Source #	115019
Entered by	Mark Goldey
Checksums	lettuce2011-03-01.tlm170. , lettuce2011-03-01.tlm170.
Disc Counts	0 / 0
Media Size
Date Circulated Date Added	07/25/2011

Download Text | Download Zip

Other Sources

• (115017)  24 bit  Neumann TLM-170 (hypercardoids, FOB...

Source Summary
16 bit Neumann TLM-170 (hypercardoids, FOB almost parallel to right PA, about 30' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (time alignment; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav.

Lettuce
Bowlive II, night 1
Brooklyn Bowl, Brooklyn, NY
3/1/2011

Neumann TLM-170 (hypercardoids, FOB almost parallel to right PA, about 30' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (time alignment; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav.

1.  intro
2.  Blast Off
3.  Last Suppit
4.  P-Funk Medley:  includes Mothership Connection / Let's Take It To The Stage / Take Your Dead Ass Home / Up For The Down Stroke
5.  Uptown Up
6.  There Was A Time
7.  The Night Time Is The Right Time
8.  Shake Everything You Got
9.  Pass The Peas ->
10. Soul Power (tease) ->
11. Pass The Peas ->
12. Making My Way Back +
13. banter - Nigel thanks Maceo
14. encore break
15. Sam Huff's Flying Ragin' Machine +
16. By Any Shmeeans Necessary
17. banter - Nigel says goodnight


Maceo Parker plays saxophone and sings on tracks 4 through 11

+ = w/James Hurt on keys

Note that Lettuce with special guest Maceo Parker played their own set after Soulive's.  That set can be found at http://www.archive.org/details/lettuce2011-03-01.tlm170.flac16

Big thanks to Peter Costello for hooking me up with a new, improved recording location in the venue.  You can really hear that this is a step-up from most of the previous stuff I've recorded there (excepting maybe the Lettuce/Maceo Haiti benefit from 1/18/2011, or possibly the Les Claypool 6/13/2010 show I recorded there)

Recorded, mastered, tracked, and posted by Scott Bernstein