05/30/06
|
Verizon Center |
Washington |
DC |
FLAC |
2 |
722.SD722 |
4022s->722.SD722 -> CD Wave (tracking) -> Wavelab 5(edit/dither/resample)-> FLAC. |
05/31/06
|
The Avalon [VH1 Storytellers] |
New York |
NY |
FLAC |
1 |
TV Broadcast [Edit} |
VHS Storytellers
Source: [MHD - HDTV Transport Stream (1080i MPEG2, DD 5.1) > DGIndex > AVISynth > CCE > 16x9 DVD] > XiliSoft DVD Audio Ripper 4 > .wav > FLAC Frontend (level 8) > FLAC |
05/31/06
|
The Avalon [VH1 Storytellers] |
New York |
NY |
FLAC |
1 |
TV Broadcast [Edit] |
VHS Storytellers
Source: [MHD - HDTV Transport Stream (1080i MPEG2, DD 5.1) > DGIndex > AVISynth > CCE > 16x9 DVD] > XiliSoft DVD Audio Ripper 4 > .wav > FLAC Frontend (level 8) > FLAC |
05/31/06
|
The Avalon [VH1 Storytellers] |
New York |
NY |
FLAC |
1 |
TV Broadcast [Unedited] |
VH1 Storytellers
Source: [Main: MHD - HDTV Transport Stream (1080i MPEG2, DD 5.1) > DGIndex > AVISynth > CCE > 16x9 DVD Insignificance: Windows Media Webcast > WM Recorder 10.2 > Vegas 6 > CCE > DVD] > XiliSoft DVd Audio Ripper 4 > .wav > Nero Wave Editor > Media Join > FLAC Frontend (level 8) > FLAC |
06/01/06
|
Continental Airlines Arena |
East Rutherford |
NJ |
FLAC |
2 |
15: Official Bootleg |
Official Bootleg |
06/01/06
|
Continental Airlines Arena |
East Rutherford |
NJ |
SHN |
2 |
Sound Devices 722 |
Source: DPA 4023s > Sound Devices 722 @ 24/96
722 > Apple MacBook Pro > Spark XL 2.8.2 (normalize, resample to 44.1khz, dither to 16 bit) > xACT 1.58 > shn |
06/03/06
|
Continental Airlines Arena |
East Rutherford |
NJ |
FLAC |
2 |
16: Official Bootleg |
Official Bootleg |
06/03/06
|
Continental Airlines Arena |
East Rutherford |
NJ |
FLAC |
2 |
Edirol R1 |
Source: DPA 4023 > Sonosax SX-M2 > Mogami interconnect > Edirol R1 @ 24/44.1
WAV > FLAC: .wav @ 24/44.1 > Steinberg WaveLab v5.00a (dither with Apogee UV22HR to
16/44.1) > CD-WAV/FLAC frontend v1.7.1 > .flac |
06/23/06
|
Mellon Arena |
Pittsburgh |
PA |
FLAC |
2 |
17: Official Bootleg |
Official Bootleg |
06/24/06
|
U.S. Bank Arena |
Cincinnati |
OH |
FLAC |
2 |
18: Official Bootleg |
Official Bootleg |
06/26/06
|
Xcel Energy Center |
St. Paul |
MN |
FLAC |
1 |
19: Official Bootleg |
Official Bootleg |
06/27/06
|
Xcel Energy Center |
St. Paul |
MN |
FLAC |
1 |
20: Official Bootleg |
Official Bootleg |
06/29/06
|
Marcus Amphitheater - Summerfest |
Milwaukee |
WI |
FLAC |
1 |
Oade ACM Marantz PMD660 |
Recording: AKG CK31s (In Hat, ORTF) > AKG LM3 Ls > AKG MPAIIIL Phantom Adapters > Oade ACM Marantz PMD660 (Mic-In, -20dB, 16/44.1)
Transfer: Marantz PMD660 > CompactFlash > CDWav > FLAC |
06/29/06
|
Marcus Amphitheater - Summerfest |
Milwaukee |
WI |
FLAC |
1 |
Edirol R1 |
Source: DPA 4023 > Sonosax SX-M2 > Mogami interconnect > Edirol R1 @ 24/44.1
WAV > FLAC: .wav @ 24/44.1 > Steinberg WaveLab v5.00a (dither with Apogee UV22HR to 16/44.1) > CD-WAV/FLAC frontend v1.7.1 > .flac |
06/29/06
|
Marcus Amphitheater - Summerfest |
Milwaukee |
WI |
FLAC |
1 |
Edirol R-09 |
Source: Schoeps MK4s > Nbox > Edirol R-09 @ 16/44.1
Transfer: R-09 > USB > CEPv2.1 > CDWave > xACT 0.5.7 |
06/29/06
|
Marcus Amphitheater - Summerfest |
Milwaukee |
WI |
FLAC |
1 |
21: Official Bootleg |
Official Bootleg |
06/30/06
|
Marcus Amphitheater - Summerfest |
Milwaukee |
WI |
FLAC |
1 |
22: Official Bootleg |
Official Bootleg |
06/30/06
|
Marcus Amphitheater - Summerfest |
Milwaukee |
WI |
FLAC |
1 |
Edirol R1 |
Source: DPA 4023 > Sonosax SX-M2 > Mogami interconnect > Edirol R1 @ 24/44.1
WAV > FLAC: .wav @ 24/44.1 > Steinberg WaveLab v5.00a (dither with Apogee UV22HR to 16/44.1) > CD-WAV/FLAC frontend v1.7.1 > .flac |
06/30/06
|
Marcus Amphitheater - Summerfest |
Milwaukee |
WI |
FLAC |
1 |
Oade ACM Marantz PMD660 |
Recording: AKG CK31s (ORTF, In Hat) > AKG LM3 Ls > AKG MPAIIIL Phantom Adapters > Oade ACM Marantz PMD660 (Mic-In, -20dB, 16/44.1)
Transfer: Marantz PMD660 > CompactFlash > CDWav > FLAC |
07/02/06
|
Pepsi Center |
Denver |
CO |
FLAC |
1 |
Edirol r-1 |
Lineage: DPA 4022>Denecke PS2>Hosa MIT (canare 1/4")>RCA 1/4">Edirol r-1
Conversion: PB>Peak>normalize>BBE maximizer>SBE>xact |
07/02/06
|
Pepsi Center |
Denver |
CO |
FLAC |
1 |
23: Official Bootleg |
Official Bootleg |
07/03/06
|
Pepsi Center |
Denver |
CO |
FLAC |
1 |
24: Official Bootleg |
Official Bootleg |
07/03/06
|
Pepsi Center |
Denver |
CO |
FLAC |
1 |
Edirol r-1 |
Lineage: DPA 4022>Denecke PS2>Hosa MIT (canare 1/4")>RCA 1/4">Edirol r-1
Conversion: PB>Peak>normalize>BBE maximizer>24bit/44.1khz dithered>16bit/44.1khz>SBE>xact |
07/06/06
|
MGM Grand |
Las Vegas |
NV |
FLAC |
1 |
25: Official Bootleg |
Official Bootleg |
07/06/06
|
MGM Grand |
Las Vegas |
NV |
FLAC |
2 |
Edirol r-1 |
Lineage: DPA 4022>Denecke PS2>Hosa MIT (canare 1/4")>RCA 1/4">Edirol r-1
Conversion: PB>Peak>normalize>BBE maximizer>24bit/44.1khz dithered>16bit/44.1khz>SBE>xact |
07/07/06
|
Cox Arena |
San Diego |
CA |
FLAC |
2 |
26: Official Bootleg |
Official Bootleg |
07/07/06
|
Cox Arena |
San Diego |
CA |
FLAC |
2 |
Edirol r-1 |
Lineage: DPA 4022>Denecke PS2>Hosa MIT (canare 1/4")>RCA 1/4">Edirol r-1
Conversion: PB>Peak>normalize>BBE maximizer>24bit/44.1khz dithered>16bit/44.1khz>SBE>xact |
07/07/06
|
Cox Arena |
San Diego |
CA |
FLAC |
2 |
Edirol r-1 |
THIS IS VERSION 2
Lineage: DPA 4022>Denecke PS2>Hosa MIT (canare 1/4")>RCA 1/4">Edirol r-1
Conversion: PB>Peak>normalize>BBE maximizer>L3 ultramaximizer>24bit/44.1khz dithered>16bit/44.1khz>SBE>xact |
07/09/06
|
The Forum |
Inglewood |
CA |
FLAC |
2 |
27: Official Bootleg |
Official Bootleg |
07/09/06
|
The Forum |
Inglewood |
CA |
FLAC |
2 |
Edirol r-1 |
Lineage: DPA 4022>Denecke PS2>Hosa MIT (canare 1/4")>RCA 1/4">(Oade mod 6DB)Edirol r-1
Conversion: PB>Peak>normalize>BBE maximizer>24bit/44.1khz dithered>16bit/44.1khz>SBE>xact |
07/09/06
|
The Forum |
Inglewood |
CA |
FLAC |
2 |
Edirol r-1 |
THIS IS VERSION 2
Lineage: DPA 4022>Denecke PS2>Hosa MIT (canare 1/4")>RCA 1/4">(Oade mod 6DB)Edirol r-1
Conversion: PB>Peak>normalize>BBE maximizer>L3 ultramaximizer>24bit/44.1khz dithered>16bit/44.1khz>SBE>xact |
07/10/06
|
The Forum |
Inglewood |
CA |
FLAC |
2 |
28: Official Bootleg |
Official Bootleg |
07/13/06
|
Santa Barbara County Bowl |
Santa Barbara |
CA |
FLAC |
2 |
29: Official Bootleg |
Official Bootleg |
07/15/06
|
Bill Graham Civic Auditorium |
San Francisco |
CA |
FLAC |
2 |
30: Official Bootleg |
Official Bootleg |
07/15/06
|
Bill Graham Civic Auditorium |
San Francisco |
CA |
FLAC |
2 |
Sony TCD-D7 |
Source: Neumann KM140s > Sound Devices MP2 > Sony SBM1 (48k) > Sony D7
Transfer: DAT master > Standalone CD > EAC > PC/WAV > FLAC |
07/16/06
|
Bill Graham Civic Auditorium |
San Francisco |
CA |
FLAC |
2 |
31: Official Bootleg |
Official Bootleg |
07/18/06
|
Bill Graham Civic Auditorium |
San Francisco |
CA |
FLAC |
2 |
32: Official Bootlegs |
Official Bootlegs |
07/18/06
|
Bill Graham Civic Auditorium |
San Francisco |
CA |
FLAC |
2 |
Edirol R-09 |
Source: Schoeps CCM4s > Aerco > Edirol R-09 @ 16/44.1
Transfer: R-09 > USB > CEPv2.1 > CDWave > xACT |
07/18/06
|
Bill Graham Civic Auditorium |
San Francisco |
CA |
FLAC |
2 |
Edirol r-1 |
Lineage: DPA 4022>Denecke PS2>Hosa MIT (canare 1/4")>RCA 1/4">(Oade mod 6DB)Edirol r-1
Conversion: PB>Peak>normalize>BBE maximizer>24bit/44.1khz dithered>16bit/44.1khz>SBE>xact |
07/20/06
|
Arlene Schnitzer Concert Hall |
Portland |
OR |
FLAC |
2 |
Nomad Jukebox 3 |
Source : Nomad Jukebox 3 > at853rx > at8533x > sd mp2
Transfer : Nomad JUkebox 3 > CoolEditPro(normalizing) > FLac lv.6 > TTD |
07/20/06
|
Arlene Schnitzer Concert Hall |
Portland |
OR |
FLAC |
2 |
33: Official Bootleg |
Official Bootleg |
07/22/06
|
Gorge Amphitheatre |
George |
WA |
FLAC |
2 |
edirol-r-1 |
Lineage>DPA4061>mma6000>edirol-r-1>24/44.1
Conversion:PBG4>Peak(4.14)
split tracks>no normalizing>no editing due to clipping>24/44.1khz>dither>16/44.1khz>Xact>flac |
07/22/06
|
Gorge Amphitheatre |
George |
WA |
CD |
2 |
34: Official Bootleg |
Official CD |
07/23/06
|
Gorge Amphitheatre |
George |
WA |
CD |
2 |
35: Official Bootleg |
Official CD |
07/23/06
|
Gorge Amphitheatre |
George |
WA |
FLAC |
2 |
Sony SBM1 |
Source: Schoeps MK4's > Nbox > Sony SBM1 (line stage and coax) > MT 24/96 > Wav @ 16/48
Conversion: MT 24/96 > USB 2.0 > Soundforge (resampling and fades) > CD Wave > TLH > Flac |
08/23/06
|
The Point Depot |
Dublin |
Ireland |
FLAC |
2 |
36: Official Bootleg |
Official Bootleg |
08/25/06
|
Bramham Park [Leeds Festival] |
Leeds |
UK |
FLAC |
2 |
37: Official Bootleg |
Official Bootleg |
08/27/06
|
Reading Festival |
Reading |
UK |
FLAC |
2 |
38: Official Bootleg |
Official Bootleg |
08/29/06
|
Gelredome |
Arnhem |
Netherlands |
FLAC |
2 |
39: Official Bootleg |
Official Bootleg |
08/30/06
|
Sportpaleis |
Antwerp |
Belgium |
FLAC |
2 |
40: Official Bootleg |
Official Bootleg |
09/01/06
|
Pavello Olímpic de Badalona |
Barcelona |
Spain |
FLAC |
2 |
41: Official Bootleg |
Official Bootleg |
09/01/06
|
Pavello Olímpic de Badalona |
Barcelona |
Spain |
FLAC |
2 |
Edirol R-09 |
Edirol R-09 (16/44) --> SD (2 Gb) --> Soundforge 8.0 -->
tracks splitting, fades in/out, volume (+ 1,25 db) -->
flac (8) --> YOU |
09/02/06
|
Azkena Rock Festival |
Vitoria |
Spain |
FLAC |
2 |
42: Official Bootleg |
Official Bootleg |
09/04/06
|
Pavilhao Atlantico |
Lisbon |
Portugal |
FLAC |
2 |
43: Official Bootleg |
Official Bootleg |
09/05/06
|
Pavilhão Atlântico |
Lisbon |
Portugal |
FLAC |
2 |
44: Official Bootleg |
Official Bootleg |
09/07/06
|
Palacio de Deportes |
Madrid |
Spain |
FLAC |
2 |
45: Official Blootleg |
Official Blootleg |
09/09/06
|
Le Dome De Marseille |
Marseille |
France |
FLAC |
2 |
46: Official Bootleg |
Official Bootleg |
09/11/06
|
Bercy |
Paris |
France |
FLAC |
2 |
47: Official Bootleg |
Official Bootleg |
09/13/06
|
Bern Arena |
Bern |
Switzerland |
FLAC |
2 |
48: Official Bootleg |
Official Bootleg |
09/14/06
|
PalaMalaguti |
Bologna |
Italy |
FLAC |
2 |
49: Official Bootleg |
Official Bootleg |
09/16/06
|
Arena di Verona |
Verona |
Italy |
FLAC |
2 |
50: Official Bootleg |
Official Bootleg |
09/17/06
|
Forum |
Milan |
Italy |
FLAC |
2 |
51: Official Bootleg |
Official Bootleg |
09/19/06
|
Palaisozaki |
Torino |
Italy |
FLAC |
2 |
52: Official Bootleg |
Official Bootleg |
09/20/06
|
Duomo Square |
Pistoia |
Italy |
FLAC |
2 |
53: Official Bootleg |
Official Bootleg |
09/22/06
|
Sazka Arena |
Prague |
Czech Republic |
FLAC |
2 |
54: Official Bootleg |
Official Bootleg |
09/23/06
|
Kindl-Bühne Wuhlheide |
Berlin |
Germany |
FLAC |
2 |
55: Official Bootleg |
Official Bootleg |
09/25/06
|
Stadthalle |
Vienna |
Austria |
FLAC |
2 |
56: Official Bootleg |
Official Bootleg |
09/26/06
|
Dom Sportova |
Zagreb |
Croatia |
FLAC |
2 |
57: Official Bootleg |
Official Bootleg |
09/30/06
|
OAKA Sports Hall |
Athens |
Greece |
FLAC |
2 |
58: Official Bootleg |
Official Bootleg |
10/21/06
|
Shoreline Amphitheatre |
Mountain View |
CA |
FLAC |
1 |
Sony D8 |
Neumann KM140s > Sound Devices MP2 > Sony SBM1 > Sony D8
Master > Standalone CDR > EAC > WAV > FLAC |
10/21/06
|
Shoreline Amphitheatre |
Mountain View |
CA |
FLAC |
1 |
Sony TCD-D8 |
Source: Audience Schoeps CCM4 > Aerco > SBM1 > D8
Transfer: DAT > R500 > MBox > ProTools > xACT1.5b3 > flac(8) |
10/22/06
|
Shoreline Amphitheatre |
Mountain View |
CA |
FLAC |
1 |
Sony TCD-D8 |
Source: Audience Schoeps CCM4 > Aerco > SBM1 > D8
Transfer: DAT > R500 > MBox > ProTools > xACT1.5b3 > flac(8) |
10/22/06
|
Shoreline Amphitheatre |
Mountain View |
CA |
FLAC |
1 |
Sony D7 |
Source: Neumann KM140s -> Sound Devices MP2 -> Sony SBM1 48k -> Sony D7
Transfer: Master -> Standalone CDR -> EAC/wav -> FLAC |
11/07/06
|
Acer Arena |
Sydney |
Australia |
FLAC |
2 |
59: Official Bootleg |
Official Bootleg |
11/08/06
|
Acer Arena |
Sydney |
Australia |
FLAC |
2 |
60: Official Bootleg |
Official Bootleg |
11/10/06
|
Entertainment Center |
Brisbane |
Australia |
FLAC |
2 |
61: Official Bootleg |
Official Bootleg |
11/10/06
|
Entertainment Center |
Brisbane |
Australia |
FLAC |
2 |
sony mz-nhf800 himd walkman (pcm mode) |
Source: sp-bmc-12>sp-spsb-1 battery box (bass roll off 95Hz, and levels at 3/4)> sony mz-nhf800 himd walkman (pcm mode)>1 gb himd>usb>sonicstage 4.2>wav> cdwave (tracking, encode to flac level 8)>flac (md5 & fingerprints generated with tlh) |
11/11/06
|
