Black Crowes 11/20/10
Tabernacle, Atlanta, GA
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The Black Crowes
The Tabernacle
Atlanta, Georgia, USA
November 20, 2010

A Doodee Music Master Recording

"If it's a DOODEE, you know it's the SHIT®"
     - Stripeydave 2008

- acoustic set -
1. JEALOUS AGAIN
2. HOTEL ILLNESS
3. TORN & FRAYED
4. BALLAD IN URGENCY >
5. WISER TIME
6. GARDEN GATE
7. COLD BOY SMILE
8. GIRL FROM A PAWNSHOP
9. DARLING OF THE UNDERGROUND PRESS
10. ROLL OLD JEREMIAH
11. SHE TALKS TO ANGELS

- electric set -
12. CURSED DIAMOND
13. SOUL SINGING
14. BLACKBERRY
15. I AIN'T HIDING
16. TITLE SONG
17. FEARLESS
18. THORN IN MY PRIDE
19. GOODBYE DAUGHTERS OF THE REVOLUTION
20. REMEDY
21. NO SPEAK NO SLAVE
- encore -
22. FEELIN' ALRIGHT
23. OH! SWEET NUTHIN'


Trade only. Support The Black Crowes by buying their records and merchandise and attending their shows. This is the last go 'round for the forseeable future. Miss 'em live and you missed what it's all about with this band.

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Date User Comment
02/15/2011 jthomas0237

This post is all about freely sharing some great music, spreading the vibe of these bands, increasing sales of their goods and attendance at their shows and having a little fun.
______________________________________________________________________

Thought the NC run was it for me. Prayers were offered, promises were made, planets aligned, blessings were bestowed, and there I was for The Crowes final two shows in their hometown of Atlanta at The Tabernacle.

One thing I've heard fairly consistently from Atlanta fans - The Crowes have delivered less than unique performances in Atlanta. Of course that's a matter of opinion. At the same time, This being the last scheduled Atlanta gigs, I did believe something special was gonna go down in their hometown on possibly this last go-round so I drove down for the get-down. Good call by Uncle D.

So at this point I had already had my mind blown Friday night. How were the boys even gonna approach the sustained excellence of that one? A lesson I learned a long time ago - never underestimate The Robinson's, they always seem to find a way to deliver.

Night Two - Acoustic Set. Fast start.

Friday evening eased in with a nice "Good Friday " but Saturday came out swingin' with the rockin' one/two punch of "Jealous Again" and "Hotel Illness". One of my favorite parts of these 2010 shows - seeing Steve Gorman come out front during "Hotel Illness" and beat the living hell outta that bass drum two handed fashion. Priceless. One of the Saturday highlights checks in next as our "Exile On Main St." weekend theme continues with "Torn & Frayed". Really cool version here with more of a honky tonk vibe thanks to Luther's steel work. I neglected to mention this in the post for Friday's show, but something very cool that happened at these gigs as opposed to others I had seen up til now was a stretch of acoustic numbers each night that featured Luther on steel guitar. Definitely gave those songs a unique feel. Next was the "Ballad In Urgency" >"Wiser Time" behemoth. Some folks feel this one's an ol' warhorse but it never gets old for me. Turns out "Wiser", "Thorn" and "Remedy" would be the only songs repeated from Friday night's set - each were flip-flopped acoustic/electric and each featured very different jams during the breakdowns. "Garden Gate" took everyone to the front porch for a bit before we were treated to a nice "Cold Boy Smile". Chris gave us a really nice vocal during "Pawnshop" before dragging us into the nasty blues of "Darling". Luther fired up the mandobird and then the electric for a tasty coda to close "Roll Old Jeremiah" and "Angels" took us out to the break. Everyone hits the pits to fuel up before the electrification festivities begin.

Acoustic shows pretty much in a dead heat at this point but I give a slight edge to night two. Sound seems dialed in a bit better at night two and I think that's a factor.

Night Two - Electric Set. It smokes. Chris owns it.

There was plenty of evidence in tonight's acoustic set, but in this electric set Chris leaves no doubt that this particular gig was his show. The only way I know how to put it - Chris gave 200% at this one. He sang with such conviction and emotion. He was animated (even more than usual). He was all over the place with the mic stand. And he knew he was killing it - borderline giddy at how things were going.

You may remember last night Uncle D stepped up to the plate and hit a dinger by calling "Waiting Guilty" to open the electric set. Once is a fluke, twice is a trend. And a trend we have as I go 2 for 2 by correctly calling "Cursed Diamond" to commence the electrification. This song is hands down my favorite set opener and I feel damned priviledged to get it. This one hasn't been played much at all this go round. After a "discussion" between Chris and Rich that involved some pointed fingers they lit into "Soul Singing", the compact version, not the extended one. We dive straight outta that into "Blackberry" which has a unique jam at the end (what southerners don't love them some "Blackberry" jam). The quick pace continues with the disco-coke of "I Ain't Hiding". Where last night's electric set started with three behemoths totally 45 minutes this one is coming fast and furious. Things get a little more jammy and extended with a great "Title Song" - Chris totally in charge of this one with the vocal. Rich steps up with the first of his two vocal highlights of the night with a really nice take on Pink Floyd's "Fearless". The jams arrive next with "Thorn". Gorman gets a feature on the kit, the guitar breaks are unique and Chris goes off on a blues vocal improv before kickin' into that almost "Midnight Rambler" harmonica section. This is definitely one of the freshest sounding and most enjoyable versions of this song I can recall. "Daughters" is pretty standard and "Remedy" is the Saturday night party number it oughta be. Nice treat as a powerful "No Speak No Slave" closes the set.

Encore time. Chris comes out first, sits down at Steve's kit and slaps a few skins. He puts down the sticks and puts his finger to his mouth as if to say "Shhhh" to the crowd. Gorman comes out, walks up front, grabs Chris' mic stand and says "Do I fuck with your shit?" before returning to the kit. Steve gets to the point. Chris finds it wildly amusing.

Chris starts shakin' the maracas and I think we're gonna get "Gone". Nope. A really smokin' "Feelin' Alright" will do just fine. Rich steps up to the mic and closes us out with "Oh! Sweet Nuthin'" including multiple tasty guitar jams and Chris and Sven injecting The Beatles' "Hey Jude" into the middle of the song. Everyone stage front, everyone all smiles. Even Rich. In the parting words of Chris - "We'll see ya when we see ya". This band is killin' it. Hope it's sooner than later.

Peace and good luck to all the fine folks I met at these GA shows. - and all shows on this tour. Strange theme of the weekend - I had a hard time running into fans at these shows that were actually from Atlanta, or even Georgia. I talked to quite a lot folks and the states I remember represented - SC, NC, MI, VA, TN, WV, FL, AL, PA and of course RI (Russ, are you stalking me?). Just another testament to the incredible sense of community and dedication this band breeds in it's fanbase. Not nearly as much of that around these days as there should be. And another thing - the vast majority of fans at Crowes shows seem to be there for the music - not to talk on their mobile, not to text, not to yack to a group of friends all night about their friggin' social network updates - but to get into the music and the vibe and the moment. And there's not nearly as much of that around these days as there should be.

This download, as with all of my Crowes masters, should only be a temporary fix - everyone needs to get the official version at www.liveblackcrowes.com as soon as it's released.

Check the samples and use the democratic process. Actually, it's not necessary to check a damn thing. Just download, enjoy, and pass it on. The Uncle D money back guarantee applies. In triplicate. Y'all enjoy!
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