Source #	10161
Entered by	dr.unclear
Checksums	shn-md5 , st5
Disc Counts	2 / 2
Media Size
Date Circulated Date Added	06/21/02 06/21/2002

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Other Sources

• (6686) Nak 300's > Sony D5 Casette Master > Sound...
• (8598) Sony ECM220T mics from taper's section; via DNC...
• (21014) Recording Info: SBD -> Cassette Master -> Dat...
• (75532)  flac16 ; AUD, Nakamichi CM-300\'s with CP-4...
• (90033)  flac16 ; taper : Joe D'Amico nak 300 mics...
• (106591)  flac16 ; Nakamichi CM-300 x2 > Cassette Master...
• (106823)  flac16 ; Recording Info:SBD -> Cassette Master...
• (106827)  flac16 ; Recording Info:Sony ECM-220T ->...
• (139781)  flac16 ; Recording Info: UltraMatrix SBD >...
• (151426)  flac16/48khz   Source Info: Michael...
• (151427)  flc24/96khz   Source Info: Michael Hessberg's...
• (156740)  flac1644  Lineage: Nak 300 w/ cp4 Shotguns ->...

Source Summary
Source: Audience (but see note below) Lineage: Master Cassette> DAT> CD> SHN (unconfirmed but likely); via Stephen Porter, Steve Aserkoff; Seeded to etree by Peter Braverman

Grateful Dead
9-9-87
Providence Civic Center, Providence RI

Source: Audience (but see note below)
Lineage: Master Cassette> DAT> CD> SHN (unconfirmed but likely)

Disc 1
1. Hey Pocky Way
2. Jack Straw
3. West LA Fadeaway
4. When I Paint My Masterpiece
5. Friend of the Devil
6. Cassidy
7. Althea
8. Greatest Story Ever Told
9. Devil with the Blue Dress On
10. Good Golly Miss Molly
11. Devil with the Blue Dress On

Disc 2
1. China Cat Sunflower
2. I Know You Rider
3. Playing in the Band
4. China Doll
5. drums
6. space
7. The Wheel
8. Gimme Some Lovin'
9. Throwin' Stones
10. Not Fade Away
11. The Mighty Quinn (encore)


This came to me as a supposed Matrix recording, but this is from an audience source. There is a ton of crowd noise, and there is altogether too much reverb around the vocals to think that Healy put it there (as opposed to the room). Check the first couple lines of "West LA," for instance, or the "inside the coliseum" line from "Masterpiece." The bass is also distant, a hallmark of audience recordings, even good ones. Overall, the issue for me is that the crowd is often louder than the music, especially during the relatively quiet parts (the intro to "FOTD," the nearly inaudible drums in the intro to "Cassidy," "China Doll") -- this is never the case on a true Matrix. Assuming it's an audience recording, it's a very good one, but not outstanding.

Stephen Porter's audience cassette supplies the first 1:28 of China Cat Sunflower, which is mostly tuning.

It's not clear the world needs another seed of this (the etree db already shows two at this point), but it's a pretty high-energy show. Thanks to Steve Aserkoff for the discs! Tracked, normalized, and seeded by Peter Braverman (braverman@earthlink.net), June 2002.