Entertainment Center |
Brisbane |
Australia |
FLAC |
2 |
62: Official Bootleg |
Official Bootleg |
11/11/06
|
Entertainment Center |
Brisbane |
Australia |
FLAC |
2 |
sony mz-nhf800 himd walkman (pcm mode) |
Source: sp-bmc-12>sp-spsb-1 battery box (bass roll off 95Hz, and levels at 3/4)> sony mz-nhf800 himd walkman (pcm mode)>1 gb himd>usb>sonicstage 4.2>wav> cdwave (tracking, encode to flac level 8)>flac (md5 & fingerprints generated with tlh) |
11/13/06
|
Rod Laver Arena |
Melbourne |
Australia |
FLAC |
2 |
63: Official Bootleg |
Official Bootleg |
11/13/06
|
Rod Laver Arena |
Melbourne |
Australia |
FLAC |
2 |
sony mz-nhf800 himd walkman (pcm mode) |
Source: sp-bmc-12>sp-spsb-1 battery box (bass roll off 95Hz, and levels at 3/4)> sony mz-nhf800 himd walkman (pcm mode)>1 gb himd>usb>sonicstage 4.2>wav>
cdwave (tracking, encode to flac level 8)>flac (md5 & fingerprints generated with tlh)
|
11/14/06
|
Rod Laver Arena |
Melbourne |
Australia |
FLAC |
2 |
64: Official Bootleg |
Official Bootleg |
11/16/06
|
Rod Laver Arena |
Melbourne |
Australia |
FLAC |
2 |
65: Official Bootleg |
Official Bootleg |
11/18/06
|
Acer Arena |
Sydney |
Australia |
FLAC |
2 |
66: Official Bootleg |
Official Bootleg |
11/19/06
|
Newcastle Entertainment Centre |
Newcastle |
Australia |
FLAC |
2 |
67: Official Bootleg |
Official Bootleg |
11/21/06
|
Adelaide Entertainment Centre |
Adelaide |
Australia |
FLAC |
2 |
68: Official Bootleg |
Official Bootleg |
11/22/06
|
Adelaide Entertainment Centre |
Adelaide |
Australia |
FLAC |
2 |
69: Official Bootleg |
Official Bootleg |
11/25/06
|
Subiaco Oval |
Perth |
Australia |
FLAC |
2 |
70: Official Bootleg |
Official Bootleg |
12/02/06
|
Blaisedell Center |
Honolulu |
HI |
FLAC |
2 |
71: Official Bootleg |
Official Bootleg |
12/09/06
|
Aloha Stadium |
Honolulu |
HI |
FLAC |
1 |
Edirol R-09 |
CoreSound Binaurals w/bass roll-off > Edirol R-09 >
USB Cable > Cool Edit Pro (boost high and low end, add fades) >
CD Wave > FLAC Frontend |
12/09/06
|
Aloha Stadium |
Honolulu |
HI |
FLAC |
1 |
HP2200 iPAQ Pocket PC |
Source: HP2200 iPAQ Pocket PC (WAV, 44100 Hz, 16 bits, mono, 705 kbps) > RESCO Audio Recorder v3.21 > SanDisk ultra II 1.0 GB CompactFlash > PC > Adobe Audition > Convert Mono to Stereo (duplicated channel; not true stereo) & Normalize to 97% > CD Wav Editor (split tracks) > Trader's Little Helper with Align on Sector Boundaries and Encoding Option Level 7 > MakeTorrent 2
|
06/08/07
|
Passeio Maritimo Alges |
Lisbon |
Portugal |
FLAC |
1 |
M-Audio Microtrack 24/96 |
Source: AT943's (cardioids) > SP-SPSB-6 (bass roll-off @ 107Hz) > M-Audio Microtrack 24/96 (1/4'' TRS, L, WAV 24bit/48kHz)
Transfer/ Post-pro: USB 2.0 > Adobe Audition 2.0 (EQ'ing, fades, hard limiting in clapping sections, artefact correction) > Steinberg Wavelab v5.01b (dither/resample with Apogee UV22HR to 16bit/44.1kHz) > CDWav 1.95 > FLAC Frontend 1.1.4 (FLAC 8) |
06/09/07
|
Festimad Sur |
Madrid |
Spain |
FLAC |
1 |
FM Broadcast |
Source/Gen: FM > WAV [44.1 KHz] > FLAC
Transfer: Denon D-60 > SC-5500p line in > Adobe Audition > CD Wave Editor > Flac Frontend 1.7.1 |
06/12/07
|
Olympiahalle |
Munich |
Germany |
FLAC |
2 |
Edirol R-09 |
Source: MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09
Mic Config: in hat, DINA (17cm, 90°)
Transfer: Master WAVs > Digital Editing > CD Wave Editor V1.95.1 > FLAC V1.1.4
Editing: Volume boost and fades in Steinberg WaveLab V5.01b
Dithering: UV22 HR dithering in Steinberg WaveLab V5.01b
Resampling: 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.01b |
06/13/07
|
Stadion Śląski |
Chorzów |
Poland |
FLAC |
1 |
Sony MD MZ-NH700 |
lineage: Sony MD MZ-NH700 > Panasonic ECM RP-VC201 mic
transfer: Master HiMD > USB transfer to HDD > SonicStage4.3 > Track splitting in CDWave 1.96 > TLH FlacFrontend level8 |
06/13/07
|
Stadion Śląski |
Chorzów |
Poland |
MP3 |
1 |
iRiver iFP-890 (mp3) |
Source Info:
Panasonic RP-VC201E-S > iRiver iFP-890 (mp3) |
06/16/07
|
Pannonia Fields II |
Nickelsdorf |
Austria |
FLAC |
1 |
Archos 404 |
SOURCE: Archos 404 > USB > Audacity > WAV > dBpoweramp > FLAC |
06/16/07
|
Pannonia Fields II |
Nickelsdorf |
Austria |
FLAC |
1 |
Sony MD-Recorder |
Source: Sony MD-Recorder > Feurio > CD-R > EAC > FLAC |
06/18/07
|
Wembley Arena |
London |
UK |
FLAC |
2 |
Sony Hi-MD MZ NH900 |
Source/Lineage: Sony ECM 717 stereo microphones-->Sony Hi-MD MZ NH900--> Master MiniDisc-->CD Wave Editor-->FLAC (FLAC compression -8 (best compression)
(recorded the conventional [ie. old] MiniDisc way, not Hi-MD way) |
06/21/07
|
ISS Dome |
Düsseldorf |
Germany |
FLAC |
2 |
Sharp-MD-MT888 |
Source/Lineage: Sharp-MD-MT888 mono microphones: Vivanco EM35
Master MiniDisc-->Cool Edit Pro-->FLAC |
06/21/07
|
ISS Dome |
Düsseldorf |
Germany |
FLAC |
2 |
Sony MD-Recorder |
Source: Sony MD-Recorder > Feurio > CD-R > EAC > FLAC |
06/23/07
|
Southside Festival |
Neuhausen Ob Eck |
Germany |
FLAC |
1 |
Edirol R09 |
Neumann KM140's > AETA PSP3 > Edirol R09 > digital mastering |
06/24/07
|
Hurricane Festival |
Scheeßel |
Germany |
FLAC |
2 |
Sharp MD-MT 190 |
Lineage: Sony ECM-CS10 mics > Sharp MD-MT 190 > MDAT > HDD > AudaCity (tracksplitting) > CDwave |
06/24/07
|
Hurricane Festival |
Scheeßel |
Germany |
FLAC |
1 |
Incomplete FM Broadcast |
Radio Bremen 4 FM -> Adobe Audition -> Audacity (splitting) -> flac |
06/24/07
|
Hurricane Festival |
Scheeßel |
Germany |
FLAC |
1 |
2 Source Mix |
Source: Unknown soundboard audio (mono) + Sony ECM-CS10 > Sharp MD-MT 190
Lineage: Sony ECM-CS10 mics > Sharp MD-MT 190 > MDAT > HDD > AudaCity (tracksplitting) > CDwave |
06/26/07
|
Forum |
Copenhagen |
Denmark |
FLAC |
2 |
iriver |
source: at933->bb->iriver
transfer: iriver->usb->hd->cool edit->cdwav->flac |
06/28/07
|
Goffert Park |
Nijmegen |
Netherlands |
FLAC |
2 |
Microtrack 24/96 |
Source: MM-MCSM-4(cardioids) > MM-EBM-1(bass roll-off @95Hz) > Microtrack 24/96 @16/44,1
Transfer: Ultra II 8GB CF-card/.wav @16/44,1 > Computer via USB 2.0 CF Card Reader
Processing: Adobe Audition v1.5 > Normalized to -1.0db > Clip/Pop-deleting > Fade in/out
Conversion: CDWav v1.95.1 (track splitting) > FLAC frontend v1.7.1 > .flac |
06/29/07
|
Rock Werchter Festival |
Werchter |
Belgium |
FLAC |
1 |
Sony Hi-MD RH10 (PCM mode) |
Source: Sony ECM-719 > Sony Hi-MD RH10 (PCM mode) > USB / Sonic Stage > WAV > Adobe Audition 2.0 (hard limiting on loud hand-clapping, EQ, volume boost, track splitting and normalizing) > shntool (fix SBE) > FLAC |
08/02/07
|
Vic Theater |
Chicago |
IL |
FLAC |
2 |
iRiver h120 with Rockbox |
Source: AT853s > CA ST-9100 > iRiver h120 with Rockbox CVS-060514
Transer: iRiver h120 > Computer via USB 2.0
Processing: Adobe Audition 1.5 > Increase volume for Acoustic Songs > CD Wave Editor 1.94.5 > FLAC FrontEnd (Level 8, Align SB) |
08/02/07
|
Vic Theater |
Chicago |
IL |
FLAC |
2 |
Sony TCD-D100 |
Source: Schoeps MK4s > Rmod box > TCD-D100
Conversion: PCM-R300 > USBPre > Soundforge 7.0b > shntool 2.0.3 > flac 1.1.2 |
08/05/07
|
Grant Park |
Chicago |
IL |
FLAC |
1 |
Sound Devices 722 |
Source: DPA4023 > Sound Devices 722 @ 24/96
WAV > FLAC: .wav @ 24/96 > Steinberg WaveLab v5.00a (dither with Apogee UV22HR to 16/44.1) |
08/05/07
|
Grant Park |
Chicago |
IL |
FLAC |
1 |
M-Audio MT 24/96 |
Source: AT U853 (CA 4.7k mod) > SP-SPSB-10 > M-Audio MT 24/96
Transfer: MT 24/96 > USB > Adobe Audition 2.0 > CD Wave > FLAC Frontend [Level 6]
Generation: WAV(M @ 24bit 48kHz) > WAV (16bit, 44.1 kHz) > FLAC |
08/05/07
|
Grant Park |
Chicago |
IL |
FLAC |
1 |
Sound Devices 722t |
SOURCE: B&K 4021s (Hat) > EAA-PSP2 > Sound Devices 722t (24/96) 20' back from first relay stack on left.
LINEAGE: 722t > computer hard drive > Wavelab (resample, dither, normalize & fades) > CDWave (track) > Flac level 6. |
08/05/07
|
Grant Park |
Chicago |
IL |
FLAC |
1 |
webcast |
webcast>dak's wave editor>wav>flac |
06/11/08
|
Cruzan Amphitheatre |
West Palm Beach |
FL |
FLAC |
2 |
Edirol r-09 |
Lineage: DPA 4022>sonosax sx-m2(Oade mod 6DB)Edirol r-09
Conversion: PB>Peak>24bit/44.1khz dithered>16bit/44.1khz>SBE>xact |
06/11/08
|
Cruzan Amphitheatre |
West Palm Beach |
FL |
FLAC |
2 |
Edirol r-09 |
Lineage: DPA 4061>mma6000>(Oade mod 6DB)Edirol r-09
Conversion: PB>Peak>24bit/44.1khz dithered>16bit/44.1khz>SBE>xact |
06/12/08
|
St. Pete Times Forum |
Tampa |
FL |
FLAC |
2 |
2 Source Mix |
Lineage: DPA 4022>sonosax sx-m2(Oade mod 6DB)Edirol r-09
Conversion: PB>Peak>24bit/44.1khz dithered>16bit/44.1khz>SBE>xact
Lineage: DPA 4061>mma6000>(Oade mod 6DB)Edirol r-09
Conversion: PB>Peak>24bit/44.1khz dithered>16bit/44.1khz>SBE>xact |
06/12/08
|
St. Pete Times Forum |
Tampa |
FL |
FLAC |
2 |
Edirol R-09 |
Source: DPA 4061s > MMA-6000 > Edirol R-09 @ 24/48 (around 17th row, right stack)
Transfer: R-09 > USB > Adobe Audition > dED > (dither and resample at highest setting) > CDWave > FLAC
Notes: A hi-pass FFT filter was used to reduce bass starting at 60hz and cut bass below 30Hz. |
06/14/08
|
Great Stage Park |
Manchester |
TN |
FLAC |
2 |
SD 722 |
FOB DPA(B&K) 4011s->Luminous Monarchs->SD 722 @ 24/96.SD722 ->Wavelad(dither/resample)->CD Wave (tracking) ->
Wavelab 5(edit)-> FLAC. |
06/14/08
|
Great Stage Park |
Manchester |
TN |
FLAC |
2 |
Sound Devices 702 |
FOB Schoeps mk4 (ORTF) > kc5 > cmc6 > Lunatec V2 > Sound Devices 702 @ 24/48
702 > firewire > PC > Wavelab5.0 > CDwave > xACT > Flac |
06/16/08
|
Colonial Center |
Columbia |
SC |
FLAC |
2 |
Sound Devices 722 |
Source: DPA 4023 > Sound Devices 722 @ 24/96
WAV > FLAC: .wav @ 24/96 > Steinberg WaveLab v5.00a (dither with Apogee UV22HR to 16/44.1) |
06/22/08
|
Verizon Center |
Washington |
DC |
FLAC |
2 |
Edirol R-09 |
Source: DPA 4061s > CSbox > Edirol R-09 @ 24/44.1
Transfer: USB > WAV > CEPv2.1 (merge/dither) > CDWave > FLAC frontend |
06/25/08
|
Madison Square Garden |
New York |
NY |
SHN |
2 |
Edirol R-09 |
source: AT831 > SP-SPSB-11 (rolloff @ 107 Hz) > Edirol R-09 @ 44.1 / 16-bit
transfer: SD Card > SD Slot > PC > Soundforge 7.0 > Cdwave > mkw > shn |
06/27/08
|
New England Dodge Center |
Hartford |
CT |
FLAC |
2 |
Hi-MD |
Lineage: Hi-MD - Sonic Stage - WAV - TLH - FLAC |
06/28/08
|
Comcast Center for the Performing Arts |
Mansfield |
MA |
FLAC |
2 |
Edirol r-09 |
Lineage: DPA 4022>sonosax sx-m2(Oade mod 6DB)Edirol r-09
Conversion: PB>Peak>24bit/48khz dithered>16bit/44.1khz>SBE>xact |
06/28/08
|
Comcast Center for the Performing Arts |
Mansfield |
MA |
FLAC |
2 |
Edirol r-09 |
Lineage: DPA 4061>mma6000>(Oade mod 6DB)Edirol r-09
Conversion: PB>Peak>24bit/48khz dithered>16bit/44.1khz>SBE>xact |
07/01/08
|
Beacon Theatre |
New York |
NY |
FLAC |
1 |
SD744T |
Source Info: Schoeps CCM4's > SD744T @ 24/96 > firewire to hard drive of dedicated music only computer > Bit Conversion and re-sampled to 16/44.1 with Sound Forge 7.0 > indexed in Sound Forge 4.5 > CD set up with CD Architect 4.5 > Capable Computer with EAC > FLAC |
Tool
--- Approximate Hours: 383.75
|
Show Date |
Venue |
City |
State |
Media Type |
Media Count |
Source |
Tech Note |
04/??/91
|
72826 Demo |
Los Angeles |
CA |
FLAC |
1 |
Original Demo Cassette |
Remastered
Source: 4-track recorder 'in somebody's house ?' -> Mixdown
-> Original Demo Cassette -> Technics RS-BX501 (cassette deck)
-> Tascam DA20 (A-D converter) -> Nuendo Mastering
-> Wave (0) -> Flac (0) -> BT |
09/05/91
|
The Jello Loft |
Hollywood |
CA |
FLAC |
1 |
Soundboard |
Source: Soundboard --- Analog Soundboard > Cassette-3> CDR |
??/??/91
|
Demo 1991, L.A. 1993 |
Los Angeles |
CA |
FLAC |
1 |
Liberated Bootleg CD |
Tracks 1-6 cassette demos recorded 1991
Tracks 7-11 recorded 1993 Los Angeles. CA |
04/23/92
|
The Rathskeller |
Boston |
MA |
FLAC |
1 |
AUD stereo micro-cassette recorder |
GENERATION
ANA(M) > CDR(1) > WAV [44.1kHz] > FLAC [Level 8]
SOURCE
built-in > Aiwa HS-M2
EXTRACTION
NEC ND-3500AG > Exact Audio Copy V0.99 prebeta 3 > Adobe Audition 3.0 > CD Wave 1.96.1 -> FLAC frontend 1.7.1
NOTE
This was recorded on stereo micro-cassette recorder. |
04/23/92
|
The Rathskeller |
Boston |
MA |
FLAC |
1 |
AUD |
This is one of the ( if not the) first ever recorded Tool show by an Audience. It was recorded on Cassette tape so the quality is definately not at all like the Tool shows that you normally hear. But for a collector it is something to definately have.
