Source #	109685
Entered by	Jason Sobel
Checksums	FFP , FLAC-md5
Disc Counts	2 / 3
Media Size
Date Circulated Date Added	09/04/2010 09/05/2010

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• (100548) (FOB) Schoeps mk22 > KCY > Schoeps VMS02IB >...
• (100587) Neumann ak40's (NOS) >Lc3 > km 100 > V3 (analog...
• (100592) Neumann KM140s > Sound Devices MP2 > Edirol R09...
• (100600) Schoeps mk4 (FOB) > kc5 > m222 > NT222 >...
• (100620) (FOB) DPA 4023 > Lunatec ACM V3 + DPA 4028 >...
• (100658) (FOB) Schoeps MK22 > KC5 > CMD-2Uxt > Sound...
• (101197) Nakamichi CM700/CP701's + Nakamichi...

Source Summary
[2] AKG c460b/a60m/ck8 -> 'vintage' mod. pres + [1] AKG c452eb/ck22 -> 'transparent' mod. pre -> Busman V/T mod. Edirol R-4 Pro @ (24bit/48kHz); MacBook Pro -> Digital Performer 5.1 (import; fades; 3 track mix, split tracks; resample to 44.1kHz) -> iZotope RX (dither to 16 bit) -> xACT v1.62 -> FLAC (level 8); Taped & Transferred by James Bartoli

Phish
August 7, 2009
The Gorge Ampitheatre
George, WA

Disc I, Set I
01. fade in
02. Down With Disease
03. Ocelot
04. Pebbles and Marbles
05. Possum
06. Sleep
07. Destiny Unbound
08. Stash

Disc I, Set I (cont'd)
01. Sneakin' Sally Through The Alley ->
02. Cavern

Set II
03. fade in
04. Moma Dance ->
05. Light ->
06. Taste ->
07. Fluffhead

Disc III, set II (cont'd)
01. Joy
02. Bathtub Gin ->
03. Harry Hood
-(encore break)-
04. Slave To The Traffic Light

DAUD 3 mic post-mix: {([2] AKG c460b/a60m/ck8 (OTS, ~ 10' high, pointed at stacks) -> 'vintage' mod. pres) + ([1] AKG c452eb/ck22 (center omni) -> 'transparent' mod. pre)} -> Busman V/T mod. Edirol R-4 Pro @ 24bit/48KHz ->  MacBook Pro/Digital Performer 5.1 (import tracks; set 3 track mix; Bounce to Disc (w/ FX plug-ins: para EQ, limiter (-2 dB threshold)) -> .wav -> iZotope RX (clean up audio*, MBIT+ dither back to 24bit/48KHz) -> DP 5.1 (split tracks; resample to 44.1KHz) -> .wav -> iZotope RX (MBIT+ dither to 16bit/44.1KHz) -> .wav -> xACT v1.62 -> FLAC (level 8)

Recorded, edited, and FLAC'd by James Bartoli

Special thanks to my road buddies Jenn Treisch, Kevin Rudnick, John & Kristen LaBonte, and Shawn Stackpoole, without whom this recording would not have been possible.

* A few pops and distracting claps were removed with iZotope RX from the 24bit/48Khz mix files.