Grateful Dead 08/28/68
Avalon Ballroom, San Francisco, CA
Source Summary
SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon
Grateful Dead
Avalon Ballroom
San Francisco
08/28/68


Source: SBD:?>Latvala's reel>PCM>CDR>EAC>CDR
Conversion: CDR > EAC (secure) > Cool Edit (minor fix) > CDWav(tracking) > mkwact(seekable) > shn by mvernon54@attbi.com 5/29/2002
shntool confirms tracks on sector boundaries

Disc 1 of 1 [44:37]
SET1
1. [10:23] //Dark Star [10:23] >
2. [04:26] St. Stephen >
3. [09:41] The Eleven [14:08] >
4. [07:47] Death Don't Have No Mercy
5. [12:18] Lovelight

NOTES:
1. Mastered to CDR by Steve Martin: "I transfered Dicks reel on a revox A77 onto a Sony F2 PCM unit. My Beta Pcm I transfered to CD-R directly Using Cardas cables."  Hiss predominant through first 28 seconds of d1t1 then improves considerably.
2. flaws noted by mvernon
d1t2 - drop out ~2:44 - 2:47
d1t3 ~ initial vocals extremely weak, barely audible
spectral analysis shows almost no frequencies higher than ~5khz, imparting a distant, slightly "tunnel" sound.  Nevertheless, it is quite listenable.
3. Vol. 1 of the Taper's Compendium lists a "Schoolgirl" as the first number along with a Bill Graham introduction. At this time these are no longer associated with this date.
4. Deadlists has the following comments:
The first two bars of Dark Star are clipped. In the first verse, Jerry sings: "Dark star crashes, pouring its light into ashes. Reason tatters, the forces tear loose from the axis."  And then, instead of "Searchlight casting for faults in the clouds of delusion" he sings: "Glass hand dissolving... recedes in the nights of goodbye".  He realizes he's out in no man's land as he sort of trails off a bit while singing "goodbye".  The next verse is: "Shall we go, you and I while we can, Through the transitive nightfall of diamonds?"  He sings "transitive NIGHT fall of diamonds" as if expecting Phil to hit the high harmonies, but realizing as soon as he sings "night" that no one's coming to the rescue.

504e7f3e8dbda0aca2c2bf46451707fd *gd68-08-28d1t02.shn
86c2ed52d9dc1b79ed7714f5af1c5a2c *gd68-08-28d1t04.shn
0e03d161f58f4857bc2ef3f8a6b1df3f *gd68-08-28d1t03.shn
2fb90097e55dbc91189f1e225944ae15 *gd68-08-28d1t01.shn
d495208c370ab13a3cfc6f96cb365ed2 *gd68-08-28d1t05.shn
st5
24c74169ba7a21eadea93541544b57f7 [shntool] gd68-08-28d1t01.shn
29dd12001c86da31be38f1f748042815 [shntool] gd68-08-28d1t02.shn
6842ba0fc07d569e3bc74b6b4c758dce [shntool] gd68-08-28d1t03.shn
af8d66e568cf7296f9dd50176f9b5b2e [shntool] gd68-08-28d1t04.shn
d2f838fe6662adc968d61c6ce400cbfc [shntool] gd68-08-28d1t05.shn

Comments
Other Sources (comments)
SBD>??>R>PCM>CD>EAC>SHN;... (3) flac16 ; AUD UNKNOWN... (0) flac16 : Source: AUD > Low... (0) flac16 ; Matrix 2 Source... (0) DTS-Audio-CD 5.1 Mix; -... (0) flac16/44kHz ; 5.1 LPCM... (0)
Date User Comment
08/13/2011 charliemiller This sounds like an audience recording to me. I know that they were doing a lot of 4 track recordings in 1968 using mics at the board as one or two of the tracks. Maybe this cones from those mics? Either way, it sounds way too distant to be a sbd.
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Cached: Sat, 27 Apr 2024 09:39:47 EDT