Source #	105845
Entered by	Jason Sobel
Checksums	all-FFP , all-flac-md5
Disc Counts	2 / 3
Media Size
Date Circulated Date Added	02/05/2010 02/06/2010

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• (4752) DAUD, mics unknown; Fostex D-5 > U2A > CoolEdit...
• (30160) FOB Sonic Studios DSM6/Pa6lc3s (w/60khz bass...
• (101744) Schoeps cmc6/mk4v > Oade pre-amp > Panasonic...
• (121492)  flac16 ; AKG 460b/ck61 > b18 > Sony TCD-D7;...
• (143850)  flac16 48kHz  Neumann TLM170 > Stewart BPS1 PS...
• (147687)  flac24/48khz   Source: (3/4 ways back in TS)...

Source Summary
Neumann TLM170 -> Stewart BPS1 PS -> Teac DAP20 (@16 bit/48khz/pre-emphasis ON) -> digital patch -> Denon DTR-80p(m); Sony R500 -> Sound Devices 722 -> Soundforge Pro 10.0a (Sample rate conversion 48khz to 44.1khz, volume normalization ) -> SOX 14.3.0 (remove pre-emphasis) -> CD Wave -> FLAC; Taped by Scott Bernstein and Boris Lvovsky; Transferred by Scott Bernstein

Phish
Red Rocks Amphitheater
Morrison, CO
8/4/1996

Original recording:
Neumann TLM170 (tapers' section) -> Stewart BPS1 PS -> Teac DAP20 (@16 bit/48khz/pre-emphasis ON) -> digital patch -> Denon DTR-80p(m)

Transfer: Sony R500->Sound Devices 722

Mastered: Soundforge Pro 10.0a - *All file manipulation in Soundforge done at 24 bits* Sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter. 24 bit file then processed with SOX 14.3.0 (as recommended, keeping the file at 24 bits during the processing) to remove pre-emphasis which was applied by the Teac A>D converter. Then back to Soundforge for volume normalization and finally then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav.

Set 1
1. crowd/tuning
2. Chalkdust Torture
3. Funky Bitch
4. Guyute
5. Fee
6. Split Open And Melt
7. The Mango Song
8. The Sloth
9. Maze
10. Lovin' Cup
11. crowd

Set 2
1. crowd
2. AC/DC Bag ->
3. Reba
4. Scent Of A Mule
5. Sample In A Jar ->
6. David Bowie
7. Sweet Adeline (a capella)
8. Slave To The Traffic Light
9. encore break
10. Star Trek Theme (Page on solo Theramin)
11. Rocky Top
12. crowd


Notes:
The mics were rented, and we didn't rent any windscreens, so we had to improvise by using white cotton tube socks over the mics. They seem to have worked well!
Reba is unfinished
There is some occasional distortion which sounds like it's coming from one of the vocal microphones throughout set 1


Original DAT recordings by Scott Bernstein and Boris Lvovsky.
Transferred and mastered by Scott Bernstein, 2/5/2010.

A rundown of my previous BARN archival releases (all can be found on archive.org):
BARN1 - Col Bruce Hampton and the Code Talkers at Bret & Joyce's wedding 9/17/05
BARN2 - Col Bruce Hampton and the Aquarium Rescue Unit (w/guest Warren Haynes for all of set 2) Wetlands 11/20/93
BARN3 - moe. Wetlands 7/8/95
BARN4 - Dan Bern Bottom Line 7/31/98 (late show)
BARN5 - moe. Birch Hill 10/31/96
BARN6 - moe. Maxwells 1/20/96
BARN7 - Dan Bern Central Park Summerstage 9/19/97
BARN8 - Dan Bern, Bottom Line 8/1/98
BARN9 - moe. Bayou 4/5/97
BARN10 - moe. Irving Plaza 4/4/97
BARN11 - moe. AKA 9/7/95
BARN12 - Yolk AKA 9/7/95
BARN13 - Robert Walter/Johnny Vidacovich/James Singleton/Donald Harrison Preservation Hall 4/30/08
BARN14 - Phish Las Vegas, NV 10/31/98 (on bt.etree.org)
BARN15 - Phish Great Went @ Loring AFB, Limestone, ME 8/16/97 (on bt.etree.org) - by request
BARN16 - Phish Great Went @ Loring AFB, Limestone, ME 8/17/97 (on bt.etree.org), includes orchestra set - by request
BARN17 - Phish Red Rocks Amphitheater, Morrison, CO, 8/4/96 (on bt.etree.org) - by request

** this one's for Lenny Stubbe **
Look for more from this run on the rocks coming soon!