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History| Source # | 110244 |
| Entered by | Shawn McConnell |
| Checksums | flac.ffp |
| Disc Counts | 2 / 3 |
| Media Size | |
| Date Circulated
Date Added |
10/09/2010 10/11/2010 |
Download Text | Download Zip
Other Sources
Other Sources
- (109505) Taper: Ryan Hoyt Source: dpa 4028 > v2 > 722...
- (109506) FLAC24 Taper: Ryan Hoyt Source: dpa 4028 >...
- (110242) Taper: Christopher Jones Source: DPA 4015-TL...
- (110243) Taper: Christopher Jones Source: DPA 4022...
- (111645) Reconversion Taper: Christopher Jones...
- (111646) Reconversion Taper: Christopher Jones...
Source Summary
Taper: Christopher Jones
Source: 4-Microphone Matrix
Location: General admission floor, directly in front of FOH console.
Taper: Christopher Jones
Source: 4-Microphone Matrix
Location: General admission floor, directly in front of FOH console.
Dave Matthews Band
14 August 2010
INTRUST Bank Arena
Wichita, Kansas
Recorded by: Christopher Jones
Source: 4-Microphone Matrix
Primary Coincident Stereo Pair: DPA 4015-TL Transformerless Handmatched Wide Cardioid > DPA AO0182 XLR Interconnect > Sound Devices 722 Hard Disk Recorder (@ 24-bit / 96 kHz)
Secondary Spaced Stereo Pair: DPA 4022 Handmatched Compact Cardioid > Audio Technica XLR Interconnect > Sound Devices 722 Hard Disk Recorder (@ 24-bit / 96 kHz)
All tracks mixed in post by Christopher Jones
Location: General admission floor, directly in front of FOH console. 4015-TL pair elevated 3.5 meters, ORTF, approximately 10 meters from stageleft line array. 4022 pair spaced approximately 20 meters across floor, elevated approximately 3 meters on separate microphone stands, A-B, each approximately 10 meters from stageleft or stageright line array. Stageright-assigned 4022 run through 60 meters of Audio Technica XLR routed to primary location at FOH.
HD > .flac: Sound Devices 722 Hard Disk Recorder (x 2) > Apple Mac Pro (2 x 2.66 GHz Dual-Core Intel Xeon / 9GB 667 MHz DDR2 FB-DIMM) > Audiofile Engineering Wave Editor v1.4.5 > xACT v1.62
Resampled with iZotope Resampler at highest quality setting and a filter steepness of "150"; dithered using iZotope MBIT+ with a "Normal" amount of "Ultra" noise shaping applied. 24-bit / 96 kHz version of this recording available in .flac24.
d1t01 Introduction 02:29.14
d1t02 Minarets 05:53.31
d1t03 (True Dreams of Wichita $) 00:23.73
d1t04 You Might Die Trying 08:46.29
d1t05 Stay or Leave 05:23.57
d1t06 The Best of What's Around 06:19.59
d1t07 Seven 05:40.06
d1t08 Funny The Way It Is 06:58.71
d1t09 Don't Drink The Water 06:57.50
48:53.15
d2t01 Baby Blue 05:04.22
d2t02 Lying In The Hands of God 13:33.70
d2t03 Intro To... 00:28.50
d2t04 Crush 13:49.37
d2t05 Why I Am 04:23.47
d2t06 (True Dreams of Wichita $) 01:17.74
d2t07 Gravedigger > 04:16.21
d2t08 Lie In Our Graves 13:41.17
56:35.38
d3t01 Black Jack 07:07.01
d3t02 Shake Me Like A Monkey 04:10.08
d3t03 You And Me 04:29.03
d3t04 Ants Marching 17:27.65
--
d3t05 Some Devil * 05:23.59
d3t06 Grey Street 06:52.60
45:30.46
() Indicates a tease or partial song if not part of a song with a
parenthetical subtitle
$ Soul Coughing cover
> Indicates a segue into the next song
* Dave solo
Entire set features Tim Reynolds, Rashawn Ross, and Jeff Coffin.
Notes:
Stageright-assigned DPA 4022 channel left unattended throughout the set. Microphone stand was affixed to barricade running parallel to side of arena. Patrons grabbing barricade throughout the evening created periodic swaying of the microphone stand that is slightly audible during certain passages.
