Source #	107984
Entered by	Matt Vernon
Checksums	ffp , flac-md5
Disc Counts	2 / 3
Media Size
Date Circulated Date Added	05/29/2010 05/29/2010

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• (197) "DP 1 Leftovers"; via Gans, D. Finney; rest is...
• (8602) Audience; MAC>PCM>Cassette>CD; Seeded to etree...
• (97361)  flac16 ; Recording Info:SBD -> Master Reel ->...
• (113503)  flac16 ; Recording Info: SBD -> Master Reel ->...
• (126124)  flac16 ; Matrix from sources: soundboard:...

Source Summary
flac16; soundboard source shnid=97361: (Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC); Patch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-faded and cut on sector boundaries. Converted to flac with trader's little helper

Grateful Dead
December 19, 1973
Curtis Hixon Convention Hall
Tampa, FL

soundboard source shnid=97361:
Recording Info:
SBD -> Master Reel -> Dat (44.1k)

Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 10, 2009

Notes:
-- All disc changes are seamless
-- Thanks to Rob Eaton for the Dats
----------------------------------------------------

Patch source:
Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s (still strong
after 37 years) -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz.

Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics.  Also
used DC 7.5 to correct for a slight azimuth alignment problem, cross-fade\d and
cut on sector boundaries.

Converted to flac with trader's little helper

notes:
-I have added the spoken intro before Promised Land and
added the bass solo in between Nobody's Fault But Mine and The other One.

-I tried to get it as exact as I could, but they did a nice job cutting out the
bass solo so it was a little difficult to find the exact spot.  I think I got it.

-I don't mean to step on anyone's toes, but I'm not a regular uploader.  I saw
that 12/19/73 was up today on etree so I dug out my tapes and ran this off to put
where it belongs.

-I'm sure I have messed up tagging and md5 values, but some people have asked me
to do this over the years but I didn't want to do it with Dick's Picks and I had
time to do it tonight, so it's done.

-I was sitting in the seats on the right as close to the speakers as I could get
without looking suspicious.  Maybe 50-60 feet.  For what it's worth, that's me
saying "They're a lot more casual tonight" just before Promised Land (comparing
it to 12/18/73).

Dan
(droncit@yahoo.com)
__________________________________________________________________________________

--Set 1--
101-d1t01 - Remember your hippie training
102-d1t02 - The Promised Land
103-d1t03 - Sugaree
104-d1t04 - Mexicali Blues
105-d1t05 - Dire Wolf
106-d1t06 - Black Throated Wind
107-d1t07 - Candyman
108-d1t08 - Jack Straw
109-d1t09 - Big Railroad Blues
110-d1t10 - Big River
111-d1t11 - Here Comes Sunshine
112-d1t12 - El Paso
113-d1t13 - Ramble on Rose
114-d2t01 - Playing in the Band

--Set 2--
201-d2t02 - Mississippi Half-Step Uptown Toodeloo ->
202-d2t03 - Me & Bobby McGee
203-d2t04 - Row Jimmy
204-d2t05 - Weather Report Suite
205-d3t01 - He's Gone ->
206-d3t02 - Truckin' ->
207-d3t03 - Nobody's Fault But Mine ->
208-d3t04 - Bass Solo ->
209-d3t05 - The Other One ->
210-d3t06 - Stella Blue ->
211-d3t07 - Around & Around

--Encore--
212-d3t08 - Casey Jones
_________________________________________________________________________________

Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac
files. If converted to wav during processing, all tags will be
stripped, however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 5-27-10
_________________________________________________________________________________