Do not MP3 show please. The quality is allready bad enough ( Maynard voice is very hard to hear at points) |
04/25/92
|
CBGB's |
New York |
NY |
SHN |
1 |
Sony WM-D6 |
source: Sony ECM-909 > Sony WM-D6 > unknown transfer > SHN |
05/01/92
|
Club Babyhead |
Providence |
RI |
FLAC |
1 |
VID Rip |
This show was taken from video ripped by zerO |
05/02/92
|
JC Dobbs |
Philadelphia |
PA |
FLAC |
1 |
Low Gen VHS |
Source: Low Gen VHS > Goldwave > .WAV > NERO > CD (Mastered by Galen) |
06/23/92
|
The Mason Jar |
Phoenix |
AZ |
FLAC |
1 |
VID |
Source:
VID-3>SBM1>Dat>CDR (this is the complete version) |
07/25/92
|
Hollywood Palladium |
Hollywood |
CA |
FLAC |
1 |
Unknown |
As for as I can tell, in this set Tool is opening for RATM.
The recording starts with tool, when someone says "tool's up,
tool's up". They play Maynard's Dick and Disgustipated and then
RATM plays. There was question as to whether this was a tape or
not, as it's cut off after a bit, but the other RATM tracks here are the rest of the set Rage plays. The track "Hollywood Palladium" Is tool's whole set, uncut. |
08/01/92
|
The Mason Jar |
Phoenix |
AZ |
FLAC |
1 |
VID |
VID-3 > SBM1 > Dat > CDR |
08/18/92
|
Gatsby's |
Bremerton |
WA |
FLAC |
1 |
3rd Gen VHS |
Source: 3rd Gen VHS --> Goldwave --> .WAV --> NERO --> CD (Mastered by Galen) |
??/??/92
|
Unknown |
Unknown |
Holland |
FLAC |
1 |
Liberated bootleg "Tooltime" |
Source: Liberated bootleg "Tooltime" (Jokerman)
Silver CD > EAC (offset correct in secured mode) > flac
Quality: Soundboard |
??/??/92
|
Grandmaster Studios |
Hollywood |
CA |
FLAC |
1 |
Studio(?) |
Studio(?) > cassette > cassette > pc > cd > pc > .flac |
01/02/93
|
Undertow Outtakes & D'Amour Demos |
studio |
studio |
FLAC |
1 |
Studio(?) |
Studio(?) > cassette > cassette > pc > cd > pc > .flac |
01/27/93
|
Batschkapp |
Frankfurt |
Germany |
FLAC |
1 |
Soundboard |
Source: Soundboard --- Analog Soundboard > Cassette-2 > CDR > FLAC |
02/04/93
|
The Loft |
Berlin |
Germany |
APE |
1 |
Soundboard |
Source: Soundboard > DAT > SHN >APE |
04/19/93
|
One Step Beyond |
Santa Clara |
CA |
FLAC |
1 |
Unknown AUD |
|
04/19/93
|
One Step Beyond |
Santa Clara |
CA |
FLAC |
1 |
Unknown analog source |
Unknown analog source > unknown analog transfer > 3rd Gen CDR > EAC > FLAC |
05/23/93
|
Live In The USA |
Various |
Various |
FLAC |
1 |
AUD Silver |
|
05/27/93
|
Mayfair |
Newcastle |
England |
FLAC |
1 |
Unknown AUD |
Source: Realistics > unknown Analog source > unknown transfer > 2nd Gen CDR > FLAC |
06/23/93
|
Shoreline Amphitheatre |
Mountain View |
CA |
FLAC |
1 |
Soundboard |
Source: SBD > TCD7 > DAT Master > Oade 7 pin > Delta Dio 2496 > Wav > CD Wave > FLAC Frontend > Flac |
07/10/93
|
Molson Park |
Barrie |
ON |
FLAC |
1 |
Soundboard |
Source: SBD > TCD7 > DAT Master > Oade 7 pin > Delta Dio 2496 > Wav > CD Wave > FLAC Frontend > Flac |
07/23/93
|
Walnut Creek Amphitheater |
Raleigh |
NC |
FLAC |
1 |
Soundboard |
Source: SBD > TCD7 > DAT Master > Oade 7 pin > Delta Dio 2496 > Wav > CD Wave > FLAC Frontend > Flac |
08/06/93
|
Lollapalooza, Santa Fe Dam |
Irwindale |
CA |
FLAC |
1 |
Soundboard |
|
08/15/93
|
Big Melee Music Festival |
Kualoa Ranch |
HI |
FLAC |
1 |
Soundboard |
Soundboard Recording (SBD) --- Sound-Desk > Sony TCD-D8 DAT (patch) > CD |
08/15/93
|
Big Melee Music Festival |
Kualoa Ranch |
HI |
FLAC |
1 |
Soundboard |
Source:
Front-Of_House Soundboard -> Sony TCD-D8 (DAT) -> CD (2) -> Cubase SX2.0
(using Universal Audio EQ-ing, Waves linMB, and Waves L1) -> Wave (0)
-> Flac (0) -> BT
Complete: Yes.
Mastered by Prof. Stoned, May 2004, @ The Soundhouse |
08/27/93
|
Reading Festival |
Reading |
England |
FLAC |
1 |
Sony WM-F2097 |
Source - Realistic mic > Sony WM-F2097
Transfer - ANA(M) > MD(1) > Unknown Transfer to PC > Wav > Audacity > Wav > FLAC (align, verify, lvl8)
Editing - Splits |
08/29/93
|
Lowlands Festival |
Biddinghuizen |
Netherlands |
SHN |
1 |
FM Soundboard |
FM Soundboard Radio Broadcast |
09/09/93
|
Elysée Montmartre |
Paris |
France |
FLAC |
1 |
Aiwa CM-30 > Denon DTR-80P |
Source: Aiwa CM-30 > Denon DTR-80P
Transfer: DAT-1 > Sony PCM-M1 > Coax 7pin > MOTU 2408mkII >
BIAS Peak > CDWave > .WAV > Flac Frontend > .FLAC |
09/21/93
|
Le Moulin |
Marseille |
France |
FLAC |
1 |
Aiwa CM-30 > Sony TCD-D7 |
Source: Aiwa CM-30 > Sony TCD-D7
Transfer: DAT-1 > Sony PCM-M1 > Coax 7pin > MOTU 2408mkII >
BIAS Peak > CDWave > .WAV > Flac Frontend > .FLAC |
09/25/93
|
Parc Expo |
La Rochelle |
France |
SHN |
1 |
Sony TCD-D7 |
Source: Aiwa CM-30 > Sony TCD-D7 > CDR > EAC > WAV > MKW > SHN |
09/28/93
|
L'escall |
Nantes |
France |
FLAC |
1 |
Aiwa CM-30 > Sony TCD-D7 |
Source:
DAT --- Aiwa CM-30 > Sony TCD-D7
DAT:
DAT-1 > Digital Clone-2
CD:
Master > CD (transfer 2002)
Taper:S.D. |
09/30/93
|
Le Zénith |
Caen |
France |
SHN |
1 |
Aiwa CM-30 > Sony TCD-D7 |
Source: Aiwa CM-30 > Sony TCD-D7
Notes: This disk was ripped using EAC and encoded to SHN with MKW. |
10/01/93
|
Le Confort Moderne |
Poitiers |
France |
SHN |
1 |
aiwa cm30>sony tcd-d7 |
Source: DAT - aiwa cm30>sony tcd-d7 |
10/05/93
|
Le Transbordeur |
Lyon |
France |
FLAC |
1 |
Aiwa CM-30 > Sony TCD-D7 |
Source: AUD Aiwa CM-30>Sony TCD-D7 |
10/08/93
|
Espace Seichamps |
Nancy |
France |
FLAC |
1 |
Aiwa CM-30 > Sony TCD-D7 |
|
10/22/93
|
Astoria |
London |
England |
FLAC |
1 |
AUD Realistics |
source: Realistics > unknown Analog source > unknown transfer > CDR > FLAC |
12/11/93
|
Rhythm Café |
Santa Ana |
CA |
FLAC |
1 |
Unknown Analog Recording Equipment |
Source: Unknown Analog Recording Equipment
Source: Transferred to CD by Galen - Dec. 2002 |
02/23/94
|
Massey Concert Hall |
Toronto |
ON |
FLAC |
1 |
Sony Walkman |
Source: ECM909 > Sony Recording Walkman > Maxell XL II 90 Cass(m)
Transfer: Yamaha KX-650 3-Motor/3-Head Closed Loop Dual Capstan Cassette Deck > Hosa Cables > EMU0404 > CEP2.1 (recording, cutting, no fx) > FLAC (level 8, verify enabled) |
03/04/94
|
Maida Vale Studios |
London |
England |
FLAC |
1 |
FM |
Source: FM > ANA(?) > CDR > EAC > .shn |
03/05/94
|
NOB Audiostudio 1 |
Hilversum |
Holland |
FLAC |
1 |
FM > Sony SA5ES |
Source:
FM > Sony SA5ES > analog connected > Sony JA30ES > digital connected > SoundBlaster Live! (w/ optical I/O) > CoolEdit (dEq + dEdit) > CDWave Editor > flac
|
03/17/94
|
Le Globe |
Lyon |
France |
FLAC |
1 |
Audience - Sony Wm-d3 + Sony Ecm-ds10p |
Source: Audience - Sony Wm-d3 + Sony Ecm-ds10p
Lineage: 1st copy from the master.
Master analog tape > 1st copy on analog tape (Denon DRM-740 + analog cable) > .wav (Sound Forge 6.0) > .flac (8) |
03/18/94
|
La Laiterie |
Strasbourg |
France |
FLAC |
1 |
Awia CM-30 > Sony TCD-D7 |
source: Awia CM-30 > Sony TCD-D7 |
03/20/94
|
Le Noumatrouff |
Mulhouse |
France |
FLAC |
1 |
Sony TCD-D7 |
source: Aiwa CM-30 > Sony TCD-D7 |
05/18/94
|
Varsity Arena, University of Toronto |
Toronto |
ON |
FLAC |
1 |
Unknown model portable DAT recorder |
Source: ECM909 > Unknown model portable DAT recorder > DAT(m) > Scotch XS II-S 90 CASS(1)
Transfer: Yamaha KX-650 3-Motor/3-Head Closed Loop Dual Capstan Cassette Deck > Hosa Cables > EMU0404 > CEP2.1 (recording, cutting, no fx) > FLAC (level 8, verify enabled) |
05/18/94
|
Varsity Arena, University of Toronto |
Toronto |
ON |
FLAC |
1 |
Unknown |
Source: Unknown |
05/28/94
|
Kitsap County Fairgrounds |
Bremerton |
WA |
FLAC |
1 |
Unknown AUD |
Lineage: Casette[Master] > CoolEdit(cleanup/hiss/etc) > WAV > CDR(1) > EAC > FLAC |
07/05/94
|
The Loft |
Berlin |
Germany |
FLAC |
1 |
Casio DAT |
Source: OKM-IIr > Casio DAT / 32kHz
Transfer: DC1 from master (resampled to 44kHz) > .wav > .FLAC |
11/11/94
|
The Warfield Theatre |
San Francisco |
CA |
FLAC |
1 |
Unknown AUD |
|
11/14/94
|
Santa Cruz Civic Center |
Santa Cruz |
CA |
|
0 |
sony tcd-d7 |
Recording Info:
DAT - sonic studios dsm6>sony tcd-d7 > soundforge > flac |
12/15/95
|
The Ventura Theater |
Ventura |
CA |
SHN |
1 |
Sony TCD-D7 |
source: Sonic Studios DSM-6 > Sony TCD-D7 > CDR > SHN |
12/31/95
|
Oakland Coliseum |
Oakland |
CA |
FLAC |
1 |
Unknown AUD VHS Rip |
Lineage: ?? > 2nd gen vhs > wav > CD-R > trade CD > .Wav > .Flac > Dime |
10/18/96
|
The Soma |
San Diego |
CA |
FLAC |
1 |
Unknown DAT |
source:
2nd gen cdr from DAT-M > ANA-1 |
10/21/96
|
Warfield Theatre |
San Francisco |
CA |
FLAC |
1 |
Unknown VHS Rip |
Source: 1G VHS > WAV > CDR
Credit: Transferred by Vincent |
10/25/96
|
PNE Forum |
Vancouver |
BC |
FLAC |
1 |
Sony WM D3 Professional Recording Walkman |
Sony WM D3 Professional Recording Walkman Dolby B record and it's original itty-bitty stereo microphone stuck in my hat. Sweet spot semi-binaural stereo.
Playback on Denon DRM 500 deck no Dolby playback with azimuth adjusted to match individual tape head alignment through Sentrek analog EQ for warmth and life
into Toshiba laptop running Wavelab 3.0 for minor editing (fade in/out through overlapping disc flip segments).
Burned to audio CDR twice, and original data lost. I shoulda saved the data, but still own the master tapes! No plans for a ReMaster from originals until technology improves.
Ripped with EAC secure mode after discs were given a good cleaning>Trader's Little Helper FLAC8>TDD>?>YOU! |
11/03/96
|
Saltair Pavillion |
Salt Lake City |
UT |
FLAC |
1 |
COS-11 -> D7 |
Source: COS-11 -> D7
Lineage: D7 -> ? -> APE -> FLAC 1.1.0 (Level 8) |
11/07/96
|
Bronco Bowl |
Dallas |
TX |
FLAC |
1 |
Sonic Studios PA6LC3(-65) > D7 |
Recording info:
Sonic Studios[DSM6S]mics>Sonic Studios[PA6LC3(-65)]>D7
Taping Location: SEC L, ROW D, SEAT 16 (behind board, close to center)
Transfer info:
Master DAT(48)>Sony 59ES>HHB CDR-850 via digital coax>CDR>EAC[secure]>flac[Level 8] |
11/14/96
|
Aragon Ballroom |
Chicago |
IL |
FLAC |
1 |
Sonic Studios PA6LC3 > Sony TCD-D7 |
Recording:
Src Fmt Len Equipment
AUD DAT 91m
Sonic Studios DSM6s > PA6LC3 >
Sony TCD-D7 |
11/23/96
|
Electric Factory |
Philadelphia |
PA |
FLAC |
1 |
TCD-D7 |
Source: CSB/120 > TCD-D7 [FOS]
Transfer: CDR-2 > EAC > WAV > SHN > FLAC |
12/12/96
|
Cullen Auditorium |
Houston |
TX |
FLAC |
1 |
Soundboard |
SBD>Silver>CDWAV>Soundforge8(Edit)>CDWAV>FLAC |
12/17/96
|
Huntridge Theater |
Las Vegas |
NV |
SHN |
1 |
Sony WM-D6 |
Source:
SS-DSM-6S > WM-D6 |
12/19/96
|
Universal Amphitheater |
Los Angeles |
CA |
FLAC |
1 |
Sonic Studios DSM6 |
Sonic Studios DSM6 > Sony TCD-D7 > CDR > SHN > WAV > FLAC |
02/11/97
|
Paradiso |
Amsterdam |
The Netherlands |
FLAC |
1 |
Phillips DCC-170 (Digital Cassette Recorder) |
Source: Coresound Cardiods (bass roll off @ 120Hz) > Phillips DCC-170 (Digital Cassette Recorder) |
02/11/97
|
Paradiso |
Amsterdam |
The Netherlands |
FLAC |
1 |
AUD Incomplete Silver |
|
02/14/97
|
Elysee Montemartre |
Paris |
France |
FLAC |
1 |
Sony TCD-D8 |
source info: Marantz EM-8 > Sony TCD-D8/32kHz
FLAC Version: DAT-M > Waveterminal U24 > Soundforge 6.0 > .wav 44.1kHz > CDWave (track splits) > .FLAC
Transfer from the DAT-M January 2004 by Per (flintstone5@hotmail.com) |
02/19/97
|
Metropol |
Berlin |
Germany |
FLAC |
1 |
Casio DAT/32kHz |
SOURCE
OKM-IIr > Casio DAT/32kHz > 1st Gen DAT Master (resampled to 44kHz) > WAV > FLAC |
02/23/97
|
Astoria |
London |
England |
FLAC |
1 |
Sony TCD-D7 / 48kHz |
Source: Sony ECM-909 > Sony TCD-D7 / 48kHz
Transfer: DC1 > Tascam DA-20 > Waveterminal U24 > Wavelab 5.0 > .wav 48kHz > resampled to 44.1 > CDWave 1.94.2 > .FLAC |
02/27/97
|
Convention Center |
Asbury Park |
NJ |
SHN |
1 |
TCD-D8 |
Source: CSB/120 > TCD-D8 (FOS)
Location: front of stack
Taper: ?
Ripped: b. branch
Transfer: CDR(3) > EAC > MkwACT Tools 0.97 Beat 1> SHN |
02/28/97
|
Wallace Civic Center |
Fitchburg |
MA |
FLAC |
1 |
Sanken COS-11 > D8 |
Source:
Sanken COS-11 > D8 (FOB, dead center) > cdr > SHN > CDR > EAC > FLAClv8 |
03/01/97
|
Mid Hudson Civic Center |
Poughkeepsie |
NY |
FLAC |
1 |
Sony TCD-D8 |
Source: DAT --- Core Sound Binaurals -> Sony TCD-D8
Lineage: DAT -> CDR -> WAV -> FLAC |
03/30/97
|
Bell's Beach |
Torquay |
Australia |
FLAC |
1 |
Sony TCD-D8/48kHz |
Source: Core Sound Binaurals > Sony TCD-D8/48kHz
Transfer: DAT-2 > Sony PCM-M1 > Coax 7pin > MOTU 2408mkII >
BIAS Peak > CDWave > .WAV > Flac Frontend > .FLAC |
04/11/97
|
Hordern Pavilion |
Sydney |
Australia |
FLAC |
1 |
Sony TCD-D8 |
Source: DAT -- Core Sound Binaurals > Sony TCD-D8
|
06/27/97
|
Lakewood Amphitheater |
Atlanta |
GA |
FLAC |
1 |
CSC > D3 |
source: CSC > D3 |
08/03/97
|
Texas Sky Park |
Corpus Christi |
TX |
FLAC |
1 |
Sony TCD-D7 |
Taped:Sony Tcd-D7->csb w/o bass filter->line in(LP mode 16bit 32khz)by aleal5687
Transfer:Sony Tcd-D7->7pin to coaxial->philips cdr870(auto sample rate convert 44.1)->eac(securemode) ->Cool Edit Pro2(used to eq out heavy bass and boost levels)->cdwave used to add tracks->flac level 8
|
03/26/98
|
The Palladium |
Hollywood |
CA |
FLAC |
1 |
580V w/ built-in mic |
source:
580V w/ built-in mic ANA-M>1st gen CD |
03/27/98
|
The Palladium |
Hollywood |
CA |
FLAC |
1 |
580V w/ built-in mic |
580V w/ built-in mic ANA-M>1st gen CD |
03/28/98
|
Phoenix Civic Plaza |
Phoenix |
AZ |
FLAC |
1 |
580V w/ built-in mic |
580V w/ built-in mic ANA-M>1st gen CD |
03/29/98
|
The Rimac Theatre |
San Diego |
CA |
FLAC |
1 |
Sony TCD-D8 |
Core Sound Binaurals > Sony TCD-D8
Ripped to .wav using EAC 0.9b4, converted to SHN using SHN2K 0.9b7 (seektables appended). |
07/12/98
|
Starlake Amphitheater |
Burgettstown |
PA |
FLAC |
1 |
unknown > cd Sliver titled "Erection" |
unknown>cd Sliver titled "Erection">wav>flac |
07/14/98
|
Rubber Bowl |
Akron |
OH |
SHN |
1 |
Sony TCD-D8 |
DAT : SONY TCD-D8 > Core Sound Binaurals > CD-R > Wav > Shn |
07/15/98
|
Wings Stadium |
Kalamazoo |
MI |
FLAC |
1 |
Soundboard |
Soundboard DAT Master>CD clones>EAC>WAV>SHN |
07/15/98
|
Wings Stadium |
Kalamazoo |
MI |
FLAC |
1 |
Soundboard (13) |
Soundboard DAT Master>CD clones>EAC>WAV>SHN>thir13en Remaster |
07/15/98
|
Wings Stadium |
Kalamazoo |
MI |
FLAC |
1 |
Soundboard (Darksound) |
Soundboard DAT Master>CD clones>EAC>WAV>REMASTER>FLAC |
07/26/98
|
Sandstone Amphitheatre |
Kansas City |
KS |
FLAC |
1 |
Audio Technica ATR355 > Sony MZ-R37 |
source: Audio Technica ATR355 > Sony MZ-R37 > 2nd Gen CDR |
08/07/98
|
Astro Arena |
Houston |
TX |
FLAC |
1 |
unknown DAT |
source:
unknown DAT
|
08/13/98
|
Red Rocks Ampitheatre |
Morrison |
CO |
FLAC |
1 |
Marcsounds > Denon DTR-80P |
Source:
DAT --- Marcsounds > Denon DTR-80P |
08/18/98
|
Thomas & Mack Center |
Las Vegas |
NV |
FLAC |
1 |
Sony TCD-D8 |
Source B: DAT --- Core Sound Binaurals > Sony TCD-D8 |
08/19/98
|
Livestock Events Center |
Reno |
NV |
FLAC |
1 |
Sony SBM-1 > Sony TCD-D8 |
Source: DAT --- Core Sound Cardioids > Sony SBM-1 > Sony TCD-D8 |
08/26/98
|
Memorial Auditorium |
Sacramento |
CA |
FLAC |
1 |
sony sbm-1>sony tcd-d8 |
Recording Info:
DAT - core sound cardiods>sony sbm-1>sony tcd-d8
|
08/29/98
|
Santa Barbara Bowl |
Santa Barbara |
CA |
FLAC |
1 |
Sony TCD-D7 |
Sony ECM-959A > Sony TCD-D7 > CDR > SHN > WAV > FLAC |
08/30/98
|
State Events Center |
San Jose |
CA |
FLAC |
1 |
SBM-M1 -> TCD-D8 |
Source: Core Sound Cardiods -> SBM-M1 -> TCD-D8
Lineage: TCD-D8 -> ? -> SHN -> FLAC |
10/10/99
|
Empire Polo Field (Coachella Festival) |
Indio |
CA |
FLAC |
1 |
Sony PCM-M1 Portable DAT |
Source: Core Sound Binaural Mics (FOB) > Sony PCM-M1 Portable DAT > Digidesign Audiomedia III card > SonicWORX Studio 1.5 > cd-r > EAC Secure > wav > flac frontend > flac level 5 |
05/15/01
|
The Tabernacle |
Atlanta |
GA |
FLAC |
1 |
Unknown FOB AUD |
Source: Unknown FOB AUD -> ? -> Mitsui CD
Transfer: Mitsui CD -> EAC (secure, offset corrected) -> WAV -> FLAC (Level 8, sector boundary aligned by disc) |
05/24/01
|
013 Club |
Tilburg |
Holland |
FLAC |
1 |
Unknown AUD |
silver cd __db power amp music converter--flac level o |
05/26/01
|
Milton Keynes Bowl |
Milton Keynes |
England |
FLAC |
1 |
Unknown AUD |
|
06/01/01
|
Rock Am Ring |
Nurburgring |
Germany |
FLAC |
1 |
Sony SBM-1 > Sony PCM-M1 |
- SOURCE -
DAT Audience [Soundman OKM-IIr > Sony SBM-1 > Sony PCM-M1]
- TRANSFER -
DAT master > Sony DTC-ZE700 DAT > Terratec EWX 24/96 > WaveLab V5.0a
> Digital Editing > FLAC V1.1.2
- EDITING -
EQ in Sony Sound Forge V7.0 via Steinberg FreeFilter V1.1
Volume adjustments in Adobe Audition V1.5
Volume boost and fades in Steinberg WaveLab V5.0a
Resampling: 48.0 kHz > 44.1 kHz in Steinberg WaveLab V5.0a
Track splits in CD Wave Editor V1.94.7 |
06/05/01
|
Le Zénith |
Paris |
France |
FLAC |
1 |
4 Source Matrix |
4 source Matrix by tooligan made with Cool Edit Pro
Conversion: FLAC > WAV > CEP > WAV > FLAC
Sources:
source 1 : Sony ECM-959A > Sony TCD-D8 > 1st Gen CDR > FLAC
taper: Franck Bazile
source 2: unknown
taper: White Label Records
source 3: Core Sound Binaurals > Sony MZ-r50 > unknown transfer > 1st Gen CDR > FLAC
taper: unknown
source 4: Core Sound Binaurals > Sharp MD-MT77 > unknown transfer > 5th Gen CDR > EAC > FLAC
taper: Duncan |
06/12/01
|
Brixton Academy |
London |
England |
FLAC |
1 |
Unknown AUD |
Silver Discs > EAC (with proper settings) > WAV > Trader's Little Helper > Flac (level 7) |
06/21/01
|
Libro Music Hall |
Vienna |
Austria |
FLAC |
1 |
Sony MZ-R50 |
Source: Core Sound Binaurals > Sony MZ-R50 > unknown transfer > CDR > EAC > WAV > FLAC Frontend > FLAC |
06/23/01
|
Southside Festival |
Neuhausen |
Germany |
FLAC |
1 |
Sony SBM-1 > Sony PCM-M1 |
- SOURCE -
DAT Audience [Soundman OKM-IIr > Sony SBM-1 > Sony PCM-M1]
- TRANSFER -
DAT master > Sony DTC-ZE700 DAT > Terratec EWX 24/96 > WaveLab V5.0a
> Digital Editing > FLAC V1.1.2
- EDITING -
EQ in Sony Sound Forge V7.0 via Steinberg FreeFilter V1.1
Volume boost and fades in Steinberg WaveLab V5.0a
Resampling: 48.0 kHz > 44.1 kHz in Steinberg WaveLab V5.0a
Track splits in CD Wave Editor V1.94.7 |
06/24/01
|
Hurricane Festival |
Scheesel |
Germany |
FLAC |
1 |
Unknown AUD |
|
07/01/01
|
Edgefest, Molson Park |
Barrie |
ON |
FLAC |
1 |
Unknown AUD |
Lineage: Trader CD-R > EAC, Secure Mode, Accurate Stream, No Disable Cache, C2 > WAV > Flac Frontend, Encoding Options, Level.6, Align On Sector Boundaries > Flac
Label: N/A
Original Taper: N/A |
07/23/01
|
rod laver arena |
Vic |
Australia |
FLAC |
1 |
Sharp MD0MT20W mini-disc recorder |
Audience recorded, seated somewhere in the middle off to the side.
Lineage is straight from source.
Recorded on a Sharp MD0MT20W mini-disc recorder & transfered through Cool Edit then converted to FLAC. |
08/03/01
|
Red Rocks Ampitheatre |
Morrison |
CO |
FLAC |
1 |
Unknown AUD |
|
08/13/01
|
Wiltern Theater |
Los Angleles |
CA |
FLAC |
1 |
iem (soundboard) > m1 |
source : iem (soundboard) > m1
taper : benchboy
transfer : markp |
08/14/01
|
Wiltern Theater |
Los Angeles |
CA |
FLAC |
1 |
Soundboard iem > m1 |
source : iem > m1
taper : benchboy
transfer : markp |
08/15/01
|
SDSU Theater |
San Diego |
CA |
FLAC |
1 |
Sony TCD-D100 DAT |
Equipment: Sony TCD-D100 DAT & Sound Professional slimline cardiods
Source: SPSC > D100 > DAT > ? > CDR > EAC > FLAC(8) |
09/07/01
|
Alliant Energy Center |
Madison |
WI |
FLAC |
1 |
Sony TCD-D8 |
Sonic Studio DSM6s > Sony TCD-D8 |
09/09/01
|
All State Arena |
Chicago |
IL |
FLAC |
1 |
Sony TCD-D8 |
Recorder: Sony TCD-D8
Microphone: Core Sound Binaurals
Lineage DAT(M) > SHN > CDR(1) > EAC > FLAClv8 |
09/13/01
|
Van Andel Arena |
Grand Rapids |
MI |
FLAC |
1 |
Sony MD-MZR700 |
Recorder: Sony MD-MZR700
Mic: Radioshack Lavalier Omni-directional, original text file had "Aiwa bi carb mics"
Source Info: minidisc(M)>WAV>CDR>SHN>CDR>EAC>FLAClv8 |
09/18/01
|
Air Canada Center |
Toronto |
ON |
FLAC |
1 |
Sony MD-Recorder (MZ-R37) |
Recording Device: Sony MD-Recorder (MZ-R37)
MICS Used: Sound Professionals Binaural mics (SP-BMC-1) ->Sound Professionals Bass Roll off filter/battery box (SP-SPSB-2)
Source: MD->CD->WAV->FLAC |
09/18/01
|
Air Canada Center |
Toronto |
ON |
FLAC |
1 |
MD-MS702 |
Source: AT853>MD-MS702
Transfer: MD(0)>JB920>Coax>GTXP>CDWave>SHN |
09/27/01
|
First Union Arena |
Philadelphia |
PA |
FLAC |
1 |
TCD-D8 |
Source: Core Sound Binurals > TCD-D8
Transfer: DAT-? > CDR-? > EAC [Secure] > WAV > Flac Frontend [level 7] > FLAC |
10/01/01
|
Madison Square Garden |
New York |
NY |
FLAC |
1 |
Sony TCD-D100 |
source: DAT - Sonic Studios DSM6s/L > PA6LC2(85) > Sony TCD-D100 |
10/04/01
|
Pepsi Arena |
Albany |
NY |
SHN |
1 |
sharp md-mt77 (MDLP2) |
Taper: Oysterhead
core sound stealth cardioids > battery box > sharp md-mt77 (MDLP2)
Location: Right rear corner of the soundboard on the floor.
Encoding: Oysterhead
sony mds-s707 > toslink > dio 2448 > soundforge > .wav > mkwact > .shn |
10/06/01
|
Verizon Wireless Amphitheater |
Charlotte |
NC |
FLAC |
1 |
Sony TCD-D100 |
Source: Neumann KM140s > Sonosax SX-M2 > Sony TCD-D100
Transfer: CDRs > wav > flac |
10/15/01
|
Mid-South Coliseum |
Memphis |
TN |
FLAC |
1 |
Sony SBM-1 |
Source: Schoeps mk41 > kc5 > cmc6 > Lunatec V2 > Sony SBM-1 > D8
Transfer: Master DAT>MIT s/pdif>MAudio Delta dio 2496>Samplitude 2496 v5.55>CDWav>FLAC |
10/18/01
|
Freedom Hall |
Louisville |
KY |
FLAC |
1 |
Unknown AUD |
CDR(From Trade) > EAC > WAV > Traders Little Helper > FLAC(Level 6) > You |
10/21/01
|
Kemper Arena |
Kansas City |
MO |
FLAC |
1 |
Sony PCM-M1 |
Sound Professionals Cardioids > Sony PCM-M1 |
10/25/01
|
Verizon Wireless Amphitheater |
San Antonio |
TX |
FLAC |
1 |
Sony MZ-R55 |
Sony MDR-Q33LP/S Headphones > Sony MZ-R55 > Sony minidisc > SB Live! > WaveLab 3.04a |
10/31/01
|
Cox Arena |
San Diego |
CA |
SHN |
1 |
sharp-MT821 |
ECM-ZS90>sharp-MT821>CD-R>SHN |
11/01/01
|
Verizon Wireless Amphitheatre |
Irvine |
CA |
FLAC |
1 |
Sony TCD-D100 |
source: DAT - Sound Pro Slimiline Cardiods (at853s) > Sony TCD-D100 |
11/02/01
|
Arco Arena |
Sacramento |
CA |
FLAC |
1 |
Sony TCD-D8 |
DAT --- Sony ECM-TS120 > Sony TCD-D8 |
11/03/01
|
Shoreline Amphitheatre |
Mountain View |
CA |
FLAC |
1 |
SBM-1 > PCM-M1 |
Source: Schoeps MK4s > Rmod2K1 box > SBM-1 > PCM-M1
Conversion: Fostex D5 > SP/DIF > DIO2448 > Soundforge 7.0b > shntool 2.0.3 > flac 1.1.1 |
11/05/01
|
Spokane Arena |
Spokane |
WA |
FLAC |
1 |
Sony SBM-1 > Sony TCD-D7 |
source: Core Sound Binaurals > Sony SBM-1 > Sony TCD-D7 > CDR |
11/06/01
|
Memorial Coliseum |
Portland |
OR |
FLAC |
1 |
Sony TCD-D8 |
source: Audio Technica AT825 > Sony TCD-D8 (speech mode) > U2a > WAV > CDR |
11/07/01
|
GM Place |
Vancouver |
BC |
FLAC |
1 |
Sony WM D3 Professional Recording Walkman |
Sony WM D3 Professional Recording Walkman Dolby B record and it's original itty-bitty stereo microphone stuck in my hat. Sweet spot semi-binaural stereo.
Playback on Denon DRM 500 deck no Dolby playback with azimuth adjusted to match individual tape head alignment through Sentrek analog EQ for warmth and life
into Toshiba laptop running Wavelab 3.0 for minor editing (fade in/out through overlapping disc flip segments).
Burned to audio CDR twice, and original data lost. I shoulda saved the data, but still own the master tapes! No plans for a ReMaster from originals until technology improves.
Ripped with EAC secure mode after discs were given a good cleaning>Trader's Little Helper FLAC8>TDD>?>YOU!
Designed as a 3-disc set |
11/07/01
|
GM Place |
Vancouver |
BC |
FLAC |
1 |
M1 + Sony ECM-DS70P |
source: DSM-S/L>PA6LC3B(170)>M1 + Sony ECM-DS70P > Sony MZ-R700
transfer: Fostex D5>digital>IHP-H140
editing: fade in/out |
11/08/01
|
Tacoma Dome |
Tacoma |
WA |
FLAC |
1 |
VCD Rip |
ripped from VCD by pleasedrown: Lossy |
11/08/01
|
Tacoma Dome |
Tacoma |
WA |
FLAC |
1 |
Sharp MD-MT77 |
Mini Disc --- Core Sound Cardioids > Sharp MD-MT77 |
04/10/02
|
Akasaka Blitz |
Tokyo |
Japan |
SHN |
1 |
PA6LC3 |
Recording Type: Audience recording by Satsuki Tomono
DAUD/ss.DSM6s>PA6LC3/DM/EX |
04/11/02
|
Akasaka Blitz |
Tokyo |
Japan |
FLAC |
1 |
TCD-D100 |
Source: DSM6s > TCD-D100 / 48kHz
Transfer: DC1 > Tascam DA-20 > Waveterminal U24 > Wavelab 5.0 > .wav 48kHz > resampled to 44.1kHz > CDwave > .FLAC |
04/18/02
|
Westpac Trust Centre |
Christchurch |
New Zealand |
FLAC |
1 |
Sony MD MZ-900 |
Source: Mini Disc --- Panasonic Capsules / Model # Not Specified > Sony MD MZ-900 |
04/20/02
|
North Shore Events Center |
Auckland |
New Zealand |
SHN |
1 |
Sony TCD-D8 |
Source: Core Sound Binaurals > Sony TCD-D8 > Unknown Transfer > SHN |
04/24/02
|
Entertainment Centre |
Sydney |
Australia |
FLAC |
1 |
|
|
04/27/02
|
Rod Laver Arena |
Melbourne |
Australia |
FLAC |
1 |
Sony MZ-R700 |
source: Sony ECM-MS5 > Sony MZ-R700 > unknown transfer > CDR |
04/29/02
|
Royal Theatre |
Canberra |
Australia |
FLAC |
1 |
Sony MZ R-700 |
|
05/01/02
|
Entertainment Centre |
Adelaide |
Australia |
FLAC |
1 |
Sony TCD-D100 |
Source: SPC > Sony TCD-D100 (Oade Bros Mod)
Transfer: DAT-M > CDR-2 > EAC (Secure) > .WAV > Flac Frontend (Level 8) > .FLAC |
05/10/02
|
Olympia Theatre |
Paris |
France |
FLAC |
1 |
Sharp MT77 + Sony MZ 900 |
2 SOURCE MIX
Duncan- Core Sound Binaurals > Sharp MT77
Dave M- Core Sound Binaurals > Sony MZ 900
Rework notes: Extracted to Sony Soundforge7.0, Sony Wavehammer applied, Tracked in Soundforge7.0, Encoded to Flac lvl8 with FlacFrontend. |
05/12/02
|
Brixton Academy |
London |
England |
SHN |
1 |
|
|
05/13/02
|
Brixton Academy |
London |
England |
SHN |
1 |
Sharp MT77 |
Mini Disc --- Core Sound Binaurals > Sharp MT77 |
05/14/02
|
Hall Deich |
Ettelbruck |
Luxembourg |
FLAC |
1 |
Sharp M77 |
source:
Mini Disc --- Core Sound Binaurals > Sharp M77 (Remastered by: CatalystX) |
05/21/02
|
Columbiahalle |
Berlin |
Germany |
FLAC |
1 |
Casio DAT/32kHz |
Source: OKM-IIr > Casio DAT/32kHz > 1st Gen DAT Master (resampled to 44kHz) > WAV > FLAC |
05/23/02
|
Sportpaleis Antwerpen |
Antwerp |
Belgium |
FLAC |
1 |
Unknown AUD |
Lineage: Trader CD-R > EAC, Secure Mode, Accurate Stream, No Disable Cache > WAV > Flac Frontend, Encoding Options, Level.6, Align On Sector Boundaries > Flac |
05/25/02
|
Donnington Race Course |
Castle Donnington |
England |
FLAC |
1 |
Sharp MT |
Source info:
MD--- Sony ECM-717 > Sharp MT |
06/01/02
|
Goffertpark |
Nijmegen |
Netherlands |
SHN |
1 |
Sharp MT-88 MD |
Source: Core Sound Cardoids > Sharp MT-88 MD > CDR(1) > EAC > WAV > MKW > SHN |
07/11/02
|
Centennial Garden & Convention Center |
Bakersfield |
CA |
FLAC |
1 |
Sony TCD-D8 |
source:
DAT - core sound high-end binaurals>sony tcd-d8 |
07/19/02
|
Thomas & Mack Center |
Las Vegas |
NV |
FLAC |
1 |
Sony MD |
Source Info:
Sony MD & Sone ecm - zs90 > DVD > AC3 > WAV > SHN |
07/21/02
|
Pepsi Center |
Denver |
CO |
FLAC |
1 |
SBD>FM>Assisted Listening Device (ALD)>PCM-M1 / MBHO KA200 > DVCV-12 > M1 |
Source:
SBD>FM>Assisted Listening Device (ALD)>PCM-M1
MBHO KA200 > DVCV-12 > M1 |
07/21/02
|
Pepsi Center |
Denver |
CO |
FLAC |
1 |
Matrix - Assisted Listening Device / MBHO ka200n |
source: Assisted Listening Device > unknown DAT + MBHO ka200n > MBHO Actives > JK Labs DVC V-12 > Sony PCM-M1 > FLAC
This is a matrix of version 1 and version 2. BLG did a great job of
mixing these together. |
07/25/02
|
Tulsa Expo Center |
Tulsa |
OK |
SHN |
1 |
Sharp MD-MT877 |
source: Dynamic Audio Cardioids > Dynamic Audio Flat Battery Box >
Sharp MD-MT877 > MD Master > SB Live! > Sound Forge 5d > WAV > SHN |
07/26/02
|
Frank Irwin Center |
Austin |
TX |
FLAC |
1 |
Sony MZ-N505 (LP4 mode) |
Source: Mini Disc -- Reactive Audio Stereo Spider Binaurals -> Sony MZ-N505 (LP4 mode)
Lineage: Unknown MD -> CDR -> .WAV -> .FLAC |
08/05/02
|
Ocean Center |
Daytona Beach |
FL |
FLAC |
1 |
Sharp MT-90 |
Source: Mini Disc --- Core Sound Binaurals > Sharp MT-90 |
08/07/02
|
Bi-Lo Center |
Greeneville |
SC |
FLAC |
1 |
Sharp MT-90 |
Source: Mini Disc --- Core Sound Binaurals > Sharp MT-90 |
08/12/02
|
Sovereign Bank Arena |
Trenton |
NJ |
FLAC |
1 |
MT90 |
Source: ECM-717 > MT90
Transfer: MDS-PC3 (digital) > Zoltrix Nightingale Pro 6 > Soundforge 6.0 > CD Wave > FLAC 1.1.2 |
08/13/02
|
Radio City Music Hall |
New York |
NY |
FLAC |
1 |
Unknown AUD |
slight audio adjustment during Sober and some static at the beginning of Disposition.
Audience is heard throughout the recording but never too disturbing. |
08/13/02
|
Radio City Music Hall |
New York |
NY |
FLAC |
1 |
Sharp MT-821 |
Source: Sony ECM-DS70P > Sharp MT-821
Transfer: MD-M > CDR-3 > EAC (Secure) > WAV > Flac Frontend (Level 7) > FLAC |
08/18/02
|
Verizon Wireless Arena |
Manchester |
NH |
FLAC |
1 |
SONY MZ R70 MD Walkman |
Mic->SONY ECM-909 stereo
Rec->SONY MZ R70 MD Walkman
2002 transfer:
MD(master)-> analog out->built in crappy soundcard->Cool Edit->wav->SHN->data DVD-R
2006:
SHN>WAV>FLAClv8
when you burn it will be CDR1 |
08/24/02
|
Corel Center |
Ottawa |
ON |
FLAC |
1 |
Sony MD-Recorder (MZ-R37) |
|
08/25/02
|
Copps Coliseum |
Hamilton |
ON |
FLAC |
1 |
Sony PCM-M1 (with Bass Roll-off) |
CSB > Sony PCM-M1 (with Bass Roll-off) > CDR > xACT > FLAC |
08/25/02
|
Copps Coliseum |
Hamilton |
ON |
FLAC |
1 |
2 Source Mix |
CSB > Sony PCM-M1 (Front row in front of left stack on floor) + CSB > Sony PCM-M1 (Oade Mod) (Front row in front of right stack on floor).
Lineage: ? -> FLAC -> FLAC 1.1.0 (Level 8) |
08/31/02
|
U.S. Bank Arena |
Cincinnati |
OH |
FLAC |
1 |
Sharp 821MD |
Source: AUD Sharp 821MD, Sony ECM717 using internal battery on line in
Lineage: MASTER MD>WAV(TOSLINK>SONY Sound Forge7)>FLAC v1.7.1 [8]
Editing: Fade in/out on disks' start and end. Tracking done on CD WAV Audio Editor V1.71. No other processing has been done to this recording, no normalizing, no EQ. |
09/01/02
|
US Cellular Arena |
Milwaukee |
WI |
FLAC |
1 |
Unknown AUD |
Trade CDR > EAC > FLAC |
09/07/02
|
The Mark |
Moline |
IL |
FLAC |
1 |
Sharp MT-770 |
source: Mini Disc --- Core Sound Binaurals (clones) > Sharp MT-770 |
10/07/02
|
Pengrowth Saddledome |
Calgary |
AB |
FLAC |
1 |
PA-6LC2 > Sony WM-D6C |
Sonic Studios DSM-6S/L > PA-6LC2 > Sony WM-D6C |
10/10/02
|
Rushmore Plaza Civic Center |
Rapid City |
SD |
FLAC |
1 |
2 Source Matrix |
Source A: DAT - MBHO ka200n > MBHO Actives > JK Labs DVC V-12 > Sony PCM-M1
Source B: IEM > Sony PCM-M1 > 1st Gen CDR > FLAC
Matrix done by pineaway
Generation: Soundforge > WAV > Flac (When burned it would be a master copy of this matrix)
|
10/10/02
|
Rushmore Plaza Civic Center |
Rapid City |
SD |
FLAC |
1 |
PCM-M1 |
Source: In Ear Monitor > PCM-M1
Transfer: DAT-? > CDR-2 > EAC (Secure) > WAV > Flac Frontend (Level 7) > FLAC |
10/10/02
|
Rushmore Plaza Civic Center |
Rapid City |
SD |
FLAC |
1 |
PCM-M1 |
Source: MBHO KA-200 > JK Laboratories DVC-V12 > PCM-M1
Transfer: DAT-1 > CDR-2 > EAC (Secure) > Flac Frontend (Level 7) > .FLAC |
10/11/02
|
Coors Event Center |
Boulder |
CO |
FLAC |
1 |
Sony PCM-M1 |
Source A: DAT --- MBHO ka200n> MBHO Actives > JK Labs DVC V-12 > Sony PCM-M1 |
10/13/02
|
World Arena |
Colorado Springs |
CO |
FLAC |
1 |
Sony PCM-M1 |
Source: MBHO KA-200 > JK Laboratories DVC-V12 > Sony PCM-M1
Transfer: DAT-M > Unknown Transfer > CDR-1 > EAC (Secure) > WAV > Flac Frontend (Level 5) > FLAC |
10/13/02
|
World Arena |
Colorado Springs |
CO |
SHN |
1 |
D8@48kHz |
Source: MM Sennheiser MKE40>BB@69Hz>D8@48kHz
Conversion: CDT8000>dat2wav>wav>Cool Edit>shn |
10/16/02
|
Kemper Arena |
Kansas City |
KS |
FLAC |
1 |
Sony PCM-M1 |
Source: DAT - Core Sound Binaurals > Sony PCM-M1 > Sony MZ-R700 > Sound Forge 6.0 > EQ [by: Galen] > WAV > CD > EAC > FLAC Frontend Level 5
Generation: Master DAT > 1G MD > CD |
10/18/02
|
Wings Stadium |
Kalamazoo |
MI |
FLAC |
1 |
Sony PCM-M1 |
Source: CSB > Sony PCM-M1
Location: front row first section left side facing stage
Transfer: Tascam DA-302 digi coax > Audiophile 2496 > Soundforge 5.0 (resampled/normalized) > CDWav (tracking) > mkw (wav>shn)
Please do not attempt to EQ or edit this show in any way, preserve the original file integrity for others to enjoy. Follow this simple request and more will follow. -smagmapig- |
10/24/02
|
Broome County Arena |
Binghamton |
NY |
FLAC |
1 |
Sony PCM-M1 |
Source: DPA 4062 > MPS6030 > Sony PCM-M1
Transfer: DAT-M > CDR-1 (CatalystX Remaster) > CDR-3 > EAC [Secure] >
WAV > Flac Frontend [Level 6] > FLAC |
10/31/02
|
Nassau Coliseum |
Uniondale, L.I. |
NY |
FLAC |
1 |
Unknown taping equipment |
Lineage: Unknown taping equipment > ? > CDR(x) > EAC > WAV > FLAC |
11/02/02
|
Joel Lawrence Colisuem |
Winston-Salem |
NC |
FLAC |
1 |
MD-MT877 |
SP-CMC-16 > MD-MT877 > CDR > WAV (EAC) > FLAC |
11/16/02
|
Cox Convention Center |
Oklahoma City |
OK |
FLAC |
1 |
Sharp MT-877 |
Source A: Mini Disc --- Core Sound Binaurals > Sharp MT-877
TooL Hub SHN files > CDR's > EAC Secure Mode > FLAC (level 8 + Align on sector boundaries) |
11/22/02
|
Selland Arena |
Fresno |
CA |
FLAC |
1 |
Sony PCM-M1 |
Source: Schoeps MK4s > Rmod2K1 box > SBM-1 > PCM-M1
Conversion: Fostex D5 > SP/DIF > DIO2448 > Soundforge 7.0b > shntool 2.0.3 > flac 1.1.1 |
11/23/02
|
Lawlor Event Center |
Reno |
NV |
DVD |
1 |
|
|
11/23/02
|
Lawlor Event Center |
Reno |
NV |
FLAC |
1 |
MZ-R700 |
source: ECM-MS908 > MZ-R700 |
11/24/02
|
Long Beach Arena |
Long Beach |
CA |
FLAC |
1 |
Sony MZ-R700 |
source: Core Sound Binaurals > Denecke AD-20 > Sony MZ-R700 > unknown transfer > CDR |
11/24/02
|
Long Beach Arena |
Long Beach |
CA |
FLAC |
1 |
Sony MZ R-700 [Tooligan Remaster] |
Source A: Mini Disc --- Core Sound Binaurals > Denecke AD-20 > Sony MZ R-700
Remastered by tooligan(grendelator at yahoo dot com) using Cool Edit Pro
Conversion: APE > WAV > CEP > WAV > APE |
04/30/06
|
Empire Polo Field |
Indio |
CA |
FLAC |
1 |
Sony PCM-M1 |
Source: Master Audience
DAT: Core Sound Binaurals (9V BatBox >Line In) > Sony PCM-M1 > Maxell 90m DAT @48k
Playback/Transfer: Fostex D5 Master (DAT) Recorder > JB3 @48K (via toslink) > HD (via USB) > Peak 4.0 ( Downsample, Tracking, Normalize, Fades ) > verify SBE OK, generate .aiff.checksum, compress to flac level 7, generate fingerprint, verify via xACT 1.4b23, seeded via Azureus 2.3.0.6 by BoldCaptain May 2006. |
04/30/06
|
Empire Polo Field |
Indio |
CA |
FLAC |
1 |
Sony M1 |
Source: Master Audience DAT - DPA 4060 (9V BatBox >Line In) > Sony M1 > Maxell 90m DAT @48k
Transfer: Fostex D5 Master (DAT) Recorder > Tascam CD-RW5000 \
(AES/EBU out > Coax in) > CD > Peak 4.0 ( Extraction, Normalize, Tracking, Fades ) > verify SBE OK, generate .aiff.checksum, compress to flac level 7, generate fingerprint, verify via xACT 1.4b23, seeded to EZT via Azureus 2.3.0.6 by BoldCaptain May 2006. |
04/30/06
|
Empire Polo Field |
Indio |
CA |
FLAC |
1 |
M-Audio MicroTrack 24/96(@24/48) |
|
05/02/06
|
Paramount Theater |
Seattle |
WA |
FLAC |
1 |
Sony MZ-RH10 Hi-MD (Hi-SP mode) |
Source: Core Sound Binaurals > battery box without bass rolloff > Sony MZ-RH10 Hi-MD (Hi-SP mode)
Transfer/editing: Sony MZ-RH10 > USB > SonicStage 3.2 > T-RackS 24 (eq, compression) > Cool Edit Pro (edit tracks, fix dropouts, tracking) > FLAC Frontend level 8 |
05/02/06
|
Paramount Theater |
Seattle |
WA |
FLAC |
1 |
SP-PREAMP-4 |
Core-Sound Stealth Cardiods --> SP-PREAMP-4 --> Gmini 402 --> USB --> CDWave --> FLAC |
05/06/06
|
Gammage Auditorium |
Tempe |
AZ |
FLAC |
1 |
Sony PCM-M1 (oade) |
Source: Sanken COS 11s-pt RM > Sony PCM-M1 (oade)
Transfer: M1 > Core Sound 7-pin > Creative Labs Platinum Audigy
> Adobe Audition (44Khz/EQ) > CDWAVE > WAV > FLAC
Remaster: FLAC > WAV > Adobe Audition (44.1Khz/Edits) > WAV > FLAC |
05/08/06
|
McFarlin Auditorium |
Dallas |
TX |
FLAC |
1 |
Sony D100 (48kHz) |
Source:SP-CMC-8 (AT943)Cardiods > SPSB-1 (bass roll-off @ 160hz, line-in)> Sony D100 (48kHz)
Transfer: DAT-Master > Sony D100 (SPDIF Out) > M-Audio Delta Audiophile 2496 (SPDIF In @ 48 kHz) > WaveLab(Mastered,Resample @ 44.1kHz & Tracked) > .WAV > FLAC Frontend > .FLAC |
05/08/06
|
McFarlin Auditorium |
Dallas |
TX |
FLAC |
1 |
D7 |
Recording Info:
Sonic Studios[DSM-6S/L] > Sonic Studios[PA-6LC3(-85)] > D7
Transfer Info:
Master DAT(48) > Sony 59ES > HHB CDR-850 (via Monster Digital Coax) > CDR > EAC[secure] > FLAC [level 8, verify, align on sector boundaries]
Track ID's made during DAT > CD transfer so they may not be perfect. |
05/10/06
|
Temple Buell Theatre |
Denver |
CO |
FLAC |
1 |
D100 |
Source: Core Sound Binaurals>bat box>attenuator cable>D100
Transfer:DAT>Jcrab66 magic>Cool Edit Pro 2>cd wave>flac
Taper: Cooze & Root Productions |
05/12/06
|
Orpheum Theatre |
Minneapolis |
MN |
FLAC |
1 |
2 Source Matrix |
Source 1:
Equipt.: Audix ADX20-D's (hc) > Mic 2496 > M-Audio Microtrack 24/96 (24 bit - 96 kHz)
Transfer: MT 24/96 > USB 2.0 > PC > Wavelab 5 > CDWave
*** this version is ditherd and resampled to 16 bit 44.1 kHz in Wavelab 5 (UV22 HR)
Source 2:
Equipt.: DPA 4061's > HEB bb @ 16Hz > Denecke AD20 > Sony PCM-M1 (16 bit - 44.1 kHz)
Transfer: Tascam DA-30 MK II > Hosa toslink optical (S/PDIF) > Audigy 2 ZS Platinum > Sound Forge 7.0 \ Wavlab 5 > CDWave
Conversion: FLAC > WAV > CEP > WAV > FLAC
Matrix by tooligan |
05/12/06
|
Orpheum Theatre |
Minneapolis |
MN |
FLAC |
1 |
M-Audio Microtrack |
Equipt.: Audix ADX20-D's (hc) > Mic 2496 > M-Audio Microtrack 24/96 (24 bit - 96 kHz)
Transfer: MT 24/96 > USB 2.0 > PC > Wavelab 5 > CDWave
*** this version is ditherd and resampled to 16 bit 44.1 kHz in Wavelab 5 (UV22 HR) |
05/12/06
|
Orpheum Theatre |
Minneapolis |
MN |
FLAC |
1 |
Sony PCM-M1 (16 bit - 44.1 kHz) |
Equipt.: DPA 4061's > HEB bb @ 16Hz > Denecke AD20 > Sony PCM-M1 (16 bit - 44.1 kHz)
Transfer: Tascam DA-30 MK II > Hosa toslink optical (S/PDIF) > Audigy 2 ZS Platinum > Sound Forge 7.0 \ Wavlab 5 > CDWave |
05/13/06
|
Auditorium Theatre |
Chicago |
IL |
FLAC |
1 |
Micro Track 24/96 |
source: IEM > MT24/96 > 0 gen FLAC |
05/13/06
|
Auditorium Theatre |
Chicago |
IL |
FLAC |
1 |
Sony Hi MD MZ-M100 (PCM 44.1) |
source- Sony ECM DS70P,
Sony Hi MD MZ-M100 (PCM 44.1)
Transfer- USB Upload from Sony MZ-M100 to Sonic Stage> FLAC Frontend |
05/13/06
|
Auditorium Theatre |
Chicago |
IL |
FLAC |
1 |
2 Source Matrix |
source: IEM > MT24/96 > 0 gen FLAC
source AUD - Mics: MBHO 603 (KA 200 N), Church Audio ST-11 (cardioid, omni)
Pre: Church Audio 9100 - Cables: van den Hul "The Mic"
Recorders: Microtrack I, Sound Devices 702 |
05/16/06
|
Hummingbird Centre |
Toronto |
ON |
FLAC |
1 |
Sony MZ-N1 |
source: Core Sound Cardioids >> Sony MZ-N1 > analog out > CD Wave > FLAC > Wavelab > FLAC |
05/16/06
|
Hummingbird Centre |
Toronto |
ON |
FLAC |
1 |
2 Source Matrix |
Source 1:
Core Sound Binaurals > Sony PCM-M1
Dissemination: FLAC > Torrent / Dimeadozen.org (05/2006)
Location: Balcony, Row W, on the right/centre side
Source 2:
Source C: DAT --- Sound Professionals Deluxe Audio Technica Cardiods (AT831's)->Sound Professionals Bass Roll off filter/battery box (SP-SPSB-2) > Sony TCD-D8 / 48 kHz
Dissemination: Sony DTC60ES->toslink->M-Audio CO3->THX coax ->Teac CD burner->CD->WAV(via Itunes)->FLAC>Dimeadozen.org (05/2006) |
05/16/06
|
Hummingbird Centre |
Toronto |
ON |
FLAC |
1 |
Sony PCM-M1 |
Source: CSB > Sony PCM-M1 |
05/16/06
|
Hummingbird Centre |
Toronto |
ON |
FLAC |
1 |
Sony PCM-M1 (Oade Mod II) / 48 kHz |
Source A: DAT - Danish Pro Audio 4061 > MMA6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz
Dissemination: DAT-M > Tascam DA-20 > Digital Coax > Audiophile 24/96 > Soundforge / slight bass reduction / normalization > WAV > FLAC |
05/16/06
|
Hummingbird Centre |
Toronto |
ON |
FLAC |
1 |
2 Source Matrix (Alternate) |
Lineage Of Sources Used: Source 1: "Tool, Toronto, Ontario, The Hummingbird Centre, (Toaster), Source: CSB > Sony PCM-M1 > Flac > Goldwave > WAV > Nerowaveditor > Flac Frontend, Encoding Options, Level.6, Align On Sector Boundaries > Flac
Source 2: " Tool, Toronto, Ontario, The Hummingbird Centre, ( Dreyfuss), Microphones: Sound Professionals Deluxe Audio Technica Cardiods (AT831's)->Sound Professionals Bass Roll off filter/battery box (SP-SPSB-2)
Recording Device: Sony D8 @ 48khz
Source:Sony DTC60ES->toslink->M-Audio CO3->THX coax ->Teac CD burner->CD->WAV(via Itunes)->FLAC > Goldwave > WAV > Nerowaveditor> Flac Frontend, Encoding Options, Level.6, Align On Sector Boundaries > Flac |
05/16/06
|
Hummingbird Centre |
Toronto |
ON |
FLAC |
1 |
Sony D8 @ 48khz |
Microphones: Sound Professionals Deluxe Audio Technica Cardiods (AT831's)->Sound Professionals Bass Roll off filter/battery box (SP-SPSB-2)
Recording Device: Sony D8 @ 48khz
Source:Sony DTC60ES->toslink->M-Audio CO3->THX coax ->Teac CD burner->CD->WAV(via Itunes)->FLAC
|
05/16/06
|
Hummingbird Centre |
Toronto |
ON |
FLAC |
1 |
Micro Track 24/96 (24bits, 48kHz) |
source: SP-CMC-8 (AT943) > SP-MICROTRACK-MIC-POWER > MT 24/96 (24bits, 48kHz)
lineage: MT 24/96 > USB2.0 > PC > Wavelab 5.0 > FLAC Frontend Level 7 |
05/19/06
|
City Center |
New York |
NY |
FLAC |
1 |
iRiver 120 |
Source: DPA 4061s > CSBB > iRiver 120
Transfer: Soundforge > dBpowerAMP |
05/20/06
|
City Center |
New York |
NY |
FLAC |
1 |
Sony PCM-M1 DAT |
Source: Schoeps MK4s > actives > Nbox > -20db > Sony PCM-M1 DAT
Transfer: DA-20 > G5 > Peak
|
05/20/06
|
City Center |
New York |
NY |
FLAC |
1 |
Microtrack 24/96 (@16/44.1)(Mono) |
Source: MM-BSM-2 > MM-EBM-1 > Microtrack 24/96 (@16/44.1)(Mono)
Transfer: Microtrack 24/96 > USB 2.0 > Audacity (copied left channel over/track splits) > Cool Edit 2.1 (slight eq) > Flac (lvl 8) |
05/21/06
|
Orpheum Theatre |
Boston |
MA |
FLAC |
1 |
Sony PCM-M1 DAT |
Source: Schoeps MK4s > actives > Nbox > -20db > Sony PCM-M1 DAT
Transfer: DA-20 > G5 > Peak |
05/30/06
|
Summum Theater |
Grenoble |
France |
FLAC |
1 |
MD sony MZ-N710 |
Source: MD sony MZ-N710 > Panasonic Mic
Location: Center, in the crowd ~2m.
Transfer: sony MZ-N710 > analogic cable > Audacity v1.2.4 > Wav.
Flac: wav's > Flac Frontend v1.7.1 |
05/31/06
|
Rockhal |
Luxembourg City |
Luxembourg |
FLAC |
1 |
Sharp MT77 MD |
Core Sound Binaurals > Sharp MT77 MD > M-Audio 2496 Card> Bias Peak > quite heavy bass reducing EQ > Normalise > Flac8 |
06/04/06
|
Pinkpop Festival |
Landgraaf |
The Netherlands |
FLAC |
1 |
Sony MZ-N10 Net MD Mini Disc Recorder |
Source: Core Sound Binaural mics (low cost version) --> battery box with fixed bass roll-off --> Sony MZ-N10 Net MD
Mini Disc Recorder
Transfer: Sony MZ-N10 --> Line in --> Sound Forge 8.0 --> WAV --> Flac Frontend --> Flac level 6 |
06/04/06
|
Pinkpop Festival |
Landgraaf |
The Netherlands |
FLAC |
1 |
Sony MD MZ-R700 |
Lineage: Sony ECM-719 => Sony MD MZ-R700 => Wavelab 3.0 => Flac Frontend (Level 8) |
06/06/06
|
Alsterdorfer Sporthalle |
Hamburg |
Germany |
FLAC |
1 |
Sony TCD-D100 DAT |
recording equipment: Sony TCD-D100 DAT & Soundman OKMII-Rock
in-ear-microphones |
06/07/06
|
Arena Treptow |
Berlin |
Germany |
FLAC |
1 |
MZ-NH700 Hi-Sp |
Source: Monacor MCE-4000 > DIY battery box > line in > MZ-NH700 Hi-Sp > USB cable > SonicStage > CEPro2 > FLAC Frontend
Right channel has some/lot of cracking especially between tracks. |
06/07/06
|
Arena Treptow |
Berlin |
Germany |
FLAC |
1 |
Sony MD |
Source: Sony MD + Shure SM 58 mic
Mono Audience Recording |
06/09/06
|
Donington Park |
Castle Donington |
England |
FLAC |
1 |
Sony MZ-NH900 (Hi-SP) (mic in) |
Source: Core Sound Binaurals > Core Sound Battery Box (w/ bass roll-off) > Sony MZ-NH900 (Hi-SP) (mic in)
Transfer: MZ-NH900 > USB > wave (Sonic Stage 3.0)
Editing: fades & normalising (Goldwave) > track indexes (CD Wave) > Level 8 FLAC Compression (FLAC Frontend) > tagging (foobar2000) |
06/13/06
|
Hammersmith Apollo |
London |
England |
FLAC |
1 |
PDAudio-CF |
CSB> Mic2496 A_to_D Converter > PDAudio-CF > Dell Axim 51v > copy to hard Drive > EQ, Down Sample to 44100/16, Normalise > Flac8
Note: This was not recorded with the Microtrack2496 |
06/14/06
|
Hammersmith Apollo |
London |
UK |
FLAC |
1 |
PDAudio-CF |
CSB> Mic2496 A_to_D Converter > PDAudio-CF > Dell Axim 51v > copy to hard Drive > EQ, Down Sample to 44100/16, Normalise > Flac8
Note: This was not recorded with the Microtrack2496 |
06/17/06
|
NovaRock Festival - Pannonia Fields II |
Nickelsdorf |
Austria |
FLAC |
1 |
Sony MZ-RH900 @ PCM-Mode |
source: Sound Professionals CMC-8 Cardioids > SPSB-8@69Hz (don´t know if this´ve been my standard settings@ this show)Battery Box > Sony MZ-RH900 @ PCM-MoDe
location: 5 feet behind the first wavebreaker, direktly in the middle (standing on the soundboard-cables, microphones on my baseballcap ^^)
transfer: Sony MZ-RH900 > USB > SonicStage4.0 > Nero Wave Edit > dbpoweramp (flac8) |
06/24/06
|
Spodek Arena |
Katowice |
Poland |
FLAC |
1 |
MZ-NH700 Hi-Sp |
Source: Monacor MCE-4000 > DIY battery box > line in > MZ-NH700 Hi-Sp > USB cable > SonicStage > CEPro2 > FLAC Frontend |
06/27/06
|
Heineken Music Hall |
Amsterdam |
The Netherlands |
FLAC |
1 |
Sony Hi-MD MZ-RH10 |
Lineage: Hi-MD > USB > SonicStage 4.0 > PC > SoundForge 8.0 > Normalize > CD Wave (track split)
> SoundForge 8.0 (fade in/out) > Flac Frontend (level 8) > Flac. |
06/27/06
|
Heineken Music Hall |
Amsterdam |
The Netherlands |
FLAC |
1 |
Sony MZ-N10 Net MD |
Source: Core Sound Binaural mics (low cost) --> battery box with fixed bass roll-off --> Sony MZ-N10 Net MD
Transfer: Sony MZ-N10 --> Line in --> Sound Forge 8.0 --> WAV --> FLAC --> YOU |
06/28/06
|
Le Zénith |
Paris |
France |
FLAC |
1 |
Sony MZ-RH10 (HiMD - Hi-SP - Manu rec level: 18/30) |
Source: mic: Core Sound Cardioids
MD : Sony MZ-RH10 (HiMD - Hi-SP - Manu rec level: 18/30)
Location : In the crowd, Front from the stage, 40 m from the stage
Transfer : MD > USB > Sonicstage 3.4 > PC >.oma > .wav > WaveStudio (cut, fade in/out)
Burn : 2wav > WinOnCd (track split - Vol adjusted 135% (cd1: 21:00 & 26:30) > 2CDR
Conversion : 2CDr > EAC > wav > Flac fronted (level 8) > flac |
07/04/06
|
Quart Festival (Stage: Bendiksbukta) |
Kristiansand |
Norway |
FLAC |
1 |
Sony TCD-D100 (Oade mod) / 48kHz |
Source: DPA4061 > MPS6030 > Sony TCD-D100 (Oade mod) / 48kHz
Transfer: DAT-M > Tascam DA-20 > coax > Waveterminal U24 > Wavelab 5.0 > .wav 48kHz > S.F. 8.0 > .wav 44kHz > CDWave (tracksplits) > .flac
Equalizing: Slight bass cut and volume increase (about 2-3 dB) |
08/12/06
|
Sonic Stage, Intex Osaka Hall 5 |
Osaka |
Japan |
FLAC |
1 |
Unknown AUD |
Souece: Original CDR > EAC > WAV > FLAC Frontend > FLAC |
08/13/06
|
Sonic Stage, Makuhari Messe |
Makuhari Thiba |
Japan |
FLAC |
1 |
MZ-RH10 (PCM) |
Source: DPA4061 > MPS6030 > MZ-RH10(PCM)
Transfer: MZ-RH10(PCM) > USB2.0 > Sonicstage > Wave > Flac |
08/13/06
|
Sonic Stage, Makuhari Messe |
Makuhari Thiba |
Japan |
FLAC |
1 |
SONY MZ-R900 (Mini Disc) |
Rec : AIWA Mic >> SONY MZ-R900 (Mini Disc)
Edit : SONY MDS0JE640 >> (Opt) >> Canopus DA-Port USB >> (USB) >> PC >> Flac |
08/18/06
|
Neil Blaisdell Center Concert Hall |
Honolulu |
HI |
FLAC |
1 |
iRiver Rockbox |
Sonic Studios DSM-6S/L => Sonic Studios PA6LC3 => iRiver Rockbox WAV => SoundStudio => FLAC 8 w/SBE fix & checksum
|
08/19/06
|
Neil Blaisdell Center Concert Hall |
Honolulu |
HI |
FLAC |
1 |
iRiver Rockbox |
Sonic Studios DSM-6S/L => Sonic Studios PA6LC3 => iRiver Rockbox
WAV => SoundStudio => FLAC 8 w/SBE fix & checksum |
08/19/06
|
Neil Blaisdell Center Concert Hall |
Honolulu |
HI |
FLAC |
1 |
Sony PCM M1 |
Source: Schoeps MK4's > Nbox > Sony PCM M1
Conversion: DAT Master > Tascam DA20 MKII > Monster Coax > Tascam HD P2 > Firewire > Soundforge > CD Wave > TLH > Flac |
08/22/06
|
BC Place Arena |
Vancouver |
BC |
FLAC |
1 |
GMini 402 |
CMC-8 --> SP-PREAMP4 --> GMini 402 --> USB --> CDWave --> FLAC |
08/27/06
|
The Gorge Amphitheater |
George |
WA |
FLAC |
1 |
iRiver H120 Digital Audio Player / Recorder |
Source: Dyamic Audio Binaurals > Battery Box > iRiver H120 Digital Audio Player / Recorder > 44.1Khz WAV ( running Rockbox CVS 20060723 w/ gain ~40db )
Transfer: Wav file from hard drive of iRiver H120 ( USB )
Conv.: Wav > Flac frontend v1.7.1 ( level 6 ) ( FLAC enc. v1.1.2 ) |
08/30/06
|
Coors Amphitheatre |
Englewood |
CO |
FLAC |
1 |
Microtrack I |
Source: Core Sound Binaurals>batt box>Microtrack I
Transfer:Microtrack>PC>Cool Edit Pro 2>CD Wave>Flac |
08/30/06
|
Coors Amphitheatre |
Englewood |
CO |
FLAC |
1 |
NJB3@Wav 48.(+10db) |
|
09/02/06
|
Sleep Train Amphitheater |
Marysville |
CA |
FLAC |
1 |
NJB3 (Mono@ 48 kHz) |
Source: Danish Pro Audio 4061 > SPSB-1 > NJB3 (Mono@ 48 kHz)
Transfer: NJB3 > Firewire > PC > Vegas 6 (Paning & 48 to 44.1 kHz) > CDWav (track splits) > WAV > SHN > YOU |
09/03/06
|
Oakland Coliseum |
Oakland |
CA |
FLAC |
1 |
PCM-M1 |
Source: Schoeps MK4s > Nbox > SBM-1 > PCM-M1
Conversion: PCM-R300 > USBPre > Soundforge 7.0b > shntool 2.0.3 > flac 1.1.2 |
09/09/06
|
Cricket Pavilion |
Phoenix |
AZ |
FLAC |
1 |
iHP-120 |
source: External Mic >
location: Section 204, Row JJ, Seat 40
transfer: iHP-120 > CD Wave > WAV > dbPoweramp FLAC Level 6 |
09/09/06
|
Cricket Pavilion |
Phoenix |
AZ |
SHN |
1 |
Edirol R-09 @ 44.1 / 16-bit |
source: AT831 > SP-SPSB-2 (rolloff @ 107 Hz) > Edirol R-09 @ 44.1 / 16-bit
transfer: Edirol R-09 > Soundforge 7.0 > Cdwave > mkw > shn |
09/14/06
|
American Airlines Center |
Dallas |
TX |
FLAC |
1 |
Edirol R-9 (24/44.1) |
Recording Info:
Sonic Studios[DSM-6S/L] > Sonic Studios[PA-6LC3(-45)] > Edirol R-9 (24/44.1)
Transfer Info:
24/44.1 Wav > CD Wave (track split, save as 16-bit) > FLAC [level 8, verify, align on sector boundaries] |
09/15/06
|
Kemper Arena |
Kansas City |
MO |
FLAC |
1 |
Edirol R-09 (line in, 24bit/48kHz wav) |
Source: Danish Pro Audio 4061 mics > Danish Pro Audio MPS6030 battery box > Edirol R-09 (line in, 24bit/48kHz wav)
Transfer: Edirol R-09 > USB > wav @ 24bit/48kHz > Hard drive > Mastering > Wavelab 5.0 (resample & dither to 16bit/44.1kHz) >
CD Wave 1.95 (tracking) > Flac Frontend 1.7.1 (Level 6 Flac Compression) > Flac |
09/18/06
|
Allstate Arena |
Rosemont |
IL |
FLAC |
1 |
Sony Hi MD MZ-M100 (PCM 44.1) |
source- Sound Pro cmc-8's w/ hyper caps>Sound Pro SPSB-9 BB>,
Sony Hi MD MZ-M100 (PCM 44.1)
Transfer- USB Upload from Sony MZ-M100 to Sonic Stage> FLAC Frontend |
09/21/06
|
Nationwide Arena |
Columbus |
OH |
FLAC |
1 |
Microtracker 24/96 (@24bit/48kHz) |
source: Core Sound Binaurals/120 > Microtracker 24/96 (@24bit/48kHz)
transfer: Microtrack 24/96 > USB > 16/44.1 > WAV > CD Wave > FLAC [8] |
09/21/06
|
Nationwide Arena |
Columbus |
OH |
FLAC |
1 |
Sony MZ-M100 HiMD (PCM) |
source: SP-CMC-1 (AT829) Cards > SP-8 > Sony MZ-M100 HiMD (PCM) > Sony RCDW500C CD Recorder
> Master CDR(1) > CDR(2) > EAC > FLAC8[8] |
09/22/06
|
The Palace of Auburn Hills |
Auburn Hills |
MI |
FLAC |
1 |
Microtracker 24/96 (@24bit/48kHz) |
|
09/23/06
|
Molson Amphitheatre |
Toronto |
ON |
FLAC |
1 |
Sony PCM-M1 |
MBHO603a/ka200n > Beyerdynamic MV100 > Sony PCM-M1 |
09/23/06
|
Molson Amphitheatre |
Toronto |
ON |
FLAC |
1 |
Sony MZ-N1 |
AT853S >> Sony MZ-N1 >Mini Battery Module SP-SPSB-6 > analog out > CD Wave > FLAC > |
09/25/06
|
Wolstein Center @ Cleveland State University |
Cleveland |
OH |
FLAC |
1 |
Samsung I-730 pocket pc phone using vito sound explorer software |
Equipment:
Samsung I-730 pocket pc phone using vito sound explorer software, sound professionals omnidirectional mono mic and line limiter.
Lineage: Recorded as 16 bit 44khz mono .wav to one 1GB SD flash card
USB Transfer to hard drive.
DC++ transfer of files for mastering Editing/Mastering by Tooligan with CEP DC++ transfer back to original computer.
Flac level 6 & align on sector boundaries with FLAC Frontend |
09/25/06
|
Wolstein Center @ Cleveland State University |
Cleveland |
OH |
FLAC |
1 |
Sony PCM-M1 (Oade Mod II) / 48 kHz |
Source A: DAT - Danish Pro Audio 4061 > MPS6030 > Sony PCM-M1 (Oade Mod II) / 48 kHz
Dissemination: DAT-M > Tascam DA-20 > Digital Coax > Audiophile 24/96 > Soundforge / resample to 44.1 kHz > "a massive amount of EQ" by "Dr. Dangerous" / normalization > WAV > FLAC > Dimeadozen.org torrent = 12/01/2006 |
09/28/06
|
Tweeter Center at the Waterfront |
Camden |
NJ |
FLAC |
1 |
Sony PCM-M1 (mic-in) |
Source: CSB > Battery Box (roll-off enabled) > PCM-M1 (mic-in) > Maxell HS-4/90s
Transfer: Tascam DA-20 > Coaxial > Audiophile 2496 > Audacity > CD Wave > .wav > Flac Frontend (level 8) > .flac |
09/29/06
|
Tweeter Center |
Mansfield |
MA |
FLAC |
1 |
SONY MZ-RH910 (PCM) |
Source: CSB > CSB Batt Box No Rolloff > SONY MZ-RH910 (PCM)
Location: Open Air Sec 10 Row T
Transfer: SONY MZ-RH910 > Sony Sound Forge 8.0 (0db normalization, Volume , Slight High End Boost & Tracks) > FLAC. |
10/03/06
|
Verizon Wireless Arena |
Manchester |
NH |
FLAC |
1 |
Sony MZ-R70 MD @ about 60% volume |
Source: Sony ECM-DS70P >> Sony MZ-R70 MD @ about 60% volume >> Goldwave Line in @ 10% >> FLAC |
10/06/06
|
Continental Airlines Arena |
East Rutherford |
NJ |
FLAC |
1 |
Sony D8 (via mic-in) |
Source/Lineage: Sony ECM-MS907>Sony D8 (via mic-in)>DAT>Cool Edit Pro (via line-in)>Wave>Flac Level 6 |
10/06/06
|
Continental Airlines Arena |
East Rutherford |
NJ |
FLAC |
1 |
Sony PCM-M1 (line-in) |
Source: CSB > Battery Box (roll-off enabled) > PCM-M1 (line-in) > Maxell HS-4/90s
Transfer: Tascam DA-20 > Coaxial > Audiophile 2496 > Audacity > CD Wave > .wav > Flac Frontend (level 8) > .flac |
10/07/06
|
Nassau Coliseum |
Uniondale |
NY |
FLAC |
1 |
Nomad Jukebox III @ 44.1khz |
Source: AT 833 > SP-SPSB-1 (no roll off) > Nomad Jukebox III @ 44.1khz
Transfer: Firewire -> Tracked and level boost using Adobe Auditon 1.5 |
11/05/06
|
Pavilhao Atlantico |
Lisbon |
Portugal |
FLAC |
1 |
Aiwa micro |
Source: Audience Sony MZ-N910 > Aiwa micro
Transfer: WinMD > WaveEditor > flac(4) |
11/09/06
|
Ahoy |
Rotterdam |
The Netherlands |
FLAC |
1 |
iRiver H120 |
Source: AT933's > SP-SPSB-1 @ 95Hz > iRiver H120
Transfer: iRiver H120 > USB > HD
Editing: Fades, EQ and +2.75 dB with Sound Forge 7. Tracking with CD Wave Editor |
11/10/06
|
Forest National |
Brussels |
Belgium |
FLAC |
1 |
Sony MD MZ-N707 |
Use Sony MD MZ-N707 + Microphone Sony ECM 717
Transfered with M-transit optical link , Audacity normalized and edit. |
11/18/06
|
Zenith |
Munich |
Germany |
FLAC |
1 |
Microtrack2496 (LineIn, Setting: L @24bit, 48kHz) |
source: Sound Professionals CMC8 Cards > SPSB-8 (bassrolloff@69Hz) > TRS-Cable > Microtrack2496 (LineIn, Setting: L @24bit, 48kHz) > 4GB Hitachi Microdrive
location: Microphones mounted on my glasses standing centered direct behind the soundboard
transfer: MT2496 > USB2.0 > HDD >
Cool Edit Pro 2.1 [cut, FadeIn/Out, bass lift (using the graficEQ - "simple bass lift"), 6dB-volumeboost @wings1+2] > flac fronted (flac8) |
11/19/06
|
Stadthalle |
Vienna |
Austria |
FLAC |
1 |
iriver h120p w/ Rockbox wave 1411kbit/s, 44.1khz, line in |
Transfer: Sony DS70P > iriver h120p w/ Rockbox wave 1411kbit/s, 44.1khz, line in > Soundforge 7 > flac > you |
11/19/06
|
Stadthalle |
Vienna |
Austria |
FLAC |
1 |
Sharp MD-MT180H |
Recorded with Sharp MD-MT180H and Vivanco EM216 |
12/01/06
|
Nottingham Ice Arena |
Nottingham |
England |
FLAC |
1 |
Sony MZ-RH910 MD (Line-In, Hi-SP Mode) |
Source: Church Audio Cardioids > GGBattBox@69hz > Sony MZ-RH910 MD (Line-In, Hi-SP Mode).
Transfer: MD > PC (via Sonicstage) > Adobe Audition v1.5 (Normalized) > CDWave (Track Splits) > WAV. > Traders Little Helper > FLAC (Level 6). |
12/01/06
|
Nottingham Ice Arena |
Nottingham |
England |
FLAC |
1 |
Sony MZ-NH900 (Hi-SP) |
Source: Danish Pro Audio 4061s > Sound Professionals SPSB-6 > Sony MZ-NH900 (Hi-SP)
Transfer: MZ-NH900 > USB > wave (Sonic Stage 4.0)
Editing: fades, EQ, compression & normalising (Goldwave) > track indexes (CD Wave) > splits, Level 8 FLAC Compression & tagging (foobar2000) |
12/05/06
|
Porsche Arena |
Stuttgart |
Germany |
FLAC |
1 |
Sony MZ-RH910 Hi-MD(HiSP) |
Source - Core Sound Binaurals > Battery Box w/bass roll off at 120Hz > Sony MZ-RH910 Hi-MD(HiSP)
Transfer - Sony MZ-RH910 Hi-MD > USB > Sonicstage > Wav > Audacity > Wav > FLAC (lvl8, align, verify)
Editing - Track splits and fades only |
12/05/06
|
Porsche Arena |
Stuttgart |
Germany |
FLAC |
1 |
Edirol R-09 |
Source: MBHO MBP 603 A / KA 200 N > Sound Devices MP-2 > Edirol R-09
Mic Config: in hat, DINA (17cm, 90°)
Location: ~25m from the stage, right side, section 3
Transfer: Master WAV > Digital Editing > CD Wave Editor V1.94.7
> FLAC V1.1.2
Editing: Volume boost and fades in Steinberg WaveLab V5.0a
Mixed the right channel to the left one in Steinberg WaveLab V5.0a
Dithering: UV22 HR dithering in Steinberg WaveLab V5.0a
Resampling: 48.0 kHz > 44.1 kHz resampling in Steinberg WaveLab V5.0a |
12/10/06
|
Le Zénith |
Paris |
France |
FLAC |
1 |
Sony TCD-D8 |
Source : DAT Master > .Wav (48kHz) > .Wav (44.1kHz) > FLAC (Level 8)
Lineage : Core Sound HEB (DPA 4061) > Sony TCD-D8 > Sony POC-DA 12P > Terratec EWX 24/96 > Soundforge 7.0 > CD Wave Editor 1.95 > CUE Splitter > FLAC Fontend |
12/10/06
|
Le Zénith |
Paris |
France |
FLAC |
1 |
Sony MZ-RH10 (HiMD - Hi-SP - Mic in - Manu rec level: 18/30) |
Source: mic: Core Sound Cardioids
MD : Sony MZ-RH10 (HiMD - Hi-SP - Mic in - Manu rec level: 18/30)
Location : In the crowd, Front from the stage, 35 m from the stage
Transfer : MD > USB > Sonicstage 4.0 > PC >.oma > .wav
Edit : .wav > WinOnCd (Cuts - Fade in/out - Equalizer - Vol 80%) > .wav > WaveStudio (split in 2x.wav)
Burn : 2wav > WinOnCd (track split - 8X - DAO) > 2CDR
Conversion : 2CDr > EAC > wav > Flac fronted (level 8) > flac |
12/12/06
|
Maimarkthalle |
Mannheim |
Germany |
FLAC |
1 |
Sony MZ-RH910 Hi-MD |
Source - Core Sound Binaurals > Battery Box w/bass roll off at 120Hz > Sony MZ-RH910 Hi-MD(HiSP)
Transfer - Sony MZ-RH910 Hi-MD > USB > Sonicstage > Wav > SonicStage Mastering Studio > Audacity > Wav > FLAC (lvl8, align, verify)
Editing - Track splits, fades and bass eq |
12/12/06
|
Maimarkthalle |
Mannheim |
Germany |
FLAC |
1 |
Microtrack2496 (LineIn, Setting: M @24bit, 48kHz) |
source: Sound Professionals CMC8 Cards > SPSB-8 (bassrolloff@16Hz) > attenuatorcable > TRS-cable > Microtrack2496 (LineIn, Setting: M @24bit, 48kHz) > 4GB Hitachi Microdrive
had some problems with the trsadapter or the line-in of the mt2496 -> its a dualmono recording! :-(
location: Microphones mounted on my glasses standing on the left side about 20m back from overhanging speakers
transfer: MT2496 > USB2.0 > HDD >
Cool Edit Pro 2.1 [cut, FadeIn/Out, normalize track09,10,11 to 100%, normalized the whole file to 130%, bass lift (using the graficEQ - "simple bass lift")] > dBPowerAmp (flac7) > µtorrent |
12/13/06
|
Hallenstadium |
Zurich |
Switzerland |
FLAC |
1 |
Edirol R09 (@24/48) |
Neumann KM140's > AETA PSP3 > Edirol R09 (@24/48)
this recording was modified from it's original form to fit your speakers. no artificial flavors and preservatives where added. r8brain was used for the 24/48 to 16/44 downsampling. |
01/31/07
|
Sidney Myer Music Bowl |
Melbourne |
Australia |
FLAC |
1 |
Sony Net MD Walkman MZ-N710 |
Source : Sony NetMD Walkman MZ-N710 (Sony ECM-DS70P mic)
Location : About 15 metres from front of GA section, almost exactly centred
Transfer : MD/M > PC, Cool Edit Pro > .wav > CD-R/M > .wav (EAC) > .flac (lvl 8) |
05/11/07
|
Kansas Coliseum |
Witchita |
KS |
FLAC |
1 |
Edirol R-09 (line in, 24bit/48KHz wav) |
source: SP-CMC-10> SP-SPSB-1 (w/bass roll-off) set @107Hz> Edirol R-09 (line in, 24bit/48KHz wav}
transfer: Edirol R-09>USB>T-Racks 24>CD wav>Satan's little helper>FLAC fronted @ level 8 |
05/15/07
|
DeSoto Civic Center |
Southaven |
MS |
FLAC |
1 |
Marantz PMD671(Oade mod) @ 24 bit, 48kHz |
Source: Schoeps mk41>kc5>cmc6>Lunatec V2 (+30dB)>Marantz PMD671(Oade mod) @ 24 bit, 48kHz > FLAC |
05/16/07
|
Ft. Worth Convention Center |
Fort Worth |
TX |
FLAC |
1 |
Edirol R-9 (24/44.1) |
Recording Info:
Sonic Studios[DSM-6S/L] > Sonic Studios[PA-6LC3(-85)] > Edirol R-9 (24/44.1)
Taping Location:
SEC 212, ROW A, SEAT 6 (ticket says 8, I sat in 6)
(front row of first section off the floor)
Transfer Info:
24/44.1 Wav > SoundForge 7 (volume raised 7db, convert to 16-bit) CD Wave (track split) > Traders Little Helper (1.1.1)[flac 8] |
05/19/07
|
Ford Center |
Oklahoma City |
OK |
FLAC |
1 |
Edirol R-09 (line in, 24bit/48KHz wav) |
source: SP-CMC-8> SP-SPSB-1 (w/bass roll-off) set @107Hz> Edirol R-09 (line in, 24bit/48KHz wav}
transfer: Edirol R-09>USB>T-Racks>CD Wave (tracked)>Satan's Little Helper>FLAC fronted @ 8 |
05/21/07
|
AT&T Center |
San Antonio |
TX |
FLAC |
1 |
Sony MZ-RH1 (HiMD) |
Source: Giant Squid Cardiods > 9V batt box (w/ bass rolloff) > Sony MZ-RH1 (HiMD)
Transfer: Sony MZ-RH1 > USB > Sonic Stage > WAV sent to tooligan via DC++ on the AMT Tool Hub CEP (Cool Edit Pro) > WAV > Wavlab > WAV > Flac level 8 |
05/21/07
|
AT&T Center |
San Antonio |
TX |
FLAC |
1 |
Sony MZ-R50 |
Source: Sony ECM-719 > mic in > Sony MZ-R50
Transfer: Sony MZ-R50 > WaveLab > WAV > FLAC |
05/22/07
|
American Bank Center |
Corpus Christi |
TX |
FLAC |
1 |
Sony MZ-RH1 (HiMD) |
Source: Giant Squid Cardiods > 9V batt box (w/ bass rolloff) > Sony MZ-RH1 (HiMD)
Transfer: Sony MZ-RH1 > USB > Sonic Stage > WAV sent to tooligan via DC++ on the AMT Tool Hub CEP (Cool Edit Pro) > WAV > Wavlab > WAV > Flac level 8 |
05/26/07
|
Verizon Wireless Music Center |
Birmingham |
AL |
FLAC |
1 |
MD-MT877 (Stealth) |
Source: Shure MX185 > SP Batt Box > MD-MT877 (Stealth)
Transfer: Analog > Sound Forge > FLAC Frontend (Level 8) |
05/26/07
|
Verizon Wireless Music Center |
Birmingham |
AL |
FLAC |
1 |
Microtrack 24/96 [24bit WAV @ 44.1KHZ] |
Source: Core Sound Binaurals > Core Sound Battery Box > Microtrack 24/96 [24bit WAV @ 44.1KHZ]
Transfer: Microtrack 24/96 > USB > WAV [24bit WAV @ 44.1KHZ] > [16bit WAV @ 44.1KHZ] > CDWAVE [Tracked] > Traders Little Helper Version 1.1.1.90 > FLAC [Level 8] |
05/31/07
|
Amway Arena |
Orlando |
FL |
FLAC |
1 |
Microtrack 24/96(24 Bit Wav@48Khz) |
Source: dpa4061s > MMA6000 w/low cut @ 100hz > Microtrack 24/96(24 Bit Wav@48Khz)
Conversion: Microtrack 24/96 > USB > CEP2.0(48->44.1 and dithering) > CD Wave > Flac Frontend > Flac[8] |
06/04/07
|
Gwinnett Center |
Duluth |
GA |
FLAC |
1 |
Sony PCM-M1 |
Equipment: CA STC-11>CA STC-9000 (+10db)>M1
Transfer: Tascam DA20mkII>Waveterminal 2496>CEP>CD Wave>FLAC |
06/09/07
|
Boardwalk Hall |
Atlantic City |
NJ |
FLAC |
1 |
Sony PCM-M1 (line-in) |
Source: CSB > Battery Box >
PCM-M1 (line-in) > Maxell HS-4/60s
Transfer: Tascam DA-20 > Coaxial > Audiophile 2496 > Audacity > CD Wave > .wav > Flac Frontend (level 8) > .flac |
06/15/07
|
Bonnaroo Music Festival, What Stage |
Manchester |
TN |
FLAC |
1 |
Edirol R4 (24/96) |
Source: Schoeps mk4 (ortf)> kc5> cmc6xt> Edirol R4 (24/96)
Transfer: r4> usb> Peak 4.13> xACT (fixed SBE's and converted to flac) |
06/15/07
|
Bonnaroo Music Festival, What Stage |
Manchester |
TN |
FLAC |
1 |
Radio Shack Cassette Recorder |
Audience recording on cheeseball Radio Shack Cassette Recorder
AUD > FLAC >TTD |
06/15/07
|
Bonnaroo Music Festival, What Stage |
Manchester |
TN |
FLAC |
1 |
M-Audio Microtrack (44.1khz 16 bit) |
Source: Sound Pros SP-CMC-4U Audio Technica U853's > XLR - ISI-1 > M-Audio Microtrack (44.1khz 16 bit)
Transfer: Soundforge 9.0 Pro (Fade in fade out only)-> CDWave for track splits->
FLAC Frontend. |
06/16/07
|
Show Me Center |
Cape Girardeau |
MO |
FLAC |
1 |
Edirol R-09 (line in, 24bit/48kHz wav) |
Source: Danish Pro Audio 4061 mics > Danish Pro Audio MMA6000 preamp > Edirol R-09 (line in, 24bit/48kHz wav)
Transfer: Edirol R-09 > USB > wav @ 24bit/48kHz > Hard drive > Mastering (see below) > CD Wave 1.95 (tracking) > Flac Frontend 1.7.1 (Level 6 Flac Compression) > Flac
Mastering: Done in Wavelab 5.0
- Fades and normalizing
- Hi pass filter at 65Hz using LinEQ Broadband plugin
- Resampling and dithering (using Apogee UV22 HR) to 16bit/44.1kHz |
06/17/07
|
Roberts Municipal Stadium |
Evansville |
IN |
FLAC |
1 |
Edirol R09 via line-in (16/44.1 WAV on SanDisk Ultra2 4 gig card) |
SP-CMC-8 Audio Technica mics (cardioid, mounted on glasses, 6" separation)>SP-R09 12 volt mic power supply>Edirol R09 via line-in (16/44.1 WAV on SanDisk Ultra2 4 gig card)>USB to PC>CoolEditPro2>CDWave>Traders Little Helper(flac level 8)>bit torrent. |
06/24/07
|
Copps Coliseum |
Hamilton |
ON |
FLAC |
1 |
Sony MZ-N1 |
AT853S > Mini Battery Module SP-SPSB-6 and CORE SOUND CARDIODS > 3 wire battery module >dual stereo jack> Sony MZ-N1 > analog out > CD Wave > Wavelabs > FLAC |
06/26/07
|
Xcel Energy Center |
St. Paul |
MN |
FLAC |
1 |
Microtrack24/96 (@24/48 via line in using two 1/4" mono phono jacks converted from 1/8" ps-2 stereo plug) |
source: AT853's > Deneke ps-2 (1/8" plug mod) > Microtrack24/96 (@24/48 via line in using two 1/4" mono phono jacks converted from 1/8" ps-2 stereo plug) > USB > WAV > Wavelab > CEP2.1 for 16bit dither |
06/27/07
|
Sears Center |
Hoffman Estates |
IL |
FLAC |
1 |
Edirol R-09 (24/48) |
source- EDIROL R-09 (24/48) Internal omni mics
Transfer- USB>WAVELAB-Track split,dithered to 16 bit> FLAC Frontend level8> TLH (checksums) |
07/04/07
|
Marcus Amphitheatre |
Milwaukee |
WI |
FLAC |
1 |
JB3 |
CA STC-11 > CA ST-9000 > JB3 > Soundforge (amplify, no EQ) > CDWAV > Trade (from taper) > EAC > FLAC > YOU |
07/09/07
|
Copps Coliseum |
Hamilton |
ON |
FLAC |
1 |
Sony MZ-N1 |
AT853S > Mini Battery Module SP-SPSB-6 and CORE SOUND CARDIODS > 3 wire battery module >> Sony MZ-N1 > analog out > CD Wave > WAVELABS > FLAC > i used a double stereo connector and thought i'd try recording this with both sets of mics i own |
07/12/07
|
Tweeter Center |
Mansfield |
MA |
FLAC |
1 |
Microtrack 24/96 |
Microtrack 24/96> WAV> Core Sound Binuaral Mics> Bass Rolloff> -20 DB Attenuator Cable > Audacity> Gain +6> WAV> FLAC> Bootleg Matrix |
07/12/07
|
Tweeter Center |
Mansfield |
MA |
FLAC |
1 |
Sony MZ-RH910 (PCM) |
Source: CSB > CSB Batt Box No Rolloff > SONY MZ-RH910 (PCM)
Transfer: SONY MZ-RH910 > Sony Sound Forge 9.0 (Slight EQ) > FLAC |
07/13/07
|
Cumberland Civic Center |
Portland |
ME |
FLAC |
1 |
Microtrack 24/96 |
Microtrack 24/96> WAV> Core sound binnuearal mics> bass rolloff> -20db attenuator cable> Audacity> Gain +12> WAV> FLAC> DIME |
07/16/07
|
Sovereign Center |
Reading |
PA |
FLAC |
1 |
Edirol R-09(@24/44.1) |
Schoeps MK4's>Active Cables>Nbox+>Edirol R-09(@24/44.1)>Wavelab 5(UV22HR Dither to 16/44.1)>CDWAV>FLAC |
07/16/07
|
Sovereign Center |
Reading |
PA |
FLAC |
1 |
Edirol R09 |
Source/Lineage: Edirol R09 (internal mics) -> WAV 16bit -> USB -> WaveLab (for tracking, fades, slight level boost) -> Trader's Little Helper (for encoding, checksum) -> FLAC 8 |
07/16/07
|
Sovereign Center |
Reading |
PA |
FLAC |
1 |
Sony PCM-M1 (line-in) |
Source: CSB > Battery Box >
PCM-M1 (line-in) > Maxell HS-4/60s
Transfer: Tascam DA-20 > Coaxial > Audiophile 2496 >
Audacity > CD Wave > .wav > SoundForge > Flac Frontend (level 8) > .flac |
08/22/07
|
Brixton Academy |
London |
England |
FLAC |
1 |
Edirol R-09 |
Source: Schoeps MK4 > Nbox > Edirol R-09 > 24/48
Editing: Resampled in Soundforge 7.0 > 16/44 > CDWave > .flac |
08/28/07
|
Jahrhunderthalle |
Frankfurt |
Germany |
FLAC |
1 |
SONY TCM-353V Cassette Recorder |
Gear: SONY TCM-353V Cassette Corder (recording Mono only, no Dolby) > PHILIPS earplugs (used as Mic) > TDK SA-X 100 (Tape)
Lineage: my own Mastertape > SONY TCM-353V Cassette Corder > Audacity > HDD > editing, mixing and splitting (via Audacity) > FLAC Frontend (Level 7 and tested) > TTD |
09/02/07
|
Arena Parco Nord |
Bologna |
Italy |
FLAC |
1 |
JVC GR-D340 |
AUDIO: JVC GR-D340 > PC FIREWIRE400 MPEG2 PAL >
AURORA AUDIO EXTRACT > WAV > FLAC LEVEL 6 > TTD |
09/04/07
|
Dom Sportova |
Zagreb |
Croatia |
FLAC |
1 |
Sony MZ-RH1 MD (In Hi-MD mode) |
Recorded with: Core Sound Binaurals -> Sony MZ-RH1 MD (In Hi-MD mode)
Transfer: To .wav with Sonic Stage -> SoundForge (Normalizing, fade in/out, track splitting) -> To .flac using FLAC Frontend (level 8) -> You |
11/29/07
|
Prospera Place |
Kelowna |
BC |
FLAC |
1 |
Edirol R-09 (24/48) |
Lineage: Core Sound Binaurals > bass roll off battery box > Edirol R-09 (24/48) > Adobe Audition 3.0 (track splitting, fades, downsampling) > dBPowerAMP (flac 8)
Sound Quality: The mix in the arena wasn't great to begin with. The vocals were not up enough and this was one bass-heavy experience. I'm glad I used my bass roll-off. The SQ is nice but the audience was wild and it definitely comes through in the recording. I give it a VG+ to EX- mostly due to crowd noise. Because of high security, a mic cable that wasn't plugged in all the way, the setting of levels and insane pushing and shoving, the first 3.5 minutes are of very poor quality. The band also seemed to be distracted a lot but I guess it's understandable with the mini-riot that was going on. It truly is a miracle that nobody died. |
11/29/07
|
Prospera Place |
Kelowna |
BC |
FLAC |
1 |
iRiver H10 w/Rockbox [mono] |
Lineage: iRiver H10 w/Rockbox [mono] > wav > flac |
12/04/07
|
Everett Events Center |
Everett |
WA |
FLAC |
1 |
Sony Digital recorder |
Sony Digital recorder - hard drive - Wave - Flac |
12/04/07
|
Everett Events Center |
Everett |
WA |
FLAC |
1 |
M-Audio Microtrack (24 bit/96khz > Downsampled to 16/44.1) |
Source: Sound Pros SP-CMC-4U Audio Technica U853's > XLR - ISI-1 >
M-Audio Microtrack (24 bit/96khz > Downsampled to 16/44.1) {Mics in hat-XY 100 Level next to stage 30 ft from overhead stack}
Transfer: Soundforge 9.0 Pro (Fade in fade out only)-> CDWave for track splits->
FLAC Frontend. |
12/11/07
|
Bill Graham Civic Auditorium |
San Francisco |
CA |
FLAC |
1 |
Sony TCD-D7 |
Neumann KM140s > Sound Devices MP2 > SBM1 > TCD-D7 >
DAT > HHb CDR830 > EAC/WaveLab > FLAC |