This recording would not have been possible without the help of Ryan Hoyt and Crumbo.
Compiled by Christopher Jones 31 August 2010.
14 August 2010
INTRUST Bank Arena
Wichita, Kansas
Recorded by: Christopher Jones
Source: 4-Microphone Matrix
Primary Coincident Stereo Pair: DPA 4015-TL Transformerless Handmatched Wide Cardioid > DPA AO0182 XLR Interconnect > Sound Devices 722 Hard Disk Recorder (@ 24-bit / 96 kHz)
Secondary Spaced Stereo Pair: DPA 4022 Handmatched Compact Cardioid > Audio Technica XLR Interconnect > Sound Devices 722 Hard Disk Recorder (@ 24-bit / 96 kHz)
All tracks mixed in post by Christopher Jones
Location: General admission floor, directly in front of FOH console. 4015-TL pair elevated 3.5 meters, ORTF, approximately 10 meters from stageleft line array. 4022 pair spaced approximately 20 meters across floor, elevated approximately 3 meters on separate microphone stands, A-B, each approximately 10 meters from stageleft or stageright line array. Stageright-assigned 4022 run through 60 meters of Audio Technica XLR routed to primary location at FOH.
HD > .flac: Sound Devices 722 Hard Disk Recorder (x 2) > Apple Mac Pro (2 x 2.66 GHz Dual-Core Intel Xeon / 9GB 667 MHz DDR2 FB-DIMM) > Audiofile Engineering Wave Editor v1.4.5 > xACT v1.62
Resampled with iZotope Resampler at highest quality setting and a filter steepness of "150"; dithered using iZotope MBIT+ with a "Normal" amount of "Ultra" noise shaping applied. 24-bit / 96 kHz version of this recording available in .flac24.
d1t01 Introduction 02:29.14
d1t02 Minarets 05:53.31
d1t03 (True Dreams of Wichita $) 00:23.73
d1t04 You Might Die Trying 08:46.29
d1t05 Stay or Leave 05:23.57
d1t06 The Best of What's Around 06:19.59
d1t07 Seven 05:40.06
d1t08 Funny The Way It Is 06:58.71
d1t09 Don't Drink The Water 06:57.50
48:53.15
d2t01 Baby Blue 05:04.22
d2t02 Lying In The Hands of God 13:33.70
d2t03 Intro To... 00:28.50
d2t04 Crush 13:49.37
d2t05 Why I Am 04:23.47
d2t06 (True Dreams of Wichita $) 01:17.74
d2t07 Gravedigger > 04:16.21
d2t08 Lie In Our Graves 13:41.17
56:35.38
d3t01 Black Jack 07:07.01
d3t02 Shake Me Like A Monkey 04:10.08
d3t03 You And Me 04:29.03
d3t04 Ants Marching 17:27.65
--
d3t05 Some Devil * 05:23.59
d3t06 Grey Street 06:52.60
45:30.46
() Indicates a tease or partial song if not part of a song with a
parenthetical subtitle
$ Soul Coughing cover
> Indicates a segue into the next song
* Dave solo
Entire set features Tim Reynolds, Rashawn Ross, and Jeff Coffin.
Notes:
Stageright-assigned DPA 4022 channel left unattended throughout the set. Microphone stand was affixed to barricade running parallel to side of arena. Patrons grabbing barricade throughout the evening created periodic swaying of the microphone stand that is slightly audible during certain passages.
This recording would not have been possible without the help of Ryan Hoyt and Crumbo.
Compiled by Christopher Jones
dmb2010-08-14d1t01.flac:9a91a0b4e8afae4b23700198f2782c28
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dmb2010-08-14d3t06.flac:24948bb660139abdaef9b0e040f3bce9
Comments
Other Sources (comments) Taper: Ryan Hoyt
Source:... (0)
FLAC24 Taper: Ryan Hoyt... (0)
Taper: Christopher Jones... (1)
Taper: Christopher Jones... (1)
Reconversion Taper:... (0)
Reconversion Taper:... (0)
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This website written by Tom H Anderson and maintained by the etreedb.org community.
Cached: Tue, 30 Apr 2024 22:49:33 